Assessing the Impact of Movies Upon an Individual's Image Formation Concerning a Given Destination
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
1 Quantitative Approaches to Valuation in the Arts, with an Application to Movies Victor Ginsburgh and Sheila Weyers July 2005 1
Quantitative Approaches to Valuation in the Arts, with an Application to Movies Victor Ginsburgh ECARES, Université Libre de Bruxelles CORE, Université catholique de Louvain and Sheila Weyers Université catholique de Louvain July 2005 Last year I gave several lectures on 'Intelligence and the appreciation of music among animals.' Today I am going to speak about 'Intelligence and the appreciation of music among critics.' The subject is very similar... Eric Satie, quoted by Machlis (1979, p. 124). 1. Introduction The aesthetic evaluation of artworks (paintings, literature, movies, musical compositions or interpreters, etc.) is, and always has been, a very controversial exercise. Philosophers, starting with Plato, are not the only ones who keep arguing about beauty. Mathematicians (including Leibnitz, Euler, Helmholtz, and Weyl), physiologists (Fechner), biologists (Rashevsky, the founder of mathematical biology) or economists (Bentham and others) also tried to contribute to the field, without any obvious pathbreaking or definitive view. We find it convenient to follow Shiner (1996) and distinguish philosophers who suggest that beauty lies in the artwork itself, and those who like Hume (1757, p. 6) believe that "[b]eauty is no quality in things themselves: it exists merely in the mind which contemplates them; and each mind perceives a different beauty." Beauty as an attribute of a work Trying to break an artwork into attributes (also called "properties" by analytic philosophers, and "characteristics" or "qualities" by economists) is as old as Aristoteles, who in his Poetics suggests that an object is defined by the intersection of its essential attributes. Tragedy, for instance consists of six attributes, epic only shares 1 some of these, while comedy consists of the imitation of inferior beings. -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
STORY MAPS: the Films of Christopher Nolan by Daniel P
Excerpt ii STORY MAPS: The Films of Christopher Nolan by Daniel P. Calvisi & William Robert Rich A C T F O U R S C R E E N P L A Y S S C R E E N P L A Y H O W TO iii Copyright © Daniel P. Calvisi and William Robert Rich 2013 Published by Act Four Screenplays and Screenplay How To actfourscreenplays.com | screenplayhowto.com All rights reserved. No part of this book may be reproduced in any form or by any means without permission in writing from the publisher, except for the inclusion of brief quotations in a review. ISBN-10: 0983626650 ISBN-13: 978-0-9836266-5-7 Cover Design: Colin Spain Memento copyright © 2000 Newmarket Films. Batman Begins copyright © 2005 Warner Bros. Pictures. The Prestige copyright © 2006 Touchstone Pictures & Warner Bros. Pictures. The Dark Knight copyright © 2008 Warner Bros. Pictures. Inception copyright © 2010 Warner Bros. Pictures. The Dark Knight Rises copyright © 2012 Warner Bros. Pictures. All DC Comics characters and the distinctive likeness(es) thereof are Trademarks & Copyright © 2013 DC Comics, Inc. ALL RIGHTS RESERVED. iv Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing. -Christopher Nolan v About the Authors Daniel P. Calvisi is a story analyst, screenwriter and the author of Story Maps: How to Write a GREAT Screenplay and Story Maps: Booster Pack #1. He lives in Los Angeles. See ActFourScreenplays.com for more about Story Maps and how you can work with Dan. -
Open Pbaxter Thesis Final110308.Pdf
The Pennsylvania State University The Graduate School College of Communications A COMPARATIVE STUDY OF THE U.S. AND KOREAN FILM INDUSTRIES: HISTORY, STRUCTURE, AND FINANCE A Thesis in Media Studies by Patrick D. Baxter © 2008 Patrick D. Baxter Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2008 This thesis of Patrick D. Baxter was reviewed and approved* by the following: Krishna Jayakar Associate Professor of the Department of Telecommunications Thesis Adviser Amit Schejter Assistant Professor of the Department of Telecommunications C. Michael Elavsky Assistant Professor of the Department of Film-Video and Media Studies John S. Nichols Professor of the Department of Film-Video and Media Studies Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This project is a comparative case-study of the U.S. and Korean (South Korea) film industries along historical, structural, and financial dimensions. The genesis of this thesis came through an overall fascination with the film industry