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Uncle Milton Industries Dinosaur Train Announcement
FOR MORE INFORMATION CONTACT: Nancy Davies, Salmon Borre Group [email protected]; 847.582.1610 FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AWARDS UNCLE MILTON INDUSTRIES A LICENSING AGREEMENT TO DEVELOP SCIENCE-THEMED EDUCATIONAL TOYS FOR DINOSAUR TRAIN™ LOS ANGELES – (October 5, 2010) – The Jim Henson Company and Uncle Milton Industries, a leader in creating fun, educational science and nature toys for more than 50 years, announce a multi-year licensing agreement for Uncle Milton to develop science-themed educational toys based on the hit animated children’s series, DINOSAUR TRAIN™. The announcement came at the beginning of today’s Toy Industry Association’s Fall Toy Preview, being held October 5-8 in Dallas, TX. The Jim Henson Company granted Uncle Milton Industries the rights to develop all-new educational toys focused on the science behind the exciting world of DINOSAUR TRAIN and its cast of loveable prehistoric characters. The Uncle Milton licensed product line will launch in North America in the spring of 2011 and in the U.K., Spain, France and Australia in fall of 2011. “At Uncle Milton, our goal is to make science more interesting, engaging and accessible for children. DINOSAUR TRAIN provides the perfect platform for us to do what we do best—create products that encourage kids to explore scientific concepts in a fun and meaningful way,” states Frank Adler, President of Uncle Milton Industries. “We are honored to partner with The Jim Henson Company on this strong property. It presents us with such an exciting opportunity because the property resonates so well with preschoolers, allowing us to start this important relationship between kids and science at the very earliest age.” “We know Uncle Milton will introduce a compelling new educational line that allows kids the opportunity to explore real science within the familiar and popular Dinosaur Train world,” said Melissa Segal, Senior Vice President Global Consumer Products for The Jim Henson Company. -
{TEXTBOOK} Anansi Boys Ebook Free Download
ANANSI BOYS PDF, EPUB, EBOOK Neil Gaiman | 416 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780060515195 | English | New York, NY, United States Anansi Boys (American Gods, #2) by Neil Gaiman Gaiman turned his attention to African mythology and the figure of Anansi the spider god. Having already made a scene-stealing appearance in the award-winning American Gods , the irresistible Mr Nancy makes a triumphant return in this witty romp of a novel — perfect for fans of Douglas Adams and Terry Pratchett. Now you merely have to do something just as beautiful and just as ground-breaking. Inside, fully illustrated, original black-and-white chapter headings tell their own folktale — all of which are especially fitting for a book about the power and vitality of stories. Spider was the cool one; he was the other one. Bereavement is a time of upheaval and for Fat Charlie Nancy the changes are practically seismic. Not only does he discover that his embarrassing old dad was actually Anansi the African trickster god, his life is about to be invaded and turned upside down by Spider, the magical twin brother he never knew he had. As well as helping to inspire the book, Lenny Henry provided advice and insight on Caribbean syntax and dialogue, helping to ensure that the voices of the characters sounded authentic. His work demonstrates exactly how wild and varied the field can be, from uprooting fairy tales in Stardust to exposing the fantastical underbelly of London in Neverwhere. Neil Gaiman is a critically acclaimed writer of short fiction, novels, comic books, graphic novels, audio theatre and films. -
PDF Download the Sandman Overture
THE SANDMAN OVERTURE: OVERTURE PDF, EPUB, EBOOK J. H. Williams, Neil Gaiman | 224 pages | 17 Nov 2015 | DC Comics | 9781401248963 | English | United States The Sandman Overture: Overture PDF Book Writer: Neil Gaiman Artist: J. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. This would have been a better first issue. Nov 16, - So how do we walk the line of being a prequel, but still feeling relevant and fresh today on a visual level? Variant Covers. By continuing to use this website, you agree to their use. Click on the different category headings to find out more. Presented by MSI. Journeying into the realm of his sister Delirium , he learns that the cat was actually Desire in disguise. On an alien world, an aspect of Dream senses that something is very wrong, and dies in flames. Most relevant reviews. Williams III. The pair had never collaborated on a comic before "The Sandman: Overture," which tells the story immediately preceding the first issue of "The Sandman," collected in a book titled, "Preludes and Nocturnes. Help Learn to edit Community portal Recent changes Upload file. It's incredibly well written, but if you are looking for that feeling you had when you read the first issue of the original Sandman series, you won't find it here. Retrieved 13 March Logan's Run film adaptation TV adaptation. Notify me of new posts by email. Dreams, and by extension stories as we talked about in issue 1 , have meaning. Auction: New Other. You won't get that, not in these pages. -
7-26-18 2019 Frederick Speaker Series Lineup
Media Contact: Barbara Hiller Manager of Marketing, Weinberg Center for the Arts 301-600-2868 | [email protected] FOR IMMEDIATE RELEASE 2019 Frederick Speaker Series Lineup Announced FREDERICK, MD, July 26, 2018 — Entering its seventh year, the Frederick Speaker Series has developed a reputation for bringing world-class speakers to the Frederick community. The 2019 lineup includes; Pulitzer Prize winning journalist, Ronan Farrow, actress and LGBT advocate, Laverne Cox, actor and literacy advocate, Levar Burton and international bestselling author, Neil Gaiman. All series events are held at the Weinberg Center for the Arts. Tickets for all four speakers will go on sale to Weinberg Center members on Thursday, August 9 at 10:00 AM and to the general public on Thursday, August 16 at 10:00 AM. Tickets may be purchased online at weinbergcenter.org, by calling the Weinberg Center Box Office at 301-600-2828, or in person at 20 W. Patrick Street in Frederick, Maryland. For more information about becoming a Weinberg Center member and gaining early access to tickets, please visit weinbergcenter.org/support#membership. A separately-ticketed meet-and-greet reception will take place immediately following each presentation. These exclusive events provide a chance for fans to meet the speakers, take pictures, and obtain autographs. All proceeds from the meet-and-greet receptions will benefit children’s programs at Frederick County Public Libraries. Ronan Farrow | Thursday, February 28, 2019 at 7:30 PM Born in 1987 to actress Mia Farrow and filmmaker Woody Allen, Ronan Farrow achieved early notoriety as a child prodigy, skipping grades and starting college at age 11. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
For Immediate Release
FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AND REHAB ENTERTAINMENT PARTNER WITH AUTHOR/ILLUSTRATOR KAREN KATZ ON LENA!, A NEW ANIMATED PRESCHOOL SERIES Original Series Inspired by Katz’s Award-Winning Title “The Colors of Us” and the Upcoming “My America” Hollywood, CA (July 28, 2020) Rehab Entertainment and The Jim Henson Company are partnering with award- winning author and illustrator Karen Katz to develop Lena!, an original 2D animated preschool series inspired by Katz’s acclaimed picture book The Colors of Us and her upcoming release My America, a new book from MacMillan Publishers (spring, 2021) that celebrates the experiences and stories of U.S. immigrants. Created by Katz and Sidney Clifton, Lena! follows a 7-year-old Guatemalan girl who uses her unique and imaginative way of thinking to explore her culturally diverse neighborhood, identifying ways to help her friends and neighbors along the way. There’s no problem too big or too unusual for Lena's whimsical approach to creative problem-solving in this series all about connection, and she draws from the rich diversity in her community for the resources, support, and inspiration she needs to succeed. For more than twenty years, prolific author and illustrator Karen Katz has released over 85 picture books and board books for children that have been recognized and embraced by critics and parents. Her award-winning titles, including the number-one best-selling Where is Baby’s Bellybutton? and Counting Kisses, have sold 16 million copies worldwide, in over a dozen countries. Katz and Clifton will executive produce Lena! along with John W. -
The Image of Contemporary Society in Neil Gaiman's Neverwhere
