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Thursday 14 December 2017 of Music
@DigiCatapult • @ahrcpress • #newsounds DIGITAL CATAPULT www.ceprogramme.com 101 EUSTON ROAD, LONDON NW1 2RA EXPLORING INTERSECTIONS OF MUSIC AND TECHNOLOGY THURSDAY 14 DECEMBER 2017 HACKOUSTIC ARTISTS : in the breakout space IMMERSIVE EXPERIENCES : in Immersive Lab PROGRAMME : all times approximate Sam Battle – LookMumNoComputer : Synth Bike 3.0 Kinicho – 3D Audio 12.00 Lunch: Immersive experiences + Hackoustic artists Force of nature and extreme sound hacker Sam Battle, aka ‘The Wolf Takes A Walk In The Dark, Dark Wood’ was commisioned by Unity LookMumNoComputer, is bringing his astonishing ‘Synth Bike 3.0’ for you to have Theatre Liverpool and written by composer Patrick Dineen. The composition and 1.00 – 1.30 Welcome and introductions a go on. Take a ride and make some tunes! arrangement makes full use of Sympan’s spatial capabilities to take the listener Digital Catapult : Jeremy Silver [email protected] • patreon.com/lookmumnocomputer on a kinetic musical journey through the wood. AHRC : Andrew Chitty www.kinicho.com Fred Deakin : What is Immersive? Kuljit Bhamra : Evolution of the Tabla Drum Kuljit is a musician, performer and record producer. A pioneer of the British Lee Mason – VR Authoring 1.30 – 2.50 Session One Bhangra sound and tabla player in Hollywood movie soundtracks, he is currently Exploring a mixed reality ‘snow globe’ concept using 3D printed VR sculptures on a mission to demystify Indian music. Together with his team at Keda Music, and Unity. All of Lee’s 3D assets are created in VR via Google Blocks, Tilt Brush Applied Soundscaping he is developing tools and systems to make Indian drumming more accessible. -
Back from the Fourth Dimension Paddy Kingsland
Back From The Fourth Dimension Paddy Kingsland Posted: April 22, 2014 robinthefog.com/2014/04/22/back-from-the-fourth-dimension-paddy-kingsland/ As promised, following last week’s report for BBC World Service, here is the first of four interviews with the veterans of the Radiophonic Workshop, the ‘Godfathers of British Electronic Music’, now reformed and touring their collection of vintage analogue equipment and classic radiophonic works to rapturous reception. They’ll be featured in the order I interviewed them two weeks ago at the University of Chichester, so we’re starting with synthesiser legend Paddy Kingsland; the man who definitely put the ‘funk’ into radiophonics. Best known for The Fourth Dimension LP (essentially a Kingsland solo album), he has a string of classic BBC themes to his name, as well as providing incidental music for such classics as Hitchhiker’s Guide to the Galaxy, Dr. Who and many more. Paddy has also recorded solo albums, made library music and jingles for KPM and worked alongside composers such as Michael Nyman. His signature sound is melodic synthesiser workouts with a strong rhythmic back-bone and the track ‘Vespucci’ is a highlight of their revived set-list. This interview, slightly truncated here, took place in the artist’s green room at Chichester University; with moderate interruptions from the air conditioning... ! PK: I worked at the Radiophonic Workshop for the BBC between 1970 and 1981, which is quite a long time ago now. Of course I’ve done quite a lot of other things since then, but more recently I was approached by some other friends who worked at the BBC Radiophonic Workshop and was asked if I‘d be interested in doing some gigs with them – some live events. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Alternate African Reality. Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora
Alternate African Reality, cover for the digital release by Cedrik Fermont, 2020. Alternate African Reality. Electronic, electroacoustic and experimental music from Africa and the diaspora. Introduction and critique. "Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans. Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress." – Binyavanga Wainaina (1971-2019). © Binyavanga Wainaina, 2005. Originally published in Granta 92, 2005. Photo taken in the streets of Maputo, Mozambique by Cedrik Fermont, 2018. "Africa – the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife - and the music." (extract from the booklet of Extreme Music from Africa (Susan Lawly, 1997). Whether intended as prank, provocation or patronisation or, who knows, all of these at once, producer William Bennett's fake African compilation Extreme Music from Africa perfectly fits the African clichés that Binyavanga Wainaina described in his essay How To Write About Africa : the concept, the cover, the lame references, the stereotypical drawing made by Trevor Brown.. -
Digital Booklet
ORIGINAL TELEVISION SCORE ADDITIONAL CUES FOR 4-PART VERSION 01 Doctor Who - Opening Theme (The Five Doctors) 0.36 34 End of Episode 1 (Sarah Falls) 0.11 02 New Console 0.24 35 End of Episode 2 (Cybermen III variation) 0.13 03 The Eye of Orion 0.57 36 End of Episode 3 (Nothing to Fear) 0.09 04 Cosmic Angst 1.18 05 Melting Icebergs 0.40 37 The Five Doctors Special Edition: Prologue (Premix) 1.22 06 Great Balls of Fire 1.02 07 My Other Selves 0.38 08 No Coordinates 0.26 09 Bus Stop 0.23 10 No Where, No Time 0.31 11 Dalek Alley and The Death Zone 3.00 12 Hand in the Wall 0.21 13 Who Are You? 1.04 14 The Dark Tower / My Best Enemy 1.24 15 The Game of Rassilon 0.18 16 Cybermen I 0.22 17 Below 0.29 18 Cybermen II 0.58 19 The Castellan Accused / Cybermen III 0.34 20 Raston Robot 0.24 21 Not the Mind Probe 0.10 22 Where There’s a Wind, There’s a Way 0.43 23 Cybermen vs Raston Robot 2.02 24 Above and Between 1.41 25 As Easy as Pi 0.23 26 Phantoms 1.41 27 The Tomb of Rassilon 0.24 28 Killing You Once Was Never Enough 0.39 29 Oh, Borusa 1.21 30 Mindlock 1.12 31 Immortality 1.18 32 Doctor Who Closing Theme - The Five Doctors Edit 1.19 33 Death Zone Atmosphere 3.51 SPECIAL EDITION SCORE 56 The Game of Rassilon (Special Edition) 0.17 57 Cybermen I (Special Edition) 0.22 38 Doctor Who - Opening Theme (The Five Doctors Special Edition) 0.35 58 Below (Special Edition) 0.43 39 The Five Doctors Special Edition: Prologue 1.17 59 Cybermen II (Special Edition) 1.12 40 The Eye of Orion / Cosmic Angst (Special Edition) 2.22 60 The Castellan Accused / Cybermen -
Redefining Radio Art in the Light of New Media Technology Through
Title Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Type Thesis URL http://ualresearchonline.arts.ac.uk/8748/ Date 2015 Citation Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London. Creators Hall, Margaret A. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author 1 Margaret Ann Hall Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Thesis for PhD degree awarded by the University of the Arts London June 2015 2 Abstract I have been working in the field of radio art, and through creative practice have been considering how the convergence of new media technologies has redefined radio art, addressing the ways in which this has extended the boundaries of the art form. This practice- based research explores the rich history of radio as an artistic medium and the relationship between the artist and technology, emphasising the role of the artist as a mediator between broadcast institutions and a listening public. It considers how radio art might be defined in relation to sound art, music and media art, mapping its shifting parameters in the digital era and prompting a consideration of how radio appears to be moving from a dispersed „live‟ event to one consumed „on demand‟ by a segmented audience across multiple platforms. -
Ars Electronica Archiv
