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Sheet1 High Country Celtic Radio 017 – Memorial Day Original Air Date: 5/26/2018 This was an especially difficult playlist to whittle down to a mere two hours. In this episode, Katie and Joe present a more somber playlist dedicated to the men and women killed and wounded in war, and to those who came home unharmed but changed forever. Since we’re a Celtic-themed show, we focus on the experiences of Irish and Scots in conflicts starting back in 1585 in the Anglo-Spanish war and continuing through World War II. Whether it’s the first meeting with a recruiting sergeant, in the heart of combat, or being discharged, there’s an epic song commemorating the event. Artists such as Andy Irvine, John Doyle, Niamh Parsons, Old Blind Dogs, Battlefield Band, and Mary Black sing some pretty stark lyrics that describe well the difficulties, horrors, and glories of combat. Our Fair Ple score is not as high as we would like this week. We were limited by the primary constraint of fitting songs of very specific durations. To be honest, we could have boosted our score by playing a bunch of appropriate tracks by Niamh Parsons, but radio rules don’t allow that. (Fair Ple Score: 28) Track Artist Album Label Year Time Format Catalog # Fair Ple FIRST HALF 28% SHOW # 017A Mrs. McGrath Donal Clancy Songs of a Roving Blade Copperplate Independent 2014 03:25 CD DCRBCD0123 Battle of Aughrim Joey Abarta N/A N/A 2009 02:23 Dig N/A Aughrim’s Great Disaster Shay Black N/A N/A 2018 04:22 Dig N/A Hey Johnny Cope Alan Reid & Rob van Sante Rise and Fall o’ Charlie Red Sands Records 2009 02:28 Dig Mo Ghile Mear Mary Black Binn Blasta! The Irish Traditional Music Special Gael-Linn 1998 03:30 Dig Inn 008 Y CUTAWAY (60 Sec) @ 20:00 01:00 Bunker Hill Dermot Byrne The Highland Sessions Volume One Whirlie Records 2012 03:18 Dig B007EUVJBI Felix the Soldier Usher’s Island Usher’s Island Compass Records 2017 03:18 Dig 4701 Bonny Woodhall Andy Irvine and Donal Lunny Andy Irvine and Donal Lunny Green Linnet 2008 05:16 CD GLCD-3006 The Banks Of The Nile Roger Landes And Chipper Thompson The Janissary Stomp Radio Free Bassanda Auroph 2008 04:54 CD CUTAWAY (60 Sec) @ 40:00 01:00 The Pikeman’s March, The Battle of Waterloo Brian Boru Irish Pipe Band Brian Boru Irish Pipe Band 40th Anniversary The Irish Rose 2008 02:19 Dig BBIPB3466 Battle Of Waterloo Old Blind Dogs The World’s Room Green Linnet 1999 05:37 Dig GLCD 1201 Eighteenth Of June Frank Harte & Donal Lunny My Name Is Napoleon Bonaparte Hummingbird Records 2001 03:45 Dig HDCD0027 The Wounded Huzzar Niamh Parsons Blackbirds and Thrushes Green Linnet 1999 05:36 CD GLCD 1197 Y Out (59 MIN) SECOND HALF SHOW # 017B John Riley Shantalla Seven Evenings, Seven Mornings Wild Boar Music 2001 05:07 CD WBM 21030 Y The Men that God Made Mad-L’Entrada de l’Angestura Niamh Parsons & Graham Dunne Live at Fylde CD Baby 2012 04:24 Dig 5637425780 Y The Fighting 69th The Wolfe Tones The Anthology of Irish Song Celtic Collections 2008 04:09 Dig CCCD 050 Clear The Way John Doyle Shadow And Light Compass Records 2011 04:47 CD 745622 CUTAWAY (60 Sec) @ 20:00 01:00 Recruiting Sergeant Great Big Sea Play Redeye 1997 03:31 CD CD-GBS-003 Will Ye Go To Flanders Providence A Fig For A Kiss Appleseed Records 2002 03:59 Dig 1060 Y Song: The Foggy Dew Chulrua Barefoot on the Altar Pied Piper 1999 05:21 CD 301 Óró ‘Sé Do Bheatha ‘Bhaile (Song) Gailfean Won’t You Come Out Tonight (self) 2016 03:02 Dig 4LLR001 CUTAWAY (60 Sec) @ 40:00 01:00 Heights of Cassino Nuala Kennedy & Mike Bryan A Wee Selection (self) 2013 04:34 CD Y The Beaches Of St Valery-Elizabeth Clare Battlefield Band Rain, Hail, Or Shine Temple Records 1998 06:28 Dig COMD 2074 Peace March (T.Denman) Todd Denman Celtic Peace Aniar 2000 05:08 CD 5 Out (59 MIN) The theme music is: Wee C Whistle Set Nuala Kennedy and Mike Bryan A Wee Selection (self) 2013 02:51 CD Y (available at http://www.nualakennedy.com/store) Page 1.

