This Section Highlights Some of the Scores, Vocal Scores and Solos To

Total Page:16

File Type:pdf, Size:1020Kb

This Section Highlights Some of the Scores, Vocal Scores and Solos To This section highlights some of the These works are primarily twentieth scores, vocal scores and solos to works CAT # century compositions or new editions whose performance material is only of older works. For a complete listing available through various rental agents. of these scores please see our website: www.lucksmusic.com Other Study Sc. Large Sc. Other CAT # Large Sc. CAT # Study Sc. ADAMS, JOHN (1947- ) S19240 Cello Concerto, Op. 22...................................... 35.00 25.00 SOL B26480 Century Rolls (solo pf, orch).............................. 30.00 03399 Knoxville Summer of 1915, op. 24 .................... 20.00 11.00 VS S10014 Chairman Dances from "Nixon in China" .......... 45.00 S19740 The Lovers, Op. 43 ........................................... 45.00 25.00 VS B21223 Chamber Symphony ......................................... 40.00 S11467 Medea (Complete) (orig ver for chmb orch) ...... 40.00 B21161 Fearful Symmetries ........................................... 75.00 S19360 Medea's Dance of Vengence ............................ 15.00 B26404 Gnarley Buttons (solo clar., small orch.) ........... 20.00 S18850 Music for "A Scene from Shelley", Op. 7 ........... 19.95 S10554 Grand Pianola ................................................... 60.00 S19500 Die Natali, Op. 37 .............................................. 25.00 S18949 Harmonielehre................................................... 70.00 12134 Night Flight, Op. 19A ......................................... 30.00 S10015 Harmonium........................................................ 70.00 S19520 Piano Concerto, Op. 38..................................... 45.00 23.00 SOL B26367 Lollapalooza ...................................................... 30.00 S19600 Prayers of Kierkegaard ..................................... 25.00 11.00 VS B21680 Naive and Sentimental Music............................ 50.00 05439 School for Scandel Overture ............................. 20.00 S18934 Shaker Loops (rev. str) ...................................... 40.00 06134 Second Essay, Op. 17 ....................................... 25.00 B26497 Slonimsky's Earbox ........................................... 20.00 S19280 Souvenirs, Ballet Suite ...................................... 40.00 B21150 Two Fanfares: Short Ride, Tromba Lontana.. ... 30.00 S18970 Symphony No. 1, In One Movement, Op. 9 ..... 25.00 B26398 Violin Concerto .................................................. 30.00 60.00 SOL S11096 Symphony No. 2................................................ 40.00 B21162 The Wound Dresser .......................................... 35.00 S19470 Toccata Festiva, Op. 36 (solo organ) ............... 30.00 15.00 SOL S19370 Violin Concerto, Op. 14 (corrected revised) ...... 25.00 23.00 SOL ADLER, JAMES (1950- ) A24274 Memento Mori: AIDS Requiem ....................... 30.00 VS BARTOK, BELA (1881-1945) B21033 Bluebeard's Castle, Op. 11................................ 100.00 100.00 VS ALBENIZ, ISAAC (1860-1909) B21009 Cantata Profana (1930)..................................... 55.00 28.00 VS M32015 Piano Conc. No.1, Concierto Fantastico, Op. 78 35.00 B20079 Concerto for Orchestra (1943) .......................... 50.00 B20863 Concerto for Two Pianos, Perc. & Orch. ........... 134.00 50.00 ALBERT, STEPHAN (1941-1992) B20028 Divertimento for Strings (1939) ......................... 28.00 S18736 Flower of the Mountain...................................... 30.00 B20055 Hungarian Pictures............................................ 20.00 S10096 River Run .......................................................... 40.00 B21014 Miraculous Mandarin, Complete Ballet ............. 