May 26, 2016 for IMMEDIATE RELEASE MICHIGAN IRISH
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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Patrick Street Patrick Street Mp3, Flac, Wma
Patrick Street Patrick Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Patrick Street Country: US Released: 1988 Style: Folk, Celtic MP3 version RAR size: 1260 mb FLAC version RAR size: 1266 mb WMA version RAR size: 1193 mb Rating: 4.3 Votes: 736 Other Formats: MIDI AA MMF VOC APE TTA AAC Tracklist Hide Credits 1 Patrick Street / The Carraroe Jig 2 Walter Sammon's Grandmother / Concertina Reel / Brenda McMahon's The Holy Ground 3 Written-By – Gerry O'Beirne 4 The Shores Of Lough Gowna / Contentment Is Wealth / Have A Drink With Me 5 French Canadian Set "La Cardeuse" 6 Loftus Jones The Dream 7a Written By – Andy Irvine Indiana 7b Written-By – Andy Mitchell 8 Martin Rochford's Reel / Roll Out The Barrel / The Earl's Chair 9 Mrs. O'Sullivan's Jig / Caliope House The Man With The Cap 10 Written-By – Colum Sands Credits Accordion – Jackie Daly Engineer, Producer – Donal Lunny Fiddle – Kevin Burke Guitar – Arty McGlynn Keyboards, Bodhrán – Donal Lunny Photography By – Colm Henry Vocals, Bouzouki, Mandolin, Harmonica – Andy Irvine Notes Lyrics included. Barcode and Other Identifiers Barcode: 048248107129 Other versions Category Artist Title (Format) Label Category Country Year Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 US 1987 Linnet Kevin Burke , Kevin Burke , Jackie Daly, Jackie Daly, Andy Green CSIF 1071 Andy Irvine, Arty McGlynn CSIF 1071 Ireland 1987 Irvine, Arty Linnet - Patrick Street (Cass) McGlynn Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 Ireland 1987 Linnet Green GLCD 1071 Patrick Street Patrick Street (CD, Album) GLCD 1071 US 1988 Linnet Related Music albums to Patrick Street by Patrick Street Capercaillie - Dusk Till Dawn - The Best Of Capercaillie Andy Irvine & Donal Lunny's Mozaik - Changing Trains Patrick Street - No. -
Dònal Lunny & Andy Irvine
Dònal Lunny & Andy Irvine Remember Planxty Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie Icônes de la musique irlandaise des années 70, Dònal Lunny et Andy Irvine proposent un hommage au groupe Planxty, véritable référence de la musique folk irlandaise connue du grand public. Producteurs, managers, leaders de groupes d’anthologie de la musique irlandaise comme Sweeney’s Men , Planxty, The Bothy Band, Mozaik, LAPD et récemment Usher’s Island, Dònal Lunny et Andy Irvine ont développé à travers les années un style musical unique qui a rendue populaire la musique irlandaise traditionnelle. Andy Irvine est un musicien traditionnel irlandais chanteur et multi-instrumentiste (mandoline, bouzouki, mandole, harmonica et vielle à roue). Il est également l’un des fondateurs de Planxty. Après un voyage dans les Balkans, dans les années 70 il assemble différentes influences musicales qui auront un impact majeur sur la musique irlandaise contemporaine. Dònal Lunny est un musicien traditionnel irlandais, guitariste, bouzoukiste et joueur de bodhrán. Depuis plus de quarante ans, il est à l’avant-garde de la renaissance de la musique traditionnelle irlandaise. Depuis les années 80, il diversifie sa palette d’instruments en apprenant le clavier, la mandoline et devient producteur de musique, l’amenant à travailler avec entre autres Paul Brady, Rod Stewart, Indigo Girls, Sinéad O’Connor, Clannad et Baaba Maal. Contact scène Naïade Productions www.naiadeproductions.com [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 2 Line Up Andy Irvine : voix, mandoline, harmonica Dònal Lunny : voix, bouzouki, bodhran Paddy Glackin : fiddle Discographie Andy Irvine - 70th Birthday Planxty - A retrospective Concert at Vicar St. -
Bonny Levine – 2015 All Nominees (Alpha Order), Answers to All Supporting Documentation Questions Table of Contents