globally as nations compete and cooperate with each other, as well as contend with the dominance of the U.S. film industry. It uses the industrial organization model focusing primarily on "market structure." Further, it applies A.J. Scott’s bipartite (major, independent) and tripartite (major, subsidiary, independent) models of the U.S. film industry. The analysis is mainly descriptive being informed by historical development. To elaborate on market structure, samples of studio/mainstream and independent films were collected in both the U.S. and Korean film industries. The samples were analyzed along production company affiliation, distribution affiliation, sources of funding, and other elements. -
ASL Studies Program Review 2020
ASL Studies Program Review 2020 AMERICAN SIGN LANGUAGE STUDIES 3 PROGRAM PROFILE 3 INTERNSHIP & PLACEMENT 6 FACULTY & RESOURCES 13 ASSESSMENT PLANNING 19 ASSESSMENT DATA 23 CONCLUSIONS AND RECOMMENDATIONS 29 ACADEMIC COUNCIL REVIEW 30 APPENDIX A 35 Program Review 2019-2020 American Sign Language Studies Program Profile History Start with the history of the program at WWU. Discuss relevant trends and issues dealing with the program and the institution. If a program has one or more concentrations, each concentration should be discussed separately. (300 words or less) The ASL Studies program began as part of the ASL-English Interpreting program at the Woods beginning in 1991 as a 2- year degree program. When the university recieved federal funding in 1993 to expand the current program to a 4-year degree in Interpreting (1995) the ASL curriculum was an integral part of that degree. The university also designed an independent Minor in ASL as an additional foreign language option. The curriculum was redeveloped in 2010 under the supervision of Dr. Barbara Garrett and the ASL curriculum was pulled out as its own BA degree separate from the Interpreting Degree. At this time, there were students who desired an ASL degree to pair with Social Work, Psychology, and Equestrian (mostly) as a way to work directly with nonverbal populations. The program continued in this format until 2018, when program faculty proposed that the ASL Studies major be modified back to a minor program only. The program transitioned back to a Minor in the 2019-2020 catalog. Program Mission Provide the mission of the program and describe how the program supports the university mission. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
Answer Explanations: PSAT/NMSQT 2015 Practice Test #1
PSAT/NMSQT® Practice Test #1 Answer Explanations Table of Contents: Reading Test Answer Explanations .............................................................................. 1 Writing and Language Test Answer Explanations .................................................... 29 Math Test – No Calculator Answer Explanations ..................................................... 52 Math Test – Calculator Answer Explanations ........................................................... 66 Answer Key .................................................................................................................. 93 User Notes: Please have a copy of the PSAT/NMSQT Practice Test #1 to reference for the passages and other information that form the basis for the questions in the Evidence-Based Reading and Writing and the Math sections of the Practice Test. You can also refer to the test to see the information given to students about math formulas and how to record the student-produced responses. In this document, we have provided the following for each question: • difficulty level • content description • best or correct answer • answer explanation © 2015 The College Board. PSAT/NMSQT is a registered trademark of the College Board and National Merit Scholarship Corporation. All other products and services may be trademarks of their respective owners. Visit the College Board on the Web: www.collegeboard.org. PSAT/NMSQT Practice Test #1 Reading Test Answer Explanations Reading Test Answer Explanations Question 1 The main purpose of the passage is to (A) describe a main character and a significant change in her life. (B) provide an overview of a family and a nearby neighbor. (C) discuss some regrettable personality flaws in a main character. (D) explain the relationship between a main character and her father. Item Difficulty: Easy Content: Rhetoric / Analyzing purpose Best Answer: A Choice A is the best answer. Emma Woodhouse’s life and family are discussed, including the marriage of her governess Miss Taylor who then moves out of Emma’s home. -
Postclassical Hollywood/Postmodern Subjectivity Representation In
Postclassical Hollywood/Postmodern Subjectivity Representation in Some ‘Indie/Alternative’ Indiewood Films Jessica Murrell Thesis submitted for the Degree of Doctor of Philosophy Discipline of English Faculty of Humanities and Social Sciences University of Adelaide August 2010 Contents Abstract .................................................................................................................. iii Declaration ............................................................................................................. iv Acknowledgements.................................................................................................. v Introduction ........................................................................................................... 1 Chapter 1. Critical Concepts/Critical Contexts: Postmodernism, Hollywood, Indiewood, Subjectivity ........................................................................................12 Defining the Postmodern.....................................................................................13 Postmodernism, Cinema, Hollywood. .................................................................22 Defining Indiewood. ...........................................................................................44 Subjectivity and the Classical Hollywood Cinema...............................................52 Chapter 2. Depthlessness in American Psycho and Being John Malkovich.........61 Depthlessness, Hermeneutics, Subjectivity..........................................................63 -
Global Thriller Film Market Report 2021
+44 20 8123 2220 [email protected] Global Thriller Film Market Report 2021 https://marketpublishers.com/r/G2B23C2AEC95EN.html Date: March 2021 Pages: 124 Price: US$ 2,350.00 (Single User License) ID: G2B23C2AEC95EN Abstracts At the beginning of 2020, COVID-19 disease began to spread around the world, millions of people worldwide were infected with COVID-19 disease, and major countries around the world have implemented foot prohibitions and work stoppage orders. Except for the medical supplies and life support products industries, most industries have been greatly impacted, and Thriller Film industries have also been greatly affected. In the past few years, the Thriller Film market experienced a growth of xx, the global market size of Thriller Film reached xx million $ in 2020, of what is about xx million $ in 2015. From 2015 to 2019, the growth rate of global Thriller Film market size was in the range of xxx%. At the end of 2019, COVID-19 began to erupt in China, Due to the huge decrease of global economy; we forecast the growth rate of global economy will show a decrease of about 4%, due to this reason, Thriller Film market size in 2020 will be xx with a growth rate of xxx%. This is xxx percentage points lower than in previous years. As of the date of the report, there have been more than 20 million confirmed cases of CVOID-19 worldwide, and the epidemic has not been effectively controlled. Therefore, we predict that the global epidemic will be basically controlled by the end of 2020 and the global Thriller Film market size will reach xx million $ in 2025, with a CAGR of xxx% between 2020-2025. -
LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Sustainable Messaging in Film: a Survey of a College Community Chelsea Faught Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 Sustainable Messaging in Film: A Survey of a College Community Chelsea Faught Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Anthropology Commons, Environmental Studies Commons, and the Film and Media Studies Commons Recommended Citation Faught, Chelsea, "Sustainable Messaging in Film: A Survey of a College Community" (2019). Honors College Capstone Experience/ Thesis Projects. Paper 796. https://digitalcommons.wku.edu/stu_hon_theses/796 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SUSTAINABLE MESSAGING IN FILM: A SURVEY OF A COLLEGE COMMUNITY A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky University By Chelsea L. Faught April 2019 ***** CE/T Committee: Professor Ashley Stinnett, Chair Professor Ted Hovet Copyright by Chelsea L. Faught 2019 I dedicate this thesis to the 7.5 billion people out there in the world (myself included). We all have a commitment to leave this world better off than it was for the sake of future generations. Whether it is recycling a piece of paper on the ground or eliminating meat from your diet, or working to create programs and activism efforts, sustainability starts with us. We may feel hopeless at times and not see the impact of our actions, but one small act makes a difference, I promise.