Some Examples of Title Pages
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No. 25 a Secret Index—
a secret index— division leap no. 25 a secret index— Booksellers, publishers and researchers of the history of print culture. Collections purchased. Books found. Appraisals performed. Libraries built. divisionleap.com no. 25 83. 35. 59. 39. 39. 27. 30. 25. 21. 65. 48. 72. 6. contents a. Walter Benjamin—German Expressionism—Raubdrucke 17 b. Reproduction—Computing—Classification—Architecture 23 c. The Body—Tattooing—Incarceration—Crime—Sexuality 33 d. Social Movements—1968—Feminism—The SI & After 47 e. Music 57 f. Literature—Poetry—Periodicals 63 g. Film—Chris Marker 77 h. Art 85 i. Punk Zines 91 Additional images of all items available at divisionleap.com or by request. a. Walter Benjamin—German Expressionism—Raubdrucke 17 2. 1. 18 a. The Birth of Walter Benjamin’s Theory Heuber so messianically feels is near … ” of the Messianic McCole, analyzing this same letter, notes that this appears to be Benjamin’s first use of the term 1. [Victor Hueber] Die Organisierung der “Messianic” in his writings [McCole, p. 61]. The Intelligenz. Ein Aufruf. Zweite, erweiterte Auflage. idea would haunt Benjamin’s subsequent works Als Manuskript gedruckt. on history, and reach its conclusion in the second [Prague]: Druck H. Mercy, [1910]. 8vo, thesis in On the Concept of History, written just 107 pp, stab-stapled and glue bound into violet before his march into the mountains. “The past printed wraps. Front and back panels of wraps carries with it a secret index, by which it is referred detached but present, with the paper covering to its resurrection. There is an agreement and an the spine mostly perished. -
The Title Page Includes Five Elements: Title, Running Head, Author Byline, Institutional Affiliation, and Author Note
Adapted from “Top 10 APA Basics” by the Grace Abbott School of Social Work, UNO Top 10 APA Basics As of 7-15-2013, UNO Writing Center **Use this as a quick reference guide only. Use the APA Manual,6th Edition, as your authoritative guide. American Psychological Association. (2010). Publication manual of the th American Psychological Association (6 ed.). Washington, DC: American Psychological Association. An excellent resource: http://www.apastyle.org/learn/index.aspx 1) Font (p. 228) Times New Roman 12-point Correct spelling and grammar 2) Margins (p. 229) are always 1” on left, right, top and bottom important!! 3) Justification/Spacing (p. 229) Left-justified The entire paper is double-spaced, including block quotes and the Reference page Do not use the default settings; reset your paper to 0 pt. spacing and check the box “Don’t add space between paragraphs of the same style” (located on the paragraph dialog box on Microsoft Word) 4) Page Headings (p. 229-230) The title page includes five elements: title, running head, author byline, institutional affiliation, and author note. The running head is an abbreviated title in all capital letters, flush left in the header. It is a maximum of 50 characters. Page numbers are located in the upper right-hand corner of the page (in the header), 1” from the right, ½” from the top. Identify the title page with the number 1. Running head: MULTIPLE INTELLIGENCES 1 Multiple Intelligences: New Horizons in Theory and Practice Howard Gardner University of Nebraska at Omaha Adapted from “Top 10 APA Basics” by the Grace Abbott School of Social Work, UNO MULTIPLE INTELLIGENCES 2 5) Section Headings (p. -
How to Page a Document in Microsoft Word
1 HOW TO PAGE A DOCUMENT IN MICROSOFT WORD 1– PAGING A WHOLE DOCUMENT FROM 1 TO …Z (Including the first page) 1.1 – Arabic Numbers (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. 1.2 – Other Formats (Romans, letters, etc) (a) Repeat steps (a) to (c) from 1.1 above (b) At the “Header & Footer” Section, click on “Page Number” drop down menu. (C) Choose… “Format Page Numbers” (d) At the top of the box, “Number format”, click the drop down menu and choose your preference (i, ii, iii; OR a, b, c, OR A, B, C,…and etc.) an click OK. (e) You can also set it to start with any of the intermediate numbers if you want at the “Page Numbering”, “Start at” option within that box. 2 – TITLE PAGE WITHOUT A PAGE NUMBER…….. Option A – …And second page being page number 2 (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. -
Title Page Diss
