Triple Tomoe and Related Threefold Symbols
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Otorisama Continues to Be Loved by the People
2020 edition Edo to the Present The Sugamo Otori Shrine, located near the Nakasendo, has been providing a spiritual Ⅰ Otorisama continues to be loved sanctuary to the people as Oinarisama (Inari god) and continues to be worshipped and by the people loved to this today. Torinoichi, the legacy of flourishing Edo Stylish manners of Torinoichi The Torinoichi is famous for its Kaiun Kumade Mamori (rake-shaped amulet for Every November on the day of the good luck). This very popular good luck charm symbolizes prosperous business cock, the Torinoichi (Cock Fairs) are and is believed to rake in better luck with money. You may hear bells ringing from all held in Otori Shrines across the nation parts of the precinct. This signifies that the bid for the rake has settled. The prices and many worshippers gather at the of the rakes are not fixed so they need to be negotiated. The customer will give the Sugamo Otori Shrine. Kumade vendor a portion of the money saved from negotiation as gratuity so both The Sugamo Otori Shrine first held parties can pray for successful business. It is evident through their stylish way of business that the people of Edo lived in a society rich in spirit. its Torinoichi in 1864. Sugamo’s Torinoichi immediately gained good reputation in Edo and flourished year Kosodateinari / Sugamo Otori Shrine ( 4-25 Sengoku, Bunkyo Ward ) MAP 1 after year. Sugamo Otori Shrine was established in 1688 by a Sugamo resident, Shin However, in 1868, the new Meiji Usaemon, when he built it as Sugamoinari Shrine. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Yinger 1983-06.Pdf
, ~" " •. """~" > ACKN OWLEDGE1VIENTS This thesis has been an interna.tional effort, produced with trle cooperation of a grea.t many people in Japan~ Korea, England, and the United States. With no .i.l1tentionof diminishing the cor:tributi.qn of anyone not. mentioned below, I would like to single out a. few people for special thanks. I wish to thank the IJcmgwood Program at the University of Delavv"are for th8 award of the fell.owE}hip which helped to support this project. I am particularly indebted to my thesis committee--Dr. Richard W. Lighty, Mr. William H. Frederick, ,Jr., and Dr. Donald Huttleston-- for their very patient assistance. In Japan I wish to thank Dr. Sumihiko Hatsushima, Dr. FU"TIioMaekawa., Mr. Tadanori 'I'animura, Mr. Eiji Yamaha.ta, and Mr. NIatoshi Yoshida for patiently respondi.ng to my endless questions and for providing much of the research material cited herein. In addition, Mr. Yoshimichi Hirose, Mr. Mikinori Ogisu, Dr. Yotaro rrsuka.moto, and iii Dr. Ma,sato Yokol have earned my gratitude for directing me to useful research material. Among the many people who helped me in Japan, I must single out the efforts of Dr. Toshio Ando who so often arranged my itinerary in Japan and helped me with the translation of Japanese source material. For the privilege of examining herbarium specimens I wish to thank Dr. TchaT1;gBok 1,ee and h.is staff at Seoul. National University, Korea, and Mr. Ian Beier and his staff at the Royal Botanic Gardens, Kew, England. My thanks too to Mr. Yong-,Jun Chang (Korea), Mr. -
Mathematical Table" in the Chinese Lodge of Palermo
Proceedings of 2015 IFToMM Workshop on History of Mechanism and Machine Science May 26-28, 2015, St-Petersburg, Russia The "Mathematical Table" in the Chinese Lodge of Palermo Francesco Sorge DICGIM, Polytechnic School, University of Palermo, Italy e-mail: [email protected] Abstract: The end of the 18 th century sees the decline of the late tout seul et comme par enchantement. Au signal, le parquet baroque and rococo in the decorative arts and the origin of the s'ouvre: la table, toute dressée et chargée des mets, sort, neoclassic essentiality. Nonetheless, the spirit of competition accompagnée de quatre servants ou postillon également among the members of the European courts and of the aristocracy garnis. A chaque service, le milieu disparaît: il ne reste in erecting magnificent residences inside spectacular parks, full que le pourtour où sont les assiettes; une rose en métal, of astonishing pieces of furniture, is still alive and floods of money are spent without restraint. In this very period, a new ménagée dans l'épaisseur du cercle, étende ses feuilles et curious type of dining table makes its appearance in the cache le vide. La partie qui est descendue s'arrête au aristocratic dwelling houses and precisely in the hunting lodge of rez-de-chaussée ou on la couvre de nouveau. Le repas fini, the Bourbon Court close to the city of Palermo in Sicily: the table et postillons s'enfoncent dans le sol, les feuilles de "Mathematical Table". This name is due to the fantasy of its parquet reprennent leur place et se rejoignent si designer, architect Venanzio Marvuglia, who probably wished to exactement que il faut les avoir vu s'ouvrir pour croire hint at the particular technical nature of the table. -
