DOCSLIB.ORG

Bibliotheek (Library)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliotheek (Library) 0 2666 Roberto Bolaño 2750/2751 Thomas Kuijpers A A Grammar of the Multitude Paolo Virno A Personal Matter Kenzaburo Oë A Short History of Decay E.M. Cioran A Thousand Years of Nonlinear History Manuel De Landa A Void Georges Perec A Well Respected Man, Or Book of Echoes Wendelien Van Oldenborgh A Year with Swollen Appendices Brian Eno The Address Book Sophie Calle Afterthoughts on Material Civilization and Capitalism (Johns Hopkins 1977 edition) Fernand Braudel Amerika / Franz Kafka Anthropology, Reality, Cinema: The Films of Jean Rouch Mick Eaton Anywhere Or Not At All: Philosophy of Contemporary Art Peter Osborne Art and Its Shadow Mario Perniola Atlas of the Conflict: Israel-Palestine Bibliotheek Malkit Shoshan (Library) The Atrocity Exhibition J. G. Ballard A Common Library to be installed Autobiography of Red at Witte de With and Spring Anne Carson with material proposed by B The Bad Girl Mario Vargas Llosa A Constructed World (Geoff Lowe and Barbaric Others, A Manifesto on Western Racism Jacqueline Riva), Nadim Abbas, Merryl Wyn Davies, Ashis Nandy, Ziauddin Sardar Lee Ambrozy, Ang Song Ming, Bartleby the Scrivener Defne Ayas, Mimi Brown, Herman Melville Heman Chong, Mette Edvardsen, Becoming Beside Ourselves Tim Etchells and Vlatka Horvat, Brian Rotman Amira Gad, Natasha Ginwala, John Jervis, Between Past and Future Patrick Killoran, Claudia La Rocco, Hannah Arendt Michael Lee, Lucas Lenglet, Big Trouble Warren Leung and Sara Wong, J. Anthony Lukas Latitudes (Max Andrews and Mariana The Birds of Hong Kong and South China Cánepa Luna), Christina Li, Qinyi Lim, Clive Viney, Karen Phillipps, and Chiu-ying Lam Anthony Marcellini, Robin Peckham, Black Skin White Masks Vivian Sky Rehberg, Samuel Saelemakers, Franz Fanon Alexandra Seno, Martine Stig, Blindness Xue Tan, Xiaoyu Weng, Jose Saramago Wendelien van Oldenbourgh, Blue: The History of a Color Samson Young and Vivian Ziherl. Michel Pastoureau The Book of Imaginary Beings (Version 2, 20 February 2013) Jorge Luis Borges 01 The Book of Scotlands The Enchantress of Florence Momus Salman Rushdie Bunker Archaeology Equation X + X + O Paul Virillio Robert Fairthorne and Brian Salt C Equilibres Camera Lucida Peter Fischli and David Weiss Roland Barthes F Casco Issues # 9: PAST IMPERFECT Faking It: The Quest for Authenticity in Popular Music Bik van der Pol Hugh Barker and Yuval Taylor The City and the City Farther Away: Essays China Mieville Jonathan Franzen Clothing the Naked Truth Fearless Speech Bruno Latour M. Foucault Collected Poems The Femicide Machine (Semiotext(e)/ Intervention Series) Stevie Smith Sergio Gonzalez Rodríguez The Coming Insurrection Feminist Theory: From Margin to Center The Invisible Committee Bell Hooks The Corrections Field trips Jonathan Franzen Bernd Becher, Hilla Becher, Robert Smithson and James Lingwood Critical Dictionary (from Encyclopaedia Acephalica) Georges Bataille Fifteen Theses On the Cute (from Cabinet Magazine Issue 4) Critical Geographies - A Collection of Readings Frances Richards Edited by Harald Bauder and Salvatore Engel-Di Mauro Fig. Cyclonopedia: Complicity with Anonymous Materials (Anomaly) Adam Broomberg & Oliver Chanarin Reza Negarestani Fishing with John D John Lurie The Dancing Bees Cabinet Magazine Issue 25 Flashman and the Dragon Karl von Frisch George Macdonald Fraser Day Flatland: A Romance of Many Dimensions Kenneth Goldsmith Edwin A. Abbott Days of Being Wild The Fluxus Performance Workbook Wong Kar Wai Edited by Ken Friedman, Owen Smith and Lauren Sawchyn Demian Formless: A User's Guide Hermann Hesse Yves Alain Bois and Rosalind Krauss Devil on My Back The Fountainhead Monica Hughes Ayn Rand Disgrace Four Quartets J.M. Coetzee T. S. Eliot