Cross-Codec Encoding Optimizations for Video Transcoding
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The Interplay of Compile-Time and Run-Time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel
The Interplay of Compile-time and Run-time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel To cite this version: Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel. The Interplay of Compile-time and Run-time Options for Performance Prediction. SPLC 2021 - 25th ACM Inter- national Systems and Software Product Line Conference - Volume A, Sep 2021, Leicester, United Kingdom. pp.1-12, 10.1145/3461001.3471149. hal-03286127 HAL Id: hal-03286127 https://hal.archives-ouvertes.fr/hal-03286127 Submitted on 15 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Interplay of Compile-time and Run-time Options for Performance Prediction Luc Lesoil, Mathieu Acher, Xhevahire Tërnava, Arnaud Blouin, Jean-Marc Jézéquel Univ Rennes, INSA Rennes, CNRS, Inria, IRISA Rennes, France [email protected] ABSTRACT Both compile-time and run-time options can be configured to reach Many software projects are configurable through compile-time op- specific functional and performance goals. tions (e.g., using ./configure) and also through run-time options (e.g., Existing studies consider either compile-time or run-time op- command-line parameters, fed to the software at execution time). -
On Audio-Visual File Formats
On Audio-Visual File Formats Summary • digital audio and digital video • container, codec, raw data • different formats for different purposes Reto Kromer • AV Preservation by reto.ch • audio-visual data transformations Film Preservation and Restoration Hyderabad, India 8–15 December 2019 1 2 Digital Audio • sampling Digital Audio • quantisation 3 4 Sampling • 44.1 kHz • 48 kHz • 96 kHz • 192 kHz digitisation = sampling + quantisation 5 6 Quantisation • 16 bit (216 = 65 536) • 24 bit (224 = 16 777 216) • 32 bit (232 = 4 294 967 296) Digital Video 7 8 Digital Video Resolution • resolution • SD 480i / SD 576i • bit depth • HD 720p / HD 1080i • linear, power, logarithmic • 2K / HD 1080p • colour model • 4K / UHD-1 • chroma subsampling • 8K / UHD-2 • illuminant 9 10 Bit Depth Linear, Power, Logarithmic • 8 bit (28 = 256) «medium grey» • 10 bit (210 = 1 024) • linear: 18% • 12 bit (212 = 4 096) • power: 50% • 16 bit (216 = 65 536) • logarithmic: 50% • 24 bit (224 = 16 777 216) 11 12 Colour Model • XYZ, L*a*b* • RGB / R′G′B′ / CMY / C′M′Y′ • Y′IQ / Y′UV / Y′DBDR • Y′CBCR / Y′COCG • Y′PBPR 13 14 15 16 17 18 RGB24 00000000 11111111 00000000 00000000 00000000 00000000 11111111 00000000 00000000 00000000 00000000 11111111 00000000 11111111 11111111 11111111 11111111 00000000 11111111 11111111 11111111 11111111 00000000 11111111 19 20 Compression Uncompressed • uncompressed + data simpler to process • lossless compression + software runs faster • lossy compression – bigger files • chroma subsampling – slower writing, transmission and reading • born -
Screen Capture Tools to Record Online Tutorials This Document Is Made to Explain How to Use Ffmpeg and Quicktime to Record Mini Tutorials on Your Own Computer
Screen capture tools to record online tutorials This document is made to explain how to use ffmpeg and QuickTime to record mini tutorials on your own computer. FFmpeg is a cross-platform tool available for Windows, Linux and Mac. Installation and use process depends on your operating system. This info is taken from (Bellard 2016). Quicktime Player is natively installed on most of Mac computers. This tutorial focuses on Linux and Mac. Table of content 1. Introduction.......................................................................................................................................1 2. Linux.................................................................................................................................................1 2.1. FFmpeg......................................................................................................................................1 2.1.1. installation for Linux..........................................................................................................1 2.1.1.1. Add necessary components........................................................................................1 2.1.2. Screen recording with FFmpeg..........................................................................................2 2.1.2.1. List devices to know which one to record..................................................................2 2.1.2.2. Record screen and audio from your computer...........................................................3 2.2. Kazam........................................................................................................................................4 -
