Radiocarbon Dates and Technological Change in Salt Production at the Site of Zhongba in the Three Gorges, China
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This Article Appeared in a Journal Published by Elsevier. the Attached
This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and education use, including for instruction at the authors institution and sharing with colleagues. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. In most cases authors are permitted to post their version of the article (e.g. in Word or Tex form) to their personal website or institutional repository. Authors requiring further information regarding Elsevier’s archiving and manuscript policies are encouraged to visit: http://www.elsevier.com/copyright Author's personal copy e n v i r o n m e n t a l s c i e n c e & p o l i c y 1 4 ( 2 0 1 1 ) 1 1 3 2 – 1 1 3 8 available at www.sciencedirect.com journal homepage: www.elsevier.com/locate/envsci The environmental changes and mitigation actions in the Three Gorges Reservoir region, China a, b,1 Quanfa Zhang *, Zhiping Lou a Key Laboratory of Aquatic Botany and Watershed Ecology, Wuhan Botanical Garden, Chinese Academy of Sciences, Wuhan 430074, PR China b Bureau of Life Sciences and Biotechnology, Chinese Academy of Sciences, Beijing 100864, PR China a r t i c l e i n f o a b s t r a c t The Three Gorges Dam (TGD) is by far the world’s largest hydroelectric scheme. Due to its Published on line 17 August 2011 unprecedented magnitude, the TGD has been controversial ever since it was proposed in the early 20th century and building commenced in 1993. -
I. Guides to the State of the Field Song Research Tools
I. Guides to the State of the Field Page 1 of 125 Song Research Tools home | about | faq I. Guides to the State of the Field The late Etienne Balazs began formulating plans for an international, collaborative study of the Sung period as early as 1949 and formally initiated the "Sung Project" in 1954. The Project was responsible for some of the most valuable reference tools in this guide. Its history is related in: Ref (W) DS751.S86 1978x Yves Hervouet, "Introduction," (W) DS751.S86 1978x A Sung Bibliography Loc: Z3102 .S77 Hong Kong: The Chinese University Press, 1978, pp. vii-xiv. I.A. SOCIETIES, NEWSLETTERS, AND JOURNALS Societies Japan: Sōdaishi kenkyūkai 宋代史研究会 (Society for Song Studies): http://home.hiroshima-u.ac.jp/songdai/songdaishi-yanjiuhui.htm This site contains announcements for and reports on the annual meetings of the society, links to related sites, a bibliography of Japanese scholarship on Song studies (1982-2002) and a directory of Japanese scholars working in the field. Sōdaishi danwakai 宋代史談話會 (Society for the Study of Song History in Japan) http://www2u.biglobe.ne.jp/~songsong/songdai/danwakai.html Established in 1997 as a forum and reading group for young scholars of Song history active in Kyoto-Osaka-Kobe region. Includes meeting information, list of readings, and an announcement board. Sōdai shibun kenkyūkai 宋代詩文研究會 (Society for the Study of Song Literature) http://www9.big.or.jp/~co-ume/song/ http://www9.big.or.jp/~co-ume/song/danwakai.htm Includes announcements and a mailing list. Registration is required to get access to the full site. -
Three Kingdoms Unveiling the Story: List of Works
Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated -
F1914.53 Documentation Work Sheet
Freer Gallery of Art Completed: 31 August 2007 F1914.53 Updated: 06 May 2009 (format/bibliography) Trad. attrib. to: Gu Kaizhi 顧愷之 (ca. 345–406) Title: Nymph of the Luo River 《洛神圖》 Luoshen tu Dynasty/Date: Southern Song dynasty, mid-12th to mid-13th century Format: Handscroll Medium: Ink and color on silk Dimensions: 24.2 x 310.9 cm (9-1/2 x 122-3/8 in) Credit line: Gift of Charles Lang Freer Accession no.: F1914.53 Provenance: John C. Ferguson (1866–1945) Ex-collection Duanfang 端方 (1861–1911) Literary subject: Illustration of the rhapsody, or prose-poem (fu 賦), Luoshen fu 洛神賦 (The Nymph of the Luo River), by Cao Zhi 曹植 (192–232).1 The original poem contains 168 lines, while the current painting only illustrates the text starting at about line 111. Judging from this and comparison with other recorded and extant versions of the composition, it is apparent that a little more than half the painting is missing from the front of the scroll, and probably one scene from the rear as well.2 Outside label slip: Duanfang 端方 (1861–1911) 1 Freer Gallery of Art Completed: 31 August 2007 F1914.53 Updated: 06 May 2009 (format/bibliography) Six characters, running script; plus seven characters, smaller running script 顧虎頭《洛 神圖》。希世之珍,匋齋題。 The Nymph of the Luo River, by Gu Hutou [Gu Kaizhi]. A rare treasure of the world; written by Taozhai [Duanfang]. Front mounting silk: Yellow silk brocade with phoenix-and-cloud motif. With signed inside label. Two (2) collector seals. Dimensions: 24.0 x 11.1 cm Inside label slip: Liang Qingbiao 梁清標 (1620–1691) Ten characters, standard script. -
