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COLLEEN KELSALL Get in touch · Laura Reeve [email protected] 020 7632 5292 Costume Design · The Beast Must Die Dir. Dome Karukoski for New Regency & Scott Free The Watch Dir. Craig Viveiros for BBC Studios & Narratavia Tolkien Dir. Dome Karukoski for Fox Searchlight Slaughterhouse Rulez Dir. Crispian Mills for Sony Pictures Crooked House Dir. Gilles Paquet-Brenner for Brilliant Films Stanley a Man of Variety Dir. Stephen Cookson for CK Films Doctor Thorne Dir. Niall McCormick for Hat Trick Productions Bridge of Spies Dir. Steven Spielberg for Dreamworks (Costume Consultant) Spooks: The Greater Good Dir. Bharat Nalluri for Kudos Film & Television The Riders Dir. Fabian Wullnwebber for Trinity Films One Chance Dir. David Frankel for Weinstein Company Pain and Gain Dir. Michael Bay for Paramount (co-credit: Debra Scott) Horrid Henry Dir. Nick Moore for Vertigo Films The Rich Man’s Wife Dir. Amy Holden Jones for Caravan Last Dance Dir. Bruce Beresford for Disney The Bridges of Madison County Dir. Clint Eastwood for Malpaso Productions Silent Fall Dir. Bruce Beresford for Margan Creek Rich In Love Dir. Bruce Beresford for Zanuck Getting Up and Going Home Dir. Steven Schachter for Hearst Entertainment Sudie and Simpson Dir. Joan Tewksbury for TNT Associate & Assistant Costume Design · John Carter Of Mars Dir. Andrew Stanton, Costume Designer: Mayes Rubeo Nine Dir. Rob Marshall, Costume Designer: Colleen Atwood Wolfman Dir. Joe Johnson, Costume Designer: Milena Canonero Sweeney Todd Dir. Tim Burton, Costume Designer: Colleen Atwood Mission Impossible III Dir. J. J. Abrams, Costume Designer: Colleen Atwood Memoirs of a Geisha Dir. Rob Marshall, Costume Designer: Colleen Atwood King Arthur Dir. Antoine Fuqua, Costume Designer: Penny Rose Sea Biscuit Dir. Gary Ross, Costume Designer: Judianna Makovsky Harry Potter and the Sorcerers Stone Dir. Christopher Columbus, Costume Designer: Judianna Makovsky Love Affair Dir. Warren Beatty, Costume Designer: Milena Canonero Rush Director: Lili Fini Zanuck, Costume Designer: Colleen Atwood Edward Scissorhands Dir. Tim Burton, Costume Designer: Colleen Atwood Lost Angels Dir. Hugh Hudson, Costume Designer: Judianna Makovsky Big Dir. Penny Marshall, Costume Designer: Judianna Makovsky Tucker: The Man and His Dream Dir. Francis Coppola, Costume Designer: Milena Canonero Commercials · Calvin Klein Dir. David Lynch British Airways Dir. Hugh Hudson Miller Lite Dir. Jonathan Taylor Wrigley’s Gum Dir. Michael Seresin Coca Cola Dir. David Ashwell Oil of Ulay Dir. Jonathan Taylor Dreyers Ice Cream Dir. Joe Pytka Nike Dir. David Ashwell Photography Stylist · Herb Ritts Philip Dixon.

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Invented Worlds
THE WIZARD OF OZ 1939, Victor Fleming Invented Worlds > This beloved classic hails from the peak of Hollywood’s Golden Age, 1939, and By Steve Chagollan was directed by the no-nonsense Victor Fleming—who also helmed Gone With the Wind, released that same year. The film’s blend of realism and fantasy is still OLLYWOOD HAS OFTEN been referred to as a fantasy striking to this day, especially the transition from Dorothy’s sepia-toned Kansas to the factory—a place where both reality and make-believe Technicolor brilliance of Oz. Sixty-five sets were constructed over six sound stages are plumbed from the vast recesses of the filmmakers’ at MGM for the effort, and the quest for perfection was so arduous it took the art imaginations. But when directors delve into literal fantasy department a week to settle on the proper and futurism, that imagination is allowed to run truly wild. shade of yellow for the Yellow Brick Road. Fleming told the film’s producer, Mervyn There have been countless milestones over the years that LeRoy, that he wanted to make “a picture that searched for beauty and decency and point to the medium’s ability to transport us to worlds that love in the world.” H only exist in the movies; here are a few choice examples. 68 DGA QUARTERLY PHOTOS: (ABOVE) AMPAS; (RIGHT) PHOTOFEST DGA QUARTERLY 69 BLADE RUNNER (1982), Ridley Scott > It’s hard to believe we’ve caught up with the time frame, 2019, in which Ridley Scott transformed Los Angeles into what he termed a near-future, “mul- tinational megalopolis,” where a rogue group of synthetic humans, known as replicants, are tracked down by a world-weary cop played by Harrison FORBIDDEN Ford.
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