DOCSLIB.ORG

Comex Series-Musica BRIAN

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Comex Series-Musica BRIAN Selección personal de colores de Brian Eno Amapola D2-14 Napa D5-08 77 Million Colors Brian Eno Brian Eno es músico, teórico y productor musical; pionero del ambient, innovador de la experimen- Comex Series tación sonora, artista multimedia e incansable estudioso de la tecnología. Julio J2-11 Brian Eno Nacido el 15 de mayo de 1948 en Woodbridge, Suffolk, es un artista británico orientado a las ten- dencias de vanguardia y experimentación sonora en casi todos los géneros. Como artista solista Música es probablemente el más conocido padre de la moderna música ambient. Bufa N2-01 Series En los setentas, Eno cobra notoriedad por vez primera como tecladista, ejecutante de los sintetiza- dores y mago de las sonoridades del conocido grupo de art rock y glam Roxy Music. Después de Comex Campesino M2-10 abandonar el grupo, Eno grabó dos de los álbumes más distintivos y originales de rock: Another Green World (1975), universalmente reconocido como una obra maestra debido a su acercamiento a un sonido más etéreo y minimalista, a diferencia de sus anteriores trabajos; y Ambient 1 Music for Air- ports (1978), más abstracto y de paisajes sonoros con el que inventó el término ambient music. Desde Cometa R1-14 entonces, ha producido decenas de álbumes con artistas que comparten ideas y el mismo espíritu creativo como Harold Budd, Robert Fripp, John Cale, Daniel Lanois, Laurie Anderson, Talking Heads, Jah Wobble, David Toop, The Penguin Cafe Orchestra, Ultravox, Devo, Jon Hassell; a través de los cuales ha demostrado su concepción única de la música, incluso ha vuelto, ocasionalmente, al for- Escarcha N5-01 mato de canciones pop. Sus credenciales en producción incluyen algunos de los más importantes y respetados álbumes de James, Baaba Maal, U2, Sinead O’Connor, David Byrne, Coldplay, entre otros. Mosaico A5-14 De manera contraria a la creencia popular Eno www.enoweb.co.uk no produjo la conocida trilogía berlinesa de David Bowie (Low, Heroes y Lodger). El co-escri- Discografía selecta bió y fue músico en los tres discos, fueron pro- Solista ducidos por Bowie y Tony Visconti, en cambio 1975 Another Green World 2005 14 Video Paintings 1985 Wide Awake in America - U2 sí co-produjo el álbum de 1995 Outside. 1975 Discreet Music 2006 77 Million Paintings 1987 The Joshua Tree - U2 1978 Ambient 1: Music for Airports 2007 77 Million Paintings Second 1991 Achtung Baby - U2 1978 Music for Films Revised Edition Exile - Geoffrey Oryema Eno ha perseguido algunos proyectos en forma 1982 Ambient 4: On Land 1993 Laid - James paralela a su carrera musical, la cual incluye las 2005 Another Day on Earth Producción Zooropa - U2 1995 Outside - David Bowie instalaciones en artes visuales (77 Millones de 1974 Fear - John Cale Colaboraciones 1978 More Songs About Buildings 1998 Nomad Soul - Baaba Maal pinturas); su columna publicada en The Observer; 1973 (No Pussyfooting) and Food - Talking Heads 1999 Millionaires - James y con artistas como Peter Schmidt, Estrategias * con Robert Fripp 1978 Q: Are We Not Men? A: We Are 2000 Faith and Courage - Sinéad O’Connor Música Oblicuas, un paquete de cartas de recomenda- 1975 Evening Star Devo! - Devo 2008 Viva la Vida or Death and All His ción para las diversas estrategias artísticas. * con Robert Fripp 1984 Dune – Toto / Brian Eno 1977 Cluster & Eno The Unforgettable Fire - U2 Friends - Coldplay Series * con Cluster Atención al consumidor: Con la premier de su instalación 77 millones de 1980 Ambient 2: The Plateaux of Mirror Del interior de la República: * con Harold Budd Comex pinturas, el artista británico que a lo largo de 01800 7126 639 1981 My Life in the Bush of Ghosts D.F. y área metropolitana: su trayectoria ha defendido la teoría sobre la * con David Byrne 5864 0790 y 91 práctica, las ideas sobre el quehacer artístico -y 1995 Passengers Original Soundtracks 1 en el camino ha transformado la concepción * con U2 2004 The Equatorial Stars de la música de varias generaciones-, apela a la Para mayor información visita * con Robert Fripp nuestros sitios web: contemplación de su obra en uno de los espa- www.comex.com.mx cios más místicos e importantes de la historia Videos www.colorlifesystem.com del arte y la cultura de México, el Museo Diego 1977 Jubilee (1977 film) www.thecomexgroup.com 1981 Mistaken Memories of Mediaeval Rivera-Anahuacalli. Manhattan 1986 Thursday Afternoon 1989 Imaginary Landscapes.