Amphion Video Codecs in an AI World
Video Codecs In An AI World Dr Doug Ridge Amphion Semiconductor The Proliferance of Video in Networks • Video produces huge volumes of data • According to Cisco “By 2021 video will make up 82% of network traffic” • Equals 3.3 zetabytes of data annually • 3.3 x 1021 bytes • 3.3 billion terabytes AI Engines Overview • Example AI network types include Artificial Neural Networks, Spiking Neural Networks and Self-Organizing Feature Maps • Learning and processing are automated • Processing • AI engines designed for processing huge amounts of data quickly • High degree of parallelism • Much greater performance and significantly lower power than CPU/GPU solutions • Learning and Inference • AI ‘learns’ from masses of data presented • Data presented as Input-Desired Output or as unmarked input for self-organization • AI network can start processing once initial training takes place Typical Applications of AI • Reduce data to be sorted manually • Example application in analysis of mammograms • 99% reduction in images send for analysis by specialist • Reduction in workload resulted in huge reduction in wrong diagnoses • Aid in decision making • Example application in traffic monitoring • Identify areas of interest in imagery to focus attention • No definitive decision made by AI engine • Perform decision making independently • Example application in security video surveillance • Alerts and alarms triggered by AI analysis of behaviours in imagery • Reduction in false alarms and more attention paid to alerts by security staff Typical Video Surveillance -
Encoding H.264 Video for Streaming and Progressive Download
W4: KEY ENCODING SKILLS, TECHNOLOGIES TECHNIQUES STREAMING MEDIA EAST - 2019 Jan Ozer www.streaminglearningcenter.com [email protected]/ 276-235-8542 @janozer Agenda • Introduction • Lesson 5: How to build encoding • Lesson 1: Delivering to Computers, ladder with objective quality metrics Mobile, OTT, and Smart TVs • Lesson 6: Current status of CMAF • Lesson 2: Codec review • Lesson 7: Delivering with dynamic • Lesson 3: Delivering HEVC over and static packaging HLS • Lesson 4: Per-title encoding Lesson 1: Delivering to Computers, Mobile, OTT, and Smart TVs • Computers • Mobile • OTT • Smart TVs Choosing an ABR Format for Computers • Can be DASH or HLS • Factors • Off-the-shelf player vendor (JW Player, Bitmovin, THEOPlayer, etc.) • Encoding/transcoding vendor Choosing an ABR Format for iOS • Native support (playback in the browser) • HTTP Live Streaming • Playback via an app • Any, including DASH, Smooth, HDS or RTMP Dynamic Streaming iOS Media Support Native App Codecs H.264 (High, Level 4.2), HEVC Any (Main10, Level 5 high) ABR formats HLS Any DRM FairPlay Any Captions CEA-608/708, WebVTT, IMSC1 Any HDR HDR10, DolbyVision ? http://bit.ly/hls_spec_2017 iOS Encoding Ladders H.264 HEVC http://bit.ly/hls_spec_2017 HEVC Hardware Support - iOS 3 % bit.ly/mobile_HEVC http://bit.ly/glob_med_2019 Android: Codec and ABR Format Support Codecs ABR VP8 (2.3+) • Multiple codecs and ABR H.264 (3+) HLS (3+) technologies • Serious cautions about HLS • DASH now close to 97% • HEVC VP9 (4.4+) DASH 4.4+ Via MSE • Main Profile Level 3 – mobile HEVC (5+) -
Arxiv:2007.15943V1 [Cs.SE] 31 Jul 2020
MUZZ: Thread-aware Grey-box Fuzzing for Effective Bug Hunting in Multithreaded Programs Hongxu Chen§† Shengjian Guo‡ Yinxing Xue§∗ Yulei Sui¶ Cen Zhang† Yuekang Li† Haijun Wang# Yang Liu† †Nanyang Technological University ‡Baidu Security ¶University of Technology Sydney §University of Science and Technology of China #Ant Financial Services Group Abstract software performance. A typical computing paradigm of mul- tithreaded programs is to accept a set of inputs, distribute Grey-box fuzz testing has revealed thousands of vulner- computing jobs to threads, and orchestrate their progress ac- abilities in real-world software owing to its lightweight cordingly. Compared to sequential programs, however, multi- instrumentation, fast coverage feedback, and dynamic adjust- threaded programs are more prone to severe software faults. ing strategies. However, directly applying grey-box fuzzing On the one hand, the non-deterministic thread-interleavings to input-dependent multithreaded programs can be extremely give rise to concurrency-bugs