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Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
For 30 Minutes, James H. Howard Single-Handedly Fought Off Marauding German Fighters to Defend the B-17S of 401St Bomb Group. for That, He Received the Medal of Honor
For 30 minutes, James H. Howard single-handedly fought off marauding German fighters to defend the B-17s of 401st Bomb Group. For that, he received the Medal of Honor. One-Man Air Force By Rebecca Grant Mustang pilot who took on the German Air Force single-handedly, and saved on Nazi aircraft and fuel production. our 401st Bomb Group from disaster?” uesday, Jan. 11, 1944, was Devastating missions to targets such wondered Col. Harold Bowman, the a rough day for the B-17Gs as Ploesti in Romania had already unit’s commander. of the 401st Bomb Group. produced Medal of Honor recipients. Soon the bomber pilots knew—and TIt was their 14th mission, but the Many were awarded posthumously, and so did those back home. first one on which they took heavy nearly all went to bomber crewmen. “Maj. James H. Howard was identi- losses—four aircraft missing in ac- Waist gunners, pilots, and naviga- fied today as the lone United States tion after bombing Me 110 fighter tors—all were carrying out heroic acts fighter pilot who for more than 30 production plants at Oschersleben and in the face of the enemy. minutes fought off about 30 Ger- Halberstadt, Germany. The lone P-51 pilot on this bomb- man fighters trying to attack Eighth Turning for home, they witnessed ing run would, in fact, become the Air Force B-17 formations returning an amazing sight: A single P-51 stayed only fighter pilot awarded the Medal from Oschersleben and Halberstadt with them for an incredible 30 minutes of Honor in World War II’s European in Germany,” reported the New York on egress, chasing off German fighters Theater. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Senate Keeps Health
20--MANCHESTER HERALD. Friday. Oci. 6., 1989 TOWN OF MANCHESTER LEGAL NOTICE CARS I CARS b e c a u s e y o u never FOR SALE know when someone will DEADLINES; For classified odvertlsments to Zoning Commission will hold a public hear- FOR SALE be searching for the Item be published Tuesday through Saturday, the Monday October 16, 1989 at 7:00 P.M. in ttie Hearing w u have for sale, it's BUICK 1979 Skvhawk - 2 deadline Is noon on the day before publica Center, 494 Main Street, Manchester, Connec better to run your want ad door hatch, good con- 1984 HONDA Civic Wagon tion. For advertisements to be published ticut to hear and consider the following petition: - 646-0767 or 649-4554, for several days ... cancel dltlon, standard. Monday, the deadline Is 2:30 p.m. on Frldoy. MANCHESTER - DAY CARE REGULATIONS Jack.__________ ing It os soon os you aet $700/best offer. 644- results. Application to amend the following Sections of the 6343. 1986 JEEP Wagoneer Ll- Manchester Zoning Regulations: Article I. Section 2.01; Article SUBARU 198'2-GL, red, 5 mlted - Excellent con II. Sections 2.01.08, 2.01.14 Now; 2.02.09; 2.02.16 New; Soc- dition, 43,000 miles, CARS jg i I CARS 3.01.07 New; 3.02.07 New; Sections 4.01 03- speed, air, sunroof. CARS 140K miles. $600/best automatic, air condl- FOR SALE CARS 4.01.08 New; 4.02.08 New; 4.02.09 New; Sections 5.01 04- tlonlng, am/fm FOR SALE L l j FOR SALE FOR SALE 5.01.12 New; 5.02.08 New; 5.02.09 New; Sections 6.01 04- offer. -
An Assessment of the Development of Target Marking Techniques to the Prosecution of the Bombing Offensive During the Second World War
Circumventing the law that humans cannot see in the dark: an assessment of the development of target marking techniques to the prosecution of the bombing offensive during the Second World War Submitted by Paul George Freer to the University of Exeter as a thesis for the degree of Doctor of Philosophy in History in August 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: Paul Freer 1 ABSTRACT Royal Air Force Bomber Command entered the Second World War committed to a strategy of precision bombing in daylight. The theory that bomber formations would survive contact with the enemy was soon dispelled and it was obvious that Bomber Command would have to switch to bombing at night. The difficulties of locating a target at night soon became apparent. In August 1941, only one in three of those crews claiming to have bombed a target had in fact had been within five miles of it. And yet, less than four years later, it would be a very different story. By early 1945, 95% of aircraft despatched bombed within 3 miles of the Aiming Point and the average bombing error was 600 yards. How, then, in the space of four years did Bomber Command evolve from an ineffective force failing even to locate a target to the formidable force of early 1945? In part, the answer lies in the advent of electronic navigation aids that, in 1941, were simply not available. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
