THEATRE, DRAMA, HUMOR, AND COMEDY:

by Don L. F. Nilsen English Department Arizona State University Tempe, AZ 85287-0302 ( [email protected] )

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THEATRE, DRAMA, HUMOR, AND COMEDY, PAGE 1 Charney, Maurice. Comic Premises of the Twelfth Night. New York, NY: New York Literary Forum, 1978. Clark, John R., and Anna Lydia Motto. "Gasps, Guffaws, and Tears: A Modest Defense of Sentimentality, Bathos, and Melodrama." Thalia 1.1 (1978): 61-70. Cobin, Martin. Humorous Dramatic Interpretation. Chicago, IL: National Textbook Company, 1985. Cohn, Ruby. "A Comic Complex and a Compex Comic." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 427-440. Corrigan, Robert W. "Aristophanic Comedy: The Conscience of a Conservative." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 353-362. Corrigan, Robert W., ed. Comedy: A Critical Anthology. Boston, MA: Houghton Mifflin, 1978. Corrigan, Robert W., "Comedy and the Comic Spirit." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 1-12. Corrigan, Robert W. ed. Comedy: Meaning and Form. San Francisco, CA: Chandler, 1965. Cox, Roger L. "The Invented Self: An Essay on Comedy." Soundings 57 (1974): 139-156. Cox, Roger L. "The Structure of Comedy." Thought 50 (1975): 67-83. Crockett, Bryan. The Play of Paradox: Stage and Sermon in Renaissance England. Philadelphia, PA: University of Pennsylvania Press, 1995. Davis, Jessica Milner. Farce. London, England: Transaction Publishers, 2003; reviewed by Mary Ann Rishel in HUMOR 18.4 (2005): 419-422. Davis, Jessica Milner. Farce. New York, NY: Methuen, 1978. Davis, Jessica Milner. "Order and Disorder in Farce." "Stylistyka Dziś/Style and Humor" a special issue of Stylistyka 10 (2001): 327-350. Dixon, Michael Bigelow, and Michele Volansky, eds. A Decade of New Comedy Plays from the Humana Festival. Westport, CT: Greenwood Press, 1999. Dobree, Bonamy. "Comedy." Eight Great Comedies Ed. Sylvan Barnet, et. al. New York, NY: Mentor, 1958, 453-456. Duprey, Richard. "Whatever Happened to Comedy?" Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 243-250. Dutton, Kenneth R. "Farce/Farts: Divergent Styles of Comedy in Medieval France." "Stylistyka Dziś/Style and Humor" a special issue of Stylistyka 10 (2001): 351-362. Epskamp, Kees P. "The Political Exploitation of the Clown Figure in Traditional and Popular Theatre in Asia." HUMOR: International Journal of Humor Research 6.3 (1993): 271-284. Filler, Witold. Theatr Syrena: Gwiazdy, Premiery, Kulisy. Bialystok, Poland: Wydawnictwo Rewers. 1991. Fisher, James. "An Author in Search of Characters: Pirandello and Commedia dell'arte." Modern Drama. 35 (1992): 495-510. Fisher, James. "Harlequinade: Commedia dell'Arte on the Early Twentieth-Century British Stage." Theatre Journal 41 (1989): 30-44. Fry, Christopher. Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 15-17. Fry, Christopher. "Comedy." Tulane Drama Review. 4.3. Frye, Northrop. "The Argument of Comedy." English Institute Essays New York: Columbia University, 1949, 58-73. Frye, Northrop. "The Mythos of Spring: Comedy." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 141-162. Frye, Northrop. "The Structure of Comedy." Eight Great Comedies Ed. Sylvan Barnet, et. al. New York, NY: Mentor, 1958, 461-470. Fulchignoni, Enrico. "Oriental Influences on the Commedia Dell'Arte." Asian Theatre Journal. 7 (1990): 29-41. Gale, Steven H. “Arthur Kopit.” International Directory of the Theatre. Ed. Mark Hawkins. London, England: St. James Press, 1992, 554-555. Gale, Steven H., ed. Critical Essays on Harold Pinter. Boston, MA: G. K. Hall, 1990.

