DOCSLIB.ORG

Cat on a Hot Tin Roof: York Notes Advanced Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cat on a Hot Tin Roof: York Notes Advanced Pdf, Epub, Ebook CAT ON A HOT TIN ROOF: YORK NOTES ADVANCED PDF, EPUB, EBOOK Tennessee Williams,Steve Roberts | 128 pages | 26 Nov 2007 | Pearson Education Limited | 9781405861816 | English | Harlow, United Kingdom Cat on a Hot Tin Roof: York Notes Advanced PDF Book As the play begins, it is all slipping through her fingers -- the sexual electricity with Brick, the chance of motherhood, the inheritance -- thanks to dark events that have driven Brick into an alcoholic retreat. A failure reaches fewer people, and touches fewer, than does a play that succeeds. Bethesda and Chevy Chase by Steve Roberts really liked it 4. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Melissa Holden rated it really liked it Jun 07, Affectionately dubbed by Maggie as an old-fashioned "Mississippi redneck," Daddy is a large, brash, and vulgar plantation millionaire who believes he has returned from the grave. I have seen the version of the movie, but I was not expecting this. More Details The King of Jersey by Steve Roberts 0. Suellen Cordovil da Silva rated it really liked it Oct 09, Stone Moise and the World of Reason Big Mama Brick's mother. More to the point, why don't the servants shut any of the windows? News Archive. Photo: Joan Marcus. The Hays Code limited Brick's portrayal of sexual desire for Skipper, and diminished the original play's critique of homophobia and sexism. Maggie fears that Brick's malaise will ensure that Gooper and his wife Mae inherit Big Daddy's estate. Characters Character List. Pulitzer Prize for Drama. There are no discussion topics on this book yet. Will Harper rated it it was amazing Jul 24, With the exception of Brick, the entire family lies to Big Daddy and Big Mama about his terminal cancer. Louie Chapman rated it really liked it May 15, Steve Roberts. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars. A Theatre Project Book. Though his coming death has been quickly repressed, in some sense Daddy has confronted its possibility. Van der Kolk Paperback, 4. Thanks for telling us about the problem. Neil Austin 's lighting, which moves from sultry afternoon sun to searing sunset to chilling moonlight, is rather striking. This phrase is the last line of the play as originally written by Williams and again in the version. Best Play. Opposite him, Benjamin Walker 's Brick, terrorized by his father's love and the honesty it demands, suddenly leaps to life; he makes Brick's anguished recollection of the final encounter with Skipper, which bared the truth about their relationship, into an animal cry of pain. Jane Forster ,. Big Daddy Brick's father. Outstanding Actress in a Play. Best Scenic Design. Views Read Edit View history. This is the third revival of Tennessee Williams ' drama since ; on average, that's one production every three years. This adaptation, directed by Jack Hofsiss , revived the sexual innuendos which had been muted in the film. Gooper A successful corporate lawyer. They appear here as grotesque, demonic "no- necked monsters" who intermittently interrupt the action on-stage. At the urging of Elia Kazan , the play's director for its premiere, Williams revised the third act and that revision was performed. The essential study guide to George Eliot's influential novel for A Level students and undergraduates. To ask other readers questions about Cat on a Hot Tin Roof , please sign up. Mae appears primarily responsible for the burlesques of familial love and devotion that she and the children stage before the grandparents. This website uses Cookies We use cookies to ensure you get the best experience on our website. Throughout, the play's bruising conflicts aren't framed to their best advantage; instead, they're sometimes lost in a barrage of fussy details. Cat on a Hot Tin Roof: York Notes Advanced Writer Ashley was nominated for a Tony Award. Want to Read saving…. Welcome back. Show more Show less. Read an in-depth analysis of Big Mama. Best Play. Elizabeth Taylor and Paul Newman both received Oscar nominations for their performances. See all 5 - All listings for this product. All Stations. Next section Maggie. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. Characters Character List. We use cookies to ensure you get the best experience on our website. Thomas rated it liked it Jun 02, The play was adapted as a motion picture of the same name in , starring Elizabeth Taylor and Paul Newman as Maggie and Brick, with Burl Ives and Madeleine Sherwood recreating their stage roles. You know the saying: There's no time like the present This adaptation, directed by Jack Hofsiss , revived the sexual innuendos which had been muted in the film. Brick uses the word to express his disgust with the "lies and liars" he sees around him, and with complicated rules of social conduct in Southern society and culture. Rita rated it really liked it Jul 18, Books by Steve Roberts. Showing Set in the "plantation home in the Mississippi Delta " [3] of Big Daddy Pollitt, a wealthy cotton tycoon, the play examines the relationships among members of Big Daddy's family, primarily between his son Brick and Maggie the "Cat", Brick's wife. Lewis Cox rated it really liked it Jan 15, Read an in-depth analysis of Big Daddy. Furthermore, Big Daddy lies to his wife, and Gooper and Mae exhibit avaricious motives in their attempt to secure Big Daddy's estate. Mae A mean, agitated "monster of fertility" who schemes with her husband Gooper to secure Big Daddy's estate. Drama , Southern Gothic. Themes Symbols Key Facts. Suellen Cordovil da Silva rated it really liked it Oct 09, Cat on a Hot Tin Roof: York Notes Advanced Reviews With the exception of Brick, the entire family lies to Big Daddy and Big Mama about his terminal cancer. Lee Brockington. Williams made substantial excisions and alterations to the play for a revival in In , an all-black production directed by Debbie Allen opened on Broadway. In that case, we can't The Roman Spring of Mrs. Wikimedia Commons Wikiquote. In Masks Outrageous and Austere Terms and Conditions. Format: BOOK. Best Performance by a Leading Actress in a Play. Lisa Pettit Illustrator. At the urging of Elia Kazan , the play's director for its premiere, Williams revised the third act and that revision was performed. Do they want the house to blow down? Outstanding Revival. A tactless, opportunistic, and hypocritical guest at Big Daddy's birthday party. Mae A mean, agitated "monster of fertility" who schemes with her husband Gooper to secure Big Daddy's estate. Big Mama Brick's mother. Note Williams's references to "Negro voices. The Children Mae and Gooper's children. Opposite him, Benjamin Walker 's Brick, terrorized by his father's love and the honesty it demands, suddenly leaps to life; he makes Brick's anguished recollection of the final encounter with Skipper, which bared the truth about their relationship, into an animal cry of pain. Under Mae's direction, they offer up a burlesque image of familial love and devotion. Outstanding Set Design. Namespaces Article Talk. Set in the "plantation home in the Mississippi Delta " [3] of Big Daddy Pollitt, a wealthy cotton tycoon, the play examines the relationships among members of Big Daddy's family, primarily between his son Brick and Maggie the "Cat", Brick's wife. Nov 14, Emma added it. News Archive. Maggie, determined and beautiful, has escaped a childhood of poverty to marry into the wealthy Pollitts, but finds herself unfulfilled. Like a Tree Planted by Steve Roberts 3. More filters. Best Director. A revival in featured Kathleen Turner , who was nominated for a Tony for her performance as Maggie, though New York magazine called her "hopelessly lost Drama [note 1]. More News. There's nothing wrong with film and television stars trying their luck in the theatre -- Johansson was excellent a few seasons back in A View from the Bridge -- if they can do the job. Buy It Now. Go home! Refresh and try again. A Passage to India: Advanced E. He delivers Daddy's diagnosis to Big Mama and leaves her with a prescription of morphine. The family is aware that Brick has not slept with Maggie for a long time, which has strained their marriage. Help Learn to edit Community portal Recent changes Upload file. Last 7 Days. Reverend Tooker A tactless, opportunistic, and hypocritical guest at Big Daddy's birthday party. Jane Forster ,. Want to Read Currently Reading Read. The number one guide to this selection of work from the Metaphysical Poets provoking novel for A Level students and undergraduates. Save on Non-Fiction Books Trending price is based on prices over last 90 days. Malon Hood rated it it was amazing Oct 24, Cat on a Hot Tin Roof: York Notes Advanced Read Online See all 4 brand new listings. The play's cat. This production was a box office hit, with season extended to the Theatre Royal Sydney. The Children Mae and Gooper's children. Get A Copy. Stone Moise and the World of Reason Maggie, Brick, Mae, Gooper, and Doc Baugh the family's physician decide to tell Big Mama the truth about his illness, and she is devastated by the news. Go home! No trivia or quizzes yet.
Load more

Recommended publications
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • A Level Drama and Theatre Studies
    A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.