The Disinherited: Exile and the Making of Spanish Culture, Freedom 1492-1975 Jonathan Franzen Henry Kamen Front Desk / Back Office: Dispersion The Secret World of Galleries in 39 pictures and Two Texts Seth Price Rob Hamelijnck / FUCKING GOOD ART Do Androids Dream of Electric Sheep? G Philip K. Dick The Gift of Death Jacques Derrida The Double Screen Wu Hung The Gift: Creativity and the Artist in the Modern World Lewis Hyde E Economies of Abandonment: Social Belonging and Endurance The Girls of Slender Means in Late Liberalism Muriel Spark Elizabeth Povinelli Globalism and its Discontents Einstein's Dreams Saskia Sassen Alan Lightman Granta 6: A literature for politics The Elephant Vanishes Haruki Murakami Granta 118: Exit Strategies 02 H Invisible Cities The Harvard Design School Guide to Shopping Italo Calvino Rem Koolhaas et al ISTANBUL: 59 Locations. A Format For Nightcomers The Heraclitus Seminar Bik van der Pol Martin Heidegger J The Hibernators La jetée Ruth van Beek Chris Marker History of Shit L Dominique Laporte. Translated by Nadia Benabid and The Last Image Rodolpho el-Khoury Edited by Miriam Backstrom and Carsten Holler The Holy Mountain The Last Unicorn Alejandro Jodorowsky Peter S. Beagle Hong Kong Inter-Vivos Film Festival Learning From Las Vegas Ho Sin Tung Robert Venturi, Denise Scott Brown and Steven Izenour Hong Kong: Culture and the Politics of Disappearance Let the Saint Automatons Work: Interview with Tamas St.Auby Ackbar Abbas Left Curve, #35, (2011) Tibor Kovácsy Hopscotch Julio Cortazar The Limits of Interpretation Umberto Eco The Hour of the Star Clarice Lispector Listen to This Alex Ross The House is Black Forough Farrokhzad Little Hands Clapping Dan Rhodes How Music Works David Byrne Looking Backward: 2000 - 1887 Edward Bellamy How to Be Alone: Essays Jonathan Franzen Los detectives salvajes Roberto Bolaño Huizen in Sint Laurens Lara Almarcegui Lunch Poems Frank O'Hara I I am a Cat M Soseki Natsume Manufacturing Consent Noam Chomsky I Am Writing To You From a Far Off Country (from Selected Writings of Henri Michaux) Marcel Duchamp: Appearance Stripped Bare Henri Michaux Octavio Paz I'm That Angel The Master and Margarita Tyler Coburn Mikhail Bulgakov The Imaginary Orient Meditations in an Emergency Linda Nochlin Frank O’Hara Imagined Communities: Reflections on the Memoirs of an Anti-Semite Origins and Spread of Nationalism Gregor von Rezzori Benedict Anderson Monumentality in Early Chinese Art and Architecture The Importance of Being Iceland Wu Hung Eileen Myles More Brilliant Than the Sun In the Heat of the Sun Kodwo Eshun Jiang Wen Mother Earth Inauthentic: The Anxiety over Culture and Identity Emma Goldman Vincent J. Cheng Museum Without Walls The Indian Uprising Jonathan Meades The New Yorker, March 9, 1965 Donald Barthelme Myth and Meaning Levi-Strauss Insect Media Jussi Parikka N Naked Lunch Inspiration (from Human, Beasts, and Ghosts) Williams S. Burroughs Qian Zhongshu Nations and Nationalism Since 1780 The Interface Effect E.J. Hobsbawm Alex Galloway Necropolitics The Interrogative Mood: A Novel? Public Culture, 15(1), (2003) Padgett Powell Achille Mbembe Interventions: The Mediating Work of Art New Materialism: Ontology, Agency, and Politics Jonathan Hay Edited by Samantha Frost and Diana Coole 03 The New York Trilogy Paul Auster The Promise of Politics Hannah Arendt Neverwhere Neil Gaiman Publicity and Privacy: Modern Architecture as Mass Media Beatriz Colomina Non-Places: Introduction to an Anthropology of Supermodernity R Marc Auge Rabelais and his World M.M. Bakhtin Notes Towards a Lexicon of Urgencies Nancy Adajania and Ranjit Hoskote Raising Cain: Blackface Performance from Jim Crow to Hip Hop O W. T. Lhamon, Jr. Objectivity Peter Galison Rayuela Julio Cortázar Of Other Spaces, Heterotopias Michel Foucault