Celtic Stream Show #50 35 Songs, 2 Hours, 173.7 MB

Total Page：16

File Type：pdf, Size：1020Kb

Page 1 of 1 Celtic Stream Show #50 35 songs, 2 hours, 173.7 MB Name Time Album Artist 1 TCS 50 Intro 0:43 ID/PSA ID/PSA 2 Cò Ni Mire Rium? (Who Will Flirt With M… 4:07 Uam from Me Julie Fowlis 3 Dante's Local 4:13 8 Rathkeltair 4 Knittin’ & Drinkin’ 3:17 Eleven Troy MacGillivray 5 An T-Each Odhar 3:56 Las Alasdair Whyte 6 King Of Birds 4:09 Traces Karine Polwart 7 TCS 50 Break 1 1:28 ID/PSA ID/PSA 8 Piper to the End 5:44 Get Lucky Mark Knopﬂer 9 Up in the Mornin's No' for Me 3:22 Arnish Light The Tannahill Weavers 10 The Laird O' Drum 4:57 Fiona Hunter Fiona Hunter 11 Moving Cloud (feat. Ricky Skaggs, Aubr… 4:40 Green Grass Blue Grass Brock McGuire Band 12 TCS 50 Break 2 1:19 ID/PSA ID/PSA 13 Let's Recycle 2:56 The Greentrax Years The McCalmans 14 The Panda 5:10 Almost An Island Wolfstone 15 Farewell tae the Haven 6:14 Scotland - The Music & The Song [Disc 1] Ceolbeg 16 Nothing Out of Nothing 2:37 Up Great Big Sea 17 TCS 50 Break 3 0:50 ID/PSA ID/PSA 18 Lonely Man 3:34 Elements The Paul McKenna Band 19 The Collier's Set 4:02 The Girls Won't Leave the Boys Alone Cherish the Ladies 20 The Open Door 3:38 Echoes (Bonus Track Version) Emily Smith 21 Broken Ring 4:01 Wherever Yet May Be Old Blind Dogs 22 Doubled Over Happy 2:35 Nine Blasted Notes Michael Grey 23 TCS 50 Break 4 0:45 ID/PSA ID/PSA 24 Eejit 4:23 the Old Style Blazin' Fiddles 25 Descarga Gaélica 2:56 The Tall Islands Salsa Celtica 26 Clash Of The Ash 3:16 Everything You See Runrig 27 Walking On A Wire 3:50 Acoustic Classics Richard Thompson 28 The Pipe Set 4:44 Seven Nations Seven Nations 29 TCS 50 Break 5 1:05 ID/PSA ID/PSA 30 Lament for the Mighty Norman Anderson 1:50 Land of the standing stones Paul Anderson 31 Víva la Quinta Brigada 5:16 Discover Carlos Nuñez 32 Mcpherson's Farewell 5:32 Lyrics of Gold - Songs of Robert Burns Ed Miller 33 If You Were Mine 3:28 Seinn Mary Jane Lamond & Wendy MacIsaac 34 TCS 50 Break 6 1:33 ID/PSA ID/PSA 35 Lorient Mornings/Grande Nuit In Port Du… 5:28 Thunderstruck Gordon Duncan.

