10 Things I Hate About You 12 Monkeys 13 Going on 30 15
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
CINDERELLA MAN 1. When and Where Does the Movie Start
CINDERELLA MAN 1. When and where does the movie start? Describe America at this time. 2. Who is the main character in this movie? Describe his life at this time. Why does his wife not attend his fights? 3. The movie then jumps forward to what time period? When did the crash take place? Describe Braddock’s living conditions now. 4. Where does he go in the morning? What is the headline in the newspaper for that day? 5. Why does Braddock’s son steal meat from the butcher? How does Braddock handle the situation? 6. What problem does Braddock’s trainer discover before his fight? What happened to his boxing career? What happened during his fight with Feldman, and what resulted from this performance? 7. What is his family’s current financial status? What does he say to his wife about their situation? How does she respond? 8. People at this time refer to the shacks that people are living in around the park as what? 9. What does Braddock think is going to happen with the economy? Describe Mike Wilson’s perspective on the current administration. 10. What bill is Braddock not able to pay? How does Braddock respond to his wife’s prayer? 11. Describe what the family witnesses while they are collecting wood. Why does Mae go outside when she sees her sick child? 12. How does Braddock respond to his wife sending the kids elsewhere so they can stay warm? Where does he end up going? 13. What does Mike Wilson say about Braddock at the birthday party? 14. -
12 Monkeys Episode Guide Episodes 001–036
12 Monkeys Episode Guide Episodes 001–036 Last episode aired Sunday May 21, 2017 www.syfy.com c c 2017 www.tv.com c 2017 www.syfy.com c 2017 www.imdb.com c 2017 www.nerdist.com c 2017 www.ew.com The summaries and recaps of all the 12 Monkeys episodes were downloaded from http://www.tv.com and http: //www.syfy.com and http://www.imdb.com and http://www.nerdist.com and http://www.ew.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Splinter . .3 2 Mentally Divergent . .5 3 Cassandra Complex . .7 4 Atari...............................................9 5 The Night Room . 11 6 The Red Forest . 13 7 The Keys . 15 8 Yesterday . 17 9 Tomorrow . 19 10 Divine Move . 23 11 Shonin . 25 12 Paradox . 27 13 Arms of Mine . 29 Season 2 31 1 Year of the Monkey . 33 2 Primary . 35 3 One Hundred Years . 37 4 Emergence . 39 5 Bodies of Water . 41 6 Immortal . 43 7 Meltdown . 45 8 Lullaby . 47 9 Hyena.............................................. 49 10 Fatherland . 51 11 Resurrection . 53 12 Blood Washed Away . 55 13 Memory of Tomorrow . 57 Season 3 59 1 Mother . 61 2 Guardians . 63 3 Enemy.............................................. 65 4 Brothers . 67 5 Causality . 69 6 Nature.............................................. 71 7 Nurture . 73 8 Masks.............................................. 75 9 Thief............................................... 77 10 Witness -
Copyrighted Material
9781405170550_6_ind.qxd 16/10/2008 17:02 Page 432 INDEX 4 Little Girls (1997) 93 action-adventure movie 147, 149, 254, 339, 348, 352, 392–3, 396–7, 8 Mile (2002) 396–7 259, 276, 287–8, 298–9, 410 402–3 20th Century-Fox 21, 30, 34, 40–2, 73, actualities 106, 364, 410 Against All Odds (1984) 289 149, 184, 204–5, 281, 335 ACT-UP (AIDS Coalition to Unleash Agar, John 268 25th Hour, The (2002) 98 Power) 337, 410 Aghdashloo, Shohreh 75 27 Dresses (2008) 353 ADA (Americans with Disabilities Act) Ahn, Philip 130 28 Days (2000) 293 398–9, 410 AIDS 99, 329, 334, 336–40 48 Hours (1982) 91 Adachi, Jeff 139 AIDS Coalition to Unleash Power see 100-to-1 Shot, The (1906) 174 Adams, Evan 118–19 ACT-UP 300 (2007) 74, 298, 300 ADC (American-Arab Anti- AIM (American Indian Movement) 111, Discrimination Committee) 73–4, 116–17, 410 Abbott and Costello 268 410 Air Force (1943) 268 ABC 340 Addams Family, The (1991) 156 Akins, Zoe 388–9 Abie’s Irish Rose (stage) 57 Addams Family Values (1993) 156 Aladdin (1992) 73–4, 246 Abilities United Productions 384 Adiarte, Patrick 72 Alba, Jessica 76, 155, 159 ability 359–84, 410 adult Western 111, 410 Albert, Eddie 72 ableism 361, 381, 410 Adventures of Ozzie & Harriet, The (TV) Albert, Edward 375 Abominable Dr Phibes, The (1971) 284 Alexie, Sherman 117–18 365 Adventures of Priscilla, Queen of the Algie, the Miner (1912) 312 Abraham, F. Murray 75, 76 COPYRIGHTEDDesert, The (1994) 348 MATERIALAli (2001) 96 Academy Awards (Oscars) 29, 58, 63, Adventures of Sebastian Cole, The (1998) Alice (1990) 130 67, 72, 75, 83, 92, 93, -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Celebrations Press PO BOX 584 Uwchland, PA 19480
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40 -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Writing Dialogue & Advice from the Pros
