Arizona Broadway Theatre, Peoria Azbroadway.Org Arizona Theatre

Total Page:16

File Type:pdf, Size:1020Kb

Arizona Broadway Theatre, Peoria Azbroadway.Org Arizona Theatre THEATER Aging Magician, at ASU Gammage, Tempe. Photo by Jill Steinberg. Jan. 30 Tenors Un Limited: Holmes and Watson, a world premier mystery by Vegas to Venice Tour Jeffrey Hatcher Arizona Broadway Theatre, Peoria Feb. 13 Sons of the Pioneers Tucson: April 15-May 6 Phoenix: May 11-28 azbroadway.org Feb. 20 Diamond Rocks Phoenix and Tucson performances take place at the Herberger Theater Center and the Temple of Music and Art, respectively. Mainstage Shows: Feb. 27 Whitney: The Tribute, The Concert Oct. 14-Nov. 13 Funny Girl The Musical March 20 Paperback Writer: The Ultimate Nov. 25-Dec. 28 A Christmas Story The Musical Beatles Experience ASU Gammage, Tempe Jan. 13-Feb. 11 Camelot March 27 December ’63: The Frankie Valli & The asugammage.com March 17-April 16 Jesus Christ Superstar Four Seasons Tribute Concert Broadway Season: April 28-May 21 Oliver! Apri 3 One of These Nights: The Ultimate Oct. 18-23 The Sound of Music June 2-July 2 Beauty and the Beast Tribute to America’s Favorite Band, Nov. 22-27 Beautiful – The Carol King Musical July 21-Aug. 20 Saturday Night Fever The Eagles Feb. 7-12 Matilda The Musical Sept. 1-24 Hands on a Hardbody March 14-19 Finding Neverland Special Engagements: Arizona Theatre Company, April 18-23 An American In Paris Sept. 22-Oct. 2 Church Basement Ladies Phoenix & Tucson June 20-25 The Curious Incident of the Dog in the Feb. 16-March 3 Menopause The Musical arizonatheatre.org Night-Time ABT After Dark Cabaret: Special Engagements: Oct. 28 Dec. 16 Jan. 27 King Charles III by Mike Bartlett Dec. 6-11 Mama Mia! March 31 May 12 June 16 Tucson: Sept. 10-30 Phoenix: Oct. 6-23 Jan. 17-22 The Illusionists – Live From Broadway Aug. 4 Sept. 15 An Act of God by David Javerbaum May 18-28 The Book of Mormon Concert Series: Tucson: Oct. 22-Nov. 12 Phoenix: Nov. 17-Dec. 4 BEYOND Series: Oct. 17 Oktoberfest with Fiddler on the Roof - music by Jerry Bock, lyrics by Oct. 15 Speed Killed My Cousin - The The Chardon Polka Band Sheldon Harnick, book by Joseph Stein Carpetbag Theatre Inc. Nov. 7 Man in Black: The Music of Johnny Cash Tucson: Dec. 3-31 Phoenix: Jan. 6-29 Nov. 12 Agua Furiosa - Contra Dec. 5 A Big Band Christmas Celebration Jan. 28 Aging Magician - Rinde Eckert & Paola Dec. 19 Blue Christmas: The River Bride by Marisela Treviño Orta Prestini at Galvin Playhouse A Holiday Salute to Elvis Tucson: Jan. 14-Feb. 4 Phoenix: Feb. 9-26 March 4 It's So Learning - The Berserker Jan. 16 The Garth Guy: The Ultimate Garth Ring of Fire: The Music of Johnny Cash - created by Residents Brooks Tribute Show Richard Maltby, Jr., conceived by William Meade April 1 Dearest Ohme - Kyle Abraham/ Jan. 23 ABBAFab Tucson: March 4-25 Phoenix: Feb. March 30-April 16 Abraham.In.Motion 68 OCTOBER 2016 | EchoMag.com theater ASU School of Music Borderlands Theater, Desert Stages Theatre, Lyric Opera Theatre Tucson Scottsdale music.asu.edu/lyric-opera-theatre borderlandstheater.org desertstages.org