Answer Explanations: PSAT/NMSQT 2015 Practice Test #1
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2017 Global Drug Survey
Prepared by the GDS Core Research Team Dr Adam Winstock, Dr Monica Barratt, Dr Jason Ferris & Dr Larissa Maier Global overview and highlights N > 115,000 Global Drug Survey GDS2017 © Not to be reproduced without authors permission Hi everyone On behalf of the GDS Core Research Team and everyone of our amazing international network partners and supportive media organisations we’d like to share our headline report deck. I know it won’t have everything that everyone wants but we are hopeful it will give people an idea of how the world of drugs is changing and highlight some of the key things that we think people can better engage with to keep themselves and those they care for safe. Once we cleaned the data from 150,000 people we chose to use data from just under 120,000 people this year for these reports. We have data reports addressing 18 different areas for over 25 countries. We can only share a fraction of what we have here on the site. However, we are very open to sharing the other findings we have and would ask researchers and public health groups to contact us so we can discuss funding and collaboration. We have almost completed designing GDS2018 so that we can start piloting early and give countries where we have not yet found friends to reach out to us. We particularly want to hear from people in Japan, Eastern Europe, Africa and the Middle East. Dr Adam R Winstock Founder and CEO Global Drug Survey Consultant Psychiatrist and Addiction Medicine Specialist Global Drug Survey GDS2017 © Not to be reproduced without authors permission We think this will be interesting. -
1 Quantitative Approaches to Valuation in the Arts, with an Application to Movies Victor Ginsburgh and Sheila Weyers July 2005 1
Quantitative Approaches to Valuation in the Arts, with an Application to Movies Victor Ginsburgh ECARES, Université Libre de Bruxelles CORE, Université catholique de Louvain and Sheila Weyers Université catholique de Louvain July 2005 Last year I gave several lectures on 'Intelligence and the appreciation of music among animals.' Today I am going to speak about 'Intelligence and the appreciation of music among critics.' The subject is very similar... Eric Satie, quoted by Machlis (1979, p. 124). 1. Introduction The aesthetic evaluation of artworks (paintings, literature, movies, musical compositions or interpreters, etc.) is, and always has been, a very controversial exercise. Philosophers, starting with Plato, are not the only ones who keep arguing about beauty. Mathematicians (including Leibnitz, Euler, Helmholtz, and Weyl), physiologists (Fechner), biologists (Rashevsky, the founder of mathematical biology) or economists (Bentham and others) also tried to contribute to the field, without any obvious pathbreaking or definitive view. We find it convenient to follow Shiner (1996) and distinguish philosophers who suggest that beauty lies in the artwork itself, and those who like Hume (1757, p. 6) believe that "[b]eauty is no quality in things themselves: it exists merely in the mind which contemplates them; and each mind perceives a different beauty." Beauty as an attribute of a work Trying to break an artwork into attributes (also called "properties" by analytic philosophers, and "characteristics" or "qualities" by economists) is as old as Aristoteles, who in his Poetics suggests that an object is defined by the intersection of its essential attributes. Tragedy, for instance consists of six attributes, epic only shares 1 some of these, while comedy consists of the imitation of inferior beings. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition
Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition Philip A. Gunderson © 2004 Post-Modern Culture 15.1 Review of: Danger Mouse (Brian Burton), The Grey Album, Bootleg Recording 1. Depending on one's perspective, Danger Mouse's (Brian Burton's) Grey Album represents a highpoint or a nadir in the state of the recording arts in 2004. From the perspective of music fans and critics, Burton's creation--a daring "mash-up" of Jay-Z's The Black Album and the Beatles' eponymous 1969 work (popularly known as The White Album)--shows that, despite the continued corporatization of music, the DIY ethos of 1970s punk remains alive and well, manifesting in sampling and low-budget, "bedroom studio" production values. From the perspective of the recording industry, Danger Mouse's album represents the illegal plundering of some of the most valuable property in the history of pop music (the Beatles' sound recordings), the sacrilegious re-mixing of said recordings with a capella tracks of an African American rapper, and the electronic distribution of the entire album to hundreds of thousands of listeners who appear vexingly oblivious to current copyright law. That there would be a schism between the interests of consumers and the recording industry is hardly surprising; tension and antagonism characterize virtually all forms of exchange in capitalist economies. What is perhaps of note is that these tensions have escalated to the point of the abandonment of the exchange relationship itself. Music fans, fed up with the high prices (and outright price-fixing) of commercially available music, have opted to share music files via peer-to-peer file sharing networks, and record labels are attempting in response to coerce music fans back into the exchange relationship. -
Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: Iii
Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Christy Elizabeth Newman This dissertation is submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in Communication Studies at Murdoch University 1997 Repeat-The-Beat: i Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. ____________________ Christy Elizabeth Newman Repeat-The-Beat: ii Copyright License Permission to copy all or part of this thesis for study and research purposes is hereby granted. 1. Signed Christy Elizabeth Newman Date: November 3, 1997 2. Title of Thesis:Repeat-the-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: iii Abstract This thesis examines a particular cultural object: dance music magazines. It explores the co-imbrication of the magazines with dance music and considers how a reconfiguration of the field of genre theory can help to dismantle the generic separations of ‘textual’ and ‘industrial’ approaches to cultural objects. The main argument of the thesis is as follows. The magazine industries produce an object of cultural exchange which is made commercially viable through a narrowing of its target audiences. These audiences arise in the space created by the dance music industries’ negotiation of an imagined contest between 'underground' authenticity and 'mainstream' productivity. In turn, dance music magazines produce a powerfully exclusive space for the communication networks of the dance music genre by capitalising on the desire to stabilise genre and therefore taking up generic instability as a positive youth marketing strategy. -
Megatrends Shaping the Future of Tourism
OECD Tourism Trends and Policies 2018 © OECD 2018 PART I Chapter 2 Megatrends shaping the future of tourism The future of tourism will be impacted by large-scale social, economic, political, environmental and technological changes, bringing new and often unseen challenges, threats and opportunities. These “megatrends” are slow to form, but once they have taken root, exercise a profound and lasting influence on human activities, processes and perceptions, including for tourism. Four megatrends are likely to have significant impacts and relevance for tourism: i) evolving visitor demand; ii) sustainable tourism growth; iii) enabling technologies; and iv) travel mobility. Exploring the multi- dimensional implications of these megatrends to 2040 is important to inform policy and shape the future of tourism. The statistical data for Israel are supplied by and under the responsibility of the relevant Israeli authorities. The use of such data by the OECD is without prejudice to the status of the Golan Heights, East Jerusalem and Israeli settlements in the West Bank under the terms of international law. 61 I.2. MEGATRENDS SHAPING THE FUTURE OF TOURISM The next 50 years will see the centre of gravity of the world economy shift east and south. By 2030, developing countries are expected to contribute two-thirds of global growth and half of global output, and will be the main destinations of world trade. Emerging economies such as China and India are increasingly important markets for firms in many industries. A new middle class is fast emerging that will lead to a rise in consumption of basic consumer products and other product categories. -
Power, Death and the Value of the Body in Late Capitalism: Anohni's
Sedlmayr: Power, Death and the Value of the Body in Late Capitalism 42 Power, Death and the Value of the Body in Late Capitalism: Anohni’s “Drone Bomb Me” GEROLD SEDLMAYR Technische Universität Dortmund, Germany Introduction Hopelessness The lead single of Anohni’s 2016 album , “Drone Bomb Me”, begins with a shocking imperative: the speaker demands that the addressee eliminate her by dropping 1 a bomb on her: “Explode my crystal guts / Lay my purple on the grass”. Surely, her forthright urge to die is eerie, unsettling. What is even more unsettling, though, is the fact that we are not given any explicit reasons which might help explain her motivation. Is she tired of living? If so, then she is willing to break one of the most potent taboos in our societies, namely the one forbidding suicide: suicide as an empty act, an act that is not simply meaningless within the larger order of things, but that in fact seems to threaten that larger order. Or may we categorise her death wish as self-sacrifice, the symbolic giving of life in order to ensure life? The question remains: why does she resist survival? In the following, Anohni’s song, as well as the video which accompanied its release, will be treated as symptomatic of the late-capitalist structure of feeling. Starting from Jean Baudrillard’s idea that power in contemporary consumer societies is based on the deferral of death, I will discuss how the aestheticized representation of postmodern drone warfare in “Drone Bomb Me” refers to, yet also extends, Michel Foucault’s analysis of modern disciplinary societies, particularly by reflecting on the status of the body and the value it can carry in late capitalism. -
