ROLLEI35 World's Smallest 35Mm Full Frame Camera
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Phase One H 20 Getting Started
H 20 GETTING START E D PostScript billede (black logo) Phase One A/S Phase One U.S. Roskildevej 39 24 Woodbine Ave DK-2000 Frederiksberg Northport, New York Denmark 11768 USA Tel +45 36 46 01 11 Tel +1 631-757-0400 Fax +45 36 46 02 22 Fax +1 631-757-2217 Notice The name Phase One is a trademark of Phase One A/S. The names Hasselblad, Mamiya and Rollei are registered trademarks of their respective companies. All specifications are subject to change without notice. Phase One takes no responsibility for any loss or damage sustained while using their products. This manual ©2003, Phase One A/S Denmark. All rights reserved. No part of this manual may be reproduced or copied in any way without prior written permission of Phase One. Printed in Denmark. Part #: 80016001 Table of Contents 1 Contents 1 I n t r o d u c t i o n . .2 2 Special Phase One H 20 features . .3 ISO Settings . .3 Double exposure protection . .3 IR filter on CCD . .4 Large format photography . .4 3 Getting ready for taking pictures . .6 Mounting the viewfinder mask . .6 Mounting the H 20 on a Hsselblad Camera . .7 Cable mounting on Hasselblad . .8 Hasselblad 553 ELX . .9 Hasselblad 555 ELD . .10 Hasselblad 501 CM and 503 CW . .10 Mamiya RZ67 Pro II . .11 Rolleiflex 6008 AF/Integrale . .13 4 Maintenance . .17 Cleaning the IR filter . .17 5 Technical data . .18 1 H 20 Getting Started 1 Introduction The Phase One H 20 single shot camera back, is designed for high-end advertising studios with a need for productivity, flexibility and the absolute best in image quality. -
User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S
User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S Introduction 3 5 MENU—ISO, White balance, Media, Browse 31 1 General overview 6 Menu system overview 31 Parts, components and control panel 8 Navigating the menu system 31 Initial setup 10 Language choice 33 Shooting and storage modes 11 ISO 33 White balance 34 2 Initial General Settings 14 Media 34 Overview of menu structure 15 Browse 35 Setting the menu language 17 6 MENU—Storage 36 Delete 37 3 Storage overview – Format 42 working with media and batches 18 Copy 42 Batc hes 18 Batch 43 Navigating media and batches 18 Default Approval Level 44 Creating new batches 20 Using Instant Approval Architecture 21 7 MENU—Settings 45 Reading and changing approval status 22 User Interface 46 Browsing by approval status 22 Camera 48 Deleting by approval status 23 Capture sequence 50 Connectivity 51 4 Overview of viewing, deleting Setting exposure time/sequence 54 and copying images 24 Miscellaneous 56 Basic image browsing 24 About 57 Choosing the current batch 24 Default 58 Browsing by approval status 24 Zooming in and out 24 8 Multishot 59 Zooming in for more detail 25 Thumbnail views 25 General 59 Preview modes 26 Histogram 27 9 Flash/Strobe 60 Underexposure 27 General 60 Even exposure 27 TTL 60 Overexposure 27 Full-details 27 10 Cleaning 61 Battery saver mode 28 Full-screen mode 28 11 Equipment care, service, Overexposure indicator 28 technical spec. 63 Deleting images 29 General 63 Transferring images 29 Technical specifications 64 Inset photo on cover: © Francis Hills/www.figjamstudios.com.Not all the images in this manual were taken with a Hasselblad CF. -
Possibilities of Processing Archival Photogrammetric Images Captured by Rollei 6006 Metric Camera Using Current Method
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2, 2018 ISPRS TC II Mid-term Symposium “Towards Photogrammetry 2020”, 4–7 June 2018, Riva del Garda, Italy POSSIBILITIES OF PROCESSING ARCHIVAL PHOTOGRAMMETRIC IMAGES CAPTURED BY ROLLEI 6006 METRIC CAMERA USING CURRENT METHOD A. Dlesk 1,*, P. Raeva 1, K. Vach 2 1 Department of Geomatics, CTU in Prague - [email protected] 2 EuroGV s.r.o. - [email protected] Commission II, WG II/8 KEY WORDS: Rollei 6006 metric, Photo negatives, Structure from motion, Archival data, Close range photogrammetry ABSTRACT: Processing of analog photogrammetric negatives using current methods brings new challenges and possibilities, for example, creation of a 3D model from archival images which enables the comparison of historical state and current state