Sept. 28 Musical Interlude Series presents Through Sept. 25 Nogales by Richard Montoya; Mainstage Series: Music Theatre Season Sampler at the directed by Sean San Jose Sept. 30-Oct. 30 Seussical Musical Instrument Museum (MIM) Dec. 1-11 La Pastorela written by Milta Ortiz and Jan. 13-Feb. 12 The Mystery of Edwin Drood Sept. 29 & Oct. 1-2 H.M.S. Pinafore at Evelyn Smith Music the Ghosts Writers April 7-May 7 The Producers Theatre | Music by Sir Arthur Sullivan Feb. 1-12 Guera written and performed Next Stage Series: Libretto by W. S. Gilbert by Lisandra Tena June 30-July 30 Catch Me If You Can Nov. 6 March 30-April 9 Shooting Columbus by Klee Benally, New Works Reading Babe: An Actor’s Café Series: Ryan Pinto, Adam Cooper-Teran and Olympian Musical at ASU Kerr Cultural Aug. 12-Sept. 19 Don’t Dress for Dinner Denise Uyehara; directed by Rachel Center | Music by Andrea Jill Higgins; Oct. 7-Nov. 13 Lost in Yonkers Bowditch book and lyrics by Carolyn Gage Nov. 25-Dec. 23 Coney Island Christmas Nov. 17-20 Guys and Dolls at Evelyn Smith Music Performances take place at Temple of Music and Art Cabaret Theater unless otherwise noted. Jan. 6-Feb. 12 Drop Dead Theatre | Music and lyrics by Frank March 3-April 9 Ruthless the Musical Loesser; book by Abe Burrows and Jo April 28-June 4 Macbeth Swerling Broadway in Tucson June 16-July 23 The Importance of Being Earnest Feb. 23-26 The Magic Flute at Evelyn Smith Music broadwayintucson.com Also see Desert Stages Theatre under Youth Theater. Theatre | Music by Wolfgang Through Sept. 25 Cabaret Amadeus Mozart; libretto by Emanuel Oct. 21-23 Mamma Mia! Schikaneder Fountain Hills Theater Nov. 29-Dec. 4 The Sound of Music fhtaz.org April 2 New Works Reading of Love: An Jan. 24-29 Dirty Dancing Opera in One Act at ASU Kerr Cultural Feb. 21-26 Motown The Musical Mainstage: Center| Music by Ellen Reid; libretto by March 14-19 Kinky Boots Oct. 14-30 The Glass Menagerie Roxie Perkins; produced by Beth April 12-16 The Bodyguard Jan. 20-Feb. 5 Joseph and the Amazing Technicolor Morrison Performances take place at Centennial Hall. Dreamcoat April 10 “Singing is Believing,” an ASU March 10-26 Leading Ladies vocal music showcase, at Scottsdale April 21-May 7 The Best Little Whorehouse in Texas Desert Foothills Theater, Center for the Performing Arts Mainstage Too: April 20-23 Shrek The Musical | Music by Jeanine Scottsdale dftheater.org Nov. 4-20 Assassins Tesori; book and lyrics by David Dec. 2-18 A Christmas Carol, The Musical Lindsay-Abaire Nov. 11-13 and 18-19 Nunsense: The Mega Musical Comedy Jan. 6 -15 Love Letters April 24 Music Theatre Showcase at Phoenix Jan. 13-15 and 20-22 All Shook Up, featuring the songs May 12-28 4 on the Floor Theatre of Elvis Presley Also see Fountain Hills Theater under Youth Theater. April 29 Opera Scenes Performance at ASU Feb. 3-5 and 10-12 Unnecessary Farce School of Music, Room EB2-094 March 31; April 1-2 and 7-9 Gypsy Debra Qualtire, Alex Gonzalez, Noel Irick and Also see Desert Foothills Theater under Youth Theater. Peter J. Hill from Fountain Hills Theater’s Performances take place at Cactus Shadows