Pre-Modern Iberian Fragments in the Present: Studies in Philology, Time, Representation and Value By Heather Marie Bamford A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Jesús Rodríguez-Velasco, Co-Chair Professor José Rabasa, Co-Chair Professor Hans Ulrich Gumbrecht Professor Ignacio Navarrete Professor David Hult Fall 2010 1 Abstract Pre-Modern Iberian Fragments in the Present: Studies in Philology, Time, Representation, and Value by Heather Marie Bamford Doctor of Philosophy in Hispanic Literatures and Languages University of California, Berkeley Professors Jesús Rodríguez-Velasco and José Rabasa, Co-Chairs This dissertation examines the uses of medieval and early-modern Iberian cultural objects in the present. It draws on the notion of fragment and actual fragmentary testimonies to study how pre- modern Iberian things and texts are reconstituted and used for various projects of personal, institutional, national and transnational reconstitution in the present. The corpus objects are necessarily diverse in chronological scope, with examples from the medieval, early-modern and modern periods, and touch upon works of many genres: chivalric romance, royal and personal correspondence, early-modern and modern historiography, Hispano-Arabic and Hispano-Hebrew lyric, inscriptions, pre-modern and modern biographies and 21st century book exhibitions. The dissertation proposes that Iberian fragments are engaged in various forms of reconstitution or production in the present and, at the same time, are held as timeless, unchanging entities that have the capability to allow users to connect with something genuinely old, truly Spanish and, indeed, eternal. -
Thesis and Dissertation
Thesis and Dissertation UWG General Guidelines for Formatting and Processing Go West. It changes everything. 2 TABLE OF CONTENTS Table of Contents Thesis and Dissertation Format and Processing Guidelines ...................................................... 3 General Policies and Regulations .................................................................................................. 5 Student Integrity ........................................................................................................................ 5 Submission Procedures ............................................................................................................ 5 Format Review ...................................................................................................................... 5 Typeface .................................................................................................................................... 6 Margins ...................................................................................................................................... 6 Spacing ...................................................................................................................................... 6 Pagination ................................................................................................................................. 6 Title Page .................................................................................................................................. 7 Signature Page ........................................................................................................................ -
GUIDELINES for REPORT WRITING 1. Title Page. First Page of Report. Try to Find a Title That Clearly Describes the Work You Have
GUIDELINES FOR REPORT WRITING 1. Title Page. First page of report. Try to find a title that clearly describes the work you have done and be as precise as possible. Mention your name, role number, guide’s (and co-guide’s) name, name of the department (i.e. Energy Systems Engineering), name of the institute, place and month and year of the report. 2. Abstract. On a separate page, immediately following the title page, summarize the main points of the report. Persons getting interested in the report after reading the title, should be able to judge from the abstract whether the report is really interesting for them. So, briefly formulate the problem that has been investigated, the solutions derived, the results that have been achieved, and your conclusions. The abstract should not occupy more than one page (about 150 to 200 words). This page should precede the content page. 3. Table of Contents (TOC). Should list only those items that follow it appearing in the following order. - List of tables (1.1, 1.2, 1.3.., 2.1, 2.2, .. etc.) - List of figures (1.1, 1.2, 1.3.., 2.1, 2.2, .. etc.) - Nomenclature : necessary whenever the number of symbols exceeds 0. This is in order of English (i.e., Roman) letters (Uppercase followed by lowercase), Symbols in Greek letters (see Appendix for the alphabetical order of Greek letters), subscripts and superscripts used, Special Symbols, followed by acronyms (i.e., Abbreviations) if any; everything in alphabetical order. All entries in nomenclature should have appropriate units in SI system. -
