Marin Alsop and the Bso Celebrate One of Music's Greatest Icons Bso and Bma Join Forces
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JANUARY–FEBRUARY 2018 MARIN ALSOP AND BSO AND BMA THE BSO CELEBRATE JOIN FORCES FOR ONE OF MUSIC’S “IMPRESSIONIST GREATEST ICONS MASTERWORKS” ENJOY MORE. WORRY LESS. ENJOYENJOY MORE.MORE. WORRYWORRY LESS.LESS. Out OutOut enjoying enjoyingenjoying the BSO thethe BSOBSO (I’ll be Bach!) (I’ll(I’ll bebe Bach!)Bach!) If you have not visited Vantage House lately, you may be pleasantly surprised. We are a full-service Life Plan Community, for people 60 yearsIfIf youyou of age havehave and notnot older visitedvisited offering VantageVantage a maintenance-free HouseHouse lately,lately, youyou lifestyle maymay bebe with pleasantlypleasantly the surprised.surprised. 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(410)992-1241 (410)992-1241(410)992-1241 JANUARY/ CONTENTS FEBRUARY 2018 2 From the President 4 In Tempo: News of Note 6 BSO Live: Calendar of Events 7 Orchestra Roster 8 100 Years of Bernstein Marin Alsop and the BSO celebrate the legacy of one of music’s greatest icons 10 Mozart’s Jupiter JAN 5 –7 16 Concerto Fantasy for Two Timpanists JAN 11 & 14 Off The Cuff: Impressionist Masterworks JAN 12 & 13 22 Tchaikovsky Piano Concerto No. 1 JAN 19 –21 26 Diva to Diva: From Ella to Adele JAN 25 –28 28 Stephen Hough Performs Mendelssohn FEB 1–3 31 Pictures at an Exhibition FEB 16–18 COURTESY THE LEONARD BERNSTEIN OFFICE 8 35 Rite of Spring FEB 22 & 25 Off The Cuff: Rite of Spring FEB 23 & 24 39 Honor Roll 47 Board of Directors & Staff 48 Impromptu: Qing Li, Violin 4 5 ▼ ON THE COVER Marin Alsop and Leonard Bernstein at the Tanglewood Music Center in 1989 Be Green: Recycle Your Program! Please return your gently used program to the Overture racks in the lobby. Want to keep reading at home? Please do! Just remember to recycle it when you’re through. Connect With Us t JAN–FEB 2018 / OVERTURE 1 FROM THE PRESIDENT elcome to this concert by the Baltimore Symphony Orchestra. With your at- tendance and support, our Worchestra will enrich the lives of more than 350,000 people through our concerts and educational programs this year. This season, we celebrate the legacy of Leonard Bernstein as we commemorate the 100th anniversary of his birth in 2018. Featured on the cover of Overture is a wonderful photo of Music Director Marin Alsop and Leonard Bernstein, and you will enjoy the special article in this edition as we look forward to “To Bernstein with Love” and this centennial celebration. The leadership and vision of our community QUIRIN JOHNNY have fostered our orchestra that today is a premier cultural asset of our city and the State of Maryland, recognized as one of the world’s most important orchestras. The BSO is entering its second century while achieving extraordinary artistic excellence. As the new year begins, we are delighted to again feature some of our exceptional musicians as soloists with the orchestra. The BSO’s numerous collaborations help to increase our collective impact and provide more value to our community. We invite you to read about our work with the Baltimore Museum of Art on the “Impressionist Masterworks” program, along with a collaboration with the Library of Congress to develop lobby displays highlighting our rich history. We will share more about some of our other many education and other collaborations in the months ahead. This season will continue to be filled with superb performances by our great orchestra, and we look forward to an outstanding 2018–2019 season. If you are FRI, MAR 2 | 8 PM MEYERHOFF not currently a subscriber, we invite you to learn more about the numerous SAT, MAR 3 | 3 PM STRATHMORE benefits, including discounted pricing, priority seating and service, ticket exchange | MEYERHOFF SUN, MAR 4 3 PM privileges and other opportunities. Relive the magic of your favorite We appreciate your faithful attendance at our concerts, and we also hope you will wizard in Harry Potter and the consider making a financial contribution to support the BSO, its programs and Prisoner of Azkaban™ in Concert. Based on the third installment of the numerous people in our city and region who benefit from our educational J.K. Rowling's classic saga, the and community-outreach initiatives. On behalf of our Board