Medieval Japan
Medieval Japan Kingaku Temple in Kyoto, Japan A..D..300 A..D.7.700 1100 1500 c. A.D. 300 A.D.646 1192 c. 1300s Yayoi people Taika reforms Rule by Noh plays organize strengthen shoguns first into clans emperor’s powers begins performed Chapter Overview Visit ca.hss.glencoe.com for a preview of Chapter 5. Early Japan Physical geography plays a role in how civilizations develop. Japan’s islands and mountains have shaped its history. The Japanese developed their own unique culture but looked to China as a model. Shoguns and Samurai Conflict often brings about great change. Japan’s emperors lost power to military leaders. Warrior families and their followers fought each other for control of Japan. Life in Medieval Japan Religion influences how civilization develops and culture spreads. The religions of Shinto and Buddhism shaped Japan’s culture. Farmers, artisans, and merchants brought wealth to Japan. View the Chapter 5 video in the Glencoe Video Program. Categorizing Information Make this foldable to help you organize information about the history and culture of medieval Japan. Step 1 Mark the midpoint of the Step 2 Turn the Reading and Writing side edge of a sheet of paper. paper and fold in Jap an As you read the chapter, each outside edge organize your notes to touch at the by writing the main midpoint. Label ideas with supporting as shown. details under the appropriate heading. Draw a mark at the midpoint Early Shoguns and Life in Japan Samurai Medieval Japan Step 3 Open and label your foldable as shown. -
CSJR Newsletter
Centre for the Study of Japanese Religions CSJR Newsletter Autumn 2009 Issue 18-19 CSJR Newsletter • Autumn 2009 • Issue 18-19 In this issue 2 From the Centre Chair Centre Activities FROM THE CHAIR 3 CSJR Seminar and Fora Schedule 4 Film Screening: A Zen Life: D.T. Suzuki 5 Spring International Workshop: Minakata Another academic year has just concluded and while we look forward to the summer Kumagusu and London break we reflect back on the past months. As I write, the field of Japanese religion is saddened by the news that Carmen Blacker has passed away, on the morning of her Centre Activities Reports 85th birthday. Perhaps the most influential British scholar of Japanese religions, Carmen Blacker’s work opened up a new understanding of religious practices in Japan. She was 6 CSJR Spring International Workshop very supportive of the Centre, as she was of young scholars and of new initiatives, and I 8 Numata Lecture Series (2007-2008) have fond memories of her visits in the early years of the Centre. We will be remember- 9 Portraiture: Power & Ritual ing her and honouring her scholarly contributions in coming events. Research Notes Last year several people were away from the CSJR. After Brian Boching took up a post 10 O-take Dainichi Nyorai, a Shugendō Icon at the University of Cork, John Breen also left London to take up a three-year assignment 13 Motoori Norinaga’s Thoughts at Nichibunken in Kyoto. A few of our PhD students spent periods in Japan conducting on Astronomy fieldwork, and I myself was on sabbatical for the first two terms of 2008-2009. -
Symbol of Hatred