Copy Link

Recommended publications

26-29 May 2016
26-29 MAY 2016 /orkneyfolkfestival @OrkneyFolkFest Stromness Birsay Deerness Finstown Harray Kirkwall Orphir Quoyloo Sanday Shapinsay St Margaret’s Hope Supported by the National Lottery through Creative Scotland Stenness Westray PROGRAMME orkneyfolkfestival.com WELCOME ANNIVERSARIES AND BIRTHDAYS So here it is, the 34th Orkney Folk The Northern Isles Festival Tattoo Festival. Unbelievably we’re still going. Just a few days before Orkney plays host to a series of national Despite economic turmoil, climate events commemorating the one hundredth anniversary of the change and Stromness roadworks we Battle of Jutland, the festival will stage its own ‘Military Tattoo’-style are still here. We’ve got a shiny new event, celebrating Orkney and Shetland’s maritime history. office at the Northlink Terminal building A first of its kind for the Orkney Folk Festival, the Northern Isles Bob Gibbon and word has it we will even have new Festival Tattoo will host a choreographed, massed performance walkie-talkies come May. It’s all go. of fiddles, pipes, drums, song and community spirit in Kirkwall’s Pickaquoy Centre on Saturday night – and no raincoats required! Indeed the line-up has taken some Taking centre stage will be putting together this year. A bit of this Shetland’s county fiddle group, and a bit of that, some new faces Hjaltibonhoga – fresh from two and some familiar old ones all thrown consecutive Edinburgh Military together to play in Stromness and Tattoos, as well as stadium other parishes of Orkney, including performances in Australia and New Zealand – the Kirkwall City Pipe three islands this year (Westray, Band, Maggie Adamson and Brian Sanday and Shapinsay) doing our Nicholson, Ivan Drever, as well as best to bring us all together on Festival many more special guests.
[Show full text]
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
[Show full text]
Big Scottish Pop Quiz Questions
Rip It Up THE BIG SCOTTISH POP QUIZ ROUND 1: Same Letter Round All the answers start with the same letter – 2 points per correct answer 1 Which Scottish pop band’s biggest hits include ‘Let There Be Love’, ‘She’s a River’ and ‘Belfast Child’? 2 What is the only ABBA song which mentions Glasgow in the lyrics? 3 What was the name of the duo comprised of Jill Bryson and Rose McDowall who had a top ten hit in 1984 called ‘Since Yesterday’? 4 What was the name of the Glasgow venue on Jamaica Street which hosted club night ‘Optimo’ for most of its 13-year run through the 90s and 00s? 5 Which Scottish singer was listed by Time magazine in 2010 as the seventh most influential person in the world? ROUND 1: ANSWERS 1 Simple Minds 2 Super Trouper (1st line of 1st verse is “I was sick and tired of everything/ When I called you last night from Glasgow”) 3 Strawberry Switchblade 4 Sub Club (address is 22 Jamaica Street. After the fire in 1999, Optimo was temporarily based at Planet Peach and, for a while, Mas) 5 Susan Boyle (She was ranked 14 places above Barack Obama!) ROUND 6: Double or Bust 4 points per correct answer, but if you get one wrong, you get zero points for the round! 1 Which Scottish New Town was the birthplace of Indie band The Jesus and Mary Chain? a) East Kilbride b) Glenrothes c) Livingston 2 When Runrig singer Donnie Munro left the band to stand for Parliament in the late 1990s, what political party did he represent? a) Labour b) Liberal Democrat c) SNP 3 During which month of the year did T in the Park music festival usually take
[Show full text]
The Evolution of Rural Farming in the Scottish Highlands and the Arkansas Delta: Investments and Inequalities Madalyn Watkins University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Crop, Soil and Environmental Sciences Crop, Soil and Environmental Sciences Undergraduate Honors Theses 5-2012 The evolution of rural farming in the Scottish Highlands and the Arkansas Delta: investments and inequalities Madalyn Watkins University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/csesuht Recommended Citation Watkins, Madalyn, "The ve olution of rural farming in the Scottish Highlands and the Arkansas Delta: investments and inequalities" (2012). Crop, Soil and Environmental Sciences Undergraduate Honors Theses. 6. http://scholarworks.uark.edu/csesuht/6 This Thesis is brought to you for free and open access by the Crop, Soil and Environmental Sciences at ScholarWorks@UARK. It has been accepted for inclusion in Crop, Soil and Environmental Sciences Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Evolution of Rural Farming in the Scottish Highlands and the Arkansas Delta: Investments and Inequalities An Undergraduate Honors Thesis in the Crop, Soil, and Environmental Science Department Submitted in partial fulfillment of the requirements for the University of Arkansas Dale Bumpers College of Agricultural, Food and Life Sciences Honors Program by Madalyn Watkins April 2012 _____________________________________ _____________________________________ ____________________________________ I. Abstract The development and evolution of an agricultural system is influenced by many factors including binding constraints (limiting factors), choice of investments, and historic presence of land and income inequality. This study analyzed the development of two farming systems: mechanized, “economies of scale” farming in the Arkansas Delta and crofting in the Scottish Highlands. The study hypothesized that the current farm size in each region can be partially attributed to the binding constraints of either land or labor.