like data-races, deadlocks, inefficient. In practice, multithreading-relevant bugs are usu- etc [32]. These bugs may cause the program to end up with ab- ally buried in the sophisticated program flows. Meanwhile, normal results or unexpected hangs. On the other hand, bugs existing grey-box fuzzing techniques do not stress thread- that appear under specific inputs and interleavings may lead interleavings that affect execution states in multithreaded pro- to concurrency-vulnerabilities [5, 30], resulting in memory grams. Therefore, mainstream grey-box fuzzers cannot ade- corruptions, information leakage, etc. quately test problematic segments in multithreaded software, although they might obtain high code coverage statistics. There exist a line of works on detecting bugs and vulner- To this end, we propose MUZZ, a new grey-box fuzzing abilities in multithreaded programs. -
IP-Soc Shanghai 2017 ALLEGRO Presentation FINAL
Building an Area-optimized Multi-format Video Encoder IP Tomi Jalonen VP Sales www.allegrodvt.com Allegro DVT Founded in 2003 Privately owned, based in Grenoble (France) Two product lines: 1) Industry de-facto standard video compliance streams Decoder syntax, performance and error resilience streams for H.264|MVC, H.265/SHVC, VP9, AVS2 and AV1 System compliance streams 2) Leading semiconductor video IP Multi-format encoder IP for H.264, H.265, VP9, JPEG Multi-format decoder IP for H.264, H.265, VP9, JPEG WiGig IEEE 802.11ad WDE CODEC IP 2 Evolution of Video Coding Standards International standards defined by standardization bodies such as ITU-T and ISO/IEC H.261 (1990) MPEG-1 (1993) H.262 / MPEG-2 (1995) H.263 (1996) MPEG-4 Part 2 (1999) H.264 / AVC / MPEG-4 Part 10 (2003) H.265 / HEVC (2013) Future Video Coding (“FVC”) MPEG and ISO "Preliminary Joint Call for Evidence on Video Compression with Capability beyond HEVC.” (202?) Incremental improvements of transform-based & motion- compensated hybrid video coding schemes to meet the ever increasing resolution and frame rate requirements 3 Regional Video Standards SMPTE standards in the US VC-1 (2006) VC-2 (2008) China Information Industry Department standards AVS (2005) AVS+ (2012) AVS2.0 (2016) 4 Proprietary Video Formats Sorenson Spark On2 VP6, VP7 RealVideo DivX Popular in the past partly due to technical merits but mainly due to more suitable licensing schemes to a given application than standard video video formats with their patent royalties. 5 Royalty-free Video Formats Xiph.org Foundation -
PVQ Applied Outside of Daala (IETF 97 Draft)
PVQ Applied outside of Daala (IETF 97 Draft) Yushin Cho Mozilla Corporation November, 2016 Introduction ● Perceptual Vector Quantization (PVQ) – Proposed as a quantization and coefficient coding tool for NETVC – Originally developed for the Daala video codec – Does a gain-shape coding of transform coefficients ● The most distinguishing idea of PVQ is the way it references a predictor. – PVQ does not subtract the predictor from the input to produce a residual Mozilla Corporation 2 Integrating PVQ into AV1 ● Introduction of a transformed predictors both in encoder and decoder – Because PVQ references the predictor in the transform domain, instead of using a pixel-domain residual as in traditional scalar quantization ● Activity masking, the major benefit of PVQ, is not enabled yet – Encoding RDO is solely based on PSNR Mozilla Corporation 3 Traditional Architecture Input X residue Subtraction Transform T signal R predictor P + decoded X Inverse Inverse Scalar decoded R Transform Quantizer Quantizer Coefficient bitstream of Coder coded T(X) Mozilla Corporation 4 AV1 with PVQ Input X Transform T T(X) PVQ Quantizer PVQ Coefficient predictor P Transform T T(X) Coder PVQ Inverse Quantizer Inverse dequantized bitstream of decoded X Transform T(X) coded T(X) Mozilla Corporation 5 Coding Gain Change Metric AV1 --> AV1 with PVQ PSNR Y -0.17 PSNR-HVS 0.27 SSIM 0.93 MS-SSIM 0.14 CIEDE2000 -0.28 ● For the IETF test sequence set, "objective-1-fast". ● IETF and AOM for high latency encoding options are used. Mozilla Corporation 6 Speed ● Increase in total encoding time due to PVQ's search for best codepoint – PVQ's time complexity is close to O(n*n) for n coefficients, while scalar quantization has O(n) ● Compared to Daala, the search space for a RDO decision in AV1 is far larger – For the 1st frame of grandma_qcif (176x144) in intra frame mode, Daala calls PVQ 3843 times, while AV1 calls 632,520 times, that is ~165x. -
Efficient Multi-Codec Support for OTT Services: HEVC/H.265 And/Or AV1?