Fine production of 30 Years: The Show. ASU MainStage Arts Center Main Stage Theater in Scottsdale. School of Theatre, Film, Dance theatrefilm.asu.edu See website for performance locations. Black Theatre Troupe, Phoenix blacktheatretroupe.org Oct. 7-23 Rasheeda Speaking by Joel Drake Dec. 2-18 Black Nativity by Langston Hughes Feb. 10 -26 Broke-ology by Nathan Louis Jackson April 5-23 Scottsboro Boys | book by David Thompson; music by John Kander; lyrics by Fred Ebb Performances take place at Helen K. Mason Performing Arts Center in Phoenix. theater EchoMag.com | OCTOBER 2016 69 Hale Centre Theater Center, at Center Stage Events: Theatre, Gilbert Jan. 6-29 Fiddler on the Roof,produced by Arizona Sept. 22 Live Wire with Luke Burbank haletheatrearizona.com Theatre Company, Center Stage at Stage West Jan. 31 Shakespeare’s Julius Caesar, Nov. 5 Festival of the Arts Through Nov. 15 You Can’t Take It With You presented by The Acting Company, March 11 Arizona Young Artists’ Competition, Oct. 13-Nov. 26 Seven Brides for Seven Brothers ASU Herberger Institute For Design presented by Herberger Theater Dec. 1-24 A Christmas Carol and the Arts and Herberger Theater, Center and Center Dance Ensemble, Dec. 31-Feb. 11 Is He Dead? at Center Stage at Stage West Jan. 17-April 18 The Marvelous Wonderettes Feb. 1 X, Presented by The Acting Company, April 30 Plated & Staged: A Herberger Theater Feb. 16-April 1 Thoroughly Modern Millie ASU Herberger Institute For Design Experience April 6-May 13 No Time for Sergeants and the Arts and Herberger Theater, May 18-July 1 Aida July 7-Aug. 19 Disney’s The Little Mermaid at Center Stage Feb. 17-March 4 Permanent Collection, Co-Produced by iTheatre Collaborative and ASU West Herberger Theater Campus, Kax Stage Center, Phoenix March 2-5 Love Stories, produced by Center herbergertheater.org Dance Ensemble, Stage West Oct. 6-23 King Charles III, produced by Arizona March 30-April 16 Ring of Fire: The Music of Johnny Cash, Theatre Company, at Center Stage Produced by Arizona Theatre Oct. 14-29 Veronica’s Room, produced by Company, Center Stage iTheatre Collaborative, at Kax Stage April 19-20 Hughie, presented by Center Dance Oct. 20-23 Masquerades,produced by Center Ensemble, Kax Stage Dance Ensemble, at Stage West April 19-20 American Voices, presented by Center Nov. 17-Dec. 4 An Act of God,produced by Arizona Dance Ensemble, Kax Stage Theatre Company, at Center Stage May 12-14 Playback Theatre: From Life to Story Dec. 3-18 Frances Smith Cohen’s Snow Queen, to Stage, Co-Produced by iTheatre produced by Center Dance Ensemble, Collaborative and Essential Theatre, at Stage West Kax Stage Dec. 5-22 Themes and Variations … ‘Tis The Lunch Time Theater: Image courtesy of itheatreaz.org. Season, Produced by SCAN Originals, Sept. 19-29 A Boy Named César at Kax Stage at Kax Stage Oct. 3-13 Doc Holliday’s Woman, Kate: The Invisible Theatre, Tucson Dec. 9-18 Give Me Christmas!, iTheatre’s Holiday Woman Of Many Names at Center Stage invisibletheatre.com Cabaret, at Kax Stage Oct. 7-17 OperAntics II – The Sequel Nov. 1-13 Alive and Well by Kenny Finkle Dec.