Recommended publications

Patrick Street Patrick Street Mp3, Flac, Wma

Patrick Street Patrick Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Patrick Street Country: US Released: 1988 Style: Folk, Celtic MP3 version RAR size: 1260 mb FLAC version RAR size: 1266 mb WMA version RAR size: 1193 mb Rating: 4.3 Votes: 736 Other Formats: MIDI AA MMF VOC APE TTA AAC Tracklist Hide Credits 1 Patrick Street / The Carraroe Jig 2 Walter Sammon's Grandmother / Concertina Reel / Brenda McMahon's The Holy Ground 3 Written-By – Gerry O'Beirne 4 The Shores Of Lough Gowna / Contentment Is Wealth / Have A Drink With Me 5 French Canadian Set "La Cardeuse" 6 Loftus Jones The Dream 7a Written By – Andy Irvine Indiana 7b Written-By – Andy Mitchell 8 Martin Rochford's Reel / Roll Out The Barrel / The Earl's Chair 9 Mrs. O'Sullivan's Jig / Caliope House The Man With The Cap 10 Written-By – Colum Sands Credits Accordion – Jackie Daly Engineer, Producer – Donal Lunny Fiddle – Kevin Burke Guitar – Arty McGlynn Keyboards, Bodhrán – Donal Lunny Photography By – Colm Henry Vocals, Bouzouki, Mandolin, Harmonica – Andy Irvine Notes Lyrics included. Barcode and Other Identifiers Barcode: 048248107129 Other versions Category Artist Title (Format) Label Category Country Year Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 US 1987 Linnet Kevin Burke , Kevin Burke , Jackie Daly, Jackie Daly, Andy Green CSIF 1071 Andy Irvine, Arty McGlynn CSIF 1071 Ireland 1987 Irvine, Arty Linnet - Patrick Street (Cass) McGlynn Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 Ireland 1987 Linnet Green GLCD 1071 Patrick Street Patrick Street (CD, Album) GLCD 1071 US 1988 Linnet Related Music albums to Patrick Street by Patrick Street Capercaillie - Dusk Till Dawn - The Best Of Capercaillie Andy Irvine & Donal Lunny's Mozaik - Changing Trains Patrick Street - No.
Christy Moore and the Irish Protest Ballad

“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry.
Dònal Lunny & Andy Irvine

Dònal Lunny & Andy Irvine Remember Planxty Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie Icônes de la musique irlandaise des années 70, Dònal Lunny et Andy Irvine proposent un hommage au groupe Planxty, véritable référence de la musique folk irlandaise connue du grand public. Producteurs, managers, leaders de groupes d’anthologie de la musique irlandaise comme Sweeney’s Men , Planxty, The Bothy Band, Mozaik, LAPD et récemment Usher’s Island, Dònal Lunny et Andy Irvine ont développé à travers les années un style musical unique qui a rendue populaire la musique irlandaise traditionnelle. Andy Irvine est un musicien traditionnel irlandais chanteur et multi-instrumentiste (mandoline, bouzouki, mandole, harmonica et vielle à roue). Il est également l’un des fondateurs de Planxty. Après un voyage dans les Balkans, dans les années 70 il assemble différentes influences musicales qui auront un impact majeur sur la musique irlandaise contemporaine. Dònal Lunny est un musicien traditionnel irlandais, guitariste, bouzoukiste et joueur de bodhrán. Depuis plus de quarante ans, il est à l’avant-garde de la renaissance de la musique traditionnelle irlandaise. Depuis les années 80, il diversifie sa palette d’instruments en apprenant le clavier, la mandoline et devient producteur de musique, l’amenant à travailler avec entre autres Paul Brady, Rod Stewart, Indigo Girls, Sinéad O’Connor, Clannad et Baaba Maal. Contact scène Naïade Productions www.naiadeproductions.com [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 2 Line Up Andy Irvine : voix, mandoline, harmonica Dònal Lunny : voix, bouzouki, bodhran Paddy Glackin : fiddle Discographie Andy Irvine - 70th Birthday Planxty - A retrospective Concert at Vicar St.
May 26, 2016 for IMMEDIATE RELEASE MICHIGAN IRISH

