DOCSLIB.ORG

George Eliot Edited by George Levine Frontmatter More Information

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
George Eliot Edited by George Levine Frontmatter More Information Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information THE CAMBRIDGE COMPANION TO GEORGE ELIOT This volume of specially commissioned essays provides accessible introductions to all aspects of George Eliot’s writing by some of the most distinguished new and established scholars and critics of Victorian literature. The essays are com- prehensive, scholarly and lucidly written, and at the same time offer original insights into the work of one of the most important Victorian novelists, and into her complex and often scandalous career. Discussions of her life, the social, polit- ical, and intellectual grounding of her work, and her relation to Victorian fem- inism provide valuable criticism of everything from her early journalism to her poetry. Each essay contributes to a new understanding of the great fiction, from Adam Bede and The Mill on the Floss to Daniel Deronda. With its supplemen- tary material, including a chronology and a guide to further reading, this Companion is an invaluable tool for scholars and students alike. © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to Jane Austen edited by P. E. Easterling edited by Edward Copeland and Juliet The Cambridge Companion to Virgil McMaster edited by Charles Martindale The Cambridge Companion to Victorian Poetry The Cambridge Companion to Old English edited by Joseph Bristow Literature The Cambridge Companion to the Victorian edited by Malcolm Godden and Michael Novel Lapidge edited by Deirdre David The Cambridge Companion to Dante The Cambridge Companion to Oscar Wilde edited by Rachel Jacoff edited by Peter Raby The Cambridge Chaucer Companion The Cambridge Companion to Thomas Hardy edited by Piero Boitani and Jill Mann edited by Dale Kramer The Cambridge Companion to Medieval The Cambridge Companion to George Bernard English Theatre Shaw edited by Richard Beadle edited by Christopher Innes The Cambridge Companion to Renaissance The Cambridge Companion to Joseph Conrad Humanism edited by J. H. Stape edited by Jill Kraye The Cambridge Companion to James Joyce The Cambridge Companion to English edited by Derek Attridge Renaissance Drama The Cambridge Companion to T. S. Eliot edited by A. R. Braunmuller and Michael edited by A. David Moody Hattaway The Cambridge Companion to Ezra Pound The Cambridge Companion to Shakespeare edited by Ira Nadel Studies edited by Stanley Wells The Cambridge Companion to Modernism edited by Michael Levenson The Cambridge Companion to Shakespeare on Film The Cambridge Companion to Virginia Woolf edited by Russell Jackson edited by Sue Roe and Susan Sellers The Cambridge Companion to Ben Jonson The Cambridge Companion to Henry David edited by Richard Harp and Stanley Stewart Thoreau edited by Joel Myerson The Cambridge Companion to English Poetry, Donne to Marvell The Cambridge Companion to Walt Whitman edited by Thomas N. Corns edited by Ezra Greenspan The Cambridge Companion to Milton The Cambridge Companion to Mark Twain edited by Dennis Danielson edited by Forrest G. Robinson The Cambridge Companion to English The Cambridge Companion to American Restoration Theatre Realism and Naturalism edited by Deborah C. Payne Fisk edited by Donald Pizer The Cambridge Companion to English The Cambridge Companion to Edith Wharton Literature, 1500–1609 edited by Millicent Bell edited by Arthur F. Kinney The Cambridge Companion to Ernest The Cambridge Companion to English Hemingway Literature, 1650–1740 edited by Scott Donaldson edited by Steven N. Zwicker The Cambridge Companion to William The Cambridge Companion to British Faulkner Romanticism edited by Philip M. Weinstein edited by Stuart Curran The Cambridge Companion to Eugene O’Neill The Cambridge Companion to the Eighteenth- edited by Michael Manheim Century Novel The Cambridge Companion to Tennessee edited by John Richetti Williams The Cambridge Companion to Samuel edited by Matthew C. Roudané Johnson The Cambridge Companion to Arthur Miller edited by Greg Clingham edited by Christopher Bigsby © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information The Cambridge Companion to American The Cambridge Companion to Ibsen Women Playwrights edited by James McFarlane edited by Brenda Murphy The Cambridge Companion to Brecht The Cambridge Companion to Modern British edited by Peter Thomason and Women Playwrights Glendyr Sacks edited by Elaine Aston and Janelle Reinelt The Cambridge Companion to Beckett The Cambridge Companion to the French edited by John Pilling Novel: from 1800 to the Present The Cambridge Companion to John Keats edited by Timothy Unwin edited by Susan J. Wolfson The Cambridge Companion to the Classic The Cambridge Companion to George Eliot Russian Novel edited by George Levine edited by Malcolm V. Jones and Robin Feuer Miller The Cambridge Companion to Shakespeare edited by Margreta de Grazia and The