Juvenal “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX
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Cicero a Study of Gamesmanship in the Late
CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Eugene H. Boyd FALL 2018 © 2018 Eugene H. Boyd ALL RIGHTS RESERVED ii CICERO A STUDY OF GAMESMAN SHIP IN THE LATE REPUBLIC A Thesis by Eugene H. Boyd Approved by: __________________________________, Committee Chair Nikolaos Lazaridis, PhD. __________________________________, Second Reader Jeffrey Brodd, PhD. ____________________________ Date iii Student: Eugene H. Boyd I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________Graduate Coordinator ___________________ Jeffrey Wilson, PhD Date Department of History iv Abstract of CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC by Eugene H. Boyd Roman politics during the final decades of the Late Republic was a vicious process of gamesmanship wherein lives of people, their families and friends were at the mercy of the gamesmen. Cicero’s public and political gamesmanship reflects the politics, class and ethnic biases of Roman society and how random events impacted personal insecurities. ______________________ _, Committee Chair Nikolaos Lazaridis, PhD. ____________________________ Date v ACKNOWLEDGEMENTS The process of obtaining a Master’s degree, I have found, is not an independent, isolated experience. Citing a contemporary adage, “It takes a village.” Truer words have never by spoken. To that end, I would like to recognize in the most warmly and thankful manner, the people in my “village” who helped me through the graduate study program and eventual master’s degree. -
Select Works of Edmund Burke, Vol. 1 [1770]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Edmund Burke, Select Works of Edmund Burke, vol. 1 [1770] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Making Enemies the Logic of Immorality in Ciceronian Oratory Hammar, Isak
Making Enemies The Logic of Immorality in Ciceronian Oratory Hammar, Isak 2013 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Hammar, I. (2013). Making Enemies: The Logic of Immorality in Ciceronian Oratory. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 making enemies Isak Hammar making enemies The Logic of Immorality in Ciceronian Oratory LUND UNIVERSITY 2013 Printed with the financial support of the National Graduate School of History ISBN 978-91-7473-614-4 (pdf) isbn 978-91-7473-613-7 © Isak Hammar Lund University 2013 Cover Image: Cicero in the Senate Accusing Catiline of Conspiracy. -
Juvenal (Ca. 55 Or 60 - Ca
Juvenal (ca. 55 or 60 - ca. 130) by Nikolai Endres Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com Frontispiece from an Around 1450, Ugolino Pisiani commented: "Juvenal, Persius, Martial, and others should edition of John Dryden, not be publicly read and taught, but kept for private study--so that knowledge can be et al., The Satires of increased without contaminating young men." Decimus Junius Juvenalis and of Aulus Persius Flaccus In the late nineteenth and early twentieth century, English readers interested in (London, 1711). Juvenal had available J. E. B. Mayor's Thirteen Satires of Juvenal (1880-81, many reprints), C. H. Pearson and Herbert A. Strong's Thirteen Satires of Juvenal (1892, many subsequent editions), J. D. Duff's Fourteen Satires of Juvenal (1899, often reprinted, at least until 1970), or S. G. Owen's Thirteen Satires of Juvenal Translated into English (1903). But Juvenal wrote sixteen satires. For reasons of prudery and censorship, the Second, Sixth, and Ninth satires, all crucial for exploring Roman attitudes toward sex and sexuality, were systematically excised from his oeuvre. For purposes of glbtq history, the Second Satire is especially important. It offers a revealing glimpse into attitudes toward a certain kind of homosexual activity in ancient Rome, at least from the perspective of a satirist; it is also an important document for a supposed law restricting homosexual intercourse (the Lex Scantinia) and for the history of sexuality, offering evidence that counters (extreme) constructionist claims. The Ninth Satire gives a picture of homosexual abuse of the traditional patron/client relationship. -
Bibliotheca Sacra
THE BIBLIOTHECA SACRA. ARTICLE I. THE LETTERS OF JUNIUS AND THE EPISTLE TO THE HEBREWS: A COMPARATIVE STUDY IN HIGHER CRITICISM. BY lIOI.. I. WOODBRIDGE RILEY, M. A. I. • AFTER baffling three or four generations of critics, the Letters of Junius have been allowed to take rank among English classics under a pseudonym. Like the autobiog raphy of a certain famous statesman, "the author has not yet been announced" j and this in spite of a continuous stream of conjectural literature coming down from the last century concerning the "Great Unknown." "Jun. ius Rumonrs," "Another Glance at Junius," "Junius Un masked," "The Identity of Junius with a Living Char acter Established "-these and similar titles serve to mark tbe ebb and Bow of the tide of speculation. Such pamphlets, essays, and even elaborate works may be con sidered mere literary driftwood j they yet testify to the force of an unsatisfied critical curiosity. The question still remains: Who wrote that series of Letters on political affairs which appeared in a London newspaper a decade before the American Revolution? They may be at present VOL. LVIII. No. 232. I Digitized by Coogle 608 Tlte Letters of Junius. [Oct. of little intrinsic interest, except for their treatment of the Freedom of the Press, and the Discontents in the Colonies, but at the time they created no small stir in the literary aud political world. They were eulogized by Dr. Johnson, and quoted with admiration by Edmund Burke. Of the "invisible state satirist," the latter said: "Kings, Lords, and Commons are but the sport of his fury. -
