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Smash Hits Volume 52
-WjS\ 35p USA $175 27 November -10 December I98i -HITLYRtCS r OfPER TROUPER TMCOMINgOUT EMBARRASSMENT MOTORHEAD NOT THE 9 O'CLOCK NEWS FRAMED BLONDIE PRINTS to be won 3 (SHU* Nov 27 — Dec 10 1980 Vol.2 No.24 ^gTEW^lSl TO CUT A LONG STORY SHORT Spandau Ballet 3 ELSTREE Buggies .....10 EMBARRASSMENT Madness 10 SUPER TROUPER Abba 11 I'M COMING OUT Diana Ross 17 BOURGIEBOURGIE Gladys Knight & The Pips 17 I LIKE WHAT YOU'RE DOING TO ME Young & Co ...23 WOMEN IN UNIFORM Iron Maiden 26 I COULD BE SO GOOD FOR YOU Dennis Waterman 26 SPENDING THE NIGHT TOGETHER Dr. Hook 32 LONELY TOGETHER Barry Manilow 32 TREASON The Teardrop Explodes 35 DO YOU FEEL MY LOVE Eddy Grant 38 THE CALL UP The Clash 38 LOOKING FOR CLUES Robert Palmer 47 TOYAH: Feature 4/5/6 NOT THE 9 O'CLOCK NEWS: Feature 18/19 UB40: Colour Poster 24/25 MOTORHEAD: Feature 36/37 MADNESS: Colour Poster 48 CARTOON 9 HIGHHORDSE 9 BITZ 12/13/14 INDEPENDENT BITZ 21 DISCO 22 CROSSWORD 27 REVIEWS 28/29 STAR TEASER 30 FACT IS 31 BIRO BUDDIES 40 BLONDIE COMPETITION 41 LETTERS 43/44 BADGE & CALENDAR OFFERS 44 GIGZ 46 Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr Fred DeMar Features Editor David Hepworth Advertisement Manager Mike Stand Rod Sopp JiH Furmanovsky (Tel: 01-4398801) Mark Casto Design Editor Steve Taylor Assistant Steve Bush Mark Ellen Adte Hegarty Production Editor Editorial Consultant Publisher Kasper de Graaf Nick Logan Peter Strong Editorial and Advertising address: Smash Hits. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
May 2019 New Release Book
May 2019 New Release Book . Contact: Clay Pasternack Gary Davis Email: [email protected] Email: [email protected] Phone: 440-333-2208 | Fax: 440-333-2280 Phone: 206-972-7257 | Fax: 425-671-0193 21258 Maplewood Avenue Rocky River, Ohio 44116-1244 WRECKLESS ERIC TRANSIENCE KEY SELLING POINTS: SOUTHERN DOMESTIC Eric Goulden, the man everyone knows as Wreckless Eric, is a rare example of an older and established artist who RECORDS hasn't lapsed into comfortable formulas. Exactly a year after his last album, the well-received Construction Time & Demolition, he's back with a new album, Transience. For every song of Wreckless Eric's you remember from his early days on Stiff Records, he's recorded 10 more that you've probably never heard. The early DIY British indie label may have been his entry-level position into the music business, but Eric Goulden didn't stop making music after the novelty of Stiff Records - and his being known as Wreckless Eric - wore off. Forty years on, Goulden is still making insightful music while the original label is but a footnote in music history. On Transience, Eric is joined by friends including acoustic 12-string guitar player Alexander Turnquist, Cheap Trick bassist, Tom Petersson, Amy Rigby on piano and backing TRACK LISTING vocals, jazz horn player Artie Barbato, and on drums Steve Goulding, late of Graham Parker & the Rumour - the first 1. FATHER TO THE MAN time he and Eric have recorded together since Eric's 2. STRANGE LOCOMOTION enduring hit "Whole Wide World" back in 1976. He wrote the songs on the move, alone in grubby rooms, in 3. -
Elvis Costello and the Attractions by As F Fey Kahn I
PERFORMERS Elvis Costello and the Attractions By Asf fey Kahn I— £ i£ — I 1 And it came to pass that many tribes were spread across the land, divided bp the music they made and the clothes they wore. One danced in tight skins of many colors, one sang of peace and allowed no razor to touch their heads, and one sang o f wrath and shaved their heads and rent their garments. 2 From the East a singer came, whose words were plenty and whose songsfoundfavor from all tribes. But the singer was strange, for his hair was neither long nor shaved and he called himself with a kingly name and he sang of wrath and yet said he was not wrathful N SOME WAYS, 1977 IS ALM OST ANCIENT HISTORY and lush Hollywood soundtracks. His songwriting now, back when a skinny-tied, gap-toothed, revealed a depth and wit and prolificacy unmatched Fender-banging Buddy Holly look-alike from by most popular tunesmiths, let alone his punk- England formed a band, called it the Attrac driven peers; Dylan comparisons were inevitable and tionsI and dared to name himself after the King of earned. Each album defied expectation and defined an Rock & Roll. At first, Elvis Costello ever-widening musical embrace. seemed a part of punk’s spit and Costello was less a product of his audacity, his music spinning time, it turned out, than of his par aggression into slashing riffs with ents’ expansive record collection. lyrics that became slogans of the “My mother says I could work the season. -