Information about the symbol of hatred Swastika Variations: This symbol has a considerable number of variations. In some versions, the “arms” point in different directions, both left and right. In others, the number of arms varies. For example, in Ukraine, swastikas with four to eight arms are called “Kolovrats,” whereas a swastika with 12 arms is referred to as a “black sun.” The ends of the arms can be bent at a right or sharp angle, or they can be arced, straight, or wavy. Origin: An ancient sun symbol that is found in many cultures around the world. It most likely symbolizes the movement of the sun. In Sanskrit, the literary language of ancient India, the word “swastika” means "luck" and a "successful future." Uses: The first Christians used the swastika before the cross. It has also been used by Kabbalists (mystical teachers of Judaism), and later the Freemasons and occultists. It can be found on Russian, Soviet, British, and, even to this day, Finnish documents and emblems. It is also an important symbol in Buddhism, Jainism, and Hinduism. From the second half of the nineteenth century onwards, the swastika has been used by proponents of Aryan supremacism, the idea that so-called "Aryans" — alleged descendants of a loosely-defined ancient people — are superior to other races and should dominate the world. They declared the swastika a symbol of ancient Aryan heritage, claiming that it was included on the altars of ancient Aryans. From the end of the nineteenth century onwards, it became a symbol of German ultranationalists. After World War I, it also became a popular anti-Semitic symbol. -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Seven 2003 Interdisciplinary Studies of Modern Japan Steven Heine Editor John A. Tucker Book Review Editor Editorial Board Yumiko Hulvey, University of Florida John Maraldo, University of North Florida Mark Ravina, Emory University Ann Weymeyer, University of Florida Brian Woodall, Georgia Institute of Technology Copy and Production Shoshanah Del Greco Jessica Reyes JAPAN STUDIES REVIEW VOLUME SEVEN 2003 A Publication of the Southern Japan Seminar and Florida International University CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions and Comments iii ARTICLES The Fifty-Year War: Rashomon, After Life, and Japanese Film Narratives of Remembering Mike Sugimoto 1 The Tanka Poetry of Yosano Akiko: Transformation of Tradition Through the Female Voice Harriet D. Grissom 21 Civil Servant or Obedient Servant? Ideal(ized) Officials in 16th Century Japan Ronald K. Frank 33 The Farce of the “Great Russian Salvation Tour”: The Legacy of Aum Shinrikyo in Mother Russia Daniel A. Metraux 47 Anime and Historical Inversion in Miyazaki Hayao’s Princess Mononoke John A. Tucker 65 BOOK REVIEWS Being Modern in Japan: Culture and Society from the 1910s to 1930s By Elise K. Tipton and John Clark Reviewed by Scott P. O’Bryan 103 A Bilingual Guide to the Japanese Economy By NHK International Reviewed by Kiyoshi Kawahito 106 Religious Violence in Contemporary Japan: The Case of Aum Shinrikyo By Ian Reader Reviewed by Daniel A. Metraux 108 Toyota-shiki Saikyono Keiei: Naze Toyota wa Kawaritsuzukeru no ka (The Toyota Style of Strongest Management: Why Toyota Keeps Changing) By Shibata, Masaharu and Hideharu Kaneda Reviewed by Kinko Ito 112 Neither Monk nor Layman: Clerical Marriage in Modern Japanese Buddhism By Richard M. -
Anime and Historical Inversion in Miyazaki Hayao's Princess
Anime and Historical Inversion in Miyazaki Hayao’s Princess Mononoke John A. Tucker East Carolina University Introduction If box office receipts are any indication of cultural significance, then Miyazaki Hayao’s Princess Mononoke (Mononokehime, 1997) surely stands as one of the most important works of late-twentieth-century Japanese popular culture: currently it remains the highest-grossing (¥16.65 billion, approximately $150 million) domestic film in Japanese history. Prior to the release of The Titanic, Princess Mononoke eclipsed E.T. and reigned as the biggest box-office hit ever, domestic or foreign, in Japan. While The Titanic has since surpassed Princess Mononoke in overall ticket sales, over 13.53 million Japanese, or more than one-tenth of the population, have watched Princess Mononoke in theatres, and over five million copies of the video have been sold domestically (Yoneda, 204). Princess Mononoke also stands as the most expensive animated movie ever made in Japan, with a 3 billion yen (approximately $30 million) production cost (Wakita et al., 168). Critics have lauded it in literally hundreds of media reviews, especially in Japanese film and popular culture publications such as Kinema junpō, SAPIO, Nyūmedeia, AERA, uirumumeekaazu, Bessatsu Comicbox, Bessatsu Takarajima, Tech Win, Shunkan Kinyōbi, Video Doo!, Yurika, Cinema Talk, and SPA!, as well as in the major newspapers, periodicals, and regional media. Additionally, Princess Mononoke has been awarded numerous prizes, most notably the 21st Japan Academy Award for Best Film (Kuji, 3-4; Schilling, 3). Not surprisingly the film has been released internationally, with an English language version, featuring numerous familiar American voices, including that of Gillian Anderson and Billy Bob Thornton, thus making it exceptionally accessible in the United States for anime fans, and those interested in Japanese history and culture. -