of cultural heritage objects. The main purpose of this paper is to present possibilities of processing archival analog images captured by photogrammetric camera Rollei 6006 metric. In 1994, the Czech company EuroGV s.r.o. carried out photogrammetric measurements of former limestone quarry the Great America located in the Central Bohemian Region in the Czech Republic. All the negatives of photogrammetric images, complete documentation, coordinates of geodetically measured ground control points, calibration reports and external orientation of images calculated in the Combined Adjustment Program are preserved and were available for the current processing. Negatives of images were scanned and processed using structure from motion method (SfM). The result of the research is a statement of what accuracy is possible to expect from the proposed methodology using Rollei metric images originally obtained for terrestrial intersection photogrammetry while adhering to the proposed methodology. -
First Experiences with the New Digital Camera Rollei D7 Metric
FIRST EXPERIENCES WITH THE NEW DIGITAL CAMERA ROLLEI D7 METRIC Prof. Dr.-Ing. Guenter Pomaska FH Bielefeld, University of Applied Sciences Department of Architecture and Civil Engineering Artilleriestr. 9 D-32427 Minden eMail: [email protected] CIPA Working Group II / V Keywords: Digital camera,CCD-sensor, digital photography Abstract: Numerous digital cameras with megapixel resolution are available today. The requirements to a metric camera are a fixed focus and focal length, known lens distortion and known position of the principle point relative to the sensor elements. Application software has to provide correction of those deformations. Image quality can be very important when using correlation procedures. Focusing on new presentation technologies like texture mapping, panoramic images, digital stereo pictures and internet presentation is a legitimation for those kind of cameras. Rollei Fototechnic has introduced a new digital camera with SLR technique, fixed focus and focal length and a sensor with 1.4 million pixels. Images are stored in a raw data format and can be corrected under respect of the factory calibration parameters. Details of camera construction and handling are discussed. Some applications best suited for digital camera recording are presented. 1. OPTICAL AND MECHANICAL COMPONENTS OF THE CAMERA The camera is designed in separate groups all assembled in a sturdy metal body. Lens, mirror, viewfinder and sensor are connected to the front plate of the body, while monitor, storage media, electronic elements and interfaces are fixed at the back of the camera housing. Figure 1 displays a principle construction drawing, here with a zoom lens. The SLR single lens reflection principle displays the image in the viewfinder exactly as it will be on the CCD- sensor. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Carl Zeiss Oberkochen Large Format Lenses 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena. -
Battery Replacement for Mercury PX13, PX625, MR9 and PX27
The mercury cell problem and its solutions. Index. Page 1: Index and general information on mercury battery problems and solutions. 2: Detailed information on mercury, zinc-air, alkaline, rechargeable and lithium cells. 3: Information on silver-oxide cells, a battery comparison chart and options for replacing 625-mercury cells. 4: Battery adapters and various diodes for use in a camera, exposure meter or adapter. 5: Temperature influence on Schottky-diodes and PX27 battery problem and solutions. 6: Materials and tools needed for making a battery adapter and disclaimer. 7: Elaborate step-by-step guide for making a homemade PX13 / PX625 / MR9 battery adapter. 8: Last piece of the step-by-step guide for making a homemade battery adapter and a list of movie cameras and photo (still) cameras, exposure meters and accessories that use PX13 / PX625 / MR9 cells. 9: List of cameras, exposure meters and accessories that use PX13 / PX625 / MR9 cells. 10: For the more technically challenged: a step-by-step guide for making a battery adapter with tiny S.M.D. parts. 11: Ordering information and prices (incl. shipping costs) for ready-made adapters, kits or a hardcopy of this article. 12-14: F.A.Q. frequently asked questions: please READ this first before you place your order or ask questions. General information about mercury cells and various solutions for replacing the banned mercury cells. The now (for environmental reasons) banned mercury Most batteries that were available in mercury versions cells have caused problems for a lot of (vintage) camera are currently available in silver-oxide and/or alkaline and exposure meter owners who are now facing versions. -
