DOCSLIB.ORG

David Smith Resume Local 44

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
David Smith Resume Local 44 DAVID SMITH • LOS ANGELES, CALIFORNIA 90069 • 310-291-4143 SET DECORATOR / IATSE LOCAL 44 (LA) LOCAL 52 (NY), SDSA SET DECORATION / FILM & TELEVISION CRAZY, STUPID, LOVE – Warner Brothers Feature Film Producers: Carousel Productions, Steve Carell, Denise DiNove, Vince Degeneres, Charlie Hartsock, David Siegel Production Designer: William Arnold Directors: Glenn Ficarra and John Requa LITTLE FOCKERS – Universal Studios: Feature Film Producers: Depth of Field,Tribeca Films, Jane Rosenthal, John Hamburg, Andrew Miano, Meghan Lyvers Production Designer: William Arnolds Director: Paul Weitz PARENTHOOD – NBC, Universal Studios: Television Pilot Producers: Ron Howard, Jason Katims, Nan Bernstein Production Designer: Tim Galvin Director: Thomas Schlamme Berkeley CA. Location CIRQUE DU FREAK – Universal Studios; Depth of Field: Feature Film The Donners Company; Producers: Paul Weitz, Andrew Miano, Lauren Shuler Donner, Dan Kolsrud. Production Designer: William Arnold Director: Paul Weitz New Orleans Location IAMAGINE THAT – Paramount Pictures; Di BonaventuraPictures: Feature Film Producers: Lorenzo Di Bonaventura, Ric Kidney, Ed Solomon Production Designer: William Arnold Director: Karey Kirkpatrick KIDS IN AMERICAN – Universal Studios; Imagine Entertainment: Feature Film Kids in America (Working Title) Producers: Topher Grace, Gordon Kaywin, Dany Wolf Production Designer: William Arnold Director: Michael Dowse THE HOLIDAY – Columbia Pictures: Feature Film Producers: Nancy Meyers, Bruce Block, Helen Pollak Production Designer: Jon Hutman Director: Nancy Meyers AMERICAN DREAMZ – Universal Studios; Depth of Field: Feature Film Producers: Rodney Liber, Andrew Miano, Kerry Kohansky, Chris Wietz Production Designer: William Arnold Director: Paul Weitz LAST HOLIDAY – Paramount Pictures: Feature Film Producers: Laurence Mark, Jack Rapke, Robert Zemeckis, Richard Vane Production Designer: William Arnold Director: Wayne Wang New Orleans, Prague and Innsbruck Locations IN GOOD COMPANY – Universal Studios: Feature Film Producers: Depth of Field, Rodney Liber, Andrew Miano, Kerry Kohansky, Chris Weitz Production Designer: William Arnold Director: Paul Weitz SHOPGIRL – Hyde Park Entertainment; Walt Disney Studios: Feature Film Producers: Ashok Amritraj, Jon Jashni, Andrew Sugarman, Marcus Viscidi Meredith Zamsky, Steve Martin Production Designer: William Arnold Director: Anand Tucker THE GAME OF THEIR LIVES – Bristol Bay Entertainment: Feature Film THE MIRACLE MATCH DVD Release Name Producers: Ginger Perkins, Peter Newman, Angelo Pizzo, Production Designer: Linda Burton Director: David Anspaugh St. Louis and Rio de Janeiro Locations DRAGNET – ABC TV, Studios USA-Universal Television, 7 original episodes Producers: Dick Wolf, Walon Green, Robert Nathan, Barry Berg, Kevin Hooks, Gary Strangis Production Designer: William Arnold THE GUARDIAN - CBS TV, Rosecrans Productions, 21 Episodes Producers: David Hollander, Mark Johnson,Michael Pressman, Vahan Moosekian Production Designer: Maia Javan DARK BLUE – UA Intermedia Films: Feature Film Producers: Caldecot Chubb, David Blocker Director: Ron Shelton Production Designer: Dennis Washington GIDEON’S CROSSING – ABC TV, Touchstone Television, 21 Episodes Producers: Paul Attanasio, Katie Jacobs, Randy Zisk, Eric Overmeyer, Jon Hutman Production