70.00 B20609 Music for Strings, Perc. & Celesta .................... 53.00 ALBRECHTSBERGER, JOHAN (1736-1809) B21112 Orchestral Pieces, 4 .......................................... 65.00 A22793 Terra Tremuit (Banner) .................................... 2.95 CHS B21026 Piano Concerto No. 1 ........................................ 42.00 57.95 SOL B21006 Piano Concerto No. 2 ........................................ 39.95 80.00 SOL ANDRIESSEN, LOUIS (1939- ) B20100 Piano Concerto No. 3 ........................................ 160.00 45.00 52.00 SOL B28556 Tao .................................................................... 29.95 B20657 Rhapsody No. 1 for Violin and Orchestra .......... 25.00 22.95 SOL B22090 Works for String Quartet ................................... 35.00 B20051 Sonata for Two Pianos and Percussion ............ 28.00 B20668 Viola Concerto (1945) ....................................... 32.00 50.00 SOL ARBAN, JEAN BAPTISTE (1825-1889) B20627 Viola Concerto (Revised) .................................. 115.00 A20329 Carnival of Venice (Leidzen) (tpt solo) .......... 8.00 SOL B20710 Violin Concerto No. 1 ........................................ 45.00 35.00 SOL B20081 Violin Concerto No. 2 ........................................ 160.00 50.00 50.00 SOL ARGENTO, DOMINICK (1927- ) B20393 The Wooden Prince, Ballet ............................... 90.00 B20150 Casanova's Homecoming ................................. 75.00 VS B21124 Fire Variations ................................................... 24.95 BECK, ANDY (1970- ) B20056 Postcard from Morocco ..................................... 75.00 VS A22953 Merry Christmas to Me! .................................. 1.65 CHS ARNOLD, MALCOLM (1921-2006) BEETHOVEN, LUDWIG van (1770-1827) S13888 Clarinet Concerto No. 2, Op. 115 ...................... 24.00 22.00 SOL B99011 Fidelio, Op. 72 (BARENREITER) ...................... 64.75 VS S10050 Four Cornish Dances ........................................ 19.25 B90920 Piano Concertos, Complete (BARENREITER) ... 94.50 S18636 Four Irish Dances .............................................. 19.00 B20212 Quartet in f, Op. 95 (arr. str orch by Mahler) ..... 43.00 F27663 RINALDO & ARMIDA, OP. 49: Intro and B99001 Symphonies 1-9, Complete Pas-de-Deux (1954-1991) (/Palmer) ............. 18.00 (BARENREITER) (Box Set) ........................ 588.00 175.00 S11040 Symphonic Study Machines, Op. 30 ................. 24.00 S19450 Symphony No. 6, Op. 95 ................................... 37.00 BENNETT, ROBERT RUSSELL (1894-1981) S10650 Symphony No. 8, Op. 121 ................................. 30.00 A21990 Carol Cantata I ................................................. 4.00 CHS S13924 Trumpet Concerto, Op. 125 .............................. 22.00 15.00 SOL A21988 Carol Cantata II ................................................ 5.00 CHS S18670 Two Violin Concerto .......................................... 22.00 A21989 Carol Cantata III ............................................... 5.00 CHS A21987 Carol Cantata IV .............................................. 4.50 CHS BACH, JOHANN CHRISTIAN (1735-1782) A22069 The Easter Story.............................................. 7.00 CHS A21745 Magnificat in C (Ehret) .................................... 4.95 CHS BELLINI, VINCENZO (1801-1835) BACH, JOHANN SEBASTIAN (1685-1750) U88582 La Sonnambula (Ricordi Crit.) ........................... 400.00 B95201 Brandenburg Concertos 1-6 (BARENREITER) (Box Set) ...................................................... 57.75 BERG, ALBAN (1885-1935) U90465 Fuga (Ricercare) a 6 voci (Webern) .................. 59.00 20.00 U94325 Altenberg - Lieder, Op. 4 ................................... 25.00 22.00 VS B90410 Harpsichord Concertos, Comp. (BWV1052- U90423 Chamber Concerto (Piano and Orchestra) ....... 45.00 90.00 SOL 1059) (BARENREITER) .............................. 