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ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Help Build an Olympian This Holiday Season 2015 Has Been Declared the “Year of Sport” in Canada
A NEWSLETTER FOR OUR DONORS | ISSUE 5 | DEC. 2014 TORONTO 2015 PAN AM GAMES APPROACH + CANADA WINTER COMPETITION GAMES + HEAD TO PRINCE GEORGE DAILY TRAINING COACHING + + + EQUIPMENT SPORT SCIENCE NUTRITION HELP BUILD AN OLYMPIAN THIS hoLIDAY SEASON 2015 has been declared the “Year of Sport” in Canada. This declaration by the Right Honourable David Johnston, Governor General of Canada, celebrates the important role of sport in our Canadian identity. It is an apt title, as in 2015 Canada hosts both the Canada Winter Games and the Pan Am Games. While both events will see amazing competition from incredible Canadian athletes, the two events are very different. The Canada Winter Games are hosted on the west coast in beautiful Prince George, British Columbia, and will see fierce competition among Canada’s finest young winter sport athletes, who are the next generation of Olympians. By contrast, the Pan Am Games will Winston Chow/COC be hosted in multiple locations in and around Toronto, Ontario, featuring Canada’s world-class athletes competing in summer sports. FROM OUR Your donations are vital to both of these initiatives, as the Canadian Olympic Foundation grants funds to both the Canadian EXECUTIVE Team at the Pan Am Games, and the Canada Games. In this edition of Strive, we feature articles about the impact of the DIRECTOR Canada Games on Canadian athletes, and offer a sneak peek into the preparations for the Pan Am Games. We want to share with you the impact that your gift has on our athletes, coaches, officials and, indeed, all Canadians. Please enjoy this edition of Strive. -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination. -
Newsletter 09/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne. -
Transatlantica, 1 | 2011, « Senses of the South / Référendums Populaires » [En Ligne], Mis En Ligne Le 20 Décembre 2011, Consulté Le 29 Avril 2021
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2011 Senses of the South / Référendums populaires Édition électronique URL : http://journals.openedition.org/transatlantica/5221 DOI : 10.4000/transatlantica.5221 ISSN : 1765-2766 Éditeur AFEA Référence électronique Transatlantica, 1 | 2011, « Senses of the South / Référendums populaires » [En ligne], mis en ligne le 20 décembre 2011, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/5221 ; DOI : https://doi.org/10.4000/transatlantica.5221 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Senses of the South Dossier dirigé par Géraldine Chouard et Jacques Pothier Senses of the South Géraldine Chouard et Jacques Pothier The Gastrodynamics of Edna Pontellier’s liberation. Urszula Niewiadomska-Flis “Key to the highway”: blues records and the great migration Louis Mazzari Eudora Welty: Sensing the Particular, Revealing the Universal in Her Southern World Pearl McHaney Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen Taïna Tuhkunen “Magic Portraits Drawn by the Sun”: New Orleans, Yellow Fever, and the sense(s) of death in Josh Russell’s Yellow Jack Owen Robinson Imagining Jefferson and Hemings in Paris Suzanne W. Jones Référendums populaires Dossier dirigé par Donna Kesselman Direct Democracy -
Canadian Broadcast Standards Council Quebec Regional Panel
CANADIAN BROADCAST STANDARDS COUNCIL QUEBEC REGIONAL PANEL TQS re Le Grand Journal (Michel Villeneuve Commentary) (CBSC Decision 03/04-1949) Decided February 10, 2005 G. Bachand (Chair), T. Rajan (Vice-Chair), B. Kemeny, R. Cohen (ad hoc), G. Moisan, M.-A. Murat THE FACTS On July 20, 2004, during its broadcast (at 10:30 pm) of the news program Le Grand Journal, Télévision Quatre Saisons (TQS) sports commentator Michel Villeneuve discussed recent reaction to the choice of Quebec judo athlete Nicholas Gill as Canada’s flag-bearer at the upcoming Olympic Games in Athens. At that time, Villeneuve referred to the words of Toronto Sun columnist Steve Simmons, who had objected to the choice of Mr. Gill, arguing that the athlete’s preference for Quebec sovereignty in the 1995 Quebec referendum rendered him unqualified to carry the Canadian flag. Villeneuve commented that, “[translation] for Simmons, a redneck in the same league as Don Cherry, a separatist doesn’t have the right to carry the Canadian flag.” That same evening, a TQS viewer sent an e-mail to the CRTC, which forwarded it to the CBSC in due course. In his e-mail, the viewer expressed the following concern with the evening’s Grand Journal broadcast (the full text of the complaint and all other correspondence, in the original French, appears in the Appendix): [Translation] The sports commentator made racist and biased comments while discussing, among other things, a Toronto Sun journalist, calling the latter a “redneck” and ending his comments with the following words (and I quote): “that’s a kick in the teeth, isn’t it? Considering the precedent that you established with radio station CHOI-FM, I ask that you order that this station simply be shut down. -