Efficient Multi-Codec Support for OTT Services: HEVC/H.265 and/or AV1? Christian Timmerer†,‡, Martin Smole‡, and Christopher Mueller‡ ‡Bitmovin Inc., †Alpen-Adria-Universität San Francisco, CA, USA and Klagenfurt, Austria, EU ‡{firstname.lastname}@bitmovin.com, †{firstname.lastname}@itec.aau.at Abstract – The success of HTTP adaptive streaming is un- multiple versions (e.g., different resolutions and bitrates) and disputed and technical standards begin to converge to com- each version is divided into predefined pieces of a few sec- mon formats reducing market fragmentation. However, other onds (typically 2-10s). A client first receives a manifest de- obstacles appear in form of multiple video codecs to be sup- scribing the available content on a server, and then, the client ported in the future, which calls for an efficient multi-codec requests pieces based on its context (e.g., observed available support for over-the-top services. In this paper, we review the bandwidth, buffer status, decoding capabilities). Thus, it is state of the art of HTTP adaptive streaming formats with re- able to adapt the media presentation in a dynamic, adaptive spect to new services and video codecs from a deployment way. perspective. Our findings reveal that multi-codec support is The existing different formats use slightly different ter- inevitable for a successful deployment of today's and future minology. Adopting DASH terminology, the versions are re- services and applications. ferred to as representations and pieces are called segments, which we will use henceforth. The major differences between INTRODUCTION these formats are shown in Table 1. We note a strong differ- entiation in the manifest format and it is expected that both Today's over-the-top (OTT) services account for more than MPEG's media presentation description (MPD) and HLS's 70 percent of the internet traffic and this number is expected playlist (m3u8) will coexist at least for some time. -
Bitmovin's “Video Developer Report 2018,”
MPEG MPEG VAST VAST HLS HLS DASH DASH H.264 H.264 AV1 AV1 HLS NATIVE NATIVE CMAF CMAF RTMP RTMP VP9 VP9 ANDROID ANDROID ROKU ROKU HTML5 HTML5 Video Developer MPEG VAST4.0 MPEG VAST4.0 HLS HLS DASH DASH Report 2018 H.264 H.264 AV1 AV1 NATIVE NATIVE CMAF CMAF ROKU RTMP ROKU RTMP VAST4.0 VAST4.0 VP9 VP9 ANDROID ANDROID HTML5 HTML5 DRM DRM MPEG MPEG VAST VAST DASH DASH AV1 HLS AV1 HLS NATIVE NATIVE H.264 H.264 CMAF CMAF RTMP RTMP VP9 VP9 ANDROID ANDROID ROKU ROKU MPEG VAST4.0 MPEG VAST4.0 HLS HLS DASH DASH H.264 H.264 AV1 AV1 NATIVE NATIVE CMAF CMAF ROKU ROKU Welcome to the 2018 Video Developer Report! First and foremost, I’d like to thank everyone for making the 2018 Video Developer Report possible! In its second year the report is wider both in scope and reach. With 456 survey submissions from over 67 countries, the report aims to provide a snapshot into the state of video technology in 2018, as well as a vision into what will be important in the next 12 months. This report would not be possible without the great support and participation of the video developer community. Thank you for your dedication to figuring it out. To making streaming video work despite the challenges of limited bandwidth and a fragmented consumer device landscape. We hope this report provides you with insights into what your peers are working on and the pain points that we are all experiencing. We have already learned a lot and are looking forward to the 2019 Video Developer Survey a year from now! Best Regards, StefanStefan Lederer Lederer CEO, Bitmovin Page 1 Key findings In 2018 H.264/AVC dominates video codec usage globally, used by 92% of developers in the survey. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Optimized AV1 Inter