Load more

Recommended publications
  • Live-Electronic Music
    live-Electronic Music GORDON MUMMA This b()oll br.gills (lnd (')uis with (1/1 flnO/wt o/Ihe s/u:CIIlflli01I$, It:clmulogira{ i,m(I1M/;OIn, find oC('(uimwf bold ;lIslJiraliml Iltll/ mm"k Ihe his­ lory 0/ ciec/muir 111111';(", 8u/ the oIJt:ninf!, mui dosing dlll/J/er.f IIr/! in {art t/l' l)I dilfcl'CIIt ltiJ'ton'es. 0110 Luerd ng looks UfI("/,- 1,'ulIl Ihr vll l/laga poillt of a mnn who J/(u pel'smlfl.lly tui(I/I'sscd lite 1)Inl'ch 0/ t:lcrh'Ollic tccJlIlulogy {mm II lmilll lIellr i/s beg-ilmings; he is (I fl'ndj/l(lnnlly .~{'hooletJ cOml)fJj~l' whQ Iws g/"lulll/llly (lb!Jfll'ued demenls of tlli ~ iedmoiQI!J' ;11(0 1111 a/rc(uiy-/orllleti sCI al COlli· plJSifion(l/ allillldes IInti .rki{l$. Pm' GarrlOll M umma, (m fllr. other IWfI((, dec­ lroll;c lerllll%gy has fllw/lys hetl! pre.telll, f'/ c objeci of 01/ fl/)sm'uillg rlln'osily (mrl inUre.fI. lu n MmSI; M 1I11111W'S Idslur)l resltllle! ",here [ . IIt:1lillg'S /(.;lIve,( nff, 1',,( lIm;lI­ i11g Ihe dCTleiojJlm!lIls ill dec/m1/ ;,. IIII/sir br/MI' 19j(), 1101 ~'/J IIIlIrli liS exlell­ siom Of $/ili em'fier lec1m%gicni p,"uedcnh b111, mOw,-, as (upcclS of lite eCQllol/lic lind soci(ll Irislm)' of the /.!I1riotl, F rom litis vh:wJ}f)il1/ Ite ('on,~i d ".r.f lHU'iQII.f kint/s of [i"t! fu! r/urmrl1lcI' wilh e/cclnmic medifl; sl/)""m;ys L'oilabomlive 1>t:rformrl1lce groU/JS (Illd speril/f "heme,f" of cIIgilli:C'-;lIg: IUltl ex/,/orcs in dt:lllil fill: in/tulmet: 14 Ihe new If'dllllJiolO' 011 pop, 10/1(, rock, nllrl jllu /Ill/SIC llJi inJlnwu:lI/s m'c modified //till Ille recording studio maltel'
    [Show full text]
  • Vivid Sydney Media Coverage 1 April-24 May
    Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival.
    [Show full text]
  • JON HASSELL/FARAFINA Flash of the Spirit
    DESCRIPTION Tak:Til/Glitterbeat present the first ever reissue and remastering of Jon Hassell and Farafina 's prescient, "Fourth World" masterwork, Flash of the Spirit , originally released in 1988. Propulsive Burkinese rhythms meet revelatory, ambient soundscapes. Co-produced with the legendary studio team of Brian Eno and Dainel Lanois . Composer and trumpeter Jon Hassell has been an elusive, iconic musical figure for more than half a century. He's best known as the pioneer and propagandist of "Fourth World" music, mixing technology with the tradition and spirituality of non-western cultures. In 1987 he joined with Farafina, the acclaimed percussion, voice, and dance troupe from Burkina Faso, to record Flash of the Spirit . While the album is a natural extension of those "Fourth World" ideas, and a new strand of Possible Musics, it also a distinctive outlier in the careers of both artists; an unrepeated merging of sounds whose influence still reverberates today. The eight members of the band -- who had also collaborated with the Rolling Stones and Ryuichi Sakamoto -- brought their long apprenticed, virtuosic drumming, and melodic textures (balafon, flute, voices) to the sessions. They built up layers and patterns of rhythm, while producers Brian Eno and Daniel Lanois (fresh off the success of U2 's Joshua Tree ) created a sonic atmosphere in which they could creatively intertwine with Hassell's digitally processed trumpet and keyboards. Despite their initial skepticism, the musicians from Farafina ended up relishing their interaction with the studio team and the trumpeter/conceptualist Hassell. The music that emerged was rich and groundbreaking, a move to transcend the boundaries between jazz, avant-garde classical, ambient and the deep rhythmic tradition embodied by Farafina.