    [Show full text]
  • Newsletter 09/13 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne.
    [Show full text]
  • Transatlantica, 1 | 2011, « Senses of the South / Référendums Populaires » [En Ligne], Mis En Ligne Le 20 Décembre 2011, Consulté Le 29 Avril 2021
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2011 Senses of the South / Référendums populaires Édition électronique URL : http://journals.openedition.org/transatlantica/5221 DOI : 10.4000/transatlantica.5221 ISSN : 1765-2766 Éditeur AFEA Référence électronique Transatlantica, 1 | 2011, « Senses of the South / Référendums populaires » [En ligne], mis en ligne le 20 décembre 2011, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/5221 ; DOI : https://doi.org/10.4000/transatlantica.5221 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Senses of the South Dossier dirigé par Géraldine Chouard et Jacques Pothier Senses of the South Géraldine Chouard et Jacques Pothier The Gastrodynamics of Edna Pontellier’s liberation. Urszula Niewiadomska-Flis “Key to the highway”: blues records and the great migration Louis Mazzari Eudora Welty: Sensing the Particular, Revealing the Universal in Her Southern World Pearl McHaney Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen Taïna Tuhkunen “Magic Portraits Drawn by the Sun”: New Orleans, Yellow Fever, and the sense(s) of death in Josh Russell’s Yellow Jack Owen Robinson Imagining Jefferson and Hemings in Paris Suzanne W. Jones Référendums populaires Dossier dirigé par Donna Kesselman Direct Democracy
    [Show full text]
  • Actors' Equity Association
    SEPTEMBER “The greater the artist, 2012 the greater the doubt. Perfect confidence is granted Volume 97 to the less talented as a Number 7 consolation prize.” EQUITYNEWS —Robert Hughes A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices First Membership Meeting of the Tom Carpenter is New 2012-2013 Season will be held on Eastern Regional Director/ Monday, October 8, 2012 – Central Region (6 pm) Monday, October 8, 2012 – Western Region (6:30 pm) Assistant Executive Director Friday, October 12, 2012 – Eastern Region (2 pm) homas Carpenter has Tom also has a strong The Central Regional Meeting will convene on been hired as Eastern background in copyright law, Monday, October 8, 2012 at 6 pm in the Regional and as live performance Member Center at the Equity Building, T Director/Assistant Executive increasingly intersects with 557 West Randolph, Chicago, IL Director and General Counsel. recorded media, his expertise The agenda will include: Tom joined the Equity staff in will be instrumental as Equity ● Report of the Central Regional Director. late August, quickly immersing develops new strategies to ● Report of the Central Regional Vice President. himself in the day-to-day protect the intellectual property ● Membership Discussion Period in accordance with the By-Laws. operations of the Eastern rights of its members. His years The Western Regional Meeting will convene on Region. of experience in the government Monday, October 8, 2012 at 6:30 pm at “I have tremendous respect affairs arena will be valuable as Theatre West, 3333 Cahuenga Blvd.
    [Show full text]
  • Informer-October-2018-Web.Pdf
    Montreal West Viewspaper September-October 2018, Vol. 46, No. 7 Former Olympian joins CRA’s judo program! Marie-Hélène Chisholm, former other than Nicolas Gill, a two-time Olympian and current manager of high Canadian Olympic medallist in judo. performance judo athletes at Judo “Marie-Hélène is a great addition to Canada will be co-coaching our judo our program”, says Steve. “Not only program this fall. She joins black belt will our judokas benefit from her years coach Steve Morissette, who initiated of elite experience, but with two of us, the popular program four years ago. we’ll be able to help students – includ- Marie-Hélène and Steve met in 1993 ing older ones – progress more quickly when they competed at the Quebec while still learning in an environment Judo games together! that focuses on enjoying the sport. We Marie-Hélène was born in Port- will also now offer interested students Cartier, but moved to Montreal at 15 to the opportunity to compete in the re- pursue her Olympic dream. That dream gion.” came true in 2004 when she went to Registration for the CRA judo pro- Athens and finished an impressive gram is now open at: amilia.com. The fourth. After injuring her knee in 2008, classes will be held at Elizabeth Bal- she began coaching the national lantyne School on Wednesdays, Sep- women’s team at the 2012 Olympics. tember 26-April 10. Marie-Hélène now lives in NDG and Ages 5-7: 6-6:45 pm has two children. Her spouse is none Ages 8-16: 7-8 pm Raffaelle Di Stasio: The Town’s Director General by Maurice Krystal She kept apologizing for her poor English language skills, but Raffaelle Di Stasio is much more fluent than she thinks.