Writing Dialogue & Advice from the Pros Writing great dialogue is considered an art form. Listening to real-life conversations, watching award- winning films, and learning from the masters will help you craft dialogue that shines on the page. The following writing thoughts and advice are excerpts from Karl Iglesias’ book, The 101 Habits of Highly Successful Screenwriters. Enjoy! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Writing Unrealistic and Boring Dialogue In real life, dialogue is mostly polite conversation. In film, polite conversation is considered bad dialogue, unless it’s witty, sarcastic, or has a unique voice. The reason is that polite chat lacks tension, and tension is the key to dramatic storytelling. As Alfred Hitchcock once said, “Drama is real life with all the boring parts cut out of it.” The key to good dialogue is to understand that it’s not conversation, it’s action. What characters say in a scene should be said to get what they want in the scene. And to determine whether or not your dialogue sounds realistic, read it out loud. Garrison Keillor once advised, “If you read your work out loud, it helps to know what’s bad.” Try it. It works. Dialogue always sounds better in your head. Better to be embarrassed in your room than on the set. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Read Your Dialogue Out Loud Writing authentic, well-crafted dialogue that sparkles, individualizes characters, and entertains the reader is the ultimate challenge for screenwriters, who otherwise may have solid script elements. It’s crucial to attracting talent, which can green-light your script. Writing great dialogue can also sell the writer, for those who excel in this area are highly sought after to the tune of six figures per week for dialogue rewrites. -
American Pie: the Wedding” Film
Socio-Cultural Impact of Youth in America Towards “American Pie: The Wedding” Film A Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the Requirements for the Strata I Degree (SI) By Barikatul Hikmah. A. S. 103026027616 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2009 1 APPROVEMENT SOCIO-CULTURAL IMPACT OF YOUTH IN AMERICA TOWARDS "AMERICAN PIE: THE WEDDING" FILM A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for the Strata Degree (S1) By Barikatul Hikmah. A. S. NIM. 103026027616 Approved by: Muhammad Supardi. S. S Supervisor ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2008 2 LEGALIZATION The thesis entitled “Socio-cultural Impact of Youth in America towards American Pie: The Wedding Film” has been defended by the Letters and Humanities Faculty’s Examination Committee on July, 2008. The thesis has already been accepted as a partial fulfillment of the requirement for acquiring the Strata One Degree (S1) in English Letters Department. Jakarta, July, 2008 Examining Committee Chief, Secretary, Dr. H. M. Farkhan, M. Pd Drs. A. Saefuddin, M. Pd NIP. 150 299 480 NIP. 150 261 902 Members; Examiner I, Examiner II, Dr. Frans Sayogie, M.Pd Elve Oktafiyani, M. Hum NIP. 150 299 481 NIP. 150 317 725 3 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
CTBL Alphabetic Descriptive Video List
CTBL Alphabetic Descriptive Video List Number Movie Title Rating Cartoon VO 14 101 Dalmatians G No VO 245 40 Year Old Virgin R No VO 31 A Beautiful Mind PG-13 No VO 203 A Christmas Carol PG No VO 285 Abilene Town G No VO 33 Addams Family PG-13 No VO 32 Aladdin G Yes VO 4 Alice in Wonder Land G Yes VO 89 Alien R No VO 204 Amelia Earhart: The Price of Courage G No VO 262 America Quilts Creatively G No VO 272 America Sews with Sue Hausmann: G No Episode #2201 VO 273 America Sews with Sue Hausmann: G No Episode #2202 VO 274 America Sews with Sue Hausmann: G No Episode #2203 VO 275 America Sews with Sue Hausmann: G No Episode #2204 VO 288 American Empire R No VO 121 Amistad R No VO 15 Anne of Avonlea G No VO 27 Anne of Green Gables G No VO 159 Anne of Green Gables the Continuing Story NR No VO 83 Apollo 13 PG No VO 232 Autism is a World (DVD) G No VO 113 Babe G No VO 78 Bambi G Yes VO 87 Basic Instinct R No VO 248 Batman Begins PG-13 No VO 7 Beaches PG No VO 1 Beauty and the Beast G Yes VO 311 Becket R No VO 6 Beethoven PG No J:\Videos\Video_list_Alpha.doc 9/11/08 VO 160 Bells of St. Mary’s NR No VO 20 Beverly Hills Cop R No VO 79 Big PG No VO 163 Big Bear NR No VO 289 Blackbeard, The Pirate R No VO 118 Blue Hawaii NR No VO 290 Border Cop R No VO 63 Breakfast at Tiffany's NR No VO 180 Bridget Jones’ Diary R No VO 183 Broadcast News R No VO 254 Brokeback Mountain R No VO 199 Bruce Almighty Pg-13 No VO 77 Butch Cassidy and the Sun Dance Kid PG No VO 158 Bye Bye Blues PG No VO 164 Call of the Wild PG No VO 291 Captain Kidd R No VO 94 Casablanca -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Apocalypse Now, Vietnam and the Rhetoric of Influence Autor(Es): Childs, Jeffrey Publicado Por: Centro De Literatura Portuguesa
Apocalypse now, Vietnam and the rhetoric of influence Autor(es): Childs, Jeffrey Publicado por: Centro de Literatura Portuguesa URL persistente: URI:http://hdl.handle.net/10316.2/30048 DOI: DOI:http://dx.doi.org/10.14195/2182-8830_1-2_1 Accessed : 30-Sep-2021 22:18:52 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Apocalypse Now, Vietnam and the Rhetoric of Influence JEFFREY CHILDS Universidade Aberta | Centro de Estudos Comparatistas, Univ. de Lisboa Abstract Readings of Francis Ford Coppola's Apocalypse Now (1979) often confront the difficulty of having to privilege either its aesthetic context (considering, for instance, its relation to Conrad's Heart of Darkness [1899] or to the history of cinema) or its value as a representation of the Vietnam War.