ASL Studies Program Review 2020
ASL Studies Program Review 2020 AMERICAN SIGN LANGUAGE STUDIES 3 PROGRAM PROFILE 3 INTERNSHIP & PLACEMENT 6 FACULTY & RESOURCES 13 ASSESSMENT PLANNING 19 ASSESSMENT DATA 23 CONCLUSIONS AND RECOMMENDATIONS 29 ACADEMIC COUNCIL REVIEW 30 APPENDIX A 35 Program Review 2019-2020 American Sign Language Studies Program Profile History Start with the history of the program at WWU. Discuss relevant trends and issues dealing with the program and the institution. If a program has one or more concentrations, each concentration should be discussed separately. (300 words or less) The ASL Studies program began as part of the ASL-English Interpreting program at the Woods beginning in 1991 as a 2- year degree program. When the university recieved federal funding in 1993 to expand the current program to a 4-year degree in Interpreting (1995) the ASL curriculum was an integral part of that degree. The university also designed an independent Minor in ASL as an additional foreign language option. The curriculum was redeveloped in 2010 under the supervision of Dr. Barbara Garrett and the ASL curriculum was pulled out as its own BA degree separate from the Interpreting Degree. At this time, there were students who desired an ASL degree to pair with Social Work, Psychology, and Equestrian (mostly) as a way to work directly with nonverbal populations. The program continued in this format until 2018, when program faculty proposed that the ASL Studies major be modified back to a minor program only. The program transitioned back to a Minor in the 2019-2020 catalog. Program Mission Provide the mission of the program and describe how the program supports the university mission. -
Psaudio Copper
Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs. -
Secure PDF for Review Only
Answer Key Test 1, Reading and Use of English (page 8) 33 B: Greenfield concluded that ‘growing use of screen-based media’ had resulted in ‘new weaknesses in higher-order Part 1: The Mysterious Isle cognitive processes’ and listed several mental processes that have been affected (abstract vocabulary, etc.). 1 C: The other words do not complete the fixed phrase. 34 C: It was expected that the people who did a lot of 2 B: Only this answer creates the correct phrasal verb. multitasking would ‘have gained some mental 3 D: Only this word can be used in the context to mean ‘the advantages’ from their experience of multitasking but exact place’. this was not true. In fact, they ‘weren’t even good at 4 A: The other words cannot be followed with ‘out of’. multitasking’ – contrary to the belief that people who do 5 C: Only this phrase indicates what’s already been a lot of multitasking get good at it. mentioned. 35 C: The writer says that the ‘ill effects’ are permanent and 6 B: Although the meaning of the other words is similar, they the structure of the brain is changed. He quotes someone do not collocate with ‘intact’. who is very worried about this and regards the long-term 7 D: Only this word collocates with ‘permanent’ to describe an effect as ‘deadly’. island. 36 D: The writer uses Ap Dijksterhuis’s research to support his 8 D: Only this answer collocates with ‘opportunity’. point that ‘not all distractions are bad’ – if you are trying to solve a problem, it can be better to stop thinking Part 2: Choosing Binoculars about it for a while than to keep thinking about it all the time. -
6821 Oleander Ave., Fontana, CA 92336
Volume IV Issue III February 2021 https://www.fusd.net/abmiller 6821 Oleander Ave., Fontana, CA 92336 ASB sure pulled a rabbit out of their hat. Just prior to break we were treated to a virtual magic show by world renown magician, Anthony Hernandez. Having performed all over the world, including Los Angeles’ prestige Magic Castle, Hernandez can now check A.B. Miller off his list. Anyone that says Hernandez’ performance was less than stu- pendous, would be lying to you! By Emily Montenegro and Staff It has been almost a year since we were told instructed to pack-up and ensure all our belongings were with us as we were sent home due to the COVID-19. The months that followed proved bleak, and at times, a glimmer of hope would arise only to be phased out by news of cases once again spiking. In August, we were to embark on something many of us never thought would be possible: Distance Learning. Through the trails and tribulations, it has made us think differently, it has made us learn differently, and it has made us create differently. Suddenly, a situation deemed as dire, birthed a newfound freedom in our imaginations. Enter Miller After Hours. Continued on page 3. Abel Tesfaye took center stage when it was announced he would be performing this year’s halftime show during Super Bowl LV. PepsiCo gambled on Tesfaye, known as The Weeknd, as up to this point, he has been delving deeper and deeper into troubled waters with the media. Never one to let things happen as he watches by the wayside, Tesfaye has spoke out opening and critical of the very industry that pays his bills. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.