50.75 U93640 Lulu, Complete Opera ....................................... 250.00 240.00 VS B95209 St. Mark Passion (BWV 247) (BARENREITER) 80.25 U92674 Lulu, Suite from Opera ...................................... 60.00 H40666 Six Suites for Cello Solo (BWV 1007-1012) U90432 Three Orchestra Pieces, Op. 6 ......................... 40.00 (HENLE) ...................................................... 32.95 49.95 SOL U90426 Violin Concerto .................................................. 28.00 60.00 SOL U94286 Der Wein ........................................................... 35.00 45.00 VS BARBER, SAMUEL (1910-1981) U92100 Wozzeck, Complete Opera ............................... 700.00 87.00 96.00 VS S19660 Antony & Cleopatra, 2 Scenes .......................... 11.00 35.00 VS U90307 Wozzeck, Three Excerpts ................................. 28.00 01908 Capricorn Concerto, Op. 21 .............................. 20.00 185 CHS-Chorus VS-Vocal Score SOL-Solo PC-Piano Conductor Large Sc. Study Sc. Study Sc. Other CAT # Large Sc. Other CAT # BERIO, LUCIANO (1925-2003) BRITTEN, BENJAMIN (1913- 1976) U94124 Eindruecke ........................................................ 48.00 B20854 Albert Herring, Comic Opera in Three Acts ....... 170.00 155.00 VS U94112 Folk Songs ........................................................ 22.00 B21196 Ballad of Heroes, Op. 14 ................................... 41.00 32.00 VS U93763 Folk Songs, orchestra version........................... 35.00 B20962 Billy Budd .......................................................... 144.00 134.00 VS U93717 Folk Songs, small version ................................. 66.00 B20719 Cantata Academica, Carmen Basillense, U93781 O King ............................................................... 27.00 Op. 62 (12.00 chs) ....................................... 45.00 56.00 VS U99311 Rendering (Schubert) ........................................ 130.00 B20752 Cantata Misericordium, Op. 69 (13.00 chs) ...... 35.00 27.00
Recommended publications
  • PROGRAM NOTES Witold Lutosławski Concerto for Orchestra
    PROGRAM NOTES by Phillip Huscher Witold Lutosławski Born January 25, 1913, Warsaw, Poland. Died February 7, 1994, Warsaw, Poland. Concerto for Orchestra Lutosławski began this work in 1950 and completed it in 1954. The first performance was given on November 26, 1954, in Warsaw. The score calls for three flutes and two piccolos, three oboes and english horn, three clarinets and bass clarinet, three bassoons and contrabassoon, four horns, four trumpets, four trombones and tuba, timpani, snare drum, side drums, tenor drum, bass drum, cymbals, tam-tam, tambourine, xylophone, bells, celesta, two harps, piano, and strings. Performance time is approximately twenty-eight minutes. The Chicago Symphony Orchestra's first subscription concert performances of Lutosławski's Concerto for Orchestra were given at Orchestra Hall on February 6, 7, and 8, 1964, with Paul Kletzki conducting. Our most recent subscription concert performance was given November 7, 8, and 9, 2002, with Christoph von Dohnányi conducting. The Orchestra has performed this concerto at the Ravinia Festival only once, on June 28, 1970, with Seiji Ozawa conducting. For the record The Orchestra recorded Lutosławski's Concerto for Orchestra in 1970 under Seiji Ozawa for Angel, and in 1992 under Daniel Barenboim for Erato. To most musicians today, as to Witold Lutosławski in 1954, the title “concerto for orchestra” suggests Béla Bartók's landmark 1943 score of that name. Bartók's is the most celebrated, but it's neither the first nor the last work with this title. Paul Hindemith, Walter Piston, and Zoltán Kodály all wrote concertos for orchestra before Bartók, and Witold Lutosławski, Michael Tippett, Elliott Carter, and Shulamit Ran are among those who have done so after his famous example.