Cambridge Companion to Chekhov Stanley Wells edited by Vera Gottlieb and Paul Allain CAMBRIDGE COMPANIONS TO CULTURE The Cambridge Companion to Modern The Cambridge Companion to Modern German Culture Spanish Culture edited by Eva Kolinsky and edited by David T. Gies Wilfried van der Will The Cambridge Companion to Modern Russian Culture edited by Nicholas Rzhevsky © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information THE CAMBRIDGE COMPANION TO GEORGE ELIOT EDITED BY GEORGE LEVINE Center for the Critical Analysis of Contemporary Culture Rutgers University © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 2RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521662673 © Cambridge University Press 2001 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to Georg Eliot / edited by George Levine. p. cm. – (Cambridge companions to literature) ISBN 0 521 66267 2 (hardback) – ISBN 0 521 66473 X (paperback) 1. Eliot, George, 1819–1880 – criticism and interpretation. 2. Women and literature – England – History – nineteenth century. 3. Didactic fiction, English – History and criticism. I. Levine, George Lewis. II. Series. PR4688.C26 2001 823´.8–dc21 00–064235 ISBN-13 978-0-521-66267-3 hardback ISBN-10 0-521-66267-2 hardback ISBN-13 978-0-521-66473-8 paperback ISBN-10 0-521-66473-X paperback Transferred to digital printing 2005 © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information CONTENTS Notes on contributors page ix Acknowledgments xi Texts and abbreviations xii Chronology xiv 11 Introduction: George Eliot and the art of realism 1 george levine 12 A woman of many names 20 rosemarie bodenheimer 13 The early novels 38 josephine mcdonagh 14 The later novels 57 alexander welsh 15 George Eliot and philosophy 76 suzy anger 16 George Eliot and science 98 diana postlethwaite 17 George Eliot and religion 119 barry qualls 18 George Eliot and politics 138 nancy henry vii © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information contents 19 George Eliot and gender 159 kate flint 10 George Eliot and her publishers 181 donald gray 11 George Eliot: the critical heritage 202 kathleen blake 12 Works cited and further reading 226 tanya agathocleous Index 244 viii © Cambridge University Press www.cambridge.org Cambridge University Press 0521662672 - The Cambridge Companion to George Eliot Edited by George Levine Frontmatter More information NOTES ON CONTRIBUTORS tanya agathocleous is a graduate student in Literatures in English at Rutgers University. She has written a biography of George Orwell for the young adult division of Oxford University Press, and is now writing her dissertation on cosmopolitan visions of the Victorian city. suzy anger is Assistant Professor of English at the University of Maryland, Baltimore County. She has published articles on Carlyle and George Eliot, is editor of a forthcoming collection of essays on the Victorians, and is currently completing a book on Victorian hermeneutics. kathleen blake, Professor of English, University of Washington, is author of Play, Games, and Sport: The Literary Works of Lewis Carroll (1974) and Love and the Woman Question in Victorian Literature: The Art of Self-Postponement (1983), and is editor of Approaches to Teaching George Eliot’s
Load more

Recommended publications
  • George Eliot and the Ev Angelicals 509
    Donald C. Masters I l· GEORGE ELIOT AND THE EVANGELICALS THE. ENGLISH EvANGELICALs were badly treated by the novelists of the nineteenth century. Almost invariably they were presented in an unfavourable light; usually they were regarded with patronizing contempt. A notable example of this attitude occurs in Th~ N~wcomes when Thackeray gives a biting description of Miss Sophia Alethea Hobson and the Clapham Sect. Anthony Trollope, more dispassionate, did not express the same contempt for Evangelicals as a class. He probably disliked certain of his characters as people rather than as Evangelicals; but since some of his most repulsive characters, notably the Bishop and Mrs. Proudie and the Rev. Obadiah Slope, were Evangelicals they tended inevitably to discredit Evangelicalism. Dickens' attitude to Evangelicals was indicated by his description of the experiences of Mr. Weller Senior with his second wife and her pious friends in Th~ Pickwick Pap~rs . "She's too good a creature for me, Sammy . ..." , complained Mr. Weller. "I should wery much like to see your mother-in-law born again. Wouldn't I put her out to nurse!" While George Eliot (1819-1880) came to dislike the Evangelical viewpoint, her treatment of Evangelicals, particularly in her early novels, was much more sympa­ thetic than that of other Victorian novelists. This kindliness was in part the result of Eliot's Evangelical upbringing. Although her parents were not Evangelicals, she attended two Evangelical schools: Mrs. Wallingford's school, Nuneaton, where Maria Lewis, a strong Anglican Evangelical, was principal, and the Misses Frank­ lins' school at Coventry. The Misses Franklin were daughters of a Baptist minister.