[Show full text]
Ivan Drever the Catalogue
IVAN DREVER THE CATALOGUE ORCADIAN RECORDINGS JULY 2020 ivandrever.co.uk ORCADIAN RECORDINGS CATALOGUE JULY 2020 This is our first Catalogue of Ivan Drever’s recordings, now available as downloads from his website www.ivandrever.co.uk All downloads are in MP3 format and videos are in MP4 format. Some of the items are also available as compact discs (see the website for details of availability). Page 2 of 31 ivandrever.co.uk ORCADIAN RECORDINGS CATALOGUE JULY 2020 THE CATALOGUE When ordering downloads from the website an email is sent to the purchaser with a secure download link. In case of any queries or if you require help with downloads contact us via our web pages. Compact disks and books are sent by Royal Mail and delivery is normally within 7 days for UK addresses and 10 days for the rest of the world. CONTENTS ALBUM PAGE • Waterfront 3 • Bless the Wind 4 • Keep On Keeping On 5 • Music from the Vaults (Vol. I) 6 • What You Hear 7 • Revisited I (The Wolfstone Songs) 8 • Revisited II 9 • Live in Orkney 11 • Works (Vol. I) 12 • Isle’s Ne’er Forgotten 13 • Collection 14 • Tradition 15 • Homeland 17 • Every Breaking Heart 18 • Falkirk Folk Club Live 2019 19 • Black White and Blue 20 • Falkirk Folk Club Live Video 2019 21 • The Instrumental Album 22 • Gifts 23 • The Return of the Shoestring Orchestra 24 • October Bridge 25 • Orcadia 26 • Orkney Anthem 27 • The Viking’s Bride 28 • Beech Grove ’78 29 ivandrever.co.uk Page 3 of 31 ORCADIAN RECORDINGS CATALOGUE JULY 2020 WATERFRONT Waterfront was first released in 2003, recorded in the Highlands by Greg Fullerton and Peter Mytlewski.
[Show full text]
Miles, Stephen Thomas (2012) Battlefield Tourism: Meanings and Interpretations
Miles, Stephen Thomas (2012) Battlefield tourism: meanings and interpretations. PhD thesis. http://theses.gla.ac.uk/3547/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Battlefield Tourism: Meanings and Interpretations Stephen Thomas Miles B.A. (Hons.) Dunelm, M.A. Sheffield Thesis submitted for the degree of Doctor of Philosophy College of Arts University of Glasgow 2012 Dedicated to Dr Howard Thomas Miles (1931-2006) Abstract Battlefield sites are some of the most iconic locations in any nation’s store of heritage attractions and continue to capture the imagination of visitors. They have strong historic, cultural, nationalistic and moral resonances and speak to people on a national as well as a local scale. They have the power to provoke contention but at the same time foster understanding and respect through the consideration of deep moral questions. Battlefields are suffused with powerful stories of courage, sacrifice, betrayal and even cowardice. They have a strong sense of place and can provoke a range of cognitive and emotional reactions.