The Swastika, by Edward Butts. Butts, Edward, 1853- Kansas City, Mo
Statement no. 1: the swastika, by Edward Butts. Butts, Edward, 1853- Kansas City, Mo. : Franklin Hudson publishing co., 1908. https://hdl.handle.net/2027/uc2.ark:/13960/t3gx4kf0n Public Domain http://www.hathitrust.org/access_use#pd We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. .•il STATEMENT NOJ PRICE 25 CTS. FRANKLIN HUDSON PUBLISHING CO. KANSAS CITY, MO. STATEMENT NO. I 1908. Franklin Hudson Pdblishing Co., Kansas City, Mo. COPYEIGHT, 1908, BY EDWARD BUTTS, Kansas City, Mo. PRICE, POST-PAID: Per copy, 25 cents; in cloth, $1.10. Address communications to Edward Bntts, 1800East Sixteenth St., Kansas City, Missouri. First Thousand. THE ORIGIN OF THE SWASTIKA. Away back on the horizon of our records, seemingly a little beyond their limit, an emblem we recognize as the swastika came into existence. Of the past history re- lated to this little emblem we desire to know more; not because it is particularly attractive, or its construction, as it is we see it, complicated, but because known to have been in use in Europe, Africa, Asia, and America when we supposed there was no communication at least be- tween the "Old and New World." To our minds it appears much like a beautiful cloud that once floated above a setting sun, tinted with bril- — liant colors now scattered by the "four cardinal giants" here and there over the earth. -
Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854)
Artifacts of Diplomacy: Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854) CHANG-SU HOUCHINS SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY • NUMBER 37 SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through trie years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the world of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the world. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where the manuscripts are given substantive review. -
SWASTIKA the Pattern and Ideogram of Ideogram and Pattern The
Principal Investigators Exploring Prof. V. N. Giri the pattern and ideogram of Prof. Suhita Chopra Chatterjee Prof. Pallab Dasgupta Prof. Narayan C. Nayak Prof. Priyadarshi Patnaik pattern and ideogram of Prof. Aurobindo Routray SWASTIKA Prof. Arindam Basu Prof. William K. Mohanty Prof. Probal Sengupta Exploring the A universal principle Prof. Abhijit Mukherjee & of sustainability Prof. Joy Sen SWASTIKA of sustainability A universal principle SandHI INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR The Science & Heritage Initiative www.iitkgpsandhi.org INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR Exploring the pattern and ideogram of SWASTIKA A universal principle of sustainability SandHI The Science & Heritage Initiative INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR ii iii Advisor Prof. Partha P. Chakrabarti Director, IIT Kharagpur Monitoring Cell Prof. Sunando DasGupta Dean, Sponsored Research and Industrial Consultancy, IIT Kharagpur Prof. Pallab Dasgupta Associate Dean, Sponsored Research and Industrial Consultancy, IIT Kharagpur Principal Investigator (overall) Prof. Joy Sen Department of Architecture & Regional Planning, IIT Kharagpur Vide order no. F. NO. 4-26/2013-TS-1, Dt. 19-11-2013 (36 months w.e.f 15-1-2014 and 1 additional year for outreach programs) Professor-in-Charge, Documentation and Dissemination Prof. Priyadarshi Patnaik Department of Humanities & Social Sciences, IIT Kharagpur Research Scholars Group (Coordinators) Sunny Bansal, Vidhu Pandey, Tanima Bhattacharya, Shreyas P. Bharule, Shivangi S. Parmar, Mouli Majumdar, Arpan Paul, Deepanjan Saha, Suparna Dasgupta, Prerna Mandal Key Graphics Support Tanima Bhattacharya, Research Scholar, IIT Kharagpur Exploring ISBN: 978-93-80813-42-4 the pattern and ideogram of © SandHI A Science and Heritage Initiative, IIT Kharagpur Sponsored by the Ministry of Human Resources Development, Government of India Published in July 2016 SWASTIKA www.iitkgpsandhi.org A universal principle Design & Printed by Cygnus Advertising (India) Pvt.