Designer: Jon Hutman L.A. CONFIDENTIAL – Warner Brothers TV, Pilot Producers: Walon Green, Eric Laneuville, Mel Efros Director: Eric Laneuville Production Designer: William Arnold FREEDOM SONG – Turner Films, A TNT Original Producers: Phil Alden Robinson, Sean Daniel, Amanda Digiulio Director: Phil Alden Robinson Production Designer: Linda Burton North Carolina Location NYPD BLUE – ABC TV, 93 Episodes Producers: Steven Bochco, David Milch, Mark Tinker, Michael Robin, Paris Barclay Production Designer: Richard Hankins THE WOOD – Paramount/MTV Feature Film Producers: Albert Berger, Ron Yerxa, David Gale, Doug Curtis Director: Rick Famuyiwa Production Designers: Roger Fortune and Maxine Shepard HOPE – Turner Films, A TNT Original Producers: Goldie Hawn, Anthea Sylbert, Teri Schwartz, Amanda Digiulio Production Designer: Linda Burton Director: Goldie Hawn Houston, Anderson, and Sugarland, Texas Location SWEET JUSTICE – NBC TV, 13 Episodes Producers: John Romano, Mel Damski, Steve Beers, Mel Efros Production Designer: Linda Burton L A LAW – NBC TV, 20th Century Fox Television, 22 Episodes Producers: Willian Finkelstein, Mark Tinker, Elodie Keene Production Designer: Michael Mayer A HOUSE OF SECRETS & LIES – CBS TV, Movie of the Week Producers: Elliot Friedgen, Chris Rose, Rick Rosenburg, Bob Christiansen Production Designer: Richard Hankins Director: Paul Schneider KEY EXCHANGE – 20th Century Fox: Feature Film Producers: Paul Kurta, Mitchel Maxwell, Michael Poncha Production Designer: David Gropman Director: Barnet Kellman RELATED WORK EXPERIENCE Commercials, Soap Operas, Off-Broadway and Broadway Productions - detail listing upon request Five Emmy Nominations .
Load more

Recommended publications
  • Greg Fitzpatrick
    Greg Fitzpatrick Gender: Male Service: no info Height: 5 ft. 8 in. Mobile: 818-648-2878 Weight: 145 pounds E-mail: [email protected] Eyes: Brown Web Site: http://vimeo.com/gre... Hair Length: Regular Waist: 31 Inseam: 32 Shoe Size: 7 1/2 Physique: Athletic Coat/Dress Size: 39R Ethnicity: Caucasian / White, Latin/Hispanic, Mixed Photos Film Credits #RealityHigh Stunt Coordinator Stunt Coordinator The House Stunt Dbl. Nick Kroll Todd Bryant Literally, Right Before Aaron Stunt Double: Justin Long Tim Mikulecky The First Stunt Double: Luke Arnold Dorenda Moore Suburicon Stunts Jeffery Lee Gibson Warcraft Stunt Coordinator, Re Shoots Greg Fitzpatrick Zoolander 2 Stunt Coord/Stunt Dbl. Ben Stiller Paramount Studios/Ben Stiller Dir. Generated on 09/29/2021 01:00:14 pm Page 1 of 7 Luke Lafontaine Night At The Museum 3-The Stunt Dbl. Ben Stiller/Asst. Brad Martin Secret Of The Tomb Coordinator Expelled Stunt Dbl.: Cameron Dallas Kim Koski/Tony Snegoff Godzilla Stunts John Stoneham Jr. The Secret Life Of Walter Mitty Dbl. Ben Stiller Tim Trella The Watch Dbl. Ben Stiller Jack Gill African Gothic Stunt Coordinator The Beautiful Ones Stunts Luke LaFontaine For The Love Of Money Dbl. Hal Ozan Jesse V. Johnson Project Five Stunt Double: David Eigenberg Charlie Brewer Tower Heist Stunt Double: Ben Stiller Jerry Hewitt Real Steel Atom Fight Double Garrett Warren Little Fockers Stunt Double: Ben Stiller Garrett Warren Green Hornet Acting Role / Stunts Andy Armstrong Hawthorne Stunts Kerry Rossal Ironman 2 Stunt Double: Robert Downey Jr. Tom Harper Night At The Museum 2 Stunt Double: Ben Stiller JJ Makaro Angels & Demons Stunts Brad Martin The Soloist Stunt Double: Robert Downey Jr.