).1Ar..R. O UT ETTE
ISSUE 256 A i t u sFEBRUARY 26, 1979 ..).1Ar..R. O UT ETTE ho signed these guys?" into the production of erstwhile That's the time-honored gospel singer Mavis Staples's W response to much of the solo albu m — which brings up a music that comes pouring out of major A&R problem. the vinyl pipelines each month, "If you're doing black music and anyone who's ever received, today and it's not disco," Wexler say, a fresh-pressed Jobriath says, "you've got a hell of a albu m in the mail can surely problem on your hands. I mean, sympathize. so many doors seem to be closing In an effort to throw some light on the artist & repertoire Meaning radio? Exactly: "It's business — that process by almost a cliche. Everything's so which artists are sought out, formularized; there's no more signed, and ultimately marketed inn free-form, there's no place to go, — Walrus conducted a survey of there's no underground. And of key major-label A&R personnel course a very terrible thing to on both coasts. How do they deal with is the virtual Coventry perceive their job? What are that black music has been put their special problems in into by FM radio — by the world, evaluating new talent? What I mean. Sure it's demographics, does the public want? How does and its the advertisers and radio help — or hinder — them? people playing safe. But if this The answers were illu minating, isn't another reversion to racism to say the least. -
Catalogo Enero 2016
Catalogo Enero 2016 [email protected] www.nexusinnspillinger.com www.nexusinnspillinger.bandcamp.com TAPES Abigail (JAP) / Winds of Genocide (ING) - Satanik Apokalyptic Kamikaze Kommandos 'Inverted Inhumation Records' Absurd Conflict (CZE) - 1998 - 2008 10 Years of Depression and Beers 'Rawblackult Productions' Abyss (CAN) - The Reins of Horror 'Dark Descent Records' Affliction Gate (FRA) - Shattered Ante Mortem Illusions / Aeon of Nox (From Darkness Comes Liberation) 'The Way of Force' Aka Manah (GRE) - Stygian Darkness 'De Umbris Productions' Alcoholocaust (POR) - Ensaio Do Diabo 'Luci Dist Productions' Angelcunt (AUS) - Demonic Proclamation 'Funeral Chants Productions' Arkaik Excruciation (ESP) - Among the Vortex of Chaos 'Black Mass Records' Atanab (COL) - Llantos de Sueños 'Independiente' Ataul (PHI) - Demo 2013 'Mandarangan Recordings' Atomic Roar (BRA) - The Warfare Merchants 'Heavy Steel Records' Attacker Bloody Axe (CHL) - Antichristian Metal Axe 'Slava Productions' Aversio Humanitatis (ESP) - Abandonment Ritual 'Egg of Nihilism Productions' Avulsed (ESP) - Ritual Zombi 'Narrowards' Battlestorm (SPG) - Demonic Incursion 'Rawblackult Productions' Bellhharar (BRA) - Abside do Sacrilégio 'Nocturnized Productions' Benzoate (MAL) - Hate The Living, Love the Dead! 'Basement Records' Bestial Hordes (MYS) - Nuclear Metal Lust 'Nexus Innspillinger' Black Angel (PER) / Evil (ESL) - Infernal Rituals 'Suicide Taste Productions / Hexencave Productions' Black Coma (ESP) - My Filthy Ashes 'Equinox Discos' Black Torment (MEX) - -
Read Razorcake Issue #36 As a PDF
So Very Unsexy shove—but any more rules than that, and it’s only a matter of time that I thought of this in Gainesville, Florida at The Fest. I was in your brushstrokes of good intentions have you painted into a corner. ZRQGHU 1R ¿JKWV 1R EXOOVKLW *UHDW SHRSOH *UHDW PXVLF $Q Here’s the connection: Too often, the folks who have the most expertly planned, large event. How’d this happen? “expert without actually doing it” advice are the ones who want more I’m not deaf, but I do admit that ninety-eight percent of the time rules enforced because they don’t feel in control of the situation; ZKHQ,KHDU³+H\GXGH\RXVKRXOGBBBBBBBBB ¿OOLQWKHEODQN hell, they may even have the best of intentions. But, ultimately, they with the zine. That’d totally keep it from suckin’,” I’m no longer want to steer from the back seat—yank the wheel—want to have paying attention. I’m picturing this really cute, fuzzy otter