National Team Handbook 2019 - 2020
NATIONAL TEAM HANDBOOK 2019 - 2020 Judo Canada 4141 Pierre-de-Coubertin Montréal, Qc H1V 3N7 Telephone: 514.255.5836 E-mail: [email protected] October 1st, 2019 TABLE of CONTENTS Contact Persons 3 Introduction 4 NT Policy 1: Authority of the High Performance Committee 5 NT Policy 2: Definition of a “Win” 5 NT Policy 3: Classification of International Events (Grid) 6 NT Policy 4: Classification of Domestic Events 7 NT Policy 5: Determination of National Team Standards 7 NT Policy 6: Determination of National Team Points 8 NT Policy 7: National Team Point Ranking 9 NT Policy 8: Minimum Performance Standards 9 NT Policy 9: Participation and Funding in International Events 10 NT Policy 10: Selection Notice 13 NT Policy 11: Failure to make weight 13 NT Policy 12: Exemption Request Procedure 13 NT Policy 13: Fight-Off Procedure 14 NT Policy 14: Elite nationals Selection Policy 15 NT Policy 15: Team Selection Policies 16 15.1- 2020 Senior Pan-Am Championships 16 15.2- 2020 Tokyo Olympics 17 NT Policy 16: Athlete Assistance Program (AAP) 20 NT Policy 17: Carding Contract 27 Schedule A: Canadian Anti-Doping Policy 32 NT Policy 18: Grants Recommendations 33 NT Policy 19: Election of the Athletes’ Representative 33 NT Policy 20: Performances Bonus 35 NT Policy 21: Travel Expenses Reimbursement 35 NT Policy 22: Uniform 36 NT Policy 23: Athlete Sponsorship 36 NT Policy 24: Athletes code of Conduct 36 Other Documents 37 Canadian Anti-Doping Policy Coaching Code of Ethics Appeals policy Discipline Procedures Judo Canada Harassment and Discrimination -
Actors' Equity Association
SEPTEMBER “The greater the artist, 2012 the greater the doubt. Perfect confidence is granted Volume 97 to the less talented as a Number 7 consolation prize.” EQUITYNEWS —Robert Hughes A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices First Membership Meeting of the Tom Carpenter is New 2012-2013 Season will be held on Eastern Regional Director/ Monday, October 8, 2012 – Central Region (6 pm) Monday, October 8, 2012 – Western Region (6:30 pm) Assistant Executive Director Friday, October 12, 2012 – Eastern Region (2 pm) homas Carpenter has Tom also has a strong The Central Regional Meeting will convene on been hired as Eastern background in copyright law, Monday, October 8, 2012 at 6 pm in the Regional and as live performance Member Center at the Equity Building, T Director/Assistant Executive increasingly intersects with 557 West Randolph, Chicago, IL Director and General Counsel. recorded media, his expertise The agenda will include: Tom joined the Equity staff in will be instrumental as Equity ● Report of the Central Regional Director. late August, quickly immersing develops new strategies to ● Report of the Central Regional Vice President. himself in the day-to-day protect the intellectual property ● Membership Discussion Period in accordance with the By-Laws. operations of the Eastern rights of its members. His years The Western Regional Meeting will convene on Region. of experience in the government Monday, October 8, 2012 at 6:30 pm at “I have tremendous respect affairs arena will be valuable as Theatre West, 3333 Cahuenga Blvd. -
Cat on a Hot Tin Roof (1958)
Cat on a Hot Tin Roof Movie Info This dynamic and commanding adaptation of (1958) Tennessee Williams' Pulitzer Prize-winning play focuses on a troubled Southern family and the TOMATOMETER discord over their dying father's millions. Wealthy All Critics plantation owner Big Daddy Pollitt (Burl Ives), celebrating his 65th birthday, is visited by his sons, Brick (Paul Newman) and Gooper (Jack Carson). He 97 has cancer, but a doctor has deliberately and falsely Average Rating: 7.7/10 Reviews Counted: declared it in remission. Seemingly perfect son 32 Fresh: 31 | Rotten: 1 Gooper and his wife, Mae (Madeleine Sherwood), have several children and are anxiously expecting to Top Critics inherit Daddy's millions. By contrast, Big Daddy's "favorite," Brick, is a has-been football star