May 26, 2016 FOR IMMEDIATE RELEASE MICHIGAN IRISH MUSIC FESTIVAL ANNOUNCES 2016 LINEUP 4-Day Festival Returns Sept. 15 - 18 The Michigan Irish Music Festival will kick off the 2016 festival with a Pub Preview Party again on Thursday night. The Pub Party will give patrons a preview of the weekend with food, beverage, and entertainment in the pub tent only. Entry is only $5 (cash only Thursday). Three bands will play Thursday. The full festival opens Friday with all five stages and the complete compliment of food, beverages (domestic beer, Irish whiskey, Irish cider and local craft beer), shopping and cultural/dance offerings. The music line-up is being finalized with over 20 bands on tap. Altan – The seeds of Altan lie in the music and spontaneity of sessions in kitchens and pubs in their hometown of Donegal, where their music was heard in an atmosphere of respect and intimacy. It is here that the band's heart still lies, whether they are performing on TV in Australia or jamming with Ricky Skaggs on the west coast of the United States. Andy Irvine – Andy Irvine is one of the great Irish singers, his voice one of a handful of truly great ones that gets to the very soul of Ireland. He has been hailed as "a tradition in himself." Musician, singer and songwriter, Andy has maintained his highly individual performing skills throughout his 45-year career. A festival favorite, Scythian, returns. Named after Ukrainian nomads, Scythian (sith-ee-yin) plays immigrant rock with thunderous energy, technical prowess, and storytelling songwriting, beckoning crowds into a barn-dance rock concert experience.
Milwaukee Irish Fest Announces 2014 Festival Entertainment Lineup Includes Scotland Music Showcase and Several Must-See Acts

Media Contact: Brian Meehan (262) 789-7630, ext. 133 [email protected] FOR IMMEDIATE RELEASE Milwaukee Irish Fest Announces 2014 Festival Entertainment Lineup Includes Scotland Music Showcase and Several Must-See Acts MILWAUKEE (June 18, 2014) – Milwaukee Irish Fest, the world‟s largest celebration of Celtic music and culture, announces their entertainment lineup for the 2014 festival taking place August 14-17 along Milwaukee‟s lakefront. With more than 100 acts ranging from fan favorites to emerging talent – plus a Scotland Music Showcase – festival goers will be treated to the “ultimate Celtic playlist.” “To assemble the ultimate Celtic playlist, we travel the world in search of the finest in Celtic entertainment,” said Patrick Boyle, executive director of Milwaukee Irish Fest who visited Scotland earlier this year. “After seeing many phenomenal bands perform in their home towns, we cannot wait to share their talent with our guests.” Entertainment highlights for the 2014 festival include: Fan Favorites Featured fan favorites back by popular demand include: The Red Hot Chilli Pipers have fast become a global phenomenon, taking their signature “Bagrock” sound to the masses. (more) 2014 IRISH FEST ENTERTAINERS – ADD ONE Gaelic Storm, who is celebrating their fifteenth anniversary of appearing at Milwaukee Irish Fest and is famed for their rousing, energetic shows. The Willis Clan, a family of artists and musicians who merge their Irish roots with other music and dance genres to create a unique blend of the old and new. Carlos Núñez, a master showman and groundbreaking artist from the Galician region of Spain who remains undisputed as the tradition‟s greatest piper.
A City out of Old Songs

A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used
Donegal Bay and Blue Stacks Festival SEPTEMBER 29 – OCTOBER 9 Féile an Fhómhair 2016