THEATRE, DRAMA, HUMOR, AND COMEDY, PAGE 2 Galligan, Edward L. The Comic Vision in Literature. Athens, GA: University of Georgia Press, 1984. Girard, René. "Perilous Balance: A Comic Hypothesis." Modern Language Notes 87 (1972): 811-826. Gordon, Mel. Lazzi: The Comic Routines of Commedia dell'arte. New York, NY: Performing Arts, 1983. Grawe, Paul H. Comedy in Space, Time, and the Imagination. Chicago, IL: Nelson-Hall, 1983. Green, Stanley. Encyclopedia of the Musical Theatre. New York, NY: Da Capo Press, 1976. Haiman, J. "Sarcasm as Theater." Cognitive Linguistics 1.2 (1990): 181-205. Hamilton, Edith. "Comedy." Theatre Arts Monthly 11 (1927): 503-512. Hazlitt, William. English Comic Writers London, England: E. P. Dutton, 1910. Heilman, Robert. The Ways of the World: Comedy and Society. Seattle, WA: University of Washington Press, 1978. Hirst, David L. Comedy of Manners London, England: Methuen, 1979. Hogan, Robert. Comedy from Shakespeare to Sheridan. New York, NY: Associated University Press, 1986. Huckabay, Keith. "Black Humor and Theatre of the Absurd: Ontological Insecurity Confronted." Black Humor: Critical Essays. Ed. Alan Pratt, CT: Garland, 1993, 323-340. Home, William Douglas. "The Playwright's Job Is to Write a Good Play, Not a Socially Responsible One." Thalia: Studies in Literary Humor 7.2 (1984): 12-16. Horton, Andrew. Comedy/Cinema/Theory. Berkeley, CA: University of California Press, 1991. Horton, Andrew. Laughing Out Loud: Writing the Comedy Centered Screenplay. Berkeley, CA: University of California Press, 1999. Hunter, Robert Grams. Shakespeare and the Comedy of Forgiveness. New York, NY: Columbia University Press, 1981. Hyers, Conrad. The Spirituality of Comedy: Comic Heroism in a Tragic World. New Brunswick, NJ: Transaction, 1996. Jacobus, Lee A. The Bedford Introduction to Drama 3rd edition. New York, NY: St. Martin's Press, 1997. Jekels, Ludwig. "On the Psychology of Comedy." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 263-269. Kallen, Horace M. Liberty, Laughter and Tears: Reflections on the Comedy and Tragedy to Human Freedom. Chicago, IL: Northern Illinois Press, 1968. Katrizky, M. A. "How Did the Commedia dell'arte cross the Alps to Bavaria?" Theatre Research International 16 (1991): 201-214. Kerr, Walter. Tragedy and Comedy. New York, NY: Simon and Schuster, 1967. Klaus, Carl H., Miriam Gilbert, and Bradford S. Field Jr. Stages of Drama: Classical to Contemporary Theater. 3rd edition. New York, NY: Wiley, 1995. Knights, L. C. "Notes on Comedy." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 181-191. Knights, L. C. "Restoration Comedy: The Reality and the Myth." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 397-414. Koch, Philip. “French Drama in the Seventeenth Century.” Comedy: A Geographic and Historical Guide Ed. Maurice Charney. Westport, CT: Praeger/Greenwood Press, 2005, 331-349. Koestler, Arthur. "Comedy." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 214-216. Kreider, Paul V. Elizabethan Comic Character Conventions. New York, NY: Octagon Books, 1975. Kundera, Milan. "Comedy is Everywhere." They Shoot Writers Don't They? Boston, MA: Faber and Faber, 1984. LaBelle, Maurice Marc. Alfred Jarry, Nihilism and the Theatre of the Absurd. New York, NY: New York University Press, 1980. Lahr, John. Astonish Me: Adventures in Contemporary Theater. New York, NY: Viking Press, 1973. Langer, Susanne. "The Comic Rhythm." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 119-140.