[Show full text]
The Day Loch Ness Rocked
The day Loch Ness Rocked th On the 24 June 2006 Loch Ness took centre stage as Fatboy Slim and a host of other DJ legends rolled into town. This was just one more stop on a lengthy world tour; Brazil, Australia, Japan, Dores. On every level this was a major coup (a report calculated that the region benefited to the tune of £7m) proving again that Scotland can play at the very top with the big boys. They said it couldn't be done, that the roads would crumble, the infrastructure shatter and the sky fall in. Chaos in Inverness with fans stranded and, if they did make it, boiling clouds of midges would eat them alive. But by 2pm the bulk of the 23,400 fans were happily on site, the hardcore claiming a space at the front and the oldies laying down picnic rugs at the back. How fresh, how exciting, when generations of people, from all over the country gather together in peace and harmony to listen to some music which was 'wholly or predominantly characterised by the emission of a succession of repetitive beats' (Section 1 63, The Criminal Justice and Public Order Act) , that in some other situations would be considered illegal and dangerous. Skye's Mylo proved that the local talent was alive and kicking. The Audiobullys were late, but well worth waiting for. The Scratch Perverts were magnificent. But it really started to kick off when Carl Cox took over the decks. Here was one of the original 'superstar' DJ's demonstrating how, over a decade ago, he became one of the highest paid people in the country to lay a slice of vinyl on a record player.
[Show full text]
What's on in March 2020
Do more in... March 2020 Historylinks 5* Museum By appointment only Explore the history of Dornoch from Vikings, witches and the Clearances to golf, Skibo, the railway and everything in between. Entry: Adults £4, Concessions £3, Children Free. For more information: www.historylinks.org.uk or 01862 811 275 Children's Softplay Centre Mon-Fri: 9am to 7:45pm Sat: 9am-4:30pm Sun: 10am-3:30pm Kyle of Sutherland Hub, IV24 3AQ The Hub has a bespoke three-level indoor soft play centre for FAMILY FUN AT HISTORYLINKS children aged 0-12, and a Creperie with choice of tacos, tortilla and nachos, hot drinks and smoothies. Entry: term time up to 2:30pm £3.50 otherwise £4.50 For more information: 01863 769 170 Various Workshops at Lairg Learning Centre All Month Lairg Learning Centre, Lairg, IV27 4DD Various workshops of all types with something for everyone ROYAL DORNOCH GOLF throughout Sutherland. For more information and to pre-book: www.facebook.com/LairgLC or: 01549 402050 (bookings) Dornoch Youth Cafe Tuesdays (Term Time Only): 7pm—9pm Dornoch Social Club, Schoolhill, Dornoch Join us for open door supervised activities for young people from 9 - 14. SCENERY For more information: Yvonne Ross. Young Curator's Club Wednesdays (Term Time Only): 5pm —6:30pm Dornoch Social Club, School Hill Come and join us at the Young Curators Club. We will be having games, storytelling and exploring! Ages 8 to 12. Refreshments are provided. Entry: Free. For more information call: 01862 811 275 CYCLING Scottish Snowdrop Festival: Dunrobin Castle Until Monday 11th March: 10am-5pm Dunrobin Castle, Duke Street, Golspie, KW10 6RR In 1879 the Duke of Sutherland's head gardener David Melville, raised a new snowdrop variety.
[Show full text]
Annual Report 2010
Annual Report 2010 Table of Contents 1 Chair’s Foreword 2 2 Fèis Facts 4 3 Key Services and Activities 5 4 Board of Directors 14 5 Staffing Report 15 6 Fèis Membership and Activities 17 7 Financial Statement 2009-10 28 Fèisean nan Gàidheal is a company limited by guarantee, registration number SC130071, registered with OSCR as a Scottish Charity, number SC002040, and gratefully acknowledges the support of its main funders Scottish Arts Council | The Highland Council | Bòrd na Gàidhlig | Highlands & Islands Enterprise Comhairle nan Eilean Siar | Argyll & Bute Council 1 Chair’s Foreword I am delighted to commend to you this year’s Annual Report From Fèisean nan Gàidheal. 2009-10 has been a challenging, and busy, year For the organisation with many highlights, notably the success oF the Fèisean themselves. In difficult economic times, Fèisean nan Gàidheal’s focus will remain on ensuring that support for the Fèisean remains at the heart of this organisation’s efforts. Gaelic drama also continued to flourish with drama Fèisean in schools, Meanbh-Chuileag’s perFormance tour of Gaelic schools and a successFul Gaelic Drama Summer School. In addition work was begun on radio drama in the Iomairtean Gàidhlig areas, continuing to make a valuable contribution to increasing the use oF Gaelic among young people. Fèisean nan Gàidheal continued to develop its use oF Gaelic language with Gaelic training to stafF, volunteers and tutors. Our service provides support to Fèisean to ensure that they produce printed and web materials bilingually, and seeks to help Fèisean ensure a greater Gaelic content in their activities.