Analysis on the Development Strategy of Chongqing Based on "Five
International Conference on Education, E-learning and Management Technology (EEMT 2016) Analysis on the Development Strategy of Chongqing Based on "Five Functional Areas" Kefeng Li1,a, Yanjun Song2,b 1Chongqing University of Education, Nanan District of Chongqing 40060, China 2Chongqing Vocational College of Culture and Arts, Jiangbei District of Chongqing, 400020, China E-mail:[email protected] Keywords: main functional areas; five functional areas; the development of Chongqing Abstract. Under the strategic background of the main functional areas of China, and based on the actual development of Chongqing, it is proposed to divide the city into “five functional areas”, namely, core area of urban function, development area of urban function, new area of urban development, development area of ecological conservation in Northeast Chongqing, and development area of ecological protection in Southeast Chongqing. On the basis of the historical line of China implementing the strategy of the main functional areas, this paper clarifies the core concepts, the spatial equilibrium, development in accordance with the carrying capacity of resources, ecological products, adjusting the spatial structure and controlling development intensity of the main functional areas, and also analyzes the functional orientation, key tasks and industrial policies of Chongqing’s "five functional areas". 1. Introduction Chongqing government proposed the reform goal of "five major functional areas" in 2013, aiming to coordinate regional development, enhance the core competitiveness -
Comprehensive EIA Report
E2960 v1 Public Disclosure Authorized Chongqing Urban-Rural Integration Project Phase II (CURIP II) Public Disclosure Authorized Comprehensive EIA Report Public Disclosure Authorized Public Disclosure Authorized Feb. 2012 The World Bank Funded Chongqing Urban-Rural Integration Project Phase II (CURIP II) - Comprehensive EIA Report Contents 1 GENERAL ........................................................................................................................................................ 1 1.1 BACKGROUND OF CURIP II........................................................................................................................ 1 1.1.1 Overview of Chongqing Municipality .................................................................................................... 1 1.1.2 Government Strategies for Urban and Rural Integration Development ................................................1 1.1.3 Necessity of CURIP II............................................................................................................................ 2 1.1.4 EA Classification ................................................................................................................................... 5 1.1.5 EA Report Preparation .......................................................................................................................... 6 1.2 LAWS , R EGULATIONS , S TANDARDS AND SAFEGUARD POLICIES OF THE WORLD BANK .............................. 6 1.2.1 National Laws, Regulations and Relevant Documents ......................................................................... -
Resettlement Plan People's Republic of China: Chongqing Urban–Rural