    [Show full text]
  • George Eliot and the Mill on the Floss
    PART III: George Eliot and The Mill on the Floss 189 CHAPTER EIGHT George Eliot and Her Suitors: the “Hatched Chick” Becomes a Rooster The story of The Mill on the Floss, which is very much a story about the emergence of Marian Evans/George Eliot as a professional author, actually began a few years before the appearance of that pivotal book with the anonymous publication of Eliot’s first novel (really a series of novellas) in the pages of Blackwood’s Edinburgh Magazine (Maga). Lewes first submitted Evans’s work to the venerable Scottish publisher, John Blackwood, on 6 November 1856, when Evans was still editing John Chapman’s Westminster Review.1 The submission was “The Sad Fortunes of the Reverend Amos Barton,” the first of three novella-length sketches that would eventually form the whole of Scenes of Clerical Life. Of this first sketch Lewes boasted to Blackwood that “such humour, pathos, vivid presentation and nice observation have not been exhibited (in this style) since the ‘Vicar of Wakefield’— and in consequence of that opinion I feel quite pleased in negotiating the matter with you.”2 During this first interaction on Evans’s behalf, Lewes aimed to convince Blackwood that this unknown author was someone whose work was worth adding to 1 In addition to a long essay entitled “Worldliness and Otherworldliness: the Poet Young,” Eliot would write a segment called “History, Biography, Voyages, and Travels,” as well as her standard “Belles Lettres” section for her final contributions to the Westminster Review, 67 (January 1857). See Letters II, 274, n.
    [Show full text]
  • How George Eliot Came to Write Fiction Rosemary Ashton
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2009 How George Eliot came to write fiction Rosemary Ashton Follow this and additional works at: http://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Ashton, Rosemary, "How George Eliot came to write fiction" (2009). The George Eliot Review. 696. http://digitalcommons.unl.edu/ger/696 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HOW GEORGE ELIOT CAME TO WRITE FICTION By Rosemary Ashton We are celebrating one hundred and fifty years since the publication in volume form of George Eliot's first work of fiction, Scenes of Clerical Life, three stories printed first in Blackwood's Edinburgh Magazine between January and November 1857, and then in two volumes in January 1858. I will tell the story of how George Eliot came to write fiction by moving backwards from the Scenes themselves, via George Eliot's journal entry of 6 December 1857, 'How I Came to Write Fiction', to her literary criticism in the Westminster Review in the earlier 1850s, and finally to two letters, of 1849 and 1846, in order to demonstrate, with the benefit of hindsight, how we can observe her writing talent appearing more than a decade before she dared to try her hand at fiction, and what we can conclude about her attitude towards identifying herself as a writer of fiction, particularly with reference to the decision to write under a male pseudonym.