[Show full text]
Folk & Roots Festival 2
Inverclyde’s Scottish Folk & Roots Festival 2014 5th October – 15th November Beacon Arts Centre, Greenock TICKETS: 01475 723723 www.beaconartscentre.co.uk FSundayAR 5thFAR October FROM YPRES FAR, FAR FROMSiobhan MillerYPRES N.B.7.30pm Because of the content of the material and the narrative, we would The music, songs and poetry of World War One from a Scottish perspective Sunday 5th October 3pm Welcome back... askMain that Theatre there is no applause until each half is finished. However, it is not to Inverclyde’s Scottish Folk & Roots a production of unremitting gloom, so if you would like to sing some of The Session Festival, brought to you courtesy of Far, Far From Ypres the choruses, please do so. Here’s some help: 1914 2014 Riverside Inverclyde. from “any village in Scotland”, telling of A free (ticketed) event at The Beacon Concessionary tickets of £10 available to his recruitment, training, journey to the Keep the Home-fires burning, When this bloody war is over Beacon Theatre, Greenock Last year’s festival saw audience ages all, subject to availability, until 4th Somme, and return to Scotland. Images This acoustic event is open to new-to- While your hearts are yearning, No more soldiering for me ranging from 8 to mid 80’s. Once again October, thereafter tickets priced at £15. from WW1 are projected onto a screen, Though your lads are far away When I get my civvy clothes on the-festival acts, subject to programme there’s something in the festival for deepening the audience’s understanding of everybody, hopefully offering community They dream of Home; Oh how happy I will be capacity, who register by Monday Ypres – a name forever embedded in the unfolding story.
[Show full text]
Minutes of Proceedings
House of Commons Scottish Affairs Committee Minutes of Proceedings Session 2008–09 The Scottish Affairs Committee The Scottish Affairs Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Scotland Office (including (i) relations with the Scottish Parliament and (ii) administration and expenditure of the office of the Advocate General for Scotland but excluding individual cases and advice given within government by the Advocate General). Membership during Session 2008–09 Mr Mohammad Sarwar MP, (Lab, Glasgow Central) (Chairman) Mr Alistair Carmichael, (Lib Dem, Orkney and Shetland) Ms Katy Clark MP, (Lab, North Ayrshire & Arran) Mr Ian Davidson MP, (Lab, Glasgow South West) Mr Jim Devine MP, (Lab, Livingston) Mr Jim McGovern MP, (Lab, Dundee West) David Mundell MP, (Con, Dumfriesshire, Clydesdale and Tweeddale) Lindsay Roy MP, (Labour, Glenrothes) Mr Charles Walker MP, (Con, Broxbourne) Mr Ben Wallace MP, (Con, Lancaster and Wyre) Pete Wishart MP, (SNP, Perth and North Perthshire) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No. 152. These are available on the Internet via www.parliament.uk. Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the Internet at www.parliament.uk/parliamentary_committees/scottish_affairs_committee.cfm. Committee staff The staff of the Committee during Session 2008–09 were Charlotte Littleboy (Clerk), Nerys Welfoot (Clerk), Georgina Holmes-Skelton (Second Clerk), Duma Langton (Senior Committee Assistant), James Bowman (Committee Assistant), Becky Crew (Committee Assistant), Karen Watling (Committee Assistant) and Tes Stranger (Committee Support Assistant).
[Show full text]
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others.
[Show full text]