and he’s equal time without equal effort. They have the opportunity to walk ÀRDWLQJRQKLVEDFNWU\LQJWRFUDFNRSHQWKLVFODPZLWKDURFN0DQ away from a car you built if they wreck it. ,ORYHWKDWRWWHUJHWWLQJDOO'DUZLQRQWKHVKHOO¿VKORXQJLQJLQWKH ,¶OOOHW\RXLQRQDFRXSOHRIVHFUHWV 5D]RUFDNH¶VQRWEOLQGO\ ocean, being all cute, calm, and concentrated. And by the time the groping along, bumping into things, and somehow a zine ploops out person’s done telling me what I should do—without them offering of heinies every two months. It’s a lot of very tedious, constant work to take up the task they’re suggesting—that little otter’s opened WKDWLVVRYHU\XQVH[\WKDWLW¶VERULQJWRHYHQEULHÀ\PHQWLRQZKDW up that shell; he smiles as he eats. -
Zine Iss2.Pdf
3 Notes from a deranged mind... Contents Well, here we are once again, a fresh issue to have and to hold. A lot Witchery....................................................................................................................4 has happened since issue one, but I’ll be damned if I can remember what Criminal.....................................................................................................................6 those things were. Well, for one thing, the kind people at various record Grip Inc......................................................................................................................8 companies have kept me in the light with regards to the happenings in the Vader....................................................................................................................... 11 biz, good friends have kept me occupied, and work hasn’t killed me yet. Crucible.................................................................................................................. 14 7KLVLVVXHLVTXLWHDELWODUJHUWKDQWKH¿UVWRQH ZLWKDGHFUHDVHLQWH[W Arch Enemy .......................................................................................................... 17 size, so get your reading glasses!), so hopefully you’ll have more to read Amon Amarth...................................................................................................... 18 XQWLOWKHQH[WLVV$QGVSHDNLQJRIWKHQH[WLVVXH,¶YHDOUHDG\JRWDERXW March Metal Meltdown................................................................................... -
Smash Hits Volume 31
frs^vi Februar SON ALBUMS T , -V- ! W — I'm hypnotised the I He got a bike by m A motorbike — I got the hots for a drive up t. He like the beat — I got the beat I He like the heat — I got the beat He like the beat — I got the motorbike beat I Chorus y My favourite treat on the motorbike seat Is me and Mr CC He gotta drive — When I arrive you can hear the wheels ^ squeal He is alive — I got the feel for some mean steel appeal f P He got the steel — The squeal appeal ^ He got the feel — The steel appeal P He got the steel — I got the motorbike beat ta Repeat chorus \ But shouldn't we slow down, we're heading for >town i:*:i*»i*"**^^'- On the motorbike ^ Right — give it a kick then I drive it away ^ He flash alright — Ride in the night and I sleep in the day He bike away — Take it away 1 He ride away — I gotta say r He gotta say — I got the motorbike beat J Repeat chorus I Overtake all the creeps I When we go down the street r Me and Mr CC I Words and music by Eugene Reynolds/Fay Fife ' Ltd J Reproduced by permission Dinsong U-' MOTORBIKE BEAT Feb 7-Feb 20 1980 Vol 2 No. 3 The Revillos 2 First of all, for all you puzzled Police fans who are wondering LIVING BY NUMBERS where Stewart Copeland and New Musik 4 Andy Summers got to in this THE PLASTIC issue — relax. -
PDF of CD Booklet
FSLN 26 8/21/06 2:30 AM Page 1 20O7 UPDATE Let’s start by listening to two of the most lasting voices to come out of punk. “Sandinista! would have been better as a double album … or a single album … or an EP.” — Joe Strummer “Most benefit albums are crappy, tossed-together, artistic botch-jobs that guilt you into coughing up for causes no one could really disagree with anyway – a feel-good rush of righteous concern that quickly fades to complacency and amnesia.” — Jon Langford FSLN 26 8/21/06 2:30 AM Page 3 There you have it, from two people who, in different ways, are heroes of this record: Strummer for lead- ing the band whose original work December 12, 2005, made this modest tribute possible, was the 25th