The Genius of Hitchcock Part One: August 2012
12/44 The Genius of Hitchcock Part One: August 2012 Special events include: x Tippi Hedren in Conversation x TV Preview + Q&A: THE GIRL – new BBC2 drama telling the full story of Hitchcock’s relationship with Tippi Hedren x Camille Paglia: Women & Magic in Hitchcock x The Lodger + composer Nitin Sawhney in Conversation Over the course of almost three months, Hitchcock’s surviving body of work as director will be presented in its entirety at BFI Southbank. The films will be grouped together, taking inspiration from one his most famous films to present the 39 Steps to the Genius of Hitchcock to help audiences increase their understanding of this complex and fascinating director. The first part of the BFI Southbank season in August, with special thanks to Sky Movies/HD, focuses on the first 12 steps, beginning with The Shaping of Alfred Hitchcock. The recent discovery in New Zealand of several reels of The White Shadow, scripted by Hitchcock, made international headlines. But other material, too, survives from his apprentice years, prior to The Pleasure Garden. In The Shaping of Hitchcock: Reflections on The White Shadow author Charles Barr will present a richly illustrated narrative of Hitchcock’s formative years, as an introduction to a screening of the thus-far incomplete The White Shadow (1924). BFI Future Film presents The DIY Thriller Film Fortnight to accompany the second step: The Master of Suspense. This course will give participants aged 15-25 the chance to make short thriller films inspired by Hitchcock. The Evolution of Style will look at the development of Hitchcock’s style – described by the director as ‘the first true Hitchcock film’, The Lodger (1926) introduces themes that would run through much of Hitchcock’s later work. -
Spring Rights Guide 2021
Spring 2021 CONTENTS PFD FICTION 4 PFD NON-FICTION 24 DGA FICTION 73 DGA NON-FICTION 77 CONTACT 83 PFD FICTION FICTION LILY Rose Tremain ‘One of our most accomplished novelists' Observer “Nobody but she knows that her dream of death is a rehearsal for what will surely happen to her one day. Nobody knows yet that she is a murderer. She is seen as an innocent girl. In one month’s time she will be seventeen.” Foundling, rebel, angel, murderer. At the gates of a park in Bethnal Green in east London, in the year 1850, an abandoned baby is almost eaten by wolves. She is rescued by a young constable, who holds Agent: Caroline Michel the life of this child in his hands, and feels inexplicably drawn to her. Publisher: Chatto & Windus He takes her to The London Foundling Hospital, and Lily Editor: Clara Farmer is placed in foster care at the idyllic Rookery Farm, where she has the happiest of childhood’s, with her beloved Publication: November 2021 foster-mother Nellie. Until one rainy October day Lily is told the chilling news: ‘You’re going to a different place Page extent: 288 now, the place where the other children went, and you must not cry about it’. Rights sold: French (J Clattes) Lily’s a story of bravery, of resilience, of the darkness that German (Suhrkamp) lies within humanity- but also of its warmth. Lily is Italian (Einaudi) staggeringly real, she’s a character who grabs at your heart Russian (Eksmo) from the very first page and refuses to let go. -
Wavelength (February 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1984 Wavelength (February 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1984) 40 https://scholarworks.uno.edu/wavelength/40 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Ee.r~ K. LOng LibrarY Acquisitions Dept• UniversitY ot Ne~ or~eanf Ne~ or~eans, La· 70148 I THE NEW ORLEANS JAZZ & HERITAGE ...............-...._ FOUNDATION PRESENTS: AN EVENING WITH: Wynton Marsalis FRIDAY, FEBRUARY 24 at 8 PM McAlister Auditorium Tulane university TICKETS: $10 & $12 per person Available at an Ticketmaster outlets ' \ I I For ISSUE NO. 40 • FEBRUARY 1984 ISSN 0741 • 2460 New ''I'm not sure, but I'm almost Orleanians positive, that all music came from New Orleans. · · - Ernie K-Doe, 1979 who love table of contents • Cover photo by Rico. muszc Features Women In Music by Almost Slim ... ........... 15 Subscribe Family Tree by Jon Newlin & Bunny Mattl;lews16 In time for Marcia Ball by Bunny Matthews ...... .. .. 18 Carnival, Seven Women by Bunny Matthews . ..21 Jazz Fest Wynton Marsalis by Kalamu ya Salaam . .... 22 and Dear Jazz Fest by rico ...... ... .... ... 25 the World's Fair Band Guide Hizzoner pulling strings. compiled by Allison Brandin .. 27 Departments February News . .. .. ... .. 4 For only one dollar a month, Letters . -
Bombing the European Axis Powers a Historical Digest of the Combined Bomber Offensive 1939–1945