    [Show full text]
  • AANE Journal for Donors & Members of the Asperger's Association of New England
    AANE JOURNAL For Donors & Members of the Asperger's Association of New England Issue 6 Spring 2010 CONGRATULATIONS COLBY! Colby Shea- Perkins, a 14 year old with Aspeger’s Syndrome (AS) who attends Cape Elizabeth Middle School in Maine, has been recognized in a national competition for his painting Lazy Dog (to the left).He is one of 51 artists whose artwork was select- ed from over 5,500 submissions to represent his or her state in the All Kids Can...CREATE! exhibit. The exhibit will debut in Wash- ington, DC before embarking on Lazy Dog by Colby Shea-Perkins a two-year tour of children’s mu- seums across the country. Colby has won an all-expenses-paid trip to DC for a reception in celebra- tion of the opening. The exhibit is part of a na- tional campaign sponsored by VSA arts and the CVS Caremark All Kids Can program to encour- age inclusive arts education and increase public awareness of the arts in the lives and learning of Above: Colby standing next to his artwork at young people with disabilities. It the exhibit in Union Station in Washington, DC. will also be featured in the 2010 Left: Colby in front of the reflecting pool and International Very Special Art- the Washington Monument. ists (VSA) Festival, the largest Feel free to take a look at the festival celebration of arts and disability website for more information: http:// in the world. www.kennedy-center.org/programs/festi- vals/09-10/vsa/ Cover: William Mironchuk proudly holding his Swimmer Buddy Tag.
    [Show full text]
  • REYNOLDS, Brian
    BRIAN J. REYNOLDS DIRECTOR OF PHOTOGRAPHY https://vimeopro.com/user5249916/brian-j-reynolds-director-of-photography TELEVISION DOLLY PARTON’S HEARTSTRINGS: Netflix Prod: Patrick Sean Smith, Sam Haskell, Dir: Joe Lazarov THESE OLD BONES (Anthology Feature) Dolly Parton, Hudson Hickman DO UNTO OTHERS (MOW) Lifetime Prod: Julie Jarrett-Insogna, Stefanie Ziev Dir: Seth Jarret DOLLY PARTON’S (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek CIRCLE OF LOVE COAT OF MANY COLORS (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek MANHATTAN LOVE STORY (Season 1) ABC Prod: Jeff Lowell, Peter Traugott, Robin Schwartz Dir: Michael Fresco 90210 (Seasons 4 & 5) CBS/The CW Prod: Michael Pendell, Patricia Carr, Lara Olsen Dir: Various UNITED STATES OF TARA (Eps. 305-308) DreamWorks/Showtime Prod: Darryl Frank, Dan Kaplow Dir: Various THE GOOD GUYS (Pilot & Series) Fox TV Studios/FOX Prod: Matt Nix Dir: Tim Matheson BETTER OFF TED (Season 2) 20th Century Fox/ABC Prod: Marc Solakian, Michael Shipley Dir: Michael Fresco LIMELIGHT (Pilot) Warner Bros./ABC Prod: K.J. Steinberg, McG Dir: David Semel THE CLOSER (Seasons 1-4) Warner Bros./TNT Prod: Michael Robin, Greer Shephard Dir: Michael Robin CLEANER (Pilot) CBS Paramount/A&E Prod: Jonathan Prince, Robert Paul Munic Dir: David Semel TRUST ME (Pilot) Warner Horizon/TNT Prod: Hunt Baldwin, John Coveny Dir: Michael Robin THE VIRGIN OF AKRON OHIO (Pilot) Fox TV Studios/Lifetime Prod: Cary Brokaw, Jordan Budde Dir: Randall Zisk IMPERFECT UNION (Pilot) TNT Prod:
    [Show full text]
  • Download Download