anniversary Langford for going overboard of the release of Sandini- (recording two tracks, suggest- sta! In early 2003, trying ing other performers, painting the to avoid doing what I cover) in supporting the package was supposed to be doing in your hands. These two geniuses for a living, I spent way are warning against this project. Yet too much time thinking here we are. about doing something to On December 12, 1980, The Clash celebrate the anniversary. released Sandinista!, one of the most A party didn’t seem like ambitious records in the history the right thing. Someone of rock’n’roll. It wasn’t their best suggested I write a book record, their best-selling record, or about it. Only a few thou- even their most enjoyable record, sand words in, it was clear but it is an exciting, sprawling mess that I shouldn’t inflict that that I return to constantly. -
Underground Power List 01-2017.Pdf
Yes - it was a long time, but now we are back. Working on a few things like Valhalla on CD + Tape, new Satan's Fall CD, Divebomb CDs, Doomocracy + Legion part II, Nightcrawler DCD, Hour of 13, Lunar Shadow CD + LP, Striker Vinyl and many more ! Next List will be ready before KIT and KIT will also be our next physical Shop. Our Underground Power Records KIT 2017 - Releases will be Blazon Stone LP + EP, Sage Meridien, Satan's Fall 12" and the fantastic Debut Album from Satan's Hallow on CD + LP. Beware of our forthcoming releases, VÖ: 15.03.2017 - pre-Orders possible (coloured will be soon sold out): Stälker 7" (EX-Razorwyre with Killer Speed Metal - Lim. 100 copies in red marbled + 233 copies in Black Vinyl) – 10 € // 8 € Iron Hunter 7" (Speed Metal from SPA with Per from Portrait on additional Vocals - Lim. 100 copies in blue marbled + 233 copies in Black Vinyl) – 9 € // 7 € OK - but now lets start with the new list: NEW Underground Power Records Releases: CD BEYOND FALLEN - As the Spires fall (NEW*US POWER METAL KILLER*M.CHURCH*HELSTAR) - 13 € Underground Power Records 2017 - Brandnew 5th Album from this US Power Metal institution around the might Voice of Mr. Joe Karavis - powerful screaming better than ever ! Limited Edition of 500 copies ! Awesome Songs with great memorable Hooks and razorsharp Riff shrapnels, pounding Hymns, epic Ballad and Speed Metal Killers mixed to one big great Work ! What the Hell of a Comeback Album ! For Fans of early Iced Earth, Cage, Judas Priest, Metal Church, early Overkill, Vicious Rumors, Helstar 9 from -
Cage the Elephant Set to Release New Album Unpeeled July 28Th Via Rca Records
CAGE THE ELEPHANT SET TO RELEASE NEW ALBUM UNPEELED JULY 28TH VIA RCA RECORDS PREMIERE MUSIC VIDEO FOR “WHOLE WIDE WORLD” ON CONSEQUENCE OF SOUND PERFORMED ON LATE NIGHT WITH SETH MEYERS TELL ME I’M PRETTY WINNER OF 2017 GRAMMY® AWARD FOR “BEST ROCK ALBUM” (New York – June 22, 2017) GRAMMY® Award winners, Cage The Elephant will release UNPEELED worldwide on July 28th via RCA Records. The new album was recorded over a series of intimate shows in cities including Los Angeles, Washington DC, Knoxville, and Nashville where the band performed in a stripped down arrangement with a string quartet and additional percussion. UNPEELED features twenty-one tracks: eighteen curated songs from their past four albums plus three reimagined versions of existing songs. Said front man Matt Shultz about the inspiration behind the album: “Many times you’re adding sonic layers looking for something to hide behind, and what you don’t realize is that that vulnerability and that nakedness might be the most compelling and interesting thing about the song.” Preorder the album here. Today, Cage The Elephant premiere their music video for “Whole Wide World,” featured on UNPEELED on Consequence Of Sound. The song, originally written and performed by Wreckless Eric, was re-imagined and recorded by the band at their sold-out, hometown show at the Ryman Auditorium and you can watch the live video here. Recently, Cage The Elephant appeared on Late Night With Seth Meyers to perform the UNPEELED versions of “Whole Wide World” and “Too Late to Say Goodbye”. Cage The Elephant are currently touring throughout Europe and have Credit: Neil Krug confirmed dates at some of the continent’s largest festivals, including France’s Main Square Festival, Spain’s Mad Cool Festival, and Switzerland’s Openair St.