Seite 52E.P65
156 Type list of all Rollei 35 cameras and accessories Prochnow Register Name Model Rarity Page PR 458 without Prototype, first design made by Heinz Waaske S5 29 PR 459 Rollei 35 Prototypes with various explanation S5 46, 89 PR 459/1 Rollei 35 Zero series, Germany by Rollei-Compur-Gossen-Zeiss, chrome S4 88, 89 PR 459/2 Rollei 35 Zero series, Germany by Rollei-Compur-Gossen-Zeiss, black S4 88, 89 PR 459/3 Rollei 35 T Prototype Denim S5 108 PR 459/4 Rollei 35 Prototype silver-finished controls S5 108 PR 459/5 Rollei Design study for new Rollei 35 S5 53 PR 459/6 Rollei 35 Prototype Green S4 108 PR 460/1a Rollei 35 Made in Germany by Rollei-Compur-Gossen-Zeiss series, chromeS3 90, 91 PR 460/1b Rollei 35 Made in Germany by Rollei series, chrome S1 90, 91 PR 460/2a Rollei 35 Made in Germany by Rollei-Compur-Gossen-Zeiss series, blackS3 90, 91 PR 460/2b Rollei 35 Made in Germany by Rollei series, black S1 90, 91 PR 460/3 Rollei 35 Special Made in Germany by Rollei series, gold plated S3 92, 93, 99 PR 460/4 Rollei 35 Special Made by Rollei Singapore series, black/ brown S3 92, 93 PR 460/5 Rollei 35 Made by Rollei Singapore series, chrome-finished S1 94, 95 PR 460/6 Rollei 35 Made by Rollei Singapore series, black S1 94, 95 PR 460/7 Rollei 35 S-Xenar Made by Rollei Singapore, chrome-finished S1 96, 97 PR 460/8 Rollei 35 S-Xenar Made by Rollei Singapore, black S1 96, 97 PR 460/9 Rollei 35 S-Xenar Made by Rollei Singapore, black/ brown S4 96, 97 PR 460/10 Rollei 35 Action Set series, Made in Germany S3 98 PR 461 Rollei 35 S Prototype 40mm Sonnar -
View Camera Solutions
DIGITAL CAMERAS View Camera solutions With digital photography it has become easier to work the tilt/shift New ground breaking developments on the H3D camera system mechanism of a view camera and hereby achieve a special photo- allow for direct tilt/shift work using the new HTS1.5 tilt/shift graphic expression. The digital solutions however, are still heavy to adapter, and the new HVC view camera adapter kit allows for bring into the field, and controls to place the wanted focus correctly classic view camera work both un-tethered and with new levels of are not optimal. focus control. View Camera Connectivity The CF/CF-MS/CFV digital back can also be mounted onto a view All Hasselblad digital camera products can work with view cameras. camera platform. Two options are available to physically attach the digital capture Both the H3D camera products and the CF range of digital backs have unit to the view camera. The first is known as a Live Video Adapter, a sophisticated interface, and allow micro-processor controlled connec- as the only method of composing and focusing the image is done via tions to electronic shutters for full control capture mode (single-shot, the Live Video controls in Phocus. The second is the Sliding Adapter multi-shot) and of aperture, shutter and exposure. that allows use of a conventional ground glass screen for composition The remaining digital products are triggered by a simple flash sync and the ability to then slide the back in place. These items are easily connection. A summary is outlined in the table below. -
Rolleifle,X 2.8F IMPROVING on When the Rolleiflex 2.8F Was Created, Astar Was Born