    “Can We Get a Cleanup On Aisle 2?” Previous: The Antisocial Fantasies of Jude the Obscure by Matthew Risling “Can We Get a Cleanup On Aisle 2?”: How Film Critics Mopped Up the Transgressions of Jenny McCarthy’s Dirty Love Sara Swain Pivot is published through Open Journal Systems (OJS) at York University 2 Introduction Dirty Love (John Asher, 2005) is the consequence of Jenny McCarthy’s fearless foray into the risky territory of the gross-out comedy. The film endured a long and laborious gestation period under the threat of financial ruin. The project began as a sitcom pilot that McCarthy had initially penned for Fox Television. Fox passed, deeming the project “too edgy and too controversial for TV” “Can We Get a Cleanup On (qtd. in Kevin Aisle 2?”: Williamson). But McCarthy and her How Film Critics Mopped Up the production team could Transgressions of Jenny McCarthy’s not be dissuaded. They Dirty Love bought the rights back Sara Swain from Fox and McCarthy went to work transforming the script into a feature film (Kates). She insists that she never wanted to be a writer but because of the dearth of onscreen comedic roles for women, she was forced to take matters into her own hands (qtd. in Sobczynski). Dirty Love eventually debuted at the Sundance Film Festival in late January 2005, where it was warmly received. John Cooper, the Festival’s Programming Director, lauded the filmmakers in the program notes for so brazenly travelling “across a comic minefield where few dare to tread.” Soon after the film was picked up for distribution.
    [Show full text]
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • Examining Television Narrative Structure
    Butler University Digital Commons @ Butler University Scholarship and Professional Work - Communication College of Communication 2002 Re(de)fining Narrative Events: Examining Television Narrative Structure M. J. Porter D. L. Larson Allison Harthcock Butler University, [email protected] K. B. Nellis Follow this and additional works at: https://digitalcommons.butler.edu/ccom_papers Part of the Communication Commons Recommended Citation Porter, M.J., Larson, D.L., Harthcock, A., & Nellis, K.B. (2002). Re(de)fining narrative events: Examining television narrative structure, Journal of Popular Film and Television, 30, 23-30. Available from: digitalcommons.butler.edu/ccom_papers/9/ This Article is brought to you for free and open access by the College of Communication at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - Communication by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Re(de)fining Narrative Events: Examining Television Narrative Structure. This is an electronic version of an article published in Porter, M.J., Larson, D.L., Harthcock, A., & Nellis, K.B. (2002). Re(de)fining narrative events: Examining television narrative structure, Journal of Popular Film and Television, 30, 23-30. The print edition of Journal of Popular Film and Television is available online at: http://www.tandf.co.uk/journals/VJPF Television's narratives serve as our society's major storyteller, reflecting our values and defining our assumptions about the nature of reality (Fiske and Hartley 85). On a daily basis, television viewers are presented with stories of heroes and villains caught in the recurring turmoil of interrelationships or in the extraordinary circumstances of epic situations.
    [Show full text]
  • James L. Carter, Asc Director of Photography Iatse 600
    JAMES L. CARTER, ASC DIRECTOR OF PHOTOGRAPHY IATSE 600 www.jameslcarterasc.com FEATURES THE GREENING OF WHITNEY Perfect Weekend Prod: George Engel, Justin Moore-Lewy, Dir: Peter Odiorne BROWN Rachael Harrell WALKER PAYNE Persistent Entertainment Prod: Judd Payne, Thomas Busch, Dir: Matt Williams Matt Rhodes BELIEVE IN ME IFC Prod: Jon Karas, Sherman Dugan Dir: Bob Collector LADDER 49 Disney Prod: Marty Ewing, Chris Salvaterra, Dir: Jay Russell Casey Silver SLEEPOVER MGM Prod: Jeremiah Samuels, Charles Weinstock Dir: Joe Nussbaum THE SHAPE OF THINGS Mepris Films/Sony Prod: Gail Mutrux, Phil Steuer, Tim Bevan Dir: Neil LaBute TUCK EVERLASTING Buena Vista Pics/Disney Prod: Marc Abraham, Thomas Bliss, Dir: Jay Russell Max Wong ZIG ZAG Franchise Pics Prod: Tracee Stanley, Al