16th Annual Donegal Bay and Blue Stacks Festival SEPTEMBER 29 – OCTOBER 9 Féile an Fhómhair 2016 FREE PROGRAMME Presented by Donegal County Council Cultural Services BA MHAITH LINN BUÍOCHAS A GHABHÁIL CHUIG Michelle Fee, Michael Daly, Andrea Kennedy, Abbey Arts Centre, Ballyshannon. Conor Malone, Balor Arts Centre, Ballybofey. Paul Diver, Sandhouse Hotel, Rossnowlagh. Johnny & Christine Boyle, Highlands Hotel,Glenties. Marguerite Howley, Castle Murray House Hotel. Stephen McCahill, Ardara Heritage Centre, Gerry Gillespie, Halla Mhuire, Gleann Choilm Cille. Martina Ní Dhomhnaill, Aislann Chill Chartha. Maura Logue, Dark Daughter Productions. Denise Blake, Literary Programme Curator. Mandy Blinco, Mark Hill, LUXe. Emer Keon, Erne Enterprise Development Company Ltd. Kieran Quinn, Andrew McNulty, Balor Rep Theatre Company. Deborah Cunningham, Donegal Voices. John Travers, Ballyshannon Drama Society. Sean Ó Beirne, Ceol na gConallach/Comhairle Pharóiste Chill Chartha, Seamus Carbin, Leghowney Hall Committee. Christian Carbin, Art Kavanagh, Amanda Crawford, Donegal Drama Circle. Kate O’Callaghan. Shirley Anne Bonner. Victor Yelamo, Donegal Camerata. Caoimhín MacAoidh, Rab Cherry, Cairdeas na bhFidléirí. Aidan O’Donnell, Coiste Cultúrtha Dhún Cheann Fhaola. Daniel Brown, Ocean FM. Patsy O’Kane. Martin Ferris. Leslie Long. Mitchell Davies. Iga Lawne, Donegal Tourism Ltd. Anne Marie Conlon, Donegal County Council Communications Officer.Paul Brown, Leanne McClintock, Earagail Arts Festival. Judith McCarthy, Caroline Carr, Donegal County Museum.
Boston Irish March 2020

Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty.
Blas International Summer School of Irish Traditional Music and Dance

Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick FIDDLE TUTORS JOHN CARTY John Carty is one of Ireland’s finest traditional musicians having been awarded the Irish Television station, TG4’s Traditional Musician of the Year in 2003. He joins previous acclaimed winners Matt Molloy (Chieftains flautist), Tommy Peoples (Master Fiddler), Mary Bergin (whistle player, Dordan), Máire Ní Chathasaigh (Harpist) and Paddy Keenan (Uilleann Piper), all of whom are considered to be the leading exponents of their instruments within the Irish tradition. Carty already has three solo fiddle albums, two banjo albums, two group albums and a sprinkling of recorded tenor guitar and flute music recordings under his belt so it’s little wonder he should have joined such elusive ranks. John is a tutor at the Irish World Academy. www.johncartymusic.com Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick EILEEN O’BRIEN Eileen is the bearer of a musical dynasty which can be traced back through generations on both sides of her family, the legendary, O’Brien family from Newtown, Nenagh and her mother’s family, the Seerys from Dublin who were founder members of C.C.E. Eileen’s father, Paddy O’Brien established the B/C accordion-playing style in the 1950’s. His innovative style both as a musician and a prolific composer continues to have a profound influence on Irish traditional music. Eileen carries this musical tradition forward through performance, teaching and composition.
Daithi Sproule Knows How to Make a Guitar Sing: His New CD Features