    [Show full text]
  • Scenes of Clerical Life Online
    wcNzi (Download) Scenes of Clerical Life Online [wcNzi.ebook] Scenes of Clerical Life Pdf Free George Eliot audiobook | *ebooks | Download PDF | ePub | DOC Eliot George 2016-03-06Original language:EnglishPDF # 1 10.00 x .61 x 7.00l, 1.04 #File Name: 153042044X268 pagesScenes of Clerical Life | File size: 79.Mb George Eliot : Scenes of Clerical Life before purchasing it in order to gage whether or not it would be worth my time, and all praised Scenes of Clerical Life: 14 of 16 people found the following review helpful. George Eliot's first published fictional work is a neglected gem by the literary geniusBy C. M MillsGeorge Eliot (Mary Ann Evans) was born in Warwickshire in 1819. Her father was an estate manager and farmer. Little Mary Ann knew life in rural England. She would make rural Britain during the time of the industrial revolution her main fictional focus. She is the author of great classics "Middlemarch" "Adam Bede" "The Mill on the Floss" "Romolaand "Daniel Deronda/" Prior to the publication of these classics there is the charming and touching work "Scenes of a Clerical Life." Mary Ann was living without benefit of clergy with the author/scientist/man of letters George Henry Lewes who couldn't divorce his mad wife to mary the homely but brilliant Mary Ann (she spoke seven languages and had written widely on biblical criticism, science, book reviews and essays of erudition and wit). Lewes suggested she try her hand at fiction. The result is this collection of three stories which was published monthly in the liberal "Westminster Review" owned by the Blackwood Family in 1857.
    [Show full text]
  • Copyright by Charlotte Anne Damaris Fiehn 2020
    Copyright by Charlotte Anne Damaris Fiehn 2020 The Report Committee for Charlotte Anne Damaris Fiehn certifies that this is the approved version of the following Report: The Formation of George Eliot’s Authorial Identity APPROVED BY SUPERVISING COMMITTEE: Carol H. MacKay, Supervisor George S. Christian The Formation of George Eliot’s Authorial Identity by Charlotte Anne Damaris Fiehn Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2020 Dedication This report is dedicated to my children, Jason and Olivia, who have graciously participated in every step of this process, and to my niece, Grace, who made an entrance the year of its production. Acknowledgements I would like to thank Carol MacKay for her invaluable support and guidance throughout this process. She has championed me from the very first, even before I arrived at UT. This project would not have come about without her and it benefited immeasurably from her input, particularly on car journeys to and from recent conferences. George Christian – my fellow George Eliot Essay Prize winner – offered excellent feedback, was a generous and insightful teacher of British literature, and allowed me to ramble on about George Eliot more than once. My thanks as well to Alexandra Wettlaufer, whose classes on nineteenth-century French literature expanded my understanding of feminist criticism, introduced me to George Sand, completely changed my perspective on Eliot, and proved so enjoyable I had no trouble using up my out-of-department credits.
    [Show full text]
  • Vicar Victoria: Writing the Church of England in Nineteenth-Century Fiction" (2019)
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2019 Vicar Victoria: Writing the Church of England in Nineteenth- Century Fiction Rachel Elizabeth Cason University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the English Language and Literature Commons Recommended Citation Cason, Rachel Elizabeth, "Vicar Victoria: Writing the Church of England in Nineteenth-Century Fiction" (2019). Electronic Theses and Dissertations. 1560. https://egrove.olemiss.edu/etd/1560 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. VICAR VICTORIA: WRITING THE CHURCH OF ENGLAND IN NINETEENTH-CENTURY FICTION A Dissertation Presented for the Doctor of Philosophy Degree The University of Mississippi Rachel Elizabeth Cason May 2019 Copyright © 2019 by Rachel Elizabeth Cason All rights reserved ABSTRACT Vicar Victoria: Writing the Church of England in Nineteenth-Century Fiction shows how the organizing force of the Anglican Church and the figure of the Anglican clergyman were used to interrogate social, legal, and historical developments in nineteenth-century fiction. The project outlines how authors reacted to events such as Pluralism reform, the opening of training schools for clergy, and the Oxford Movement. There was a growing importance of institutions (including new physical buildings and Anglican reform movements). Further, the clergy, pushed by the increased expectation to modernize and professionalize, became a specialist career, with raised training and performance requirements. As a result of these internal changes, we find the Anglican Church establishment in a state of flux across the nineteenth century: working to adapt itself to a new normal where Anglicanism as the dominant organizing force in people's lives could no longer be taken for granted.