Resettlement Plan May 2015 People's Republic of China: Chongqing Urban–Rural Infrastructure Development Demonstration II Project Prepared by Shizhu County Transportation Construction Corporation for the Asian Development Bank. This is an updated version of the draft originally posted in March 2013 available on http://www.adb.org/projects/documents/chongqing-urban-rural-infrastructure-development- demonstration-shizhu-rp CURRENCY EQUIVALENTS (as of 1 November 2014) Currency unit – yuan (CNY) CNY1.00 = $0.1628 $1.00 = CNY6.1431 ABBREVIATIONS ADB – Asian Development Bank AP – affected person GDP – gross domestic product PMO – project management office RP – resettlement plan PRC – People's Republic of China RMB – Chinese Renminbi (Yuan) WEIGHTS AND MEASURES mu – 666.7 square meters km – kilometer NOTE In this report, "$" refers to US dollars. This updated resettlement plan is a document of the borrower. The views expressed herein do not necessarily represent those of ADB's Board of Directors, Management, or staff, and may be preliminary in nature. Your attention is directed to the “terms of use” section of this website. In preparing any country program or strategy, financing any project, or by making any designation of or reference to a particular territory or geographic area in this document, the Asian Development Bank does not intend to make any judgments as to the legal or other status of any territory or area. ADB-financed Urban and Rural Road Network Reconstruction Project (Yuelai- Huangshui Section) of Shizhu County, Chongqing Final Resettlement Plan (based on detailed measurement survey) Shizhu County Transportation Construction Corporation March 2015 Content Executive Summary ...................................................................................... 5 A、Project Background Information ............................................................................... -
Antiquarianism, Language, and Medical Philology
iii Antiquarianism, Language, and Medical Philology From Early Modern to Modern Sino-Japanese Medical Discourses Edited by Benjamin A. Elman LEIDEN | BOSTON This is a digital offprint for restricted use only | © 2015 Koninklijke Brill NV Contents Contents v Contents Contributors vi 1 Rethinking the Sino-Japanese Medical Classics: Antiquarianism, Lan- guages, and Medical Philology 1 Benjamin A. Elman 2 Reasoning with Cases: The Transmission of Clinical Medical Knowledge in Twelfth-Century Song China 19 Asaf Goldschmidt 3 Illness, Texts, and “Schools” in Danxi Medicine: A New Look at Chinese Medical History from 1320 to 1800 52 Fabien Simonis 4 Ancient Texts and New Medical Ideas in Eighteenth-Century Japan 81 Daniel Trambaiolo 5 The Reception of the Circulation Channels Theory in Japan (1500–1800) 105 Mathias Vigouroux 6 A Village Doctor and the Treatise on Cold Damage Disorders ( Shanghan lun 傷寒論): Medical Theory / Medical Practice in Late Tokugawa Japan 133 Susan L. Burns 7 Honzōgaku after Seibutsugaku: Traditional Pharmacology as Antiquari- anism after the Institutionalization of Modern Biology in Early Meiji Japan 148 Federico Marcon 8 Japanese Medical Texts in Chinese on Kakké in the Tokugawa and Early Meiji Periods 163 Angela Ki Che Leung 9 Yang Shoujing and the Kojima Family: Collection and Publication of Medical Classics 186 Mayanagi Makoto, with Takashi Miura and Mathias Vigouroux Index 215 This is a digital offprint for restricted use only | © 2015 Koninklijke Brill NV 186 Chapter 9 Chapter 9 Yang Shoujing and the Kojima Family: Collection and Publication of Medical Classics Mayanagi Makoto, with Takashi Miura and Mathias Vigouroux Introduction The mid-Edo period saw the rise of the Ancient Formulas School (Kohō-ha 古方派), spearheaded by Yoshimasu Tōdō 吉益東洞 (1702–1773). -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction k dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversee materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WU CHANGSHI AND THE SHANGHAI ART WORLD IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Kuiyi Shen, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor John C. -
The Development of Naitō Konan's Progressive View of History: a Point
The Development of Naitō Konan’s Progressive View of History: A Point of Convergance with Zhang Xuecheng’s Wenshi tongyi* Tao De-min** Abstract An important feature of Naitō Konan’s historiography is his progressive view of history. The development of this progressive view came not only from modern Western scholarship but also from early-modern Chinese and Japanese traditional scholarship. Examples of such Chinese scholarship are Du You’s Tong dian, Zhu Xi’s Zhuzi yu lei, Wang Yinglin’s Kunxue jiwen and Zhang Xuecheng’s Wen shi tong yi, which were all works that Naitō liked to read. This essay will show Naitō’s points of convergence with Zhang Xuecheng’s scholarship, in particular, his advocating that the Six