    [Show full text]
  • 2020-2021 BNY Mellon Grand Classics Renewal Brochure
    SE THE 2020-2021 SEASON! A ASON O BENEFITS F FIRSTS! FLEXIBLE TICKET PRIORITY SEATING DISTRICT DISCOUNTS RENEW A new piano, 10 artist debuts, significant EXCHANGE Season ticket holders have priority Pittsburgh Symphony subscribers TODAY! Pittsburgh firsts, world premieres, PSO Exchange your subscription tickets over the general public on all receive a discount to select premieres and new musical voices. for any other concert within the seating within the BNY Mellon Pittsburgh Ballet, Pittsburgh CLO, 2020-2021 BNY Mellon Grand Grand Classics season. Pittsburgh Cultural Trust, Pittsburgh Classics season. Season ticket Opera and Pittsburgh Public CLICK OUTSTANDING holders can make exchanges up EXCLUSIVE PRE-SALE Theater events, as well as discounts PittsburghSymphony.org/Renew STARS OF to one hour prior to the concert. OPPORTUNITIES to local restaurants. THE STAGE Ticket exchanges made online are As a ticket holder, you will receive exclusive pre-sale opportunities to RESERVED PARKING Performances by Emanuel free of fees. special concerts before the general Season ticket holders have the first CALL Ax, Rudolf Buchbinder, DEDICATED public on-sale date. opportunity to purchase pre-paid +HLQ]+DOO%R[2IƓFH Thibaudet Hélène Grimaud, Gil Shaham, th PATRON SERVICES guaranteed parking in the 6 and 412.392.4900 Christian Tetzlaff, Matthias REPRESENTATIVE GREAT SAVINGS Penn garage across the street from Toll-free: 800.743.8560 Goerne, Jean-Yves Thibaudet, Each season ticket holder has Save on the concerts within your Heinz Hall for just $12 per concert. Yefim Bronfman, and Yo-Yo Ma! a designated Patron Services season ticket package. Plus, save After the renewal deadline parking Representative (PSR) to personally 15% on additional ticket purchases prices increase to $15.
    [Show full text]
  • Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello
    Saturday Evening, January 25, 2020, at 7:30 The Juilliard School presents Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello SAMUEL BARBER (1910–81) Toccata Festiva (1960) DANIEL FICARRI, Organ DMITRI SHOSTAKOVICH (1906–75) Cello Concerto No. 2 in G major, Op. 126 (1966) Largo Allegretto Allegretto DANIEL HASS, Cello Intermission CHRISTOPHER ROUSE (1949–2019) Processional (2014) JOHANNES BRAHMS (1833–97) Symphony No. 2 in D major, Op. 73 (1877) Allegro non troppo Adagio non troppo Allegretto grazioso Allegro con spirito Performance time: approximately 1 hour and 50 minutes, including an intermission This performance is made possible with support from the Celia Ascher Fund for Juilliard. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Juilliard About the Program the organ’s and the orchestra’s full ranges. A fluid approach to rhythm and meter By Jay Goodwin provides momentum and bite, and intricate passagework—including a dazzling cadenza Toccata Festiva for the pedals that sets the organist’s feet SAMUEL BARBER to dancing—calls to mind the great organ Born: March 9, 1910, in West Chester, music of the Baroque era. Pennsylvania Died: January 23, 1981, in New York City Cello Concerto No. 2 in G major, Op. 126 DMITRI SHOSTAKOVICH In terms of scale, pipe organs are Born: September 25, 1906, in Saint Petersburg different from every other type of Died: August 9, 1975, in Moscow musical instrument, and designing and assembling a new one can be a challenge There are several reasons that of architecture and engineering as complex Shostakovich’s Cello Concerto No.
    [Show full text]
  • Themenkatalog »Musik Verfolgter Und Exilierter Komponisten«
    THEMENKATALOG »Musik verfolgter und exilierter Komponisten« 1. Alphabetisches Verzeichnis Babin, Victor Capriccio (1949) 12’30 3.3.3.3–4.3.3.1–timp–harp–strings 1908–1972 for orchestra Concerto No.2 (1956) 24’ 2(II=picc).2.2.2(II=dbn)–4.2.3.1–timp.perc(3)–strings for two pianos and orchestra Blech, Leo Das war ich 50’ 2S,A,T,Bar; 2(II=picc).2.corA.2.2–4.2.0.1–timp.perc–harp–strings 1871–1958 (That Was Me) (1902) Rural idyll in one act Libretto by Richard Batka after Johann Hutt (G) Strauß, Johann – Liebeswalzer 3’ 2(picc).1.2(bcl).1–3.2.0.0–timp.perc–harp–strings Blech, Leo / for coloratura soprano and orchestra Sandberg, Herbert Bloch, Ernest Concerto Symphonique (1947–48) 38’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(3):cyms/tam-t/BD/SD 1880–1959 for piano and orchestra –cel–strings String Quartet No.2 (1945) 35’ Suite Symphonique (1944) 20’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc:cyms/BD–strings Violin Concerto (1937–38) 35’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(2):cyms/tgl/BD/SD– harp–cel–strings Braunfels, Walter 3 Chinesische Gesänge op.19 (1914) 16’ 3(III=picc).2(II=corA).3.2–4.2.3.1–timp.perc–harp–cel–strings; 1882–1954 for high voice and orchestra reduced orchestraion by Axel Langmann: 1(=picc).1(=corA).1.1– Text: from Hans Bethge’s »Chinese Flute« (G) 2.1.1.0–timp.perc(1)–cel(=harmonium)–strings(2.2.2.2.1) 3 Goethe-Lieder op.29 (1916/17) 10’ for voice and piano Text: (G) 2 Lieder nach Hans Carossa op.44 (1932) 4’ for voice and piano Text: (G) Cello Concerto op.49 (c1933) 25’ 2.2(II=corA).2.2–4.2.0.0–timp–strings
    [Show full text]
  • Britten Spring Symphony Welcome Ode • Psalm 150
    BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School
    [Show full text]
  • Program Notes: Inspiration & Impact
    CABRILLO FESTIVAL Program Notes: Inspiration & Impact Lola Montez Does the and she glides from the stage of sensory and expressive overload. Spider Dance (2016) overwhelmed with applause, At its premiere in March of 2012, the first third and smashed spiders, John Adams of the piece was largely a trope on the Opus (b. 1947) and radiant with parti-colored skirts, [World Premiere] 131 C# minor quartet’s scherzo and suffered smiles, graces, cobwebs and glory. from just this problem. After a moody opening of tremolo strings and fragments of the Ninth Commissioned by the musicians of the Cabrillo Lola Montez Does the Spider Dance was Symphony signal octave-dropping motive, Festival Orchestra in honor of Marin Alsop commissioned by members of the Cabrillo Festival Orchestra in celebration of Marin the solo quartet emerged as if out of a haze, The Irish-born actress and dancer Eliza Gilbert Alsop’s twenty five seasons as music director, playing the driving foursquare figures of that (1821—1861) achieved international fame and it is dedicated to her. scherzo material that almost immediately went under the name “Lola Montez, the Spanish through a series of strange permutations. Dancer.” After a controversial career on the —John Adams continent, including a sojourn in Bavaria This original opening never satisfied me. The where she become both the lover as well as clarity of the solo quartet’s role was often political advisor to King Ludwig, she returned Absolute Jest (2011) buried beneath the orchestral activity resulting in what sounded to me too much like “chatter.” to London, where she eloped with and married John Adams (b.
    [Show full text]
  • To Read Or Download the Competition Program Guide
    THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory.
    [Show full text]
  • Playlist 12 - Wednesday, June 24Th, 2020
    Legato in Times of Staccato Playlist 12 - Wednesday, June 24th, 2020 Curated by Music Director, Fouad Fakhouri William Dawson: Negro Folk Symphony William Dawson was a renowned African American composer, choir director, and professor who incorporated African American themes and melodies into his music. With the Negro Folk Symphony, Dawson aimed to “write a symphony in the Negro folk idiom, based on authentic folk music but in the same symphonic form used by the composers of the [European] romantic-nationalist school.” The work consists of three movements, each with its own programmatic subtitle. Dvorak: Serenade for Strings & Wind Dvořák composed his entire Serenade in E major for string orchestra in less than two weeks in May 1875. The piece is in five movements, and in the finale, the main theme from the first movement is quoted before the coda, effectively unifying the work. Overall, the piece is light and carefree, reflecting a happy and productive time in Dvořák’s life. The Serenade in D minor for wind instruments was also composed in just two weeks in January 1878. The winds play atop a foundation of cello and string bass, and like in the Serenade for Strings, the opening theme is quoted in the final movement to unify the piece. The work is Classical in form but Czech in character as Dvořák incorporated folk melodies and rhythms from his native Bohemian culture. The piece was dedicated to music critic Louis Ehlert who promoted Dvořák’s famous Slavonic Dances and helped to advance Dvořák’s musical career. Haydn: Cello Concerto No. 1 Haydn’s Cello Concerto No.