Inside frontcover 6/1/06 11:19 AM Page 1 Bombing the European Axis Powers A Historical Digest of the Combined Bomber Offensive 1939–1945 Air University Press Team Chief Editor Carole Arbush Copy Editor Sherry C. Terrell Cover Art and Book Design Daniel M. Armstrong Composition and Prepress Production Mary P. Ferguson Quality Review Mary J. Moore Print Preparation Joan Hickey Distribution Diane Clark NewFrontmatter 5/31/06 1:42 PM Page i Bombing the European Axis Powers A Historical Digest of the Combined Bomber Offensive 1939–1945 RICHARD G. DAVIS Air University Press Maxwell Air Force Base, Alabama April 2006 NewFrontmatter 5/31/06 1:42 PM Page ii Air University Library Cataloging Data Davis, Richard G. Bombing the European Axis powers : a historical digest of the combined bomber offensive, 1939-1945 / Richard G. Davis. p. ; cm. Includes bibliographical references and index. ISBN 1-58566-148-1 1. World War, 1939-1945––Aerial operations. 2. World War, 1939-1945––Aerial operations––Statistics. 3. United States. Army Air Forces––History––World War, 1939- 1945. 4. Great Britain. Royal Air Force––History––World War, 1939-1945. 5. Bombing, Aerial––Europe––History. I. Title. 940.544––dc22 Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Book and CD-ROM cleared for public release: distribution unlimited. Air University Press 131 West Shumacher Avenue Maxwell AFB AL 36112-6615 http://aupress.maxwell.af.mil ii NewFrontmatter 5/31/06 1:42 PM Page iii Contents Page DISCLAIMER . -
Martin Bormann
MARTIN BORMANN NAZI IN EXILE By Paul Manning To my wife, Peg, and to our four sons, Peter, Paul, Gerald and John, whose collective encouragement and belief in this book as a work of historic impor- tance gave me the necessary persistence [FACSIMILE ELECTRONIC EDITION 2005] and determination to keep going. First edition Copyright © 1981 by Paul Manning All rights reserved. No part of this book may be reproduced in any form except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Queries regarding rights and permissions should be addressed to: Lyle Stuart Inc., 120 Enterprise Ave., Secaucus, N. J. 07094 Published by Lyle Stuart Inc. Published simultaneously in Canada by Musson Book Company, a division of General Publishing Co. Limited, Don Mills, Ont. Manufactured in the United States of America Library of Congress Cataloging in Publication Data Manning, Paul. Martin Bormann, Nazi in exile. Includes index. 1. Bormann, Martin, 1900-1943[?]. 2. National socialism—Biography. 3. War criminals—Germany— Biography. I. Title. DD247.B65M36 943.086'092'4 [B] 81-5696 ISBN 0-8184-0309-8 AACR2 ACKNOWLEDGMENTS To Allen W. Dulles, for his encouragement and assurance that I was “on the right track, and should keep going,” after reading my German research notes in preparation for this book, during the afternoons we talked in his house on Q Street in Washington, D.C. To Robert W. Wolfe, director of the Modern Military Branch of the National Archives in Washington, his associate John E. Taylor, and George Chalou, supervisor of archivists in the Suitland, Maryland, branch of the National Archives, whose collective assistance in my search for telling documents from both sides of World War II contributed substantially to the his- torical merits of this book. -
The Economic Cost of Strategic Bombing
BRITAIN 1939 – 1945: THE ECONOMIC COST OF STRATEGIC BOMBING By John Fahey UNIVERSITY OF SYDNEY ABSTRACT BRITAIN 1939-1945: THE ECONOMIC COST OF STRATEGIC BOMBING By John Fahey Supervisor: Dr. Judith Keene Department of History The strategic air offensive against Germany during World War II formed a major part of Britain’s wartime military effort and it has subsequently attracted the attention of historians. Despite the attention, historians have paid little attention to the impact of the strategic air offensive on Britain. This thesis attempts to redress this situation by providing an examination of the economic impact on Britain of the offensive. The work puts the economic cost of the offensive into its historical context by describing the strategic air offensive and its intellectual underpinnings. Following this preliminary step, the economic costs are described and quantified across a range of activities using accrual accounting methods. The areas of activity examined include the expansion of the aircraft industry, the cost of individual aircraft types, the cost of constructing airfields, the manufacture and delivery of armaments, petrol and oil, and the recruitment, training and maintenance of the necessary manpower. The findings are that the strategic air offensive cost Britain £2.78 billion, equating to an average cost of £2,911.00 for every operational sortie flown by Bomber Command or £5,914.00 for every Germany civilian killed by aerial bombing. The conclusion reached is the damage inflicted upon Germany by the strategic air offensive imposed a very heavy financial burden on Britain that she could not afford and this burden was a major contributor to Britain’s post-war impoverishment.