Classics are all historical works, and will evaluate Naitō’s attempts to fi nd spiritual simi- larities between Chinese and Western scholarship. Key words: Naitō Konan, Hu Shih, Zhang Ertian, Jin Xingxiang, Zhang Xuecheng, Du You, Tominaga Nakamoto, Wenshi tongyi On January 26, 1931, the well-known East Asian historian Naitō Konan (1866–1934) gave a lecture to Emperor Hirohito in the Imperial Palace as part of the New Year’s celebrations. He lectured on historical changes in customs concerning preparation of a corpse for sacrifi ce, following a lord in death, marriage within the same family name, etc., as found in volume 48 of Tongdian (A Comprehensive Collection of Laws and Regulations), by Du You( 735–812), a grand councilor during the Tang dynasty. In Naitō’s notes for the lecture, there is the following comment: * The original Japanese version was published in Ajia yūgaku( Intriguing ASIA) No. -
Book History in PREMODERN China
Book History in Premodern China The State of the Discipline I Cynthia Brokaw Few cultures have enjoyed such a long tradition of literary production and scholarship as China. Writing, in the form of characters scratched on ‘‘ora- cle bones,’’ tortoise plastrons and oxen shoulder bones used to record com- munications with the ancestors of the ruling family, appeared in ancient China by the middle of the second millennium b.c. ‘‘Books,’’ in the form of writing on bamboo slats bound together into rolls, had become both a rou- tine means of making bureaucratic records and a vehicle for the lively intel- lectual and political debates of the Warring States period (481–256 b.c.) and the voluminous works of the Han dynasty (206 b.c.–a.d. 220). The rulers of this dynasty initiated the creation of a canon of sacred texts, even- tually known as the Confucian Classics, to be revered as the carriers of the fundamental ethical and political values of Chinese culture. The invention of paper by the first century b.c. and the gradual spread of its use made writing much more accessible to the literate elite and encouraged the pro- duction of a broad range of texts. Manuscript book culture flourished. By the eighth century (at the latest),1 the Chinese had invented xylogra- phy, the method of reproducing text from characters cut in relief on wooden blocks. Developed first for the production of Buddhist works (the earliest extant book is a beautifully illustrated sutra), the technology was embraced quickly by commercial publishers, who turned out dictionaries, medical texts, almanacs, divination and geomancy manuals, and works on astrol- ogy; and later by the government, which used print to establish standard editions of the Confucian Classics in the tenth century. -
The Literary Design of Liu Yiqing's Qiantang Yishi And
THE POETICS OF MISCELLANEOUSNESS: THE LITERARY DESIGN OF LIU YIQING’S QIANTANG YISHI AND THE HISTORIOGRAPHY OF THE SOUTHERN SONG by Gang Liu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) In the University of Michigan 2010 Doctoral Committee: Professor Shuen-fu Lin, Chair Professor Yopie Prins Associate Professor David L. Rolston Assistant Professor Christian de Pee © Gang Liu 2010 To Wei and Ava ii ACKNOWLEDGEMENTS I owe my deepest gratitude to my adviser, Professor Shuen-fu Lin, whose unfailing support and incisive comments have made the writing of this dissertation such a pleasant and rewarding experience for me. Professor Lin is not only an inspiring mentor and teacher, but also an amiable person whom I have always been comfortable to work with. I am grateful to have him as my adviser during my graduate study. I also owe great debts of thanks to Professors David L. Rolston, Christian de Pee, and Yopie Prins, who are on my dissertation committee. Professors Rolston, de Pee, and Prins have all been very supportive and have helped me immeasurably throughout the entire course of this dissertation. They have been most willing to read and to offer me feedback from different perspectives (literary, historical and theoretical, etc.) on drafts of this dissertation at various stages. Without their support and insightful comments, this dissertation would never become possible. I would like to extend my thanks to Professors William Baxter, Miranda Brown, Xiaobing Tang, Jonathan Zwicker, Ken Ito, and Nancy Florida, who have showed enthusiastic interests in this dissertation and offered me invaluable suggestions on it.