A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
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John Loves Mary Preview Continued from Page 1
Inside this Issue Solid Gold Cadillac Auditions ...........2 2011/2012 Staff Positions .................2 CP 2011/2012 Season ......................3 WW II Popular Culture .....................4 CPers Carol Uptown .........................4 Vol. 6.5 January, 2011 Players Presents WWII Farce, John Loves Mary by Bob McLaughlin Community Players kicks off 2011 with the classic Hammerstein, comedy John Loves Mary, by Norman Krasna. Set at the directed by Joshua end of World War II, the play’s plot involves soldiers’ Logan, and featured homecoming and is fueled by mistaken identity and William Prince, good intentions gone wrong. As the curtain opens, Nina Foch, and Mary McKinley, a senator’s daughter, awaits the return Tom Ewell in the of John Lawrence, her fiancé, who has been fighting in cast. At the time Europe. John arrives, but with a secret: in order to help it was one of a out his buddy Fred Taylor, who was demobed and sent number of plays that home before he could cut through the red tape to marry dealt humorously his British girlfriend Lily Herbish, John has married Lily, or alarmingly with planning to bring her to the States and divorce her so the social anxieties she can wed Fred. (Got that?) But the best laid plans . connected with . Fred, it turns out, figuring he’d never see Lily again, the servicemen’s has married a hometown sweetheart who’s about to have homecoming: How much will the war have changed a baby. Can John put off his date with Mary at the altar these men? Will they be able to reintegrate into long enough to get divorced? Can John and Fred keep peacetime society? Will they chaotically upend Lily a secret from Mary and her parents? Can Lily find a traditional values? In 1949 John Loves Mary was made new beau? Not before John and Fred make a deal with into a film starring Ronald Reagan, Patricia Neal, and a loathed former officer and Senator McKinley starts Jack Carson. -
Written to Be the Introduction to a Book in the Wisconsin/Warner Bros Screenplay Series, General Editor Tino Balio, Published by the University of Wisconsin Press
1981 Written to be the Introduction to a book in the Wisconsin/Warner Bros Screenplay Series, General Editor Tino Balio, published by the University of Wisconsin Press. These volumes reproduced classic Warner Bros scripts from the Warner Bros Archive at the Wisconsin Center for Film and Theater Research with scholarly apparatus. Between the commissioning of this volume and its completion the series was cancelled. The script itself and associated stills cannot be reproduced without copyright permission. Since the piece was written, Warner Bros post-production files have been acquired by the Cinema Studies Library of the University of Southern California. It is likely that they close some of the questions here raised about the final form of the film. INTRODUCTION The Politics of the War Film Ian Jarvie 1. The Evolution of the Screenplay 2. Summary of the Story as Filmed 3. Production and Exploitation 4. Reception and Appraisal 5. Political Aftermath Objective Burma has both intrinsic and extrinsic interest to students of the motion picture. Intrinsically, it is a fine example of sustained and unrelieved treatment of combat within the restrictions of the war film genre. There is much to be learned from studying how the final screenplay emerged from the work of three writers and their producer, and from the further changes made by the director, technical advisor, and film editor during production and post-production. Initial confusion of aims is resolved as the option of a clean and unencumbered line of action is chosen. This enables the writers to clear sub-plots out of the excessively long draft screenplay and encourages further honing down during shooting and editing. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
9782873404178 01.Pdf
SOMMAIRE Jean-François Rauger : La douceur Fuller L’ŒUVRE Thanatos Pierre Gabaston. La fureur Fuller Serge Chauvin. Crever l’écran. Une esthétique du surgissement Sarah Ohana. Faire face. À propos du style de Samuel Fuller Laurent Le Forestier. Samuel Fuller, cinéaste responsable Jean-Marie Samocki. Le chaos comme le chant. Samuel Fuller metteur en son Éros Murielle Joudet. La violence en partage Patrice Rollet. L’autre visage de la fureur. Érotique de Fuller Figures humaines Sergio Toffetti. Le jaune, le rouge, le noir et le blanc Chris Fujiwara. Les visages asiatiques de Samuel Fuller Jean-Marie Samocki. Le vieillissement de Lee Marvin. It Tolls for Thee / The Big Red One Simon Laperrière. Une grande mêlée. Les romans de Samuel Fuller LES FILMS Gilles Esposito. L’enfer du développement. Samuel Fuller scénariste Marcos Uzal. La Passion du traître. I Shot Jesse James / J’ai tué Jesse James Laura Laufer. L’Amour, vaste territoire The Baron of Arizona / Le Baron de l’Ari- zona Mathieu Macheret. Le Théâtre des opérations. The Steel Hemlet / J’ai vécu l’en- fer de Corée et Fixed Bayonets !/Baïonnette au canon Bernard Eisenschitz. Park Row / Violence à Park Row Murielle Joudet. Pickpocket. Pickup on South Street / Le Port de la drogue Samuel Bréan. Anatomie d’un mensonge. Le doublage de Pickup on South Street Jean-François Rauger. Le Sous-marin et les Rouges. Hell and High Water / Le Démon des eaux troubles The Steel Helmet. Egdardo Cozarinsky. House of Bamboo / La Maison de Bambou Bernard Benoliel. Fuller, l’attendrisseur. Run of the Arrow / Le Jugement des Jean-François Rauger flèches Jean-François Rauger. -