Recommended publications
  • Slap Magazine Issue 90 (April 2019)
    Issue 90 Apr2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] Spring is here as we turn our thoughts to the season ahead, and what a summer it will surely be with all the music and arts events in the pipeline. We again look forward to a few of the local music festivals such as Mello, where Severn Sounds again have a stage focusing on the young talent around the area; Kidderminster, Hereford, Worcester Colleges and Christopher Whitehead, Pershore and Tewkesbury High Schools are all represented, which bodes well for the future of our local music scene. We Apr 2019 bring news of other festivals such as Upton Jazz and Under the Hill festival near Evesham. Poetry lovers are also catered for In this issue, as we SLAP MAGAZINE highlight a vibrant spoken word scene, with articles on the Unit 3a, Lowesmoor Wharf, upcoming Cheltenham Poetry Festival and the Evesham Festival of Words, as well as all the other regular local Worcester WR1 2RS events.. Telephone: 01905 26660 There’s plenty for art fans in these pages too. If you haven’t [email protected] been to see the Matisse exhibition at Worcester Museum EDITORIAL yet, then I suggest you pop along before it ends later in the Mark Hogan - Editor month.
    [Show full text]
  • The Morning Line
    THE MORNING LINE DATE: Tuesday, June 7, 2016 FROM: Melissa Cohen, Michelle Farabaugh Emily Motill PAGES: 19, including this page C3 June 7, 2016 Broadway’s ‘The King and I’ to Close By Michael Paulson Lincoln Center Theater unexpectedly announced Sunday that it would close its production of “The King and I” this month. The sumptuous production, which opened in April of 2015, won the Tony Award for best musical revival last year, and had performed strongly at the box office for months. But its weekly grosses dropped after the departure of its Tony-winning star, Kelli O’Hara, in April. Lincoln Center, a nonprofit, said it would end the production on June 26, at which point it will have played 538 performances. A national tour is scheduled to begin in November. The show features music by Richard Rodgers and book and lyrics by Oscar Hammerstein II. The revival is directed by Bartlett Sher. C3 June 7, 2016 No More ‘Groundhog Day’ for One Powerful Producer By Michael Paulson Scott Rudin, a prolific and powerful producer on Broadway and in Hollywood, has withdrawn from a much- anticipated project to adapt the popular movie “Groundhog Day” into a stage musical. The development is abrupt and unexpected, occurring just weeks before the show is scheduled to begin performances at the Old Vic Theater in London. “Groundhog Day” is collaboration between the songwriter Tim Minchin and the director Matthew Warchus, following their success with “Matilda the Musical.” The new musical is scheduled to run there from July 15 to Sept. 17, and had been scheduled to begin performances on Broadway next January; it is not clear how Mr.
    [Show full text]
  • Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
    Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S.
    [Show full text]
  • Le Bugie Sul Porto Franco Del Sindaco Cosolini Con Rosato, Antonione E Un Po’ Troppi Associati
    L’informazione, le inchieste e la cultura indipendenti per Trieste ed il suo spazio internazionale Quindicinale – Anno 2 - N. 22 - 22 marzo 2013 - € 1,50 Il nostro programma è la semplice ed antica regola di amare il bene, dire la Le bugie sul Porto Franco verità, non avere paura, proteggere i più deboli. del sindaco Cosolini Con Rosato, Antonione e un po’ troppi associati Quando uno o più politici, pubblici amministratori ed organi di stampa Editoriale incominciano a dire e scrivere cose non vere su un argomento importan- te, è giusto pensare che stiano solo Leadershit sbagliando in buona fede per man- canza di informazioni