    [Show full text]
  • Essays on Religion in G. Eliot's Early Fiction
    Essays on Religion in G. Eliot’s Early Fiction Essays on Religion in G. Eliot’s Early Fiction By John H. Mazaheri Essays on Religion in G. Eliot’s Early Fiction By John H. Mazaheri This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by John H. Mazaheri All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0578-2 ISBN (13): 978-1-5275-0578-0 To My Family TABLE OF CONTENTS Acknowledgments ...................................................................................... ix Introduction ................................................................................................. 1 Chapter I ...................................................................................................... 9 Nostalgia in “The Sad Fortunes of the Rev. Amos Barton” Chapter II ................................................................................................... 19 Hope in “The Sad Fortunes of the Rev. Amos Barton” Chapter III ................................................................................................. 33 Love and Religion in “Mr. Gilfil’s Love Story” Chapter IV ................................................................................................
    [Show full text]
  • A GEORGE ELIOT MISCELLANY by the Same Author
    A GEORGE ELIOT MISCELLANY By the same author A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's letters to Florence Henniker 1893-1922 (edited with Evelyn Hardy) A COMMENTARY ON THEPOEMSOFTHOMASHARDY THOMAS HARDY: ART AND THOUGHT Edited for the New Wessex Edition THOMAS HARDY: TWO ON A TOWER THE STORIES OF THOMAS HARDY (3 vols) Edited for the Thomas Hardy Society THOMAS HARDY AND THE MODERN WORLD BUDMOUTH ESSAYS ON THOMAS HARDY THE THOMAS HARDY SOCIETY REVIEW (annuaD A JANE AUSTEN COMPANION A BRONTE COMPANION A D. H. LAWRENCE COMPANION A GEORGE ELIOT COMPANION A GEORGE ELIOT MISCELLANY A Supplement to her Novels Edited with Commentary and Notes by F. B. PINION e F. B. Pinion 1982 Softcover reprint of the hardcover 1st edition 1982 978-o-333-29348-5 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1982 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives througlwut the world ISBN 978-1-349-05572-2 ISBN 978-1-349-05570-8 (eBook) DOI 10.1007/978-1-349-05570-8 Contents Preface page vii Introduction IX I PRE-NOVEL WRITINGS 1 A Little Fable with a Great Moral 3 11 From the review of R. W. Mackay's The Progress of the Intellect 3 m From 'Woman in France: Madame de Sable' 6 IV From 'Evangelical Teaching: Dr. Cumming' 8 v From 'The Natural History of German Life' 11 VI From 'Silly Novels by Lady Novelists' 14 v11 From 'Worldliness and Other-Worldliness: The Poet Young' 16 II TWO CONTRASTING STORIES v1 'The Lifted Veil' 11 11 'Brother Jacob' 14 III ADJUNCTS TO MAJOR WORKS v How I Came to Write Fiction 104 11 History of' Adam Bede' 107 m Address to Working Men, by Felix Holt 110 1v Notes on The Spanish Gypsy and Tragedy 125 IV POEMS '0 may I join the choir invisible' 104 11 How Lisa Loved the King 107 m Brother and Sister 110 1v Stradivarius 125 v VI A George Eliot Miscellany V LATE ESSAYS 3 Debasing the Moral Currency n Moral Swindlers m 'A Fine Excess'.
    [Show full text]
  • Secularity, Alterity, and Subjectivity in George Eliot's Novels
    THE POLITICS OF SYMPATHY: SECULARITY, ALTERITY, AND SUBJECTIVITY IN GEORGE ELIOT’S NOVELS Seung-Pon Koo, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2009 APPROVED: Scott Simpkins, Major Professor David Holdeman, Committee Member and Chair of the Department of English John G. Peters, Committee Member Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Koo, Seung-Pon. The Politics of Sympathy: Secularity, Alterity, and Subjectivity in George Eliot’s Novels. Doctor of Philosophy (English), December 2009, 215 pp., 240 titles. This study examines the practical and political implications of sympathy as a mode of achieving the intercommunicative relationship between the self and the other, emphasizing the significance of subjective agency not simply guided by the imperative category of morality but mainly enacted by a hybrid of discourses through the interaction between the two entities. Scenes of Clerical Life, Eliot’s first fictional narrative on illuminating the intertwining relation of religion to secular conditions of life, reveals that the essence of religion is the practice of love between the self and the other derived from sympathy and invoked by their dialogic discourses of confession which enable them to foster the communality, on the grounds that the alterity implicated in the narrative of the other summons and re-historicizes the narrative of the subject’s traumatic event in the past. Romola, Eliot’s historical novel, highlights the performativity of subject which, on the one hand, locates Romola outside the social frame of domination and appropriation as a way of challenging the universalizing discourses of morality and duty sanctioned by the patriarchal ideology of norms, religion, and marriage.
