SEQUENCES PODCAST NO32 Translunar
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IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Facharbeit Alexandra Einspanier Kraftwerk
Die Band Kraftwerk – Avantgardisten der elektronischen Musik? Facharbeit im Rahmen des Seminarfaches Verfasserin: Alexandra Einspanier Klasse 11b/SF 4 Gymnasium Haren, Schuljahr 2017/2018 Fachlehrerin: Frau Bülter Abgabedatum: 16.03.2018 Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 3 2. Werdegang der Band .............................................................................................................. 3 2.1 Anfänge, Gründungsmitglieder und weitere Entwicklung der Band ................................... 3 2.2 Wichtigste Alben und Erfolge der Band .............................................................................. 4 3. Anfänge elektronischer Musik und zeitgeschichtliche Hintergründe .................................... 5 3.1 Anfänge elektronischer Musik ............................................................................................. 5 3.2 Zeitgeschichtliche Hintergründe in Deutschland für die Entstehung der Band Kraftwerk . 6 4. Experimente der Band Kraftwerk .......................................................................................... 6 4.1 Eingesetzte Technik ............................................................................................................. 6 4.2 Das Kling Klang Studio ....................................................................................................... 8 4.3 Coverlayouts und Bühnenshows ......................................................................................... -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark Mp3, Flac, Wma
Orchestral Manoeuvres In The Dark Orchestral Manoeuvres In The Dark mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Orchestral Manoeuvres In The Dark Country: UK Released: 1980 Style: Electro, Synth-pop MP3 version RAR size: 1692 mb FLAC version RAR size: 1304 mb WMA version RAR size: 1211 mb Rating: 4.8 Votes: 621 Other Formats: MP2 ASF AUD XM MIDI MOD AA Tracklist Hide Credits 1 Bunker Soldiers 2:54 2 Almost 3:44 Mystereality 3 2:45 Saxophone – Martin Cooper 4 Electricity 3:39 5 The Messerschmitt Twins 5:41 Messages 6 4:12 Guitar – Dave Fairbairn Julia's Song 7 4:41 Guitar – Dave FairbairnLyrics By – Julia KnealePercussion – Malcolm Holmes 8 Red Frame/White Light 3:12 9 Dancing 2:59 10 Pretending To See The Future 3:46 Companies, etc. Phonographic Copyright (p) – Virgin – DICD 2 Copyright (c) – Virgin Records Ltd. Recorded At – The Gramophone Suite Mixed At – The Gramophone Suite Glass Mastered At – DADC Austria Credits Engineer – Paul Collister Photography By [Foto] – Trevor Key Producer – Chester Valentino, Orchestral Manoeuvres In The Dark Voice, Bass, Keyboards, Percussion [Electronic], Drum Programming – Andy McCluskey Voice, Keyboards, Percussion [Electronic & Acoustic], Drum Programming – Paul Humphreys Written-By, Arranged By, Performer – Andy McCluskey, Paul Humphreys Notes Recorded and mixed at The Gramophone Suite, Liverpool. ℗ 1980 Dindisc Ltd./© Virgin Records Ltd. Manufactured in Austria "Mastered by DADC Austria" credit on matrix. Barcode and Other Identifiers Barcode: 0 7777860172 2 SPARS Code: AAD -
Synths Our Fathers | News
Synths our fathers | news http://www.blacklink.me/news/?p=20368&utm_source=rss&utm_med... news home Synths our fathers 19 November 2010 Posted by mr-vip news ostentatiously intellectual and scornful of rock and roll clichés like to get out of OMD and Heaven 17 set short-80s pop – and now they are back in favor. The original ideas men talk to Dorian Lynskey ‘It’s funny how things go, “says Orchestral maneuvers in the Dark Andy McCluskey, suggesting the reunited band of the last successful tour.” You are sitting in a hotel bar? Please be write me € Vision hit for Jedward ‘, reveling in the fact that you go even in the situation and make intellectual pop music, and Louis Walsh comes and says: “One of the McCluskey eyebrows shot north, he enjoys a good anecdote. “This is really happened to me yesterday.” had In 1978, McCluskey and Paul Humphreys his bandmates a vision of the sound of tomorrow and they are not tone-deaf twins from a TV talent show. A touch of this vision is in the pointed title OMD excellent comeback album, given the history of modernism. “When we started we thought naively that one day all music would sound like, and rock ‘n’ roll clichés would be away,” Humphreys says wistfully McCluskey characteristic hyperbolic, explains: “.. The last modernist movement was English electronic pop music in the late 20th Century “ Next year marks the 30th anniversary of synthpop annus mirabilis, the release of Architecture & Morality OMD, Depeche Mode’s Speak & Spell, Soft Cell Non Stop Erotic Cabaret, Japan’s Tin Drum, The Human League’s and dare Heaven 17′s Penthouse and Pavement Hailing from different parts of the saw, the country put the bands so much a scene as a common sensibility. -