sufficienti. E quando continuano a dire il Non è un errore di stampa sul primo titolo falso avendo disponibili tutte le del giornale. E non è neanche la recensio- informazioni necessarie, puoi an- ne dell’omonimo libro di Andrea Vitullo su che credere che si stiano sempli- come “rottamare la mistica della leadership e cemente dimostrando incapaci o irresponsabili, ed insistere a ri- farci spazio nel mondo”. proporgliele perché si correggano. Ma se poi continuano egualmente, È che per rifarsi spazio nel mondo Trieste e non sembrano degli imbecilli, sei deve affrontare appunto un serio problema di legittimato a dedurne (e come gior- nalista a scriverne doverosamente, leadershit. trattandosi di evidenza d’interesse pubblico) che lo stanno facendo Non possiamo cioè continuare sostenere, ma apposta. Cioè che raccontano bu- gie sapendo di mentire. E peggio anzi dobbiamo rottamare, la leaderhip di una ancora se ne aumentano addirittura classe politica che, con singole eccezioni per- intensità, aggressività e frequenza.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • Castleton Festival Opera the Britten Project: the Rape of Lucretia
    CAL PERFORMANCES PRESENTS Thursday, March 24, 2011, 8pm Friday, March 25, 2011, 8pm Zellerbach Hall Castleton Festival Opera The Britten Project: The Rape of Lucretia Composed by Benjamin Britten Conducted by Lorin Maazel Stage Direction by William Kerley Berkeley Symphony production Set & Costume Designer Nicholas Vaughan Lighting Designer Rie Ono Production Stage Manager Laine Goerner Assistant Director Amanda Consol Assistant Lighting Designer Marnie Cumings Associate Lighting Designer Brandon Mitchell Assistant Costume Designer Sarah Swafford cast (in order of vocal appearance) Male Chorus Vale Rideout Female Chorus Arianna Zukerman Collatinus Michael Rice Junius Michael Weyandt Tarquinius Matthew Worth Lucretia Ekaterina Metlova Bianca Alison Tupay Lucia Marnie Breckenridge music staff Assistant Conductor Blake Richardson Rehearsal Pianist/Coach Wilson Southerland By arrangement with Boosey & Hawkes, Inc., publisher and copyright holder. These performances are funded, in part, by the Britten-Pears Foundation and by Patron Sponsors Susan Graham Harrison and Michael A. Harrison. Cal Performances’ 2010–2011 season is sponsored by Wells Fargo. CAL PERFORMANCES 5 SYNOPSIS PROGRAM NOTES Scene 2 The Female Chorus takes us into the world of Lucretia at home with her nurse, Bianca, and maid, Lucia. They work, spinning yarn, embroi- dering, and folding linen, while Lucretia frets over Collatinus’s prolonged absence. Just as they are preparing to go to bed, Tarquinius arrives and demands to be put up for the night. With some trepidation, she invites him in and shows him to his room. Giuseppe DiLiberto Giuseppe act two The Rape of Lucretia (1946; rev. 1947) Scene 1 Civil unrest grows in Rome, and the discontent- he events of the opera, which take ed wait for the moment to revolt.
    [Show full text]
  • Minskoff Theatre
    MINSKOFF THEATRE 2015 © The Al Hirschfeld Foundation. 4 5 6 7 8 June 29, 2015 Presents the 2015 JIMMY™ AWARDS Honoring James M. Nederlander Produced by The Broadway League Foundation and Pittsburgh CLO Hosted by SUTTON FOSTER Lighting Designer Sound Designer Video Projection Design Video Production Andrew D. Ostrowski Christopher M. Evans Brian Beasley Apples and Oranges Production Manager Production Stage Manager Writer Announcer John R. Edkins Alix Claps Mary Jane Brennan Mamie Parris Company Management General Management Camp Broadway, LLC Camp Broadway, LLC Noelle Deutsch Melissa Caolo Music Director and Arranger Michael Moricz Choreographed by Kiesha Lalama Directed by Van Kaplan The Broadway League Foundation Charlotte St. Martin Al Nocciolino Rachel Reiner President, The Broadway League President Senior Manager Marketing and Business Development Public Relations Digital Jan Friedlander Svendsen Elisa Shevitz Neal Freeman with special thanks to Jim Glaub – Serino Coyne Special Thanks to New Studio on Broadway, NYU Tisch School of the Arts Department of Drama Co-Founded by Pittsburgh CLO and Nederlander Alliances LLC Founding President Van Kaplan, Founding Executive Director Susan Lee 9 Celebrating Jimmy Nederlander James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, is the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping
    [Show full text]
  • Download Projects As
    COMMERZBANK FRANKFURT SINCE 2000 KALI & SALZ AG, KASSEL SINCE 2002 OPENING CEREMONY TRAINSTATION LUDWIGSHAFEN 2006 SKYARENA FRANKFURT QIPCO TORNADO TOWER DOHA SINCE 2009 VISIT OF THE POPE FREIBURG VW PHAETON BUILDING WOLFSBURG AMADEUS AWARD CRO UNPLUGGED LIVE TOUR DAVID GARRETT EXPLOSIVE TOUR DIE ÄRZTE DAS COMBACK TOUR DIE FANTASTISCHEN VIER VIER UND JETZT TOUR DIE FANTASTISCHEN VIER REKORD TOUR DIE FANTASTISCHEN VIER FÜR DICH IMMER NOCH FANTA SIE DIE FANTASTISCHEN VIER VIEL TOUR DIE FANTASTISCHEN VIER *20TH ANNIVERSARY* HEIMSPIEL DIE FANTASTISCHEN VIER FORNIKA TOUR HELENE FISCHER SO WIE ICH BIN TOUR HERBERT GRÖNEMEYER DAUERND JETZT TOUR NENA WILLST DU MIT MIR GEHEN TOUR ROSENSTOLZ BIST DU DABEI TOUR SÖHNE MANNHEIMS CASINO BRD TOUR SÖHNE MANNHEIMS / XAVIER NAIDOO IZ ON TOUR SÖHNE MANNHEIMS & XAVIER NAIDOO MTV UNPLUGGED TOKIO HOTEL ROOM 483 TOUR XAVIER NAIDOO NICHT VON DIESER WELT TOUR XAVIER NAIDOO WIR HABEN ALLES GUTE VOR UNS TOUR ARCHITECTURE FILM / TV Culcha Candela Festivals 2009 Schönhauser Arcades Berlin since 2000 Die Fantastischen Vier MTV unplugged 2000 Die Ärzte „Kein Bock auf Jazz“ Festivaltour 2009 Commerzbank Tower Frankfurt since 2000 MTV European Music Award Tokio Hotel 2007 Digitalism Melt Festival 2009 Kali & Salz Kassel since 2002 Tobias Mann DVD 2009 Die Fantastischen Vier *20th anniversary* Heimspiel 2009 Sky Arena Frankfurt 2006 BuViSoCo 2011 Andreas Bourani Culcha Candela „Schöne neue Welt“ Tour 2009 QIPCO Tornado Tower Doha since 2009 Die Fantastischen Vier MTV unplugged 2012 Die Ärzte „Linz Open Air“ 2009 SESSION
    [Show full text]
  • Diverse on Screen Talent Directory
    BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination.
    [Show full text]
  • Download the Loft Cinema's 2019-2020 Annual Report
    4 Mission Statement 6 Letter From The Executive Director 7 Our Story 9 Community Feedback 11 At A Glance 11 By The Numbers 12-13 What We Do 15 Loft Film Fest 17 Loft Kids Fest 20 Solar Cinema 22 At The Box Office 23 Financial Data 24 Marketing 25-33 Donors 34 Volunteers 35 Loft Cinema Staff 36 Board Of Directors “The Loft Cinema is much more than an ambitious movie theater that shows high-quality films. Beyond screening everything from arthouse cinema to mondo cult classics, The Loft succeeds in being a hub for the community, allowing local organizations to rent out theaters, hosting outdoor movies in the city’s parks, and presenting rousing singalongs in its home base. Even during this downer year, The Loft is keeping busy with film streaming, private rentals and outdoor screenings in its own backyard. It’s a harmonious relationship: Tucson is lucky to have a place as magical as The Loft, and the cinema is lucky to have hordes of devoted fans.” - Tucson Weekly, Best Movie Theater 2020 THE LOFT CINEMA: MISSION STATEMENT Building community by celebrating the art and diversity of film. DEAR FRIENDS OF THE LOFT CINEMA, The best way I can come up with to describe The Loft Cinema in We are producing a two year “Annual” report because about the time 2019-2020 is a rollercoaster ride, and I’ve never been a big fan of we were ready to prepare the report for 2019, the world changed. rollercoasters. COVID 19 wreaked havoc on the world, and The Loft Cinema closed its doors for the first time ever on March 15.