    [Show full text]
  • Faith, Place and People in Early Modern England
    FAITH, PLACE AND PEOPLE IN EARLY MODERN ENGLAND DEAN 9781783272907 PRINT.indd 1 12/02/2018 08:18 DEAN 9781783272907 PRINT.indd 2 12/02/2018 08:18 FAITH, PLACE AND PEOPLE IN EARLY MODERN ENGLAND Essays in Honour of Margaret Spufford Edited by Trevor Dean, Glyn Parry and Edward Vallance THE BOYDELL PRESS DEAN 9781783272907 PRINT.indd 3 12/02/2018 08:18 © Contributors 2018 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2018 The Boydell Press, Woodbridge ISBN 978-1-78327-290-7 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620–2731, USA website: www.boydellandbrewer.com A catalogue record for this book is available from the British Library The publisher has no responsibility for the continued existence or accuracy of URLs for external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate This publication is printed on acid-free paper DEAN 9781783272907 PRINT.indd 4 12/02/2018 08:18 In memory of Margaret Spufford, who transformed the social history of early modern England And to Peter Spufford (1934–2017). Francis Spufford: ‘He was her collaborator, supporter, and always first sounding- board for ideas; and vice versa.
    [Show full text]
  • "'Things out 0' Nature': Discovering the Narrator in George Eliot's the Mill
    Nancy Dunbar C00565266 "'Things out 0' nature': Discovering the Narrator in George Eliot's The Mill on the Floss" , Karla J. Alwes, Thesis Supervisor • December 2,2013 Truth can only be pure objectively, for even in the creeds where it predominates, being subjective, and parcelled out into portions, each of these necessarily receives a hue of idiosyncrasy, that is, a taint of superstition more or less strong; while in such creeds as the Roman Catholic, ignorance, interest, the basis of ancient idolatries, and the force of authority, have gradually accumulated on the pure truth, and transformed it, at last, into a mass of superstition for the majority of its votaries; and how few are there, alas! whose zeal, courage, and intellectual energy are equal to the analysis of this accumulation, and to the discovery of the pearl of great price which lies hidden beneath this heap of rubbish. quoted by George Eliot in "Silly Novels by Lady Novelists" from Laura Gay, published in 1856, author unknown. Blessed is the man who, having nothing to say abstains from giving us wordy evidence of the fact. Impressions of Theophrastus Such George Eliot published 1879 2 The author and narrator of a novel must each have a voice; a strong voice that the reader can "hear" and that will make "listening" a pleasure. A good story is lost without a compelling voice. Of foremost importance is, says Carl Malmgrem, ...the speaker and the relation he or she establishes with the reader. In traditional fiction, regardless of the point of view, the relation is friendly, cooperative, and mutually satisfying; the speaker attempts to create a fictional community, gradually drawing readers into the world of the text.
    [Show full text]
  • Scenes of Clerical Life: George Eliot's Own Version of Conversion
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2009 Scenes of Clerical Life: George Eliot's Own Version of Conversion Alain Jumeau Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Jumeau, Alain, "Scenes of Clerical Life: George Eliot's Own Version of Conversion" (2009). The George Eliot Review. 691. https://digitalcommons.unl.edu/ger/691 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SCENES OF CLERICAL LIFE: GEORGE ELIOT'S OWN VERSION OF CONVERSION By Alain J umeau Before the publication of Scenes of Clerical Life, few people would have thought that Miss Evans had all the qualities for writing fiction, or, what is more, that she would become a great novelist. She was in her late thirties when she came to fiction writing, although, at the approach of middle age, most novelists have already tried their hand at it. Yet, as she confessed in her Journal, when she started writing the first story of Scenes of Clerical Life, it marked a new beginning for her, because she had always dreamt of writing fiction: 'September 1856 made a new era in my life, for it was then that I began to write Fiction. It had always been a vague dream of mine that some time or other I might write a novel.' 1 This vague dream would perhaps never have materialized without the encouragement and help of her companion, George Henry Lewes, who persuaded her that she had all the gifts to do it well, and helped her find a publisher (Blackwood) - always an essential step for a would-be novelist.
    [Show full text]