Timetable with Program Highlights AIArtificial Intelligence The Other I ARS ELECTRONICA Festival for Art, Technology and Society POSTCITY Linz, September 7–11, 2017 www.aec.at/ai Future Festival of the Next Generation 20171 ORGANIZER Ars Electronica Linz GmbH & Co KG is a company of the city of Linz COOPERATION PARTNERS ACM Siggraph Kepler Salon—Verein zur Förderung von Wissensvermittlung Anton Bruckner Privatuniversität Kinematics GmbH BFI Oberösterreich Kitchen Budapest BORG Bad Leonfelden Klimabündnis Österreich Gmbh— BOZAR Centre for Fine Arts Brussels Regionalstelle Oberösterreich bugnplay.ch Krmpf Krmpf Studios C3 KNOWLEDGE CAPITAL Campus Genius Award Kunstuniversität Linz–Universität für künstlerische Central Linz und industrielle Gestaltung Centre for the Promotion of Science LABoral –Centro de Arte y Creación Industrial Crossing Europe Landesgartenschau Kremsmünster 2017 CUBUS Landesmusikschule Steyr DIG gallery le lieu unique DISK Berlin / CTM Festival Lehramt Bildnerische Erziehung–Kunstuniversität Linz Education Group LENTOS Kunstmuseum Linz ETH Zürich Mariendom Linz Etopia mb21 European Media Art Network MIT Media Lab European Theatre Lab: Drama goes digital Moviemento Europe for Festivals, Festivals for Europe EFFE OÖ Familienbund European Southern Observatory (ESO) QUT Queensland University of Technology European Space Agency (ESA) Resonate eutema Salon 2000 Experience Workshop Science Gallery Dublin FAB Verein zur Förderung von Arbeit und Beschäftigung Stadtbibliothek Linz FACES Stadtwerkstatt Fachhochschule Oberösterreich—Campus -
2009 from the Daphne Oram Collection
http://daphneoram.org/collection/ Daphne Oram From the Daphne Oram Collection Because of WWII, the role of women in society changed dramatically in the years following. Women had proved themselves more than capable technicians, producers and broadcasters during men’s absence with the war effort. Daphne recalled, “In 1942 it was arranged for met to go to Royal College of Music – but because of War time regulations, I would have to agree to be a music teacher after leaving RCM – I didn’t want to be a ‘school ma’am’! My Father entered me for Electro-Therapist at King’s College Hospital (Denmark Hill). I passed the exams, the uniform was ordered but I went against my Father because there was practically no music. Eventually I won my Father round and I went to the BBC instead.” Daphne Oram was employed at the BBC as a Junior Studio engineer and music balancer. She notes “As a Junior Programme Engineer, one of my jobs was to play the 78rpm gramophone records. With the help of a full score I had to change over from record to record, perfectly in time, so that a symphony, say on ten discs, was continuous. My other duties at the time , 1943-1944, was to assist my more senior colleagues with music balancing in the studios. I joined the BBC in October 1943. In November and December, while I was still 17, I assisted recitals by Eileen Joyce, Leon Gooseus, Isobel Baillie; and early in 1944, the London Philharmonic Orchestra...” In June 1944 Daphne also was working on the Proms in the Royal Albert Hall, on standby with gramophone records synced up to the live music that could take over in case of a bombing raid. -
Darmstadt Summer Course 14 – 28 July 2018
DARMSTADT SUMMER COURSE 14 – 28 JULY 2018 PREFACE 128 – 133 GREETINGS 134 – 135 COURSES 136 – 143 OPEN SPACE 144 – 145 AWARDS 146 – 147 DISCOURSE 148 – 151 DEFRAGMENTATION 152 – 165 FESTIVAL 166 – 235 TEXTS 236 – 247 TICKETS 248 For credits and imprint, please see the German part. For more information on the events, please see the daily programs or visit darmstaedter-ferienkurse.de CONTENTS A TEMPORARY This “something” is difficult to pin down, let alone plan, but can perhaps be hinted at in what we see as our central COMMUNITY concern: to form a temporary community, to try to bring together a great variety of people with the most varied Dr. Thomas Schäfer, Director of the International Music Institute Darmstadt (IMD) and Artistic Director of the Darmstadt Summer Course backgrounds and different types of prior knowledge, skills, expectations, experience and wishes for a very limited, yet Tradition has it that Plato bought the olive grove Akademos also very