Bonny LeVine – 2015 All Nominees (alpha order), Answers to all supporting documentation questions Table of Contents Bonny LeVine At A Glance…………………………………..…………………………………………………………………………………………………………………………………………………2 Question 1: Detail your professional achievements…………………………………………………………………………………………………………………………………………….11 Question 2: How have these achievements advanced the principles of franchising as a viable business strategy, and its positive visibility?….27 Question 2a: How has your achievements helped women advance in the franchise industry? Please list specific activities and results that demonstrate your mentorship to women. Are there any mentorees that Committee members could contact regarding your impact?………….40 Question 3: List the leadership and/or committee/task force positions you have held at IFA……………………………………………………………………………56 Question 4: List other awards and honors bestowed upon you by the franchising community………………………………………………………………………….64 Question 5: Detail your history of community involvement………………………………………………………………………………………………………………………………..71 Question 6: Demonstrate how this has transcended commercial benefit and heightened the positive awareness of franchising…………………….87 Question 7: Provide details on any pertinent legal actions that concern franchise systems with which you have been affiliated………...............97 Question 8: Include any other information that you believe may be helpful to IFA in its consideration of you as an honoree………………………..101 Question 9: Are there legal, financial or other issues or situations that your selection as the recipient of an IFA award might raise which have the potential to attract negative publicity or attention for the association and/or the franchising industry? ……………………..112 2015 Bonny LeVine Award Documentation Nominee Name Lisa Almeida Cheryl Bachelder Jania Bailey Cathy Brown Title CEO CEO CEO Franchisee Owner & Area Director Company Name Freedom Boat Club Popeyes Louisiana Kitchen, FranNet Franchising, LLC Jersey Mike’s Subs Inc. -
Milwaukee Irish Fest Announces 2014 Festival Entertainment Lineup Includes Scotland Music Showcase and Several Must-See Acts
Media Contact: Brian Meehan (262) 789-7630, ext. 133 [email protected] FOR IMMEDIATE RELEASE Milwaukee Irish Fest Announces 2014 Festival Entertainment Lineup Includes Scotland Music Showcase and Several Must-See Acts MILWAUKEE (June 18, 2014) – Milwaukee Irish Fest, the world‟s largest celebration of Celtic music and culture, announces their entertainment lineup for the 2014 festival taking place August 14-17 along Milwaukee‟s lakefront. With more than 100 acts ranging from fan favorites to emerging talent – plus a Scotland Music Showcase – festival goers will be treated to the “ultimate Celtic playlist.” “To assemble the ultimate Celtic playlist, we travel the world in search of the finest in Celtic entertainment,” said Patrick Boyle, executive director of Milwaukee Irish Fest who visited Scotland earlier this year. “After seeing many phenomenal bands perform in their home towns, we cannot wait to share their talent with our guests.” Entertainment highlights for the 2014 festival include: Fan Favorites Featured fan favorites back by popular demand include: The Red Hot Chilli Pipers have fast become a global phenomenon, taking their signature “Bagrock” sound to the masses. (more) 2014 IRISH FEST ENTERTAINERS – ADD ONE Gaelic Storm, who is celebrating their fifteenth anniversary of appearing at Milwaukee Irish Fest and is famed for their rousing, energetic shows. The Willis Clan, a family of artists and musicians who merge their Irish roots with other music and dance genres to create a unique blend of the old and new. Carlos Núñez, a master showman and groundbreaking artist from the Galician region of Spain who remains undisputed as the tradition‟s greatest piper. -
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
The Routledge Dictionary of Literary Terms