Reassembling the Social Bruno Latour Old Masters Thomas Bernhard The Real Story of Ah Q Lu Xun On Beauty and Being Just Elaine Scarry Regarding the Pain of Others Susan Sontag On Contradiction Mao Zedong Rich Texts: Selected Writing for Art John Kelsey On Cosmopolitanism and Forgiveness Jacques Derrida The Rings of Saturn W.G. Sebald On Photography Susan Sontag Roadside Picnic Arkady and Boris Strugatsky On the Concept of History Walter Benjamin Robert Smithson: The Collected Writings Ed. by Jack Flam On the Natural History of Destruction W.G. Sebald The Romance of Authenticity Jeff Karen Onderlangs Paul Bogaers The Ruined Map Kobo Abe One Hundred Days of Solitude Gabriel Garcia Marquez Ruins in the Netherlands XIX-XXI Lara Almarcegui Orientalism Edward Said S Science and Sanity Orlando Alfred Kozybski Virginia Woolf The Seven Most Exciting Hours of Mr. Trier's Life in Twenty- P Four Chapters Palm of the Hand Stories Keren Cytter (Originally published as "The Dancing Girl of Izu") Yasunari Kawabata The Shape of Time: Remarks on the History of Things George Kubler The Politics of Friendship Jacques Derrida The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings Pornography, the Theory: What Utilitarianism Did to Action Philip K. Dick Edited by Lawrence Sutin Frances Ferguson The Shortest Shadow: Nietzsche's Philosophy of the Two Post Internet: Notes on the Internet and Art Alenka Zupancic Gene McHugh Silence Poetics of Space John Cage Gaston Bachelard Siam Mapped: A History of the Geo-Body of a Nation Pow Thongchai Winichakul Mo Yan Six Years: The Dematerialization of the Art Object The Power of Judgment: A Debate on Aesthetic Critique from 1966 to 1972, 1997 Daniel Birnbaum & Isabelle Graw Lucy Lippard The Practice of Everyday Life The Society of the Spectacle Michel de Certeau Guy Debord The Production of Space Software Takes Command Henri Lefebvre Lev Manovich Project for a Glossary of the 20th Century (from A User's Guide to the Millennium) J.G. Ballard 04 Sound and the City Why I Write Yan Jun,
Load more

Recommended publications
  • 2015 23Rd Annual Poets House Showcase Exhibition Catalog
    2015 23rd Annual Poets House Showcase Exhibition Catalog |Poets House|10 River Terrace|New York, NY 10282|poetshouse.org| 5 The 2015 Poets House Showcase is made possible through the generosity of the hundreds of publishers and authors who have graciously donated their works. We are deeply grateful to Deborah Saltonstall Pease (1943 – 2014) for her foundational support. Many thanks are also due to the National Endowment for the Arts, the New York State Council on the Arts, the NYC Department of Cultural Affairs, the Leon Levy Foundation, and the many members of Poets House for their support of this project. 6 I believe that poetry is an action in which there enter as equal partners solitude and solidarity, emotion and action, the nearness to oneself, the nearness to mankind and to the secret manifestations of nature. – Pablo Neruda Towards the Splendid City Nobel Lecture, 1971 WELCOME to the 2015 Poets House Showcase! Each summer at Poets House, we celebrate all of the poetry published in the previous year in an all-inclusive exhibition and festival of readings from new work. In this year’s Showcase, we are very proud to present over 3,000 poetry books, chapbooks, broadsides, artist’s books, and multimedia projects, which represent the work of over 700 publishers, from commercial publishers to micropresses, both domestic and foreign. For twenty-three years, the annual Showcase has provided foundational support for our 60,000-volume library by helping us keep our collection current and relevant. With each Showcase, Poets House—one of the most extensive poetry collections in the nation—continues to build this comprehensive poetry record of our time.