of Directors, thrilling tale comes to life as the musicians and staff, thank you for joining us for this performance. BSO performs the score live while Harry soars across the big screen. HARRY POTTER characters, names and related indicia are © & ™ Warner Bros. Entertainment Inc. J.K. ROWLING`S WIZARDING WORLD™ J.K. Rowling and Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s17) Peter T. Kjome TICKETS FROM $45 President and CEO BSOMUSIC.ORG Baltimore Symphony Orchestra 1.877.BSO.1444 2 OVERTURE / BSOmusic.org We can’t tell you who. But we can help you with just about everything else. All the inspiration you need for your big day. On newsstands throughout the region or purchase online: baltimorebridemagazine.com MICHAEL & CARINA PHOTOPGRAPHY & MICHAEL BALTIMORE SYMPHONY ORCHESTRA inTEMPONEWS OF NOTE BSO interview GET TO KNOW: WORDSMITH amille Saint-Saëns’ Carnival of the Animals is famous for its beautiful solo cello movement, “The Swan,” and its appearances in pop-culture favorites like Fantasia 2000. This CJanuary and February, the BSO collaborates with Baltimore-based hip-hop artist, Wordsmith, who gives a fresh take on the timeless classic with his original narration. While classical repertoire is a relatively recent addition to Wordsmith’s vast entertainment portfolio, music has been a driving force in his life for many years. “I was always an avid music collector, saving my lunch money to buy new tapes weekly. And yeah, I said ‘tapes,’” he laughs. “Coming from an urban/hip-hop background, classical music hasn’t been prevalent in my life, so this is truly a special experience.” American poet Ogden Nash was the first to compose verses for Carnival back in 1949. These served as the starting point for Wordsmith when he set out to tackle his own interpretation. “My goal from there was to create an original narrative that included hip-hop elements, like varying cadences, syllable smashing and poetical flows while remaining clever, funny and metaphoric throughout the movements,” says Wordsmith. “The last step for me was making sure my words could be expressed through action as well; I like to entertain on stage, so I plan to add some nice movements to drive home the narrative even more.” So what can the audience expect from the finished product? “Beautiful music, comedic undertones, witty wordplay and a new experience we can all be proud of!” 4 WORK OF ART BSO and BMA join forces TEMPO for “Impressionist Masterworks” rtistic periods come and go over time, as do the characteristics that define them. Large movements A like Classicism or Romanticism can shape the trajectory of artwork for decades or even centuries, but the ways in which the various elements of those styles manifest in different mediums isn’t always consistent. Central to the BSO’s current season is the examination of how music interacts with and is affected by other artistic disciplines like literature, visual art and dance. As part of this project, the BSO partnered closely with the Baltimore Museum of Art to develop January’s “Impressionist Masterworks” concerts, part of the Off The Cuff series. In these performances, Music Director Marin Alsop and the BSO explore the influence that visual art had on Debussy and Ravel. They consider how elements of Impressionistic Bedford, is an innovative thinker Marin Alsop examines a painting like brush stroke and color translated to music like Marin, so we expect additional painting by Monet with through choices in orchestration and articulation. projects in the future.” the BMA's Senior Curator “We are very fortunate to have in Marin Alsop a Music The Off The Cuff concerts will of European Painting and Sculpture, Katy Rothkopf. Director who values partnerships and collaborations with include projected images of artwork other Baltimore arts institutions,” says BSO VP & General from the BMA’s collection specially selected by Alsop and the Manager Tonya McBride Robles. “The BMA’s Director, Chris Senior Curator of European Painting and Sculpture. TREASURE TROVE Library of Congress lends artifacts PETER KJOME JOINS BOARD OF CLEVELAND for illuminating displays INSTITUTE OF MUSIC n another exciting collaboration this season, t its annual meeting last fall, the the BSO is working with the Library of Cleveland Institute of Music I Congress in Washington, D.C.