Hayes, James Holt, Dir: David S. Goyer Andrew Stevens MY DOG SKIP Alcon/Warner Bros. Prod: Marty Ewing, John Lee Hancock, Dir: Jay Russell Mark Johnson GUNFIGHTER’S MOON Rysher Prod: Douglas Curtis, Larry Ferguson, Dir: Larry Ferguson Robert Kenneally, John Langley TELEVISION MACGYVER (Seasons 1 & 3) CBS Prod: Jeffrey Downer, Peter Lenkov Dir: Various STATION 19 (Pilot) Shondaland/ABC Prod: Christine Larson-Nitzsche Dir: Paris Barclay DOOMSDAY (Pilot) Sony/ABC Prod: Shawn Williamson, Dir: Joachim Rønning Carol Mendelsohn GRACELAND (Season 3) Fox 21 TV/USA Prod: Larry Teng, Sean Daniel, Jeff Eastin, Dir: Various Jeff King, Sascha Schneider BIG SKY (MOW) Hallmark/Hall of Fame Prod: Andrew Gottlieb, Brent Shields Dir: Jeff Bleckner ONE CHRISTMAS EVE (MOW) Hallmark/Hall of Fame Prod: David Rosemont, Brent Sheilds Dir: Jay Russell CASTLE (Season 5) ABC Prod: Rob Bowman, Howard Grigsby Dir: Various WHEN CALLS THE HEART (Pilot) Hallmark Prod: Brian Bird, Laurette Bourassa Dir: Michael Landon Jr.
    [Show full text]
  • This Is a Test
    ‘LOVE, AGAIN’ CAST BIOS TERI POLO (Chloe Baker) – Teri Polo is best known for her role as Robert De Niro’s daughter, Pam Byrnes, in the “Meet the Parents” feature films. She recently starred in “The Little Fockers,” the third installment of the movie franchise and completed production on the feature “Beyond” opposite Jon Voight. Polo has also recently filmed the Lifetime movie “We Have Your Husband” and had a recurring role on “Law & Order: Los Angeles.” She played the character of Casey Winters, wife of Detective Rex Winters, played by Skeet Ulrich. In 2011, Polo starred in the ABC series “Man Up.” Polo’s other recent credits include the feature film “The Hole,” directed by Joe Dante and the NBC miniseries “The Storm,” both released in 2010. Polo’s film credits include “Beyond Borders” co-starring Angelina Jolie, the suspense thriller “The Unsaid” opposite Andy Garcia and “Domestic Disturbance” opposite John Travolta and Vince Vaughn. She co-starred opposite De Niro and Stiller in “Meet the Parents,” for which she won a People’s Choice Award and its sequel “Meet the Fockers.” Originally from Dover, Delaware, Polo began her performing career as a dancer. By age 13, she was attending New York’s School of Ballet. The summer before her senior year, she was signed to a modeling contract, which led to a role as Kristin on the daytime drama “Loving.” Polo made her primetime debut in the dramatic series “TV 101.” Television audiences may remember her as Michelle Capra, the doctor’s wife who was determined to master the strange surroundings (and even stranger characters) in “Northern Exposure.” She also starred in the comedy series “I’m with Her” as well as David E.
    [Show full text]
  • Xoxo, Gaga‏@Ladygaga #Channelkindness Is a Platform Within @ Btwfoundation Feat. Stories of Kindness Documented by Youth All O
    14 Sunday, June 18, 2017 xoxo, Gaga‏ @ladygaga #ChannelKindness is a platform within @ BTWFoundation feat. stories of kindness documented by youth all over the country. #CupsOfKindness London inger Liam Payne is working with DJ Zedd for a new music video. SZedd took to social media to post a video from the set of the music video. He said while posting the video: “What’s up guys, we’re here shooting for our brand new song with this guy”. Their fans are equally excited to see Payne and Zedd working together, reports mirror.co.uk. One of the fans said: “Wow great PERRY Liam (Payne) ft Zedd always hope the best my best singer and DJ”. “OMG Liam Payne is coming can’t wait to see you guys. Love you,” said another fan. Payne has recently became father for the first time after welcoming baby Bear Grey Payne with girlfriend Cheryl