    [Show full text]
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • Acdsee Proprint
    BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon­ I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi.
    [Show full text]
  • The History of Rock Music: 1970-1975
    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality.
    [Show full text]
  • Sonification As a Means to Generative Music Ian Baxter
    Sonification as a means to generative music By: Ian Baxter A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts & Humanities Department of Music January 2020 Abstract This thesis examines the use of sonification (the transformation of non-musical data into sound) as a means of creating generative music (algorithmic music which is evolving in real time and is of potentially infinite length). It consists of a portfolio of ten works where the possibilities of sonification as a strategy for creating generative works is examined. As well as exploring the viability of sonification as a compositional strategy toward infinite work, each work in the portfolio aims to explore the notion of how artistic coherency between data and resulting sound is achieved – rejecting the notion that sonification for artistic means leads to the arbitrary linking of data and sound. In the accompanying written commentary the definitions of sonification and generative music are considered, as both are somewhat contested terms requiring operationalisation to correctly contextualise my own work. Having arrived at these definitions each work in the portfolio is documented. For each work, the genesis of the work is considered, the technical composition and operation of the piece (a series of tutorial videos showing each work in operation supplements this section) and finally its position in the portfolio as a whole and relation to the research question is evaluated. The body of work is considered as a whole in relation to the notion of artistic coherency. This is separated into two main themes: the relationship between the underlying nature of the data and the compositional scheme and the coherency between the data and the soundworld generated by each piece.
    [Show full text]
  • Informationen Als
    Abbildung: „A Garland of Light II“ © Alan Jaras / Reciprocity, http://www.flickr.com/photos/alanjaras/465037590 Pressemitteilung 1. Internationales Kölner LiveLooping - Festival 31. Mai 2008 im LOFT (Köln), Eintritt 8 Euro, Einlaß 17 Uhr, Beginn 18 Uhr Kontakt und Information: Michael Peters, [email protected], Tel. 02207-912144 Was ist denn „Livelooping“? Livelooping-Musiker sind meist Solo-Musiker, die digitale Loop-Geräte (im Prinzip Echogeräte mit u.U. sehr langer Laufzeit) benutzen, um sich selbst in Echtzeit zu „multiplizieren“, d.h. die live erzeugten Klänge zu wiederholen und zu komplexen Klangschichten aufzutürmen. Das können rhythmische Gebilde sein, aber auch dichte Wolken von Ambient-Klängen. Auch ganze Songstrukturen können live mit Loops aufgebaut und dann als Grundlage für Soli benutzt werden. Der erste Livelooper (damals noch mit Hilfe von Tonbandgeräten = Tape Loops) war der amerikanische Minimalist Terry Riley, der in den späten 60ern mit seinem psychedelischen Loop- Stück „A Rainbow in Curved Air“ und nächtelangen loop-basierten „All Night Flights“ weltbekannt wurde. Später brachte der Ambient-Musik-Erfinder Brian Eno, dessen erstes Ambient-Werk "Discreet Music" mit Tape Loops realisiert wurde, dem King-Crimson-Gitarristen Robert Fripp diese Technik bei. Fripp erzeugte dann in den späten 70ern mit seiner elektrischen Gitarre und seinem „Frippertronics“- Tonbandsystem ungewöhnliche Klanggebilde und machte die Möglichkeiten des Livelooping vor allem Gitarristen bewußt, die nach neuen musikalischen Wegen suchten. Seit den 80ern kann Livelooping mit Hilfe von analogen, später digitalen Loop-Delays erzeugt werden; es gibt mittlerweile eine reichhaltige Auswahl an einfachen und komplexen Loop-Geräten sowie an Software für das Livelooping aus dem Computer. Eine wachsende weltweite Community von Loop-Musikern diskutiert seit über 10 Jahren die technischen und musikalischen Aspekte des Livelooping auf der Loopers Delight-Internet-Mailingliste, und in Amerika, Europa und Japan finden regelmäßig Festivals für Loop-basierte Musik statt.
    [Show full text]
  • 1973-Iceland.Pdf
    -----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society.
    [Show full text]
  • Perth Amboy, NJ
    -■ "m· l> SOUTH AMBOY. I W00PBBID6E. | PLEASANT PLAINS. T0TTENV1LLE. Hay'aHaii*M M m M I GET IN THK CONTEST. For Tou cannot afford to miss that vacation trip to Niagara Falls this LOCAL MEN TO Health DOG CATCHER the Summer's summer. Staten Island Is to be rep- ARREST TWO resented regardless of how the Never Falls to others stand. Pleasant Plains can RESTORE GRAY or FADED Cooking send one of her fair daughters if the ENCAMPMENT 18 APPOINTED No kitchen people get together and hustle. Qet FOR BURGLARY HAIR to Its NATURAL appliance give» In the contest noyr. Save the cou- •uch actual satisfaction and and secure a new or COLOR and BEAUTY pons subscriber real home as the New two. It is an to a de- Several Members of Truex Post Committee comfort easy way get Youths Held on ot No matter how long it has been gray Woodbridge Township Perfection Wick Blue Flame lightful outing. Remember, all ex- 'uspicion Will Attend or faded. Promotes a luxuriant growth Takes Action to End Scare- Cook-Stove. penses are paid. Think It over. Srm ' G.A.R. Session of healthy hair. Stops ite falling out, Pil Knowing ing aï Hotel and removes Dan- £ Kitchen work, thi» coming w BIRTHDAY at Park. positively Commends Health Board. ^ ANNIVERSARY. Theft at [ reischa / Asbury druff. Keeps hair soft and glossy. Re- summer, will be better and quicker done, with greater Gladys Englebrecht entertained lie. fuse all substitutes. 2)i times as much comfort for the worker if, instead of the stifling friends at a birthday party at her in |1.00 as 50c size.
    [Show full text]
  • Brian Eno: Let There Be Light Gallery
    Brian Eno: Let There Be Light Gallery By Dustin Driver Brian Eno paints with light. And his paintings, like Eno’s artwork blossomed in the midst of his musical the medium, shift and dance like free‑flowing jazz career. Still, it was nearly impossible to deliver his solos or elaborate ragas. In fact, they have more in visual creations to the masses. That all changed common with live music than they do with traditional around the turn of the 21st century. “I walked past a artwork. “When I started working on visual work rather posh house in my area with a great big huge again, I actually wanted to make paintings that were screen on the wall and a dinner party going on”, he more like music”, he says. “That meant making visual says. “The screen on the wall was black because work that nonetheless changed very slowly”. Eno has nobody’s going to watch television when they’re been sculpting and bending light into living having a dinner party. Here we have this wonderful, paintings for about 25 years, rigging galleries across fantastic opportunity for having something really the globe with modified televisions, programmed beautiful going on, but instead there’s just a big projectors and three‑dimensional light sculptures. dead black hole on the wall. That was when I determined that I was somehow going to occupy that But Eno isn’t primarily known for his visual art. He’s piece of territory”. known for shattering musical conventions as the keyboardist and audio alchemist for ’70s glam rock Sowing Seeds legends Roxy Music.
    [Show full text]
  • CS-Brian Eno-Eng
    GALLERIA VALENTINABONOMO BRIAN ENO Light Music Opening: 20 May 2016 h.17-20 Via del portico d’Ottavia 13 Roma 00186 www.galleriabonomo.com Per informazioni: tel. 06-6832766 / [email protected] GALLERIA VALENTINABONOMO Friday, 20 May 2016 – September 2016 Press Release The Galleria Valentina Bonomo is delighted to announce the inauguration the exhibition of Brian Eno on Friday, 20 May, 2016 from 6 to 9 pm at via del Portico d’Ottavia 13. The British multi-instrumentalist, composer and producer, Brian Eno, experiments with diverse forms of expression including sculpture, painting and video. Eno is the pioneer of ambient music and generative paintings; he has created soundtracks for numerous films and composed game and atmosphere music. ‘Non-music-music’, as he himself prefers to describe it, has the capacity to be utilized in multiple mediums, intermixing with figurative art to become immersive ‘soundscapes’. By using continuously moving images on multiple monitors, Brian Eno designs endless combination games with infinite varieties of forms, lights and sounds, where not everything is as it seems, and each thing is constantly shifting and changing in a casual and inexorable way, just like in life (ex. 77 Million Paintings). “As long as the screen is considered as just a medium for film or tv, the future is exclusively reserved to an increasing level of hysteria. I am interested in breaking the rigid relationship between the audience and the video: to make it so that the first does not remain seated, but observes the screen as if it were a painting.” Brian Eno For this project, the first of its kind to be realized in a private gallery in Rome, Eno puts together two diverse bodies of work, the light boxes and the speaking flowers.
    [Show full text]