"Junius" Revealed
'JUNIUS' EEVEALED 'JUNIUS' REVEALED BY HIS SURVIVING GRANDSON H. E. FEANCIS 1 circumfusa repente Scindit se nubes, et in sethera purgat apertum LONDON y LONGMANS, GEEEN, AND CO AND NEW YORK: 15 EAST 16 th STREET 1894 All rights reserved Dfi 508 PBEFACE The earlier pages of the work now given to the public explain the singular circumstances which re- quired yet delayed its appearance, and might thus be regarded as forming in themselves a sufficient preface. But an omission lies at the threshold of my sub- ject, which I am the more anxious to supply as it concerns the very name of 'Junius.' I did not recall till too late for convenient insertion in the text the following letter which appeared in the 'Times' at the end of May 1893. I reprint it now with sincere thanks to the ingenious writer, whose conjecture I fully believe to be correct. Francis's known interest in Dutch history, as well as in the doings of the Inquisition which he hated so pro- foundly, renders it specially probable that he had heard of and admired the rare display of courage since recorded of Francis Junius by the great American historian. ; VI PREFACE THE LETTERS OF JUNIUS. To the Editor of the Times. Sir,—I am not aware whether it has been noticed that in the 16 th century there lived in the Netherlands a power- ' ful writer and preacher named Francis ' Junius, who was secretly employed by Louis of Nassau to draw up a protest against the tyranny of the Inquisition. ' The man's courage,' wrote Motley, 'may be estimated from the fact that he preached on one occasion a sermon advocating the doctrines of the Reformed Church with his usual eloquence in a room overlooking the market-place, where at the very instant the execution by fire of several heretics was taking place, while the light of the flames in which the brethren of their faith were burning was flickering through the glass windows of the conventicle.' Our Junius was certainly more careful of consequences but he evidently possessed some of the characteristics of his namesake. -
4 ` Cicero' on the (Theatre) Stage
4 CI` CERO' ON THE(THEATRE) STAGE The earliest dramas in which ‘Cicero’ appears on stage as acharacter date from the last quarter of the sixteenth century: apiece in France, one in Germany and (at least) three in Britain were produced in fairly quick succession. In all of these ‘Cicero’ is not the protagonist after whom the plays are named; instead, he is a more or less important figure involved in the dramatic action. 4.1 Robert Garnier, Corne´ lie (1574) Context Robert Garnier ( c. 1545–1590) studied law and did legal work in Paris before becoming amagistrate in his native district of Maine (a region in France) and later amember of the Grand Conseil du Royaume in Paris. From his student days onwards Garnier wrote literary works, starting with lyric and later turning to dramatic poetry.Heisnow regarded as one of the most significant French dramatists of the sixteenth century. The majority of Garnier’splays dramatize stories from the ancient world: Porcie (1568), Corne´ lie (1574), Hippolyte (1574), Marc-Antoine (1578), La Troade (1579) and Antigone (1580). At the same time the themes have contemporary resonance: the pieces share an emphasis on civil war,are characterized by arepublican outlook and were published during the turbulent period of the French Wars of Religion.1 As for their form, Garnier’splays feature little dramatic action and rather consist of an alternation of rhetorically developed speeches and choruses; they are based on the model of Seneca’sLatin tragedies.2 28 R EVIVING C ICEROIN D RAMA Corne´ lie was first performed in 1573; it was first published in 1574 and then included in an edition of Garnier’stragedies in 1585. -
Political Argument in Edmund Burke's Reflections: A
POLITICAL ARGUMENT IN EDMUND BURKE‟S REFLECTIONS: A CONTEXTUAL STUDY BY BEN JAMES TAYLOR A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Political Science and International Studies School of Social Sciences The University of Birmingham December 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The present thesis offers a historical interpretation of Edmund Burke‟s classic text, Reflections on the Revolution in France. By contrast to the existing literature, it studies Burke‟s work as a purposive intervention in a domestic problem complex that turned upon the ways in which the French Revolution was refracted in various British contexts of argument. In short, British radicals put the principles and the very idea of the French Revolution to unique uses, employing them to increase the legitimacy and potency of their own arguments. To this end, they appealed to the authority of the French Revolution to augment their dynamic reading of the English Revolution of 1688, and denounced the lack of liberty in Britain by holding the French system of representation up as a model which would provide a genuinely accountable and participatory government. -
Satire : the Classical Genre of Dissent : Juvenalian Influence on Samuel Johnson's London Geraldine Katner Jones