    [Show full text]
  • Settling for Less: Th E Planned Resettlement of Israel’S Negev Bedouin Steven C
    SSettlingettling fforor LLessess THE PLANNED RESETTLEMENT OF ISRAEL’S NEGEV BEDOUIN STEVEN C. DINERO SPACE & PLACE This open access edition has been made available under a CC BY-NC-ND 4.0 license thanks to the support of Knowledge Unlatched. Not for resale. S L This open access edition has been made available under a CC BY-NC-ND 4.0 license thanks to the support of Knowledge Unlatched. Not for resale. Space and Place Bodily, geographic, and architectural sites are embedded with cultural knowledge and social value. Th e Anthropology of Space and Place series provides ethnographically rich analyses of the cultural organization and meanings of these sites of space, architecture, landscape, and places of the body. Contributions to this series will examine the symbolic meanings of space and place, the cultural and historical processes involved in their construction and contestation, and how they are in dialogue with wider political, religious, social, and economic institutions. Volume 1 Berlin, Alexanderplatz: Transforming Place in a Unifi ed Germany Gisa Weszkalnys Volume 2 Cultural Diversity in Russian Cities: Th e Urban Landscape in the post-Soviet Era Edited by Cordula Gdaniec Volume 3 Settling for Less: Th e Planned Resettlement of Israel’s Negev Bedouin Steven C. Dinero This open access edition has been made available under a CC BY-NC-ND 4.0 license thanks to the support of Knowledge Unlatched. Not for resale. S L Th e Planned Resettlement of Israel’s Negev Bedouin [ • ] Steven C. Dinero Berghahn Books New York • Oxford This open access edition has been made available under a CC BY-NC-ND 4.0 license thanks to the support of Knowledge Unlatched.
    [Show full text]
  • Prospectus - Scotland
    build your career in music PROSPECTUS - SCOTLAND www.academyofmusic.ac.uk Contents ABOUT THE ACADEMY 4-5 SHORT COURSES 8-9 HND MUSIC 12-13 BA (HONS) MUSIC & SOUND 14-15 M.MUS POPULAR MUSIC PERFORMANCE 16-17 ENRICHMENT PROGRAMME 18 STUDENT SUPPORT 19 MUSIC CAREERS 20 SKILLS 21 EDINBURGH 22 EXETER 22 GATESHEAD 23 GLASGOW 23 SOUTHAMPTON 24 ONLINE 24 HOW TO APPLY 26-27 FEES & FINANCE 28 ACCOMMODATION 29 CONTACT 30 2 - build your career in music 3 About Our students are at the heart of the Academy of Music and Sound, supported by our team of dedicated tutors. We offer specialist music performance and SPECIALISE IN: production education, preparing you for a career in the modern music industry. Founded in 1994, the Academy of Music and Sound offers music education by professional musicians for ages 16-19, through to undergraduate and postgraduate study in Edinburgh, Exeter, Gateshead, Glasgow, Southampton, PERFORMANCE and Online. With UK artists dominating the global music scene and the increasing popularity PRODUCTION of festivals and live music bringing £4bn into the UK economy, it is an exciting industry for those looking for a fulfilling vocation. There are a huge range of career paths for you to follow, from performance, songwriting and production through to BUSINESS stage management and sound engineering. AMS alumni are now successfully within the UK and global music industry. Notable alumni include: • Tristan Evans - Drummer in Virgin EMI-signed band The Vamps – He is also the producer on many of their songs. They have launched their own record label and played in stadiums across the world.
    [Show full text]