    [Show full text]
  • {TEXTBOOK} Anansi Boys Ebook Free Download
    ANANSI BOYS PDF, EPUB, EBOOK Neil Gaiman | 416 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780060515195 | English | New York, NY, United States Anansi Boys (American Gods, #2) by Neil Gaiman Gaiman turned his attention to African mythology and the figure of Anansi the spider god. Having already made a scene-stealing appearance in the award-winning American Gods , the irresistible Mr Nancy makes a triumphant return in this witty romp of a novel — perfect for fans of Douglas Adams and Terry Pratchett. Now you merely have to do something just as beautiful and just as ground-breaking. Inside, fully illustrated, original black-and-white chapter headings tell their own folktale — all of which are especially fitting for a book about the power and vitality of stories. Spider was the cool one; he was the other one. Bereavement is a time of upheaval and for Fat Charlie Nancy the changes are practically seismic. Not only does he discover that his embarrassing old dad was actually Anansi the African trickster god, his life is about to be invaded and turned upside down by Spider, the magical twin brother he never knew he had. As well as helping to inspire the book, Lenny Henry provided advice and insight on Caribbean syntax and dialogue, helping to ensure that the voices of the characters sounded authentic. His work demonstrates exactly how wild and varied the field can be, from uprooting fairy tales in Stardust to exposing the fantastical underbelly of London in Neverwhere. Neil Gaiman is a critically acclaimed writer of short fiction, novels, comic books, graphic novels, audio theatre and films.
    [Show full text]
  • 7-26-18 2019 Frederick Speaker Series Lineup
    Media Contact: Barbara Hiller Manager of Marketing, Weinberg Center for the Arts 301-600-2868 | [email protected] FOR IMMEDIATE RELEASE 2019 Frederick Speaker Series Lineup Announced FREDERICK, MD, July 26, 2018 — Entering its seventh year, the Frederick Speaker Series has developed a reputation for bringing world-class speakers to the Frederick community. The 2019 lineup includes; Pulitzer Prize winning journalist, Ronan Farrow, actress and LGBT advocate, Laverne Cox, actor and literacy advocate, Levar Burton and international bestselling author, Neil Gaiman. All series events are held at the Weinberg Center for the Arts. Tickets for all four speakers will go on sale to Weinberg Center members on Thursday, August 9 at 10:00 AM and to the general public on Thursday, August 16 at 10:00 AM. Tickets may be purchased online at weinbergcenter.org, by calling the Weinberg Center Box Office at 301-600-2828, or in person at 20 W. Patrick Street in Frederick, Maryland. For more information about becoming a Weinberg Center member and gaining early access to tickets, please visit weinbergcenter.org/support#membership. A separately-ticketed meet-and-greet reception will take place immediately following each presentation. These exclusive events provide a chance for fans to meet the speakers, take pictures, and obtain autographs. All proceeds from the meet-and-greet receptions will benefit children’s programs at Frederick County Public Libraries. Ronan Farrow | Thursday, February 28, 2019 at 7:30 PM Born in 1987 to actress Mia Farrow and filmmaker Woody Allen, Ronan Farrow achieved early notoriety as a child prodigy, skipping grades and starting college at age 11.