HOW Amateur Photographer's... Ie P 0 06 MUCH o HEY PHOTOGRAPHER I PHOTOGRAPH I COST? AType 1Rolleiflex 2,8F with 80mm Planar and exposure AType 1version of the meter, showing late 1950s, with 75mm 'moderate/heavy use' 1/3.5 Planar and built with 'obvious wear in uncoupled exposure to the body covering' meter. Ihis one is in sold for [432,02 on as-bought condition eBay on 16 July, A and has not yet been dealer in Frankfurt cleaned for display sold anear-mint 2.8F with Planar and meter for [1.261 on 11 July. The 3.5F realises similar prices, with similar differences for condition. Amint example of the last 'wl\'ite face' 3.5F with meter and ERe [ever ready easel sold on eBay for [1,874 on, 16 July. AweU-used but sound 3.5F with ptanar and accessories sold for [436.20 on 14 July A3.5F with f/3.5 Xenotar and needing a the optical quality of the 80mm f/2.8 Carl shutter service [which Zeiss Planar and the ultimate mechanical could be pricey] sold leaf shutter of the time, the Synchro for [171 on 11 July. The classic Type 1of the 1960s, Compur As acreative tool, particularly for These examples show pictures of people, it was unsurpassed, that prices of 2.8F with 80mm f/28 Planar and built-in The companion to the 28F, the Rolleiflex and 3.5F Rolleiflexes 35F, had been launched in 1958 with either vary dramatically with selenium-cell exposure meter an f/35 Zeiss Planar or an f/35 Schneider condition. -
Rollei 35-1.Pdf
Qollei 35 Qollei 3s in der Praxis in practicaluse Die Rollei 35 Das Vichtigste schnellzu finden Die Rollei 35 ist eine besondere Kamera - eine Kamera fiir Sie. Sie soll Ihnen Freude madren! Die Rollei 35 4 Sie lernen die Rollei 35 kennen Darum haben wir diese Kleinbildkamvra so Das Laden der Kamera flach und handlici gebaut, da8 sie in der Tasche Die Aufnahme ,il Ihre stlndige Begleiterin sein kann. \fir haben Die Entnahme des Films 12 sie mit einem CdS-Belichtungsmef3-System aus- gestattet, damit Sie sdrnell und sicler fotogra- Tips filr die Praxis: fieren. Und wir haben mit dem Carl Zeiss O Filmtransport l2 Tessar 3,5140 mm nidrt nur ein weltbekanntes @ Ist die Kamera geladen? t2 Objektiv, sondern auch die giinstigste Brenn- @ Filmmerksdreibe einstellen l2 weite fi.ir Sie ausgewlhlt: Mir 57o Bildwinkel @ \(zahl der Belichtungszeit T4 erfassen Sie einen nodr reichlicheren Ausschnitt @ Zeitbelichtung t4 als mit einem normalen Kleinbildobjektiv. @ Sc;hlrfentiefe t4 Damit Sie sofort mit der Aufnahme beginnen @ Blendenvorwahl kcinnen, haben wir uns kurzgefa8t. Lesen Sie @ Richtig beliclten ll * bitte bis Seite 11 - und sdron konnen Sie O Batteriewechsel 18 fotografieren. @ Aufnahmen mit Blitzlicht 18 )i Viele sdrcjne Motive und tdglich neue Freude an @ Aufnahmen mit Filter Ihrer Rollei 35 wiinsdren Ihnen die @ Aufnahmen mit Sonnenblende 20 1 @ Tragsdrlaufe mit Ledertasdre Rollei-\Werke Franke 6c Heided<e @ Umgang mit der Rollei 35 tr1*l 2 www.orphancameras.com The Rollei 35 Quick Guide to Important Points Page The Rollei 35 is a special camer^ - the camera The Rollei 35 5 for you. It is designed for your pleasure! Get to Know the Rollei 35 7 Loading the Camera 9 That is why we have. -
Hasselblad Ixpress CF V1 1.Indd
DIGITAL BACKS HASSELBLAD Ixpress CF 132 / Ixpress CF 528 The Ixpress CF line of digital backs offers 22Mpix digital capture with the Hasselblad open camera inter- face, the i-Adapter, and the option for true colour multi-shot capture. The Ixpress offers new levels of flexibility to the specialist profes- sional photographers enabling them to take full advantage of everything that leading edge digital photogra- phy can offer. Ixpress CF 132 Ixpress CF 528 Large format digital capture Working with multiple cameras — the i-Adapter Today’s photographers demand higher resolution, less noise, and The Ixpress CF interfaces with a simple 4-screw attached plate to improved flexibility, all of which the Ixpress CF addresses. The Ixpress most of the professional SLR and view cameras on the market. You CF suits cameras with an optical format allowing for digital capture can therefore obtain digital capture with your favourite cameras and with sensors more than twice the physical size of today’s 35mm lenses with one digital back. See detailed list of supported cameras sensors. The sensor therefore holds more and larger pixels, which below. secure a high-end image quality in terms of moiré free color rendering without gradation break-ups in even the finest lit surfaces. Direct shooting to Adobe DNG Hasselblad has partnered closely with Adobe to make its new prod- “Instant” user interface ucts fully compatible with Adobe’s raw image format DNG (‘Digital The Ixpress CF is operated with a straightforward user interface with NeGative’), bringing this new technology standard to the professional a series of “instant” one-button-click operations including: instant photographer for the first time.