who's taken to drinking his days away since the suicide of 100 his "best friend" a year earlier. He resents his wife, Average Rating: 7.6/10 Critic Reviews: Maggie (Elizabeth Taylor), because he believes that 5 Fresh: 5 | Rotten: 0 she had an affair with his deceased friend. As a result, he refuses to sleep with her, although she No consensus yet. remains devoted to him. Since Brick and Maggie have failed to produce any grandchildren, Big Daddy AUDIENCE is inclined to leave his estate to Gooper, but Maggie attempts to prevent that by telling him that she is pregnant. Big Daddy knows better, yet he recognizes 90 that Maggie loves Brick so much that she would be liked it Average Rating: 4/5 User Ratings: willing to do anything for him. -
MARTIN BECK THEATER, 302-314 West 45Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1315 MARTIN BECK THEATER, 302-314 West 45th Street, Manhattan. Built 1923-24; architect, G. Albert Lansburgh. Landmark Site: Borough of Manhattan Tax Map Block 1035, Lot 37. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Martin Beck Theater and the proposed designation of the related Landmark Site (Item No. 11). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Martin Beck Theater survives today as one of the historic theaters that symbo 1 ize American theater for both New York and the nation. It was bui 1 t in 1923-24 by Martin Beck, a West Coast producer who had formerly been president of the Orpheum Circuit. After building the Palace, the legendary New York vaudeville showcase, and being forced out of its management, Beck determined to build another New York theater for himself, and spent the rest of his life running it. Wanting to build as extraordinary a theater as possible, Beck brought archi teet G. Albert Lansburgh to New York from his native San Franc is co, where Lansburgh had been the Orpheum Circuit's chief architect. -
Bleasco Theater
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1317 BELASCO THEATER, 111-121 West 44th Street, Manhattan. Built 1906-1907; architect George Keister. Landmark Site: Borough of Manhattan Tax Map Block 997, Lot 23. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Belasco Theater and the proposed designation of the related Landmark Site (Item No. 13). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indica ted that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Belasco Theater (originally Belasco's Stuyvesant) was built in 1906-07 as the ideal playhouse of David Belasco. Actor, dramatist, manager and director , he was one of the most important personalities in the history of American stage. Belasco was a pioneer in the development of the American 1 itt le theater movement where dramatic experience depended on close contact between actors and audience. He conceived of his house as a "living room" and consciously attempted its domestication with a facade in the neo-Georgian style. Home of all Belasco's theatrical operations (and after 1909 his personal home as well), it was executed by some of the finest talents of the day. -
Nanka Skills Clinic-1
2019 Nanka Skills Clinic – Nicolas Gill Sponsored by USJF / Nanka Development USJF Sanction # 19-07-08 What Is It? Nicolas Gill (Head Coach, Canadian National Judo Team) will teach his skills and impart knowledge to advance the participant to the next level of judo and beyond. All judokas please join us for a great camp to prepare for competition and build other judo skills as well. When and Where Is It? Saturday, July 20, 2019 and Sunday, July 21, 2019 Ages 7 to 12 10 am to 12 pm Ages 13 and up 2pm to 4pm Open Forum Q & A 4pm to 5pm Location: San Fernando Valley Judo Club 12953 Branford Street San Fernando, CA 91331 Who Can Attend? • Judokas 7 yrs. old and above • ORANGE BELT MINIMUM • All others must be approved by the Camp Coordinator and/or Development Chairman • Current USJF (Nanka), USJA, and/or USA Judo members. (Must present current card at registration) How Much Is It? $75 per participant, BOTH days Please make checks payable to NANKA NOTE: Each session will have an enrollment limit of 75 judokas. SEND COMPLETED FORMS AND PAYMENT by July 13, 2019 to: Jason Uno 341 W. Almora Street Monterey Park, CA 91754 1 Who Is Teaching? Nicolas Gill – Shichidan (7th Degree Black Belt) Two Olympic medals, three World Championship medals – Nicolas Gill’s list of achievements speaks for itself. The most prolific judoka in Canadian judo history, Nicolas competed in four Olympic Games and was the flag bearer for the Canadian delegation at the opening ceremony of the Athens Games, in 2004.