    [Show full text]
  • The Image of Contemporary Society in Neil Gaiman's Neverwhere
    Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 08/10/2021 04:42:57 New Horizons in English Studies 1/2016 LITERATURE • Julia Kula Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] The Image of Contemporary Society in Neil Gaiman’s Neverwhere Abstract. Neil Gaiman’s urban fantasy novel Neverwhere revolves around some problematic aspects prevalent in the contemporary world, such as an iniquitous discrepancy between social classes or a problematic attitude to history. The artistic universes created by Gaiman are instrumental in con- veying a complex condition of postmodern society. Although one of the represented worlds, London Above, is realistic and the other, London Below, is fantastic, both are suggestive of the contemporary social situation, citizens’ shared values and aspirations. Only when considered together can they reveal a comprehensive image of what the community accepts and what it rejects as no longer consistent with commonly held beliefs. UMCS The disparities in the representations of London Above and London Below refer to the division into the present and the past. The realistically portrayed metropolis is the embodiment of contemporary times. The fantastic London Below epitomises all that is ignored or rejected by London Above. The present study is going to discuss the main ideas encoded in the semiotic spaces created by Neil Gaiman, on the basis of postmodern theories. I am going to focus on how the characteristic features of postmodern fiction, such as the use of fantasy and the application of the ontological dominant, by highlighting the boundaries between London Above and London Below affect the general purport of the work.
    [Show full text]
  • Anansi Boys Neil Gaiman
    ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil.
    [Show full text]
  • Tolkien of the New Millenium NEIL GAIMAN: the J.R.R
    NEIL GAIMAN: the J.R.R. Tolkien of the new millenium “My parents would frisk me before family events …. Because if they didn’t, then the book would be hidden inside some pocket … and as soon as whatever it was got under way I’d be found in a corner. That was who I was … I was the kid with the book.” ABOUT THE AUTHOR • Nov. 10th, 1960 (came into being) • Polish-Jewish origin (born in England) • Early influences: – C.S. Lewis – J.R.R. Tolkien – Ursula K. Le Guin • Pursued journalism as a career, focused on book reviews and rock journalism • 1st book a biography of Duran Duran, 2nd a book of quotations (collaborative) • Became friends with comic book writer Alan Moore & started writing comics GAIMAN’S WORKS • Co-author (with Terry Pratchett) of Good Omens, a very funny novel about the end of the world; international bestseller • Creator/writer of monthly DC Comics series Sandman, won 9 Will Eisner Comic Industry Awards and 3 Harvey Awards – #19 won 1991 World Fantasy Award for best short story, 1st comic ever to win a literary award – Endless Nights 1st graphic novel to appear on NYT bestseller list • American Gods in 2001; NYT bestselling novel, won Hugo, Nebula, Bram Stoker, SFX, and Locus awards • Wrote the script for Beowulf with Roger Avary OTHER WORKS • Mirrormask film released in late 2005 • Designed a six-part fantastical series for the BBC called Neverwhere, aired in 1996. The novel Neverwhere was released in 1997 and made into a film. • Coraline and The Wolves in the Walls are two award-winning children’s books; Coraline is being filmed, with music provided by They Might Be Giants, and TWW is being made into an opera.