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 08/10/2021 04:42:57 New Horizons in English Studies 1/2016 LITERATURE • Julia Kula Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] The Image of Contemporary Society in Neil Gaiman’s Neverwhere Abstract. Neil Gaiman’s urban fantasy novel Neverwhere revolves around some problematic aspects prevalent in the contemporary world, such as an iniquitous discrepancy between social classes or a problematic attitude to history. The artistic universes created by Gaiman are instrumental in con- veying a complex condition of postmodern society. Although one of the represented worlds, London Above, is realistic and the other, London Below, is fantastic, both are suggestive of the contemporary social situation, citizens’ shared values and aspirations. Only when considered together can they reveal a comprehensive image of what the community accepts and what it rejects as no longer consistent with commonly held beliefs. UMCS The disparities in the representations of London Above and London Below refer to the division into the present and the past. The realistically portrayed metropolis is the embodiment of contemporary times. The fantastic London Below epitomises all that is ignored or rejected by London Above. The present study is going to discuss the main ideas encoded in the semiotic spaces created by Neil Gaiman, on the basis of postmodern theories. I am going to focus on how the characteristic features of postmodern fiction, such as the use of fantasy and the application of the ontological dominant, by highlighting the boundaries between London Above and London Below affect the general purport of the work. -
Anansi Boys Neil Gaiman
ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil. -
Gaiman, Shakespeare and the Question of Authorship
Master’s Degree programme in European, American and Postcolonial Languages and Literatures (D.M. 270/2004) Final Thesis Gaiman, Shakespeare and the Question of Authorship Supervisor Ch. Prof. Laura Tosi Assistant supervisor Ch. Prof. Loretta Innocenti Graduand Serena Marasca Matriculation number 872035 Academic Year 2019 / 2020 CONTENTS INTRODUCTION 1 1. CHAPTER I: THE MEN (AND THE TOOLS) 6 1.1. Gaiman’s biography 6 1.2. Adapting Shakespeare for Young Adult audience 12 1.2.1. What is Adaptation and why do we adapt 12 1.2.2. “What’s in a name?”: a brief history of Shakespeare’s fame through adaptations 14 1.2.3. Shakespeare for the Young 20 1.3. A dance between the visible and the invisible: the graphic novel as an in-between land 26 1.3.1. Definition and introduction to the medium 26 1.3.2. A brief history of the graphic novel 31 1.3.3. Shakespeare in graphic novels 35 2. CHAPTER II: THE STORIES 38 2.1. The land of the Dreaming: an introduction to The Sandman’s universe 38 2.1.1. The Endless 38 2.1.2. The plot 49 2.2. A Midsummer Night’s Dream: The Sandman #19 54 2.3. The Tempest: The Sandman #75 66 3. CHAPTER III: THE DREAM 75 3.1. Neil Gaiman and Postmodernism 75 3.1.1. “Believe Everything”: Gaiman’s mythology 76 3.1.2. Storytelling: stories and metafiction 79 3.1.3. Worlds within worlds within worlds 83 3.2. The question of identity 88 3.2.1. -
Tolkien of the New Millenium NEIL GAIMAN: the J.R.R
NEIL GAIMAN: the J.R.R. Tolkien of the new millenium “My parents would frisk me before family events …. Because if they didn’t, then the book would be hidden inside some pocket … and as soon as whatever it was got under way I’d be found in a corner. That was who I was … I was the kid with the book.” ABOUT THE AUTHOR • Nov. 10th, 1960 (came into being) • Polish-Jewish origin (born in England) • Early influences: – C.S. Lewis – J.R.R. Tolkien – Ursula K. Le Guin • Pursued journalism as a career, focused on book reviews and rock journalism • 1st book a biography of Duran Duran, 2nd a book of quotations (collaborative) • Became friends with comic book writer Alan Moore & started writing comics GAIMAN’S WORKS • Co-author (with Terry Pratchett) of Good Omens, a very funny novel about the end of the world; international bestseller • Creator/writer of monthly DC Comics series Sandman, won 9 Will Eisner Comic Industry Awards and 3 Harvey Awards – #19 won 1991 World Fantasy Award for best short story, 1st comic ever to win a literary award – Endless Nights 1st graphic novel to appear on NYT bestseller list • American Gods in 2001; NYT bestselling novel, won Hugo, Nebula, Bram Stoker, SFX, and Locus awards • Wrote the script for Beowulf with Roger Avary OTHER WORKS • Mirrormask film released in late 2005 • Designed a six-part fantastical series for the BBC called Neverwhere, aired in 1996. The novel Neverwhere was released in 1997 and made into a film. • Coraline and The Wolves in the Walls are two award-winning children’s books; Coraline is being filmed, with music provided by They Might Be Giants, and TWW is being made into an opera. -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................