The Routledge Dictionary of Literary Terms The Routledge Dictionary of Literary Terms is a twenty-first century update of Roger Fowler’s seminal Dictionary of Modern Critical Terms. Bringing together original entries written by such celebrated theorists as Terry Eagleton and Malcolm Bradbury with new definitions of current terms and controversies, this is the essential reference book for students of literature at all levels. This book includes: ● New definitions of contemporary critical issues such as ‘Cybercriticism’ and ‘Globalization’. ● An exhaustive range of entries, covering numerous aspects to such topics as genre, form, cultural theory and literary technique. ● Complete coverage of traditional and radical approaches to the study and production of literature. ● Thorough accounts of critical terminology and analyses of key academic debates. ● Full cross-referencing throughout and suggestions for further reading. Peter Childs is Professor of Modern English Literature at the University of Gloucestershire. His recent publications include Modernism (Routledge, 2000) and Contemporary Novelists: British Fiction Since 1970 (Palgrave, 2004). Roger Fowler (1939–99), the distinguished and long-serving Professor of English and Linguistics at the University of East Anglia, was the editor of the original Dictionary of Modern Critical Terms (Routledge, 1973, 1987). Also available from Routledge Poetry: The Basics Who’s Who in Contemporary Jeffrey Wainwright Women’s Writing 0–415–28764–2 Edited by Jane Eldridge Miller Shakespeare: The Basics 0–415–15981–4 -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Michael Finnissy Singular Voices
Michael Finnissy Singular Voices 1 Lord Melbourne †* 15:40 2 Song 1 5:29 3 Song 16 4:57 4 Song 11 * 3:02 5 Song 14 3:11 6 Same as We 7:42 7 Song 15 7:15 Beuk o’ Newcassel Sangs †* 8 I. Up the Raw, maw bonny 2:21 9 II. I thought to marry a parson 1:39 10 III. Buy broom buzzems 3:18 11 IV. A’ the neet ower an’ ower 1:55 12 V. As me an’ me marra was gannin’ ta wark 1:54 13 VI. There’s Quayside fer sailors 1:19 14 VII. It’s O but aw ken weel 3:17 Total Duration including pauses 63:05 Clare Lesser soprano David Lesser piano † Carl Rosman clarinet * Michael Finnissy – A Singular Voice by David Lesser The works recorded here present an overview of Michael Finnissy’s continuing engagement with the expressive and lyrical possibilities of the solo soprano voice over a period of more than 20 years. It also explores the different ways that the composer has sought to ‘open-up’ the multiple tradition/s of both solo unaccompanied song, with its universal connotations of different folk and spiritual practices, and the ‘classical’ duo of voice and piano by introducing the clarinet, supremely Romantic in its lyrical shadowing of, and counterpoints to, the voice in Song 11 (1969-71) and Lord Melbourne (1980), and in an altogether more abrasive, even aggressive, way in the microtonal keenings and rantings of the rarely used and notoriously awkward C clarinet in Beuk O’ Newcassel Sangs (1988). -
Boston Irish March 2020
Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty. -
Complete Rivenstar Songbook
rcbc- C0111pl-ea'C ~~ _,...,~ ~,.,-,...._lVCTIS'[; (JJ]<" INTRODUCTION to the Compleat Rivenstar Songbook "And in the beginning was the word. And the word moved, and the word reproduced. And the word was ............... Aardvark. 11 Carbuerators 23:12, of the Folo Catholic Bible Just short of seven years ago(My, how time flies when people are beating you about the head with sticks.)I brought out the first (and what at the time I ~hought would be the only) edition of the Rivenstar Songbook. This first stab at evading the copyright and libel laws consisted of twelve songs. Of the twelve, four were written by myself, others were lifted from other sources, and a few got in just to fill space. The original massive printing of fifty copies or so was slowly sold out. Time passed. "And the people did writhe and cringe, and did make to flee to the hills, and the hills recieved them not. And they despaired, and with great wailing and gnashing of teeth did say, yea and verily, here we go again.'' Ornithopters 48:6, of the Folo Catholic Bible A bit less than a year, to be exact. Popular opinion, in the form of collective nagging, induced me to bring out the Song book's second volume. This attempt carried the same disclaimers and explanations as the first; namely, that these things were cranked out in order to provide a collection of the best-liked and most requested songs of Rivenstar, and that the basic purpose was enjoyment. "And I beheld a dark figure with a flaming sword.