Omd English Electric Flac Download
Omd English Electric Flac Download 1 / 4 Omd English Electric Flac Download 2 / 4 3 / 4 Omd messages greatest hits download ... Omd english electric zortam music. ... http //rapidshare.de/files/31582800/omd _ _all_mixed_up__volume_4_.rar.html.. At first listen 'English Electric' feels like 'Dazzle Ships' all over again, ... What makes 'English Electric' such a successful OMD album is that it ... 'The Next Day' was released on April 6th 2013 on CD, vinyl and via download.. Orchestral Manoeuvres In The Dark History Of Modern Rar environment trojanische ..... download lattest version of yahoo messenger. 2013 release, the 12th studio album from the British synthpop act and the second since the reformation of the original band (Andy McCluskey, Paul Humphreys, .... OMD - English Electric - 2013 (Japan Edition) FLAC Tracklist 01. Please Remain Seated 02. Metroland 03. Night Cafe 04. The Future Will Be .... Artist: O.M.D. (Orchestral Manoeuvres In The Dark) Title: English Electric Year Of Release: 2013. Genre: Synth-Pop, Electronic Quality: FLAC .... Music quality: Free mp3 320kbps cbr and Free flac lossless ... This is the follow up to the critically acclaimed ”English Electric” (released in .... ... anyone in the UK that is doing the Metroland EP as a digital download in Flac format (All tracks & the B Side). ... I know that WAV is not FLAC, but it's easy to make one once you have the WAV. .... Return to English Electric.. English Electric | Orchestral Manoeuvres in the dark (OMD) to stream in hi-fi, ... Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.. With 2013's English Electric, Orchestral Manoeuvres in the Dark made .. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The New Wave of Pop and Synth-pop (These are excerpts from my book "A History of Rock and Dance Music") Synth-pop 1979-84 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The melodic song was center stage in popular music for the entire 20th century. Pop was certainly not born with rock music. Pop was born with the record industry at the beginning of the century. Rock'n'roll forced a new form onto the pop song, by limiting the format to guitar, drums, bass and the occasional horns or keyboards. Indirectly, the spartan format of "pop" in "rock" music emphasized the melody itself: the Beach Boys or the Hollies could not rely on the orchestral flourishes of Burt Bacharach. Pop survived the new wave but underwent a radical transformation. On one hand the neurotic/futuristic arrangements that were almost mandated by the new wave ended up complicating what was supposed to be a simple "song". On the other hand, the punk aesthetics of down-to-earth conciseness pulled the song format in the opposite direction, towards a bare and slim melodic line. The net result of this bi-directional pull was to make pop songs much more interesting, to say the least. -
Press Releases OMD Announce Special 40Th Anniversary World
Monday 11th March 2019 OMD Announce Special 40th Anniversary World Tour Orchestral Manoeuvres In The Dark (OMD) continue their 40th anniversary celebrations with the announcement of a special world tour, visiting York Barbican on Sunday 27th October 2019. The world tour starts in October in Portugal, stretching through to February 2020 finishing in Paris, and the band will be joined by both Martin Cooper and Stuart Kershaw. Today’s announcement comes as part of another exciting installment of the band’s 40th anniversary celebrations which first saw the reissue of their first four classic albums on 180g vinyl, mastered at half speed by Miles Showell at Abbey Road and housed in their original iconic die cut sleeves designed by the legendary Peter Saville. “Electronic music is our language,” Andy McCluskey says. “It’s how we talk.” “We’re at our best when we’re in a room together, working,” Paul Humphreys adds. “That’s when the sparks and ideas happen. It’s the same now as it ever was.” The band were formed in 1978 by teenage friends Andy McCluskey and Paul Humphreys. They quickly became electro-pioneers with a string of hit albums released throughout the 1980’s, eventually selling over 25 million singles and 15 million albums across their career to date, establishing them as electronic synthesiser pioneers and one of Britain’s best-loved pop groups. Last year OMD also played two acclaimed concerts at the Liverpool Philharmonic Hall with the Royal Liverpool Philharmonic Orchestra in October. Both shows sold out and featured orchestral arrangements of many of OMD’s biggest hits, with The Times’ four star review describing the arrangements as “working perfectly with the orchestra and demonstrating how uncompromising OMD have been“. -
'Jinx Hits LANUS Week