STANDARD PAGE ORDER for a BOOK These Are Guidelines, Not Rules, but Are Useful in Making Your Book Look Professional
STANDARD PAGE ORDER FOR A BOOK These are guidelines, not rules, but are useful in making your book look professional. More extensive descriptions are available in the “Chicago Manual of Style”. (Note: CMS uses the classic terms recto for right handed and verso for left handed pages.) FRONT MATTER PRE PAGES: are usually numbered with lower case roman numerals Blank A blank page is often needed to force the first page of the book to fall on a right hand page. Half title page (contains only the title) - OPTIONAL Introduction (OPTIONAL) A blank page is often Blank page (back of title page) needed to force the first page of the book to fall on a right hand page. Title page title author, illustrator where appropriate Copyright page (back of the Title page): Usually BODY OF THE BOOK contains Copyright information, ISBN, LCCN if using, Text pages are usually numbered with normal fonts. design credits, disclaimers about fictional characters, permission granted to use information or illustrations TEXT: from another source Chapter One: In a “classic book” all chapter heads start on the right hand page. In novels where continuity Dedication is important, chapters may start on the right or left but the first chapter should always start on the right. Blank PARTS: Epigraph (quote pertinent to the book) OPTIONAL Book One or Section One: In large books it is May be used instead of, or after a Dedication. common for the book to be divided into Parts or Units. Some Section pages carry their own titles. These are Blank styled like title pages and are always on the right hand page, usually followed by a blank. -
Document Resume Ed 047 563 Fl 002 036 Author Title Institution Pub Date
DOCUMENT RESUME ED 047 563 FL 002 036 AUTHOR Willcock, M. M. TITLE The Present State of Homeric Studies. INSTITUTION Joint Association of Classical Teachers, Oxford (England). PUB DATE 67 NOTE 11p. JOURNAL CIT Didaskalos; v2 n2 p59-69 1967 EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Classical Literature, *Epics, *Greek, *Greek Literature, Historical Reviews, Humanism, Literature Reviews, Oral Reading, *Poetry, *Surveys, World Literature IDENTIFIEIAS *Homer, Iliad, Odyssey ABSTRACT A personal point of view concerning various aspects of Homerica characterizes this brief state-of-the-art report. Commentary is directed to:(1) first readers; (2) the Parry-Lord approach to the study of the "Iliad" and the "Odyssey" as representatives of a type of oral, formulaic, poetry;(3) analysts, unitarians, and neo-analysts; (4) recent publications by British scholars;(5) archaeology and history; (6) language and meter; and (7) the "Odyssey". (RL) fromDidaskalos; v2 n2 p59-69 1967 The present state of Homeric studies teN 1111 m.M. WILL COCK U.S. DEPARTMENT OF MOH. EDUCATION d WELFARE Nft OFFICE OF EDUCATION ".74P THIS DOCUMENT HAS BUN REPRODUCED EAACTLYAS RECEIVED ROM THE VIcV4 OD OPoivs PERSON OR ORGANIZAME eRI43!!th!!!!r:!I . V.1.14TI OF EDUCATION Ca STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE Um, POSITION OR POLICY. A select reading-list of Homerica, with a running com- Introduction mentary, cannot fail to be invidious. There is little chance that one person can fairly survey the vast fieldAll that I can offer is my own view-point, more literary than archaeological or linguistic. As to the limits of the survey, I have endeavoured to go far enough back in each separate aspect to clarify the present situation. -
Ancient Narrative Volume 2
The Satyrica of Petronius as a Roman Palimpsest GOTTSKÁLK JENSSON Reykjavík Roman literature is possibly the most palimpsestuous of literatures.1 So much so that lovers of Roman letters have had to fight off the unwanted comparison with Roman plastic arts where, as is well known, there are no originals. A series of famous names will emphasise the obvious: Plautus, Terence, Varro, Cicero, Lucretius, Catullus, Virgil, Livy, Horace, Ovid, Seneca, Statius and Apuleius. These (and many more) were borrowers, reworkers, rewriters. But we try not to hold it against them. When the stuff of Roman literature is Greek (and often, too, when it is Roman) the method of writing is translation, trans- formation, and imitation. By the same process that Roman literature grew