intense space of time. We hope to foster mutual around 387 BC and made it the first “philosophical garden”, understanding at the same time as inviting people to engage a place to hold a discussion forum for his many pupils. in vigorous debate. We are keener than ever to pursue a Intuitively, one imagines such a philosophical garden as discourse with an international community and discuss the follows: scholars and pupils, experts and interested parties, music and art of our time. We see mutual courtesy and fair connoisseurs and enthusiasts, universalists and specialists behavior towards one another as important, even fundamental come together in a particular place for a particular length preconditions for truly imbuing the spirit of such a temporary of time to exchange views, learn from one another, live and community with the necessary positive energy. -
GAVIN FRIDAY Peek Aboo
edition October - December 2012 peek free of charge, not for sale 07 music quarterly published music magazine aboo magazine GAVIN FRIDAY BLANCMANGE AGENT SIDE GRINDER THE BOLLOCK BROTHERS THE BREATH OF LIFE + MIREXXX + SIMI NAH + DARK POEM + EISENFUNK + IKE YARD + JOB KARMA + METROLAND + 7JK + THE PLUTO FESTIVAL - 1 - WOOL-E-TOP 10 WOOL-E-TIPS Best Selling Releases DARK POEM (July/Aug/Sept 2012) TALES FROM THE SHADES 1. DIVE STACKS Dive Box (8CD) VOICES 2. SONAR Cut Us Up (CD) 3. VARIOUS ARTISTS Miniroboter (LP) 4. TROPIC OF CANCER Permissions Of Love (12”) 5. VARIOUS ARTISTS Something Cold (LP) 6. SSLEEPING DESIRESS Because we can’t choose not one, but two Wool-E A Voice (7”) tips!!! ‘Tales From The Shades’ is the debut CD by Ant- 7. VARIOUS ARTISTS werp-based ‘Fairyelectro’ band Dark Poem. Doomy tribal The Scrap Mag (CD) pop with heavenly voices set to a dark ambient-like under- 8. LOWER SYNTH DEPARTMENT score, with enough rough hooks to keep you wandering through their fairy wood. Beware of the Forrest Nymphs!!! Plaster Mould(LP) Our second tip also resides in Antwerp, ‘Voices’ is the 9. BONJOUR TRISTESSE debut LP of Stacks aka Sis Mathé of indie noiserockers On Not Knowing Who We Are (LP) White Circle Crime Club. Touches of John Maus, Molly 10. GAY CAT PARK Nilsson, Future Islands or even Former Ghosts come to mind. So if you like your synthpop bombastic and emo- Synthetic Woman (LP) tional, straight from the heart, then Stacks is your man or your band ;-) The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654 -
Digital Booklet
01/DOCTOR WHO (OPENING THEME) 02/CAR WASH, WITH KITLING 03/TIN CANS, STRAY CATS AND HORSES 04/CAT FOOD 05/WHERE IS EVERYONE? 06/TIN OPENER 07/PARK CHASE, AND THE ALIEN PLANET 08/AN UNEXPECTED PLEASURE 09/PLANET OF THE CHEETAH PEOPLE 10/TWO PINTS 11/PLAYING WITH FIRE 12/VALLEY OF CATS 13/THE LIVING PLANET 14/WE SHALL BECOME ANIMALS 15/ACE AND KARRA 16/GO HOME 17/I WILL BE FREE OF IT 18/COME HUNTING, SISTER 19/MIDGE AND THE BAD CAT MAN 20/ON HORSENDEN HILL 21/TOOTH AND CLAW 22/RUN FOR EVER 23/“...AND SOMEWHERE ELSE, THE TEA’S GETTING COLD” 24/DOCTOR WHO (CLOSING THEME) music by DOMINIC GLYNN I’ve always thought that incidental music must be a very hard thing for a composer to write. It must be discreet, unnoticeable in most places, and complement the storyline, whilst having an individual character and adding to the atmosphere of what’s on screen. Try turning the sound down on a horror movie and without the music, the acting becomes nonsensical, even comical. Dominic Glynn had written the music for my first story, Dragonfire, and for the much misunderstood and now at last appreciated story, The Happiness Patrol, but I think he really excels himself in Survival. His great skill is electronic sound and he was a true 80’s master of the genre, but what really stands out are the brilliantly played jangling guitar riffs reminiscent of Dire Straits, the drum beats, the atonal synth keyboard and the sparse downright weird atmosphere he creates. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.