THEATRE, DRAMA, HUMOR, AND COMEDY, PAGE 3 Lanson, Gustave. "Molière and Farce." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 378-396. Larkin, Asadullah. "Definition of the Comedy of Manners." Unpublished Dissertation. Philadelphia, PA: University of Pennsylvania, 1980. Leggatt, Alexander. Shakespeare's Comedy of Love. New York, NY: Harper and Row, 1992. Lehmann, Benjamin. "Comedy and Laughter." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 163-178. Levin, Richard A. Love and Sociiety in Shakespearean Comedy. Newark, DE: University of Delaware Press, 1989. Lewis, Anthony J. The Love Story in Shakespearean Comedy Louisville, KY: University Press of Kentucky, 1992. Londré, Felicia H. "Using Comic Devices to Answer the Ultimate Question." Comparative Drama 14.4 (1980): 346-354. Loy, P., and J. Brown. "Red Hot Mamas, Sex Kittens, and Sweet Young Things--Role Engulfment in the Lives of Musical Comedy Performers." International Journal of Women's Studies 5.4 (1982): 338-347. McCann, Sean. The Wit of Oscar Wilde. Dublin, Ireland: O'Brien Press, Ltd, 1969. Maguire, Roberta. "The Fragile Muse: Learning Basic Human Skills through Improvisation." In Context 13 (Spring, 1986): 24-25. Mahood, Molly M. Shakespeare's Wordplay. London, England: Methuen, 1957. Mandia, Patricia M. Comedic Pathos. New York, NY: McFarland, 1991. Martin, William F. The Indissoluble Knot: King Lear as Ironic Drama. Lanham, MD: Univ Press of America, 1984. Meredith, George. "From: An Essay on Comedy." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 466-470. Meyerhold, Vsevolod. "Farce." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 304-316. Michaels, I. Lloyd. "A Particular Kind of Joking: Burlesque Vaudeville in the Novels of Carson McCullers." Studies in American Humor 1.3 (January, 1975): 149-160. Molière, Jean Paquelin. "Preface to Tartuffe." Comedy: Meaning and Form. Ed. Robert W. Corrigan, San Francisco, CA: Chandler, 1965, 443-447. Mordden, Ethan. Better Foot Forward: The History of American Musical Theatre. New York, NY: Grossman Publishers, 1976. Morreall, John. Comedy, Tragedy, and Religion. Albany, NY: State University of New York Press, 1999. Müller, Klaus. "Theatrical Moments: On Contextualizing Funny and Dramatic Moods in the Course of Telling a Story in Conversation. in The Contextualization of Language. Eds. Peter Auer, and Aldo di Luzio. Philadelphia, PA: John Benjamins, 1992, 199-223. Nelson, T. G. A.. Comedy: The Theory of Comedy in Literature, Drama, and Cinema. Oxford, England: Oxford University Press, 1990. Nilsen, Alleen Pace, and Don L. F. Nilsen. “Drama,” “Puppets and Puppeteers.” Encyclopedia of 20th Century American Humor. Westport, CT: Greenwood Press, 2000, 106-111, 239-243. Nilsen, Don L. F. "Humor in Theatre and Drama." Humor Scholarship: A Research Bibliography. Westport, CT: Greenwood, 1993, 254-257. Nilsen, Alleen Pace, and Kenneth L. Donelson. "Poetry, Drama, and Humor: Of Lines and Laughs." Literature for Today's Young Adults. 2nd edition. Glenview, IL: Scott, Foresman, 1985. 307-368. Norrick, Neal, and William Baker. “Metalingual Humor in Pinter’s Early Plays.” English Studies 76.3 (1995): 253-263. O’Connor, Jacqueline. “The `Neurotic Giggle’: Humor in the Plays of Tennessee Williams.” Studies in American Humor NS 3.6 (1999): 37-48. Onoda, Natsu. "Drag Prince in Spotlight: Theatrical Cross-Dressing in Osamu Tezuka's Early Shojo Manga."

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