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Optimized AV1 Inter Prediction using Binary classification techniques A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Science in Software Engineering by Alex Kit Romero May 2020 The graduate project of Alex Kit Romero is approved: ____________________________________ ____________ Dr. Katya Mkrtchyan Date ____________________________________ ____________ Dr. Kyle Dewey Date ____________________________________ ____________ Dr. John J. Noga, Chair Date California State University, Northridge ii Dedication This project is dedicated to all of the Computer Science professors that I have come in contact with other the years who have inspired and encouraged me to pursue a career in computer science. The words and wisdom of these professors are what pushed me to try harder and accomplish more than I ever thought possible. I would like to give a big thanks to the open source community and my fellow cohort of computer science co-workers for always being there with answers to my numerous questions and inquiries. Without their guidance and expertise, I could not have been successful. Lastly, I would like to thank my friends and family who have supported and uplifted me throughout the years. Thank you for believing in me and always telling me to never give up. iii Table of Contents Signature Page ................................................................................................................................ ii Dedication ..................................................................................................................................... -
User Manual 19HFL5014W Contents
User Manual 19HFL5014W Contents 1 TV Tour 3 13 Help and Support 119 1.1 Professional Mode 3 13.1 Troubleshooting 119 13.2 Online Help 120 2 Setting Up 4 13.3 Support and Repair 120 2.1 Read Safety 4 2.2 TV Stand and Wall Mounting 4 14 Safety and Care 122 2.3 Tips on Placement 4 14.1 Safety 122 2.4 Power Cable 4 14.2 Screen Care 123 2.5 Antenna Cable 4 14.3 Radiation Exposure Statement 123 3 Arm mounting 6 15 Terms of Use 124 3.1 Handle 6 15.1 Terms of Use - TV 124 3.2 Arm mounting 6 16 Copyrights 125 4 Keys on TV 7 16.1 HDMI 125 16.2 Dolby Audio 125 5 Switching On and Off 8 16.3 DTS-HD (italics) 125 5.1 On or Standby 8 16.4 Wi-Fi Alliance 125 16.5 Kensington 125 6 Specifications 9 16.6 Other Trademarks 125 6.1 Environmental 9 6.2 Operating System 9 17 Disclaimer regarding services and/or software offered by third parties 126 6.3 Display Type 9 6.4 Display Input Resolution 9 Index 127 6.5 Connectivity 9 6.6 Dimensions and Weights 10 6.7 Sound 10 7 Connect Devices 11 7.1 Connect Devices 11 7.2 Receiver - Set-Top Box 12 7.3 Blu-ray Disc Player 12 7.4 Headphones 12 7.5 Game Console 13 7.6 USB Flash Drive 13 7.7 Computer 13 8 Videos, Photos and Music 15 8.1 From a USB Connection 15 8.2 Play your Videos 15 8.3 View your Photos 15 8.4 Play your Music 16 9 Games 18 9.1 Play a Game 18 10 Professional Menu App 19 10.1 About the Professional Menu App 19 10.2 Open the Professional Menu App 19 10.3 TV Channels 19 10.4 Games 19 10.5 Professional Settings 20 10.6 Google Account 20 11 Android TV Home Screen 22 11.1 About the Android TV Home Screen 22 11.2 Open the Android TV Home Screen 22 11.3 Android TV Settings 22 11.4 Connect your Android TV 25 11.5 Channels 27 11.6 Channel Installation 27 11.7 Internet 29 11.8 Software 29 12 Open Source Software 31 12.1 Open Source License 31 2 1 TV Tour 1.1 Professional Mode What you can do In Professional Mode ON, you can have access to a large number of expert settings that enable advanced control of the TV’s state or to add additional functions.