    [Show full text]
  • Cat on a Hot Tin Roof (1958)
    Cat on a Hot Tin Roof Movie Info This dynamic and commanding adaptation of (1958) Tennessee Williams' Pulitzer Prize-winning play focuses on a troubled Southern family and the TOMATOMETER discord over their dying father's millions. Wealthy All Critics plantation owner Big Daddy Pollitt (Burl Ives), celebrating his 65th birthday, is visited by his sons, Brick (Paul Newman) and Gooper (Jack Carson). He 97 has cancer, but a doctor has deliberately and falsely Average Rating: 7.7/10 Reviews Counted: declared it in remission. Seemingly perfect son 32 Fresh: 31 | Rotten: 1 Gooper and his wife, Mae (Madeleine Sherwood), have several children and are anxiously expecting to Top Critics inherit Daddy's millions. By contrast, Big Daddy's "favorite," Brick, is a has-been football star who's taken to drinking his days away since the suicide of 100 his "best friend" a year earlier. He resents his wife, Average Rating: 7.6/10 Critic Reviews: Maggie (Elizabeth Taylor), because he believes that 5 Fresh: 5 | Rotten: 0 she had an affair with his deceased friend. As a result, he refuses to sleep with her, although she No consensus yet. remains devoted to him. Since Brick and Maggie have failed to produce any grandchildren, Big Daddy AUDIENCE is inclined to leave his estate to Gooper, but Maggie attempts to prevent that by telling him that she is pregnant. Big Daddy knows better, yet he recognizes 90 that Maggie loves Brick so much that she would be liked it Average Rating: 4/5 User Ratings: willing to do anything for him.
    [Show full text]
  • MARTIN BECK THEATER, 302-314 West 45Th Street, Manhattan
    Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1315 MARTIN BECK THEATER, 302-314 West 45th Street, Manhattan. Built 1923-24; architect, G. Albert Lansburgh. Landmark Site: Borough of Manhattan Tax Map Block 1035, Lot 37. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Martin Beck Theater and the proposed designation of the related Landmark Site (Item No. 11). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Martin Beck Theater survives today as one of the historic theaters that symbo 1 ize American theater for both New York and the nation. It was bui 1 t in 1923-24 by Martin Beck, a West Coast producer who had formerly been president of the Orpheum Circuit. After building the Palace, the legendary New York vaudeville showcase, and being forced out of its management, Beck determined to build another New York theater for himself, and spent the rest of his life running it. Wanting to build as extraordinary a theater as possible, Beck brought archi teet G. Albert Lansburgh to New York from his native San Franc is co, where Lansburgh had been the Orpheum Circuit's chief architect.
    [Show full text]
  • Bleasco Theater
    Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1317 BELASCO THEATER, 111-121 West 44th Street, Manhattan. Built 1906-1907; architect George Keister. Landmark Site: Borough of Manhattan Tax Map Block 997, Lot 23. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Belasco Theater and the proposed designation of the related Landmark Site (Item No. 13). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indica ted that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Belasco Theater (originally Belasco's Stuyvesant) was built in 1906-07 as the ideal playhouse of David Belasco. Actor, dramatist, manager and director , he was one of the most important personalities in the history of American stage. Belasco was a pioneer in the development of the American 1 itt le theater movement where dramatic experience depended on close contact between actors and audience. He conceived of his house as a "living room" and consciously attempted its domestication with a facade in the neo-Georgian style. Home of all Belasco's theatrical operations (and after 1909 his personal home as well), it was executed by some of the finest talents of the day.