    [Show full text]
  • Benjamin Britten: a Catalogue of the Orchestral Music
    BENJAMIN BRITTEN: A CATALOGUE OF THE ORCHESTRAL MUSIC 1928: “Quatre Chansons Francaises” for soprano and orchestra: 13 minutes 1930: Two Portraits for string orchestra: 15 minutes 1931: Two Psalms for chorus and orchestra Ballet “Plymouth Town” for small orchestra: 27 minutes 1932: Sinfonietta, op.1: 14 minutes Double Concerto in B minor for Violin, Viola and Orchestra: 21 minutes (unfinished) 1934: “Simple Symphony” for strings, op.4: 14 minutes 1936: “Our Hunting Fathers” for soprano or tenor and orchestra, op. 8: 29 minutes “Soirees musicales” for orchestra, op.9: 11 minutes 1937: Variations on a theme of Frank Bridge for string orchestra, op. 10: 27 minutes “Mont Juic” for orchestra, op.12: 11 minutes (with Sir Lennox Berkeley) “The Company of Heaven” for two speakers, soprano, tenor, chorus, timpani, organ and string orchestra: 49 minutes 1938/45: Piano Concerto in D major, op. 13: 34 minutes 1939: “Ballad of Heroes” for soprano or tenor, chorus and orchestra, op.14: 17 minutes 1939/58: Violin Concerto, op. 15: 34 minutes 1939: “Young Apollo” for Piano and strings, op. 16: 7 minutes (withdrawn) “Les Illuminations” for soprano or tenor and strings, op.18: 22 minutes 1939-40: Overture “Canadian Carnival”, op.19: 14 minutes 1940: “Sinfonia da Requiem”, op.20: 21 minutes 1940/54: Diversions for Piano(Left Hand) and orchestra, op.21: 23 minutes 1941: “Matinees musicales” for orchestra, op. 24: 13 minutes “Scottish Ballad” for Two Pianos and Orchestra, op. 26: 15 minutes “An American Overture”, op. 27: 10 minutes 1943: Prelude and Fugue for eighteen solo strings, op. 29: 8 minutes Serenade for tenor, horn and strings, op.
    [Show full text]
  • Audition Requirements
    Master of Music Audition Requirements Woodwinds Voice Flute Oboe Strings Clarinet Violin Saxophone Viola Bassoon Cello Double Bass Brass Guitar Horn Trumpet Conducting Tenor Trombone Choral Bass Trombone Instrumental (Wind) Tuba Instrumental (Orchestral) Percussion Piano Master of Music applicants with areas of specialization in Composition, Jazz Composition, Music Education, Musicology, and Piano Pedagogy can find entrance requirements in the School of Music Graduate Student Handbook. Flute Faculty: Dr. Suyeon Ko; Email: [email protected] • Mozart: Concerto in G Major or D Major, K. 313 or K. 314 (Movements I and II) • A 19th- or 20th-century French work from Flute Music by French Composers or equivalent • An unaccompanied 20th- or 21st-century work • Five orchestral excerpts from Baxtresser, Orchestral Excerpts for Flute, or equivalent • Sight reading Oboe Faculty: Emily Hart; Email: [email protected] • Choose two from the following: ◦ Saint-Saëns or Poulenc sonata (Movement I) ◦ Mozart or Haydn concerto (Movement III) ◦ Any Telemann or Vivaldi concerto or sonata (Movements I and II) ◦ Britten Six Metamorphoses (any three movements) • Choose two of the following orchestral excerpts (all excerpts may be found in the Rothwell books, Difficult Passages, published by Boosey and Hawkes): ◦ Brahms: Violin Concerto (slow movement excerpt) ◦ Rossini: La Scala di Seta (slow and fast excerpts) ◦ Beethoven: Symphony No. 3 (excerpts from Movements III and IV) ◦ Prokofiev: Symphony No. 1 (excerpts from Movements III and IV) • Sight reading Clarinet Faculty: Eric Ginsberg; Email: [email protected] • Choose two movements from one of the following: ◦ Mozart: Concerto in A Major, K. 622 ◦ Weber: Concerto No. 1 in F Minor, Op.
    [Show full text]
  • The Pulitzer Prizes 2020 Winne
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • An Analysis of Honegger's Cello Concerto
    AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S
    [Show full text]