Daithi Sproule Knows How to Skara Brae originally formed during 1969- Make a Guitar Sing: His New CD 70 and released their self-titled debut on Features 13 of His Own Tunes the Gael-Linn label in 1971. (Shanachie reissued it stateside on LP in 1983.) The performance that the reunited quartet CEOL gave in 1997 in Donegal provided, at long last, the impetus for a 1998 CD reissue on By Earle Hitchner Gael-Linn of "Skara Brae," buttressed by two songs not on the original LP. [Published on July 9, 2008, in the IRISH ECHO newspaper, New York But in many critical discussions of City. Copyright (c) Earle Hitchner. All such groups as Skara Brae, Bowhand (with fiddler James Kelly and Offaly rights reserved. Reprinted by accordionist Paddy O'Brien), Trian (with permission of author.] fiddler Liz Carroll and accordionist Billy McComiskey), and Altan, the contributions of member Daithi Sproule tend to get short All longtime Irish traditional music shrift. Even Sproule's fine solo debut in fans have a wish list for reunions, and 1995, "A Heart Made of Glass," seemed to mine once included Planxty, the Bothy draw scant attention. Band, and Skara Brae. Also consider Trian's debut album In 2004 the original Planxty lineup in 1992. The praise heaped on its of Christy Moore, Liam O'Flynn, Andy impressive instrumental playing was Irvine, and Donal Lunny got together deserved, but suffering from a bit of critical again for a dozen concerts. neglect were Sproule's exceptional singing and guitar setting of "Captain Thompson." At Dublin's Vicar Street on May And on "Trian II" in 1995, Sproule tenderly 24, 2007, the Bothy Band reunited, except covered "The Death of Queen Jane," a for one member, singer-guitarist Micheal song he wrote the melody for and earlier O Domhnaill.
Globalising Irish Music.Pdf

Bill Whelan, Globalising Irish Music UCDscholarcast Series 1: (Spring 2008) ________________________________ The Art of Popular Culture: From ‘The Meeting of the Waters’ to Riverdance Series Editor: P.J. Mathews © UCDscholarcast UCDscholarcast 1 Bill Whelan, Globalising Irish Music Bill Whelan Globalising Irish Music One of the duties an author, performer or composer undertakes when travelling around the world in advance or in the wake of a production is to face the media. Such has been my experience with Riverdance. Sitting in stuffed rooms in Sydney or Seattle or stretched on soft settees in say, Stockholm, I have been asked an amazing array of questions. Over the thirteen years of the life of this show I have been rendered mute by questions such as (in London): ‘how many pairs of tights does Riverdance go through in an evening?’. That one gave me some pause for thought, but not as much as the question I was asked in Tokyo when we first went there. Through an interpreter a Japanese journalist probingly inquired if I felt that the album Ó Ríada sa Gaiety was an important influence in changing the course of Irish traditional music. These kinds of questions have demonstrated to me over the years the variety of responses that people have to what was actually the same musical or theatrical experience. To progress a bit further on the theme of artistic intent versus audience response—in France I recall a press conference where a few journalists were pushing me to interpret Riverdance as an Irish Nationalistic cultural response to years of British domination.
Ben Voor GUO- Concerten

Nieuwsbrief van GUO oktober2018 GROETEN UIT OISTERWIJK Martin & Eliza Carthy brengen het publiek in tranen zelfs dat alle meegebrachte te kunnen optreden. “It’s a Daar zou hij graag gespeeld De dag oogde veelbelovend. cd’s daar al verkocht waren en total delight.” hebben. En bij GUO gaat er Een aangenaam zonnetje hing er voor Oisterwijk niets meer meteen een lichtje branden, boven de nog fraai groene overbleef. En nog een interview na maar daarover later meer. Oisterwijkse bossen en toverde afloop? Geen enkel probleem. lichtfonteinen op het water van Martin oogt opmerkelijk fris Hij is nog danig onder de indruk Vlak voor het optreden in hotel de vennen. Alles was klaar voor wanneer hij met zijn dochter van het concert in Roots aan Boschoord breekt Eliza nog de een veelbelovend concert van bij ‘Boschoord’ arriveert. Ruim de Zaan, de avond daarvoor en boog van haar strijkstok. Ze een grootheid in de Engelse op tijd voor de soundcheck en hij vertelt hoe enthousiast hij is heeft wel een nieuwe, maar folk: Martin Carthy samen met een praatje en ik sta verbaasd van zijn korte bezoek afgelopen dat is toch altijd weer even zijn dochter Eliza. De avond als ik merk hoe gewoon en zaterdag aan het gebouw ‘De wennen, zegt ze. Maar we daarvoor waren ze nog in ongedwongen hij reageert. Vermaning’ dat eruitziet als doen ons best. En volgens mij, Roots aan de Zaan geweest, Gewoon een ontzettend aardi- een schip en waar de grotere concludeer ik na afloop van het waar het publiek razend en- ge vent, die ervan geniet zegt concerten van Roots aan de concert, zelfs meer dan dat.