out of Greek literature, much of Western literature grew out of Latin literature. In fact, ever since the Romantics, we have been extremely reluctant to admit to this influence, to any influence in fact, instead fantasizing about ‘originality’, or what one theorist sees as a longing for a freedom from paternal influence.2 Of course, demanding originality from Roman literature is to apply later esthetics to earlier art, but the anachronism doesn’t usually bother Petronian scholars. Few Roman writers have been more fantasized about in this manner than the elusive author of the Satyrica. We shall see in the central part of this paper that the modern ‘Petronius’ was invented in the late 19th century under ideological pressure. Although we rarely admit to this, we know nothing about ————— 1 I use the term ‘palimpsest’ as a broad term to denote a text derived from a previous text through transformation or imitation. -
An Iliad by Lisa Peterson and Denis O’Hare Based on Homer’S the Iliad, Translated by Robert Fagles
AN ILIAD BY LISA PETERSON AND DENIS O’HARE BASED ON HOMER’S THE ILIAD, TRANSLATED BY ROBERT FAGLES DRAMATISTS PLAY SERVICE INC. AN ILIAD Copyright © 2013, Lisa Peterson and Denis O’Hare All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of AN ILIAD is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Authors’ agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for AN ILIAD are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
SW50: How Do I Add a Title Page to My Word Document?
Working with Long Documents “How do I add a title page to my Word document?” When you preparing to submit a Word document like a dissertation or thesis for assessment, you may need to add a title page or front cover containing summary information. If you have already started writing your document, the easiest way to do this is to press Ctrl + Home to get to the top of the first page, then press Ctrl + Enter to insert a page break. A new, blank page will appear at the start of your document, ready for you to add content. Wait! Before you start… The process for adding a title page is slightly more complex when your document contains page numbers. You will need to decide if you want your title page to have a page number or not. − Note: If you have not done so already, your first step is to add page numbers to your document as described in our guide: “How do I add page numbers in Word?” Option 1 - Yes, I’m happy for my title page to have a page number − If your document contains page numbers, Word will automatically add a number to your new title page. This is because the default setting is for continuous page numbering throughout a document. - - -page break- - - Option 2 - No, I don’t want my title page to have a page number − No problem! By using section breaks, you can delete the page number on your title page (section 1), but leave the rest of your document (section 2 onwards) as it is. -
Formatting Your Senior Project Get Started! • a Formatted Template Has Been Created for Your Convenience
Formatting Your Senior Project Get started! • A formatted template has been created for your convenience. It is optional to use, however it is required to use the title page provided in the template for the signatures of your committee. If your committee consists of more than 3 members, please contact the Honors Program office for further instructions. • You will find the SHP Template on the Senior Honors Project page of the Honors Program website under “Formatting Your Project”. • You can insert your current project document into the formatted template on page 2 where it says “Begin Here”. How to insert your project document To insert your project document into the template, select the Insert tab, click the drop-down arrow of Object in the Text group. Select “Text from File”, locate your document, then select Insert at the bottom right of the dialog box. Overall Formatting Guidelines Margins Spacing • Set all margins to 1 inch (top, bottom, • Set spacing to double space left and right) • Set Header and Footer to .5 inch Turn Widow/Orphan Control On Font • Widow/Orphan control insures that no • Set size at 12 points single line of a paragraph appears alone at either the bottom or top of any page. • Choose Courier New, Times New • In Microsoft Word 2007, go to the Home Roman, Arial, Garamond, or Century tab>click arrow at bottom of Paragraph Schoolbook. group> click Line and Page Breaks tab> check the Widow/Orphan box. Alignment • Align text LEFT only! Arrangement of Parts 1. Title Page (Required) 2. Copyright Page (Optional) 3.