    [Show full text]
  • Patrick Brafford
    PATRICK BRAFFORD 10735 57th St. North, Pinellas Park, FL 33782 727-483-8884 / [email protected] SUMMARY Graduated Missouri State University; Southern Illinois University High School teacher – 4 years – Theatre/English – Highland, IL New York City Production Stage Manager for Rip Torn and Geraldine Page at Sanctuary Theatre. Production Stage Manager - Ensemble Theatre Collaborated with Charles Busch – 4 shows; 2 at Charles Ludlum’s Ridiculous Theatre and the others at cabarets in Greenwich Village. Business Partner - Madeleine Sherwood – created 3L Theatre (Long Live Live). Taught acting classes and developed and directed plays. Madeleine performed in a number of them. We performed workshops in New York, Montreal, Washington, D.C., New Orleans and Los Angeles. Private Coach - Universal Pictures. Member of the Playwright’s/Director’s Unit – Elia Kazan Professional Observer – Actor’s Studio – Ellen Burstyn. Directed a number of plays at the studio and had readings of his plays done there. The Real Stage – John Strasburg –Folded 3L Theatre into The Real Stage. Associate Director and instructor. The Mirror Theatre – John Strasburg, Sabre Jones (his wife) and Geraldine Page created. He was asked to be the Administrator and Program Director for the Frontier Program (new plays). He was also the Casting Director for two productions and directed two plays at The Mirror Theatre. Directed, worked and/or taught a number of successful actors including: Kim Hunter, Madeleine Sherwood, Geraldine Page, Rip Torn, Grayson Hall, James Spader, Charles Busch, Carlin Glynn, Betty Buckley, Shelley Winters, Jack Betts, Genie Francis, Robert Fitch, Sheila MacRay, Christopher Hewett, Tony Weaver, Robert Aberdeen, Stephen Hamilton, Anne Miyamoto, Vincent Irizarry, Paloma Lorena, Adolph Caesar, Sam McMurray, Gina Belafonte, Saundra Santiago, Julian Reyes.
    [Show full text]
  • Muriel Gold : Huit Ans De Passion Au Saidye Pierre Audet
    Document generated on 09/28/2021 12:38 p.m. Jeu Revue de théâtre Muriel Gold : huit ans de passion au Saidye Pierre Audet Le théâtre et les adolescents Number 128 (3), 2008 URI: https://id.erudit.org/iderudit/23776ac See table of contents Publisher(s) Cahiers de théâtre Jeu inc. ISSN 0382-0335 (print) 1923-2578 (digital) Explore this journal Cite this article Audet, P. (2008). Muriel Gold : huit ans de passion au Saidye. Jeu, (128), 171–176. Tous droits réservés © Cahiers de théâtre Jeu inc., 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ tt Muriel Gold. Photo: coll. Muriel Gold. PIERRE AUDET Muriel Gold : huit ans de passion au Saidye D'après des témoignages recueillis auprès de Muriel Gold, Oanièle Suissa, André Brassard et Michel Garneau. nee you get a hang of it, you'll be cracker jack at it1. » Cet encouragement de la «o doyenne du théâtre yidddish Dora Wasserman résonnait encore dans la tête de la toute nouvelle directrice artistique Muriel Gold lorsqu'elle entra, incrédule, dans ses bureaux du Saidye Bronfman Center Theatre. C'était un matin de septembre 1972. Les téléphones étaient hors d'usage.
    [Show full text]
  • Allan Gaudette Westminster Express
    Montreal West Viewspaper November 2016, Vol. 44, No. 8 Allan Gaudette Westminster Express being Italian, as that cuisine demands sim- plicity and fresh, high quality ingredients. WHERE HAVE ALL THE The family has moved back and forth, SOLDIERS GONE? over the years, between his hometown of Calgary, Montreal, and a short stint in Van- Peter, Paul and Mary had us all couver. The moves were primarily to ac- singing this song in the 60s. commodate Gloria’s profession as a clothing designer. Allan found work at these Where have all the soldiers gone, varied locations as an elementary school long time passing? teacher and also working with his wife buy- Where have all the soldiers gone, ing and selling European textiles. It was on long time ago? these buying trips that he honed his cooking Where have all the soldiers gone? skills. His only other venture into food Gone to graveyards, everyone. preparation was in 1978 when he worked Oh, when will they ever learn? together with a friend in Calgary operating Oh, when will they ever learn? a quiche and salad bar in a food court. On the menu... Montreal West had many young Photo: Maurice Krystal soldiers go to war – almost all who re- turned have now died and it is up to The menu is small, with five salads, US to carry on the tradition of remem- three pasta dishes and a special salad that bering those who died during the wars will rotate. Prices range, based on size, from and to stand together to say we pro- by Maurice Krystal $4 to $12.
    [Show full text]