16 SEP 1980 STU1E1Tw No. 222 Leap Day 1980 Free ExpulsionSTUDENTS for those who can’t pay Forty Overseas students were expelled from the Polytechnic THROWNon Monday, after they had failed to meet the final deadline for OUT the payment of their academic fees. At least sixteen of the students are Iranian, and have been Enquiry refused unable to pay because of the confusion that exists in their country. Since the deposition of the Shah, the status of students already studying in Britain has been in some doubt. There used to be a great variety of sponsorship schemes to enable Iranian students to come to Britain, but since the Islamic revolution the Iranian Government has taken over the financing of these students. They have already agreed to emergency fund of £500 and had finance the majority of the 150 no reserves to call on to help even Iranian students at the Polytechnic, the 16 students who have asked for but a few remain in doubt about help. their future. The Education Department will 90 students were excluded from readmit the students as soon as lectures on 25th January and given they get a written pledge from the until last Monday to pay their fees Iranian Government that the fees or be expelled. Only the sixteen will be paid. So far the Embassy has Iranians have approached the Union not been forthcoming and says only Executive for help and the identity that money is on the way for some Geoff Brighton of the rest is unknown. of the students. Lord Hoyle ‘This is the most Mr. -
Smash Hits Volume 46
s'irS'o 'Bag (hB-b2. Tb vim Album... CARRIER LIMITED EDITION IN SPECIAL B-52'S PLASTIC ISIANP 2 SMASH HITS U^' WEST ONE September 4—17 1980 The Ruts 4 Vol. 2 No. 18 EIGHTH DAY Chewing thoughtfully on a Hazel O'Connor 4 sherbert fountain he surveyed CIRCUS GAMES the desk top. As usual, it looked Skids like a cross between the Greater 5 London Tip and a sleazy canteen. I WANT TO BE STRAIGHT He knew that somewhere under Ian Dury 8 all that lot was an article on Ian Dury and Wilko Johnson; an PARANOID interview with the extremely tall Black Sabbath 14 Grace Jones and a brilliant piece of investigative journalism about UNITED the charts. But where? Lifting up Judas Priest 14 the pile of twenty five Bad Manners albums set aside as BIKO Editor competition prizes he knocked Peter Gabriel 18 over a stack of back numbers of Ian Cranna "World Domination For The Features Editor CANT STOP THE MUSIC Beginner", unintentionally David Hepworth Village People 19 disturbing the office cat which Design Editor had spent the last week MARIE MARIE Steve Bush fashioning a nest out of a set of Shakin' Stevens 24 Nolans singles. It was no good. Production Editor This was a job for a professional, Kasper de Graaf IT'S STILL ROCK AND ROLL TO ME someone used to probing in dark Editorial Assistants Billy Joel 24 corners without scruples. Picking BevHillier SCULPTURES up the phone with a look of Linda Duff GOOD triumph, he lobbed another Contributors Rezillos 29 gobstopper in his mouth and Robin Katz dialled. -
F;E~;M# T,Tf,,~Lijieoto~
~e;f;e~;m# t,tf,,~lIJieoto~ UCLA Volume 5 1989 Editors-in-Chief Wanda Bryant Edith Johnson Editorial Board David Hamish Luis Hernandez-Mergal Meilu Ho John O'Connell Computer Graphics Coordinator Wanda Bryant The Pacific Review of Ethnomusicology is a refereed, annual publication of the UCLA Ethnomusicology Students Association and is funded in part by the UCLA Graduate Student Association. Single issues are available for $6.00 (individuals) or $8.00 (institu tions). Please address correspondence to: Pacific Review of Ethnomusicology Ethnomusicology Program Schoenberg Hall University of California Los Angeles, CA 90024 USA Standing orders and agencies receive a 20% discount. Subscribers residing outside the U.S.A., Canada, and Mexico, please add $2.00 per order. Orders are payable in U.S. dollars. Copyright © 1989 by the Regents of the University of California From the Editors Here we are again. A cooperative effort, the Pacific Review of Ethnomusicology is published more or less annually by an ever modulating group of ethnomusicology students at UCLA. As a graduate journal we are especially committed to publishing the work of fellow graduate students. Over the years, as the editorial board has changed, the journal has also evolved, reflecting the con cerns and expertise of its different editors. In this issue we presented ourselves with the challenge of fully exploiting the capabilities of our desk-top publishing system. All but three of the graphics were created using Macintosh hard ware and a handful of graphics programs. To design musical examples and modify them to reflect the special needs of ethno musicological transcription, we used Deluxe Music Construction Set for building the conventional notation, then transferred the graphics to Superpaint to modify the musical notation and add text, and lastly imported the graphics into the articles themselves, which all resided in Microsoft Word 4.0.