University of Richmond UR Scholarship Repository Master's Theses Student Research Spring 1971 Satire : the classical genre of dissent : Juvenalian influence on Samuel Johnson's London Geraldine Katner Jones Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jones, Geraldine Katner, "Satire : the classical genre of dissent : Juvenalian influence on Samuel Johnson's London" (1971). Master's Theses. Paper 333. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. SATIRE: THE CLASSICAL GENRE OF DISSENT- JUVENALIAN INFLuENCE ON SAMUEL JOHNSON'S LONDON BY GERALDINE KANTNER JONES A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF. MASTER OF ARTS IN ANCIENT LANGUAGES JUNE 1971 ucr: r ~7 -- "·l'' r;.'.""".(•7'.r -~· c .. :· •u j l\1 .. -. -- • v:~: ·-- ; .. ; Approval Sheet . ·... magna cum gratia meae familiae, sine qua non. TABLE OF CONTENTS Chapter I. A BRIEF HISTORY OF SATIRE . 1 II. JUVENAL 8 III. THE CONTINUING THREAD OF SATIRE • C' 0 IV. LATER CRITICISM AND SATIRE • 2 9 V. SAMUEL JOHNSON AND THE NEO-CLASSICAL SATIRE . 36 BIBLIOGRAPHY 51 CHAPTER I A BRIEF HISTORY OF SATIRE Satire, the classical form of dissent, is Roman in origin. All other types of Latin poetry are known by their Greek names; satire alone has the distinction of bearing a Roman name with which no Greek genr~ corre- sponds. -
Juvenal the Reformer and His Age
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1944 Juvenal the Reformer and His Age John P. Fisher Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Classical Literature and Philology Commons Recommended Citation Fisher, John P., "Juvenal the Reformer and His Age" (1944). Master's Theses. 617. https://ecommons.luc.edu/luc_theses/617 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1944 John P. Fisher ,; ! Ju~nal The Reformer and His Age By John P. Fisher A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Loyola University December 1944 TABLE OF CONTENTS Introduction Chapter I. General Character of The Period •••••••••••••••••• 1 Juvenal's mode of attack -- The rise of slavery The influence of slavery-- Severe treatment of Ro- man slaves -- Roman religion, its doctrines and practice -- The Roman philosophical groups -- Jews and Christians -- Favored groups, clients and delatores -- The growth of delatio -- The equites,- plebians, and slaves -- The laboring class -- The Roman mime -- The lot of grammarians and rhetor- icians -- The sad lot of the other arts -- The pro- fession of the common soldier. II. The Biography of Juvenal....................... 34 The conjectured dates of Juvenal's birth-- Some events of his life -- Reasons for his exile Status of the acting profession in Rome -- The meaning of satire -- Formal and informal satire Examples of English satirical works -- Lucilius Horace -- Persius. -
Tacitus, Annals, 15.20–23, 33–45
Mathew Owen and Ingo Gildenhard Tacitus, Annals, 15.20-23, 33-45 Latin text, study aids with vocabulary, and commentary To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/215 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Tacitus, Annals, 15.20–23, 33–45 Latin Text, Study Aids with Vocabulary, and Commentary Mathew Owen and Ingo Gildenhard http://www.openbookpublishers.com © 2013 Mathew Owen and Ingo Gildenhard This book is licensed under a Creative Commons Attribution 3.0 Unported licence (CC-BY 3.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Owen, Mathew and Gildenhard, Ingo. Tacitus, Annals, 15.20–23, 33–45. Cambridge, UK: Open Book Publishers, 2013. DOI: 10.11647/OBP.0035 Further details about CC-BY licences are available at: http://creativecommons.org/licenses/by/3.0/ Digital material and resources associated with this volume are available on our website at: http://www.openbookpublishers.com/isbn/9781783740000 ISBN Hardback: 978-1-78374-001-7 ISBN Paperback: 978-1-78374-000-0 ISBN Digital (PDF): 978-1-78374-002-4 ISBN Digital ebook (epub): 978-1-78374-003-1 ISBN Digital ebook (mobi): 978-1-78374-004-8 DOI: 10.11647/OBP.0035 Cover image: Bust of Nero, the Capitoline Museum, Rome (2009) © Joe Geranio (CC-BY-SA-3.0), Wikimedia.org. -
Junius Unmasked, by Joel Moody 1
Junius Unmasked, by Joel Moody 1 Junius Unmasked, by Joel Moody The Project Gutenberg EBook of Junius Unmasked, by Joel Moody This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Junius Unmasked or, Thomas Paine the author of the Letters of Junius and the Declaration of Independence Author: Joel Moody Release Date: July 7, 2010 [EBook #33107] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK JUNIUS UNMASKED *** Produced by Marilynda Fraser-Cunliffe, Christine Aldridge and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works from the University of Michigan Digital Libraries.) Junius Unmasked, by Joel Moody 2 Transcriber's Notes: 1. Passages in italics are surrounded by underscores. 2. Minor punctuation and spelling errors have been corrected. A detailed list, together with other notations appears at the end of this e-text. 3. A Table of Contents has been added by the transcriber to aid reader navigation. 4. Footnotes have been moved to Chapter ends and assigned letters instead of symbols. 5. Direct comparisons of "Common Sense" and the "Letters of Junius," presented side by side in the original text, appear as offset indentation paragraph blocks in this e-text. 6. No page numbers appear in this e-text, however if reference is made to a page or passage, not otherwise titled, Note 8, Par.