    [Show full text]
  • "Dazzling Hybrids" the Poetry of Anne Carson
    a n Rae "Dazzling Hybrids" The Poetry of Anne Carson The subtitle of A n n e Carson's Autobiography of Red: A Novel in Verse only hints at t h e variety of g e n r e s that the Montreal poet employs. In Autobiography of Red, Carson brings together seven distinct sec- tions—a "proemium" (6) o r preface on t h e Greek poet Stesichoros, trans- lated fragments of S t e s i c h o r o s ' s Geryoneis, three appendices on t h e blinding of Stesichoros by Helen, a l o n g romance-in-verse recasting Stesichoros's Geryoneis as a c o n t e m p o r a r y gay love affair, and a mock-interview with the "choir-master"—each with its o w n style and story to tell. Carson finds fresh combinations for g e n r e s much as s h e presents myth and gender in a new guise. Although men appear to b e t h e subject of both the romance and the academic apparatus that comes with it, C a r s o n sets the stories of Stesichoros, Geryon, and Herakles within a framework of e p i g r a m s and citations from Gertrude Stein and Emily Dickinson that, far from being subordinate, assumes equal importance with the male-centred narrative when Stein supplants Stesichoros in t h e concluding interview. The shift in speakers and time-frames in t h e interview, as well as the allusions to the myth of I s i s , emphasize Carson's manipulation of m y t h i c forms.
    [Show full text]
  • Spectral Latinidad: the Work of Latinx Migrants and Small Charities in London
    The London School of Economics and Political Science Spectral Latinidad: the work of Latinx migrants and small charities in London Ulises Moreno-Tabarez A thesis submitted to the Department of Geography and Environment of the London School of Economics for the degree of Doctor of Philosophy, London, December 2018 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 93,762 words. Page 2 of 255 Abstract This thesis asks: what is the relationship between Latina/o/xs and small-scale charities in London? I find that their relationship is intersectional and performative in the sense that political action is induced through their interactions. This enquiry is theoretically guided by Derrida's metaphor of spectrality and Massey's understanding of space. Derrida’s spectres allow for an understanding of space as spectral, and Massey’s space allows for spectres to be understood in the context of spatial politics.
    [Show full text]
  • The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson's Autobiography Of
    The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson’s Autobiography of Red Stuart J. Murray Ryerson University Philosophic Problems. “I will never know how you see red and you will never know how I see it. But this separation of consciousness is recognized only after a failure of communication, and our first movement is to believe in an undivided being between us.” Anne Carson, Autobiography of Red ’ phenomenological insight to Aparse terms etymologically,¹ we find the following Greek roots when we read into the meaning of “autobiography”: auto- (oneself) + bio- (life) + graphia (writing; from the verb graphein, to write). us, autobiography is the written story of one’s life, one’s life story. And yet, this act of “self”- writing frames “life” (bios) in such a way that the meaning of each term is obscured. “Life” interrupts the act of self-writing, exceeds it, even though the writing is about that life, and occurs within it, necessarily prior to that life’s completion. Is “life” here closer to the act of writing (graphein), closer to the sense of oneself (autos), or something else altogether escaping the autobiography that strives to contain or convey it? And will that “life” be legible?² Is it the case, as Heidegger maintains, that what is closest to us experientially is furthest from us intellectually, least susceptible to analysis ESC . (December ): – Murray.indd 101 5/16/2007, 1:21 PM or storytelling, and most resistant to representation and linguistic conven- tion? If “life” holds this place for us, between writing and being, then auto- biographical criticism ought to consider the insights of phenomenology, S J.
    [Show full text]
  • Short Talks: Brick Books Classics 1 ■ 3
    TEACHER GUIDE 2 ■ Teacher Guide Brick Books has produced this Teacher Guide as an aid in discussing and studying the titles from its Brick Books Classics poetry series in secondary and post-secondary classrooms. © Brick Books, 2019 Available as pdf files only. Written by Linda E. Lucas, who thanks fellow teachers Michael Pizzuti, Gloria Getty, and Wendy Hirschegger for their assistance. Brick Books 115 Haliburton Road London, Ontario N6K 2Z2 www.brickbooks.ca Short Talks: Brick Books Classics 1 ■ 3 TABLE OF CONTENTS Introduction to Poetry.........................................5 Short Talks by Anne Carson...................................9 INTRODUCTION: Glass, Slag: Short Talk on Anne Carson’s Hewn Flows, by Margaret Christakos.......................9 Introduction...............................................10 Short Talk on Homo Sapiens..............................10 Short Talk on Hopes.......................................10 Short Talk on Chromo-luminarism........................10 Short Talk on Geisha.......................................10 Short Talk on Gertrude Stein About 9:30 p.m. ............. 11 Short Talk on His Draughtsmanship ...................... 11 Short Talk on Housing..................................... 11 Short Talk on Disappointments in Music..................12 Short Talk on Where to Travel.............................12 Short Talk on Why Some People Find Trains Exciting ....12 Short Talk on Trout........................................12 Short Talk on Ovid.........................................13 Short Talk
    [Show full text]
  • A Feminist Poetics of the Unsayable in Twentieth Century Literary & Visual Culture
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 "She said plain, burned things": A Feminist Poetics of the Unsayable in Twentieth Century Literary & Visual Culture Leah Souffrant Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/287 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “SHE SAID PLAIN, BURNED THINGS”: A FEMINIST POETICS OF THE UNSAYABLE IN TWENTIETH CENTURY LITERARY & VISUAL CULTURE by LEAH SOUFFRANT A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 LEAH SOUFFRANT All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Engineering in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Meena Alexander Date Chair of Examining Committee Mario Di Gangi Date Executive O icer f� Wayne Koestenbaum Nancy K. Miller Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract “SHE SAID PLAIN, BURNED THINGS”: A FEMINIST POETICS OF THE UNSAYABLE IN TWENTIETH CENTURY LITERARY & VISUAL CULTURE by LEAH SOUFFRANT Adviser: Professor Meena Alexander This dissertation examines the way silence, blank space, and other forms of creative withholding attempt to translate the unsayable, or to convey the unsayability of language in artistic form.
    [Show full text]
  • Academia Argentina De Letras
    www.aal.edu.ar Atención y venta de publicaciones: http://www.aal.edu.ar/shop2013/ Suscripción al BID NOVEDADES EDITORIALES NOTICIAS ACADÉMICAS Publicaciones de académicos CON LA PARTICIPACIÓN DE De Cervantes y alrededores, de Jaques Joset RAFAEL FELIPE OTERIÑO Se presentó la edición en línea del Diccionario panhispánico del español jurídico NOVEDADES DEPARTAMENTALES El CORPES XXI se actualiza y supera las Memorias anuales de la Biblioteca 312 millones de formas ortográficas Artículos exclusivos de nuestros académicos NOTICIAS ACADÉMICAS II HOMENAJE AL ESCRITOR EN EL AÑO DEL CENTENARIO DE SU FALLECIMIENTO Los académicos, ayer y hoy «Rafael Obligado en “el alto cielo que nos Rafael Felipe Oteriño abrió un ciclo de charlas por vio nacer”», por Jorge Cruz internet de la Casa de Salta Colaboraciones académicas del exterior Trabajo lingüístico de Pablo Adrián Cavallero «Fracasos de la publicidad hispana», para la Asociación Civil Ciencia Hoy por Emilio Bernal Labrada Los académicos en los medios La Academia en los medios «El exteriorismo de Rubén Darío», El trabajo conjunto de la Academia Argentina por Santiago Sylvester de Letras y el Departamento de Computación de la UBA para descubrir Santiago Kovadloff: «Me parece que vamos a salir vocablos regionales en Twitter de esto con mucha necesidad de olvidar» EL 26 DE JUNIO SE CUMPLIERON 50 AÑOS DE LA El lenguaje inclusivo y otros asuntos del idioma MUERTE DEL ESCRITOR ARGENTINO español, según el director del Departamento Leopoldo Marechal según Pedro Luis Barcia, de Investigaciones Lingüísticas
    [Show full text]