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949). -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
November 2019
MOVIES A TO Z NOVEMBER 2019 D 8 1/2 (1963) 11/13 P u Bluebeard’s Ten Honeymoons (1960) 11/21 o A Day in the Death of Donny B. (1969) 11/8 a ADVENTURE z 20,000 Years in Sing Sing (1932) 11/5 S Ho Booked for Safekeeping (1960) 11/1 u Dead Ringer (1964) 11/26 S 2001: A Space Odyssey (1968) 11/27 P D Bordertown (1935) 11/12 S D Death Watch (1945) 11/16 c COMEDY c Boys’ Night Out (1962) 11/17 D Deception (1946) 11/19 S –––––––––––––––––––––– A ––––––––––––––––––––––– z Breathless (1960) 11/13 P D Dinky (1935) 11/22 z CRIME c Abbott and Costello Meet Frankenstein (1948) 11/1 Bride of Frankenstein (1935) 11/16 w The Dirty Dozen (1967) 11/11 a Adventures of Don Juan (1948) 11/18 e The Bridge on the River Kwai (1957) 11/6 P D Dive Bomber (1941) 11/11 o DOCUMENTARY a The Adventures of Robin Hood (1938) 11/8 R Brief Encounter (1945) 11/15 Doctor X (1932) 11/25 Hz Alibi Racket (1935) 11/30 m Broadway Gondolier (1935) 11/14 e Doctor Zhivago (1965) 11/20 P D DRAMA c Alice Adams (1935) 11/24 D Bureau of Missing Persons (1933) 11/5 S y Dodge City (1939) 11/8 c Alice Doesn’t Live Here Any More (1974) 11/10 w Burn! (1969) 11/30 z Dog Day Afternoon (1975) 11/16 e EPIC D All About Eve (1950) 11/26 S m Bye Bye Birdie (1963) 11/9 z The Doorway to Hell (1930) 11/7 S P R All This, and Heaven Too (1940) 11/12 c Dr. -
Yannick Nézet-Séguin Conductor Renaud Capuçon Violin Ravel
Program OnE HunDRED TwEnTi ETH SEASOn Chicago Symphony orchestra riccardo muti Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 13, 2011, at 8:00 Friday, January 14, 2011, at 1:30 Saturday, January 15, 2011, at 8:00 Sunday, January 16, 2011, at 3:00 Yannick Nézet-Séguin Conductor renaud Capuçon Violin ravel Valses nobles et sentimentales Modéré Assez lent Modéré Assez animée Presque lent Assez vif Moins vif Epilogue (Lent) Korngold Violin Concerto in D Major, Op. 35 Moderato nobile Romance: Andante Finale: Allegro assai vivace REnAuD CAPuçOn INtermISSIoN tchaikovsky Symphony no. 6 in B Minor, Op. 74 (Pathétique) Adagio—Allegro non troppo Allegro con grazia Allegro molto vivace Finale: Adagio lamentoso The appearance of Yannick Nézet-Séguin is endowed in part by the Nuveen Investments Emerging Artist Fund. Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. 1 CommeNtS By PHiLLiP HuSCHER maurice ravel Born March 7, 1875, Ciboure, France. Died December 28, 1937, Paris, France. Valses nobles et sentimentales ranz Schubert was the first (He improvised waltzes throughout Fimportant composer to write the the wedding festivities of his dear word “waltz” on a score. By then— friend Leopold Kupelweiser, letting the early 1820s—waltzing had lived no one else near the piano; by a down its reputation as a scandalous fortuitous stroke of fate, one of the demonstration of excessive speed tunes remembered by the bride and and intimate physical contact on passed down through her family the dance floor. -
K-Bay Aquarama for HOSPITAL "An Uaisianding Success", Were Scheduled Jan
Property of MAEIN: 79.- Hi.STD:II JAN 1 0 1961 Please Lotu;ii to Room AY/ VOL X, No. I U.S. MARINE CORPS AIR STATION, KANEOHE BAY, HAWAII January 6, 1961 Please, Mr. Weatherman BENEFIT GAME GARNERS $1700 K-Bay Aquarama FOR HOSPITAL "An uaisianding success", were Scheduled Jan. 15 the words used by Mrs. John W. Antonelli, president of the Kane- Plans for Kaneohe Bay's once- the water, release his chute and ohe Marine Officers Wives Club, postponed water ski "Aquarama" begin an underwater swim to in summing up the results of last were once again put on the draw- the beach, emerging directly Monday's benefit football game ing board this week with Jan. In front of the spectator fans. held at Castle High Stadium. 15 set as "target date". The event Another chutist, Cpl. G. N. Despite threatening weather, promises to be the most varied Zigoris, will bailout from the almost 2,000 spectators turned water show ever produced in the same altitude in a real-life demo- out to see the Windward Ma- 50th State. stration of an air-sea rescue by rine All Stars romp over the Taking a long, hard look at helicopter. Leeward Service All Stars. The advance weather predications, sky-diving event fea- final score was 49 to 6. Another show officials told the WIND- tures a 20-second delay free-fall An incomplete tally of pro- WARD MARINE that all events from 5,280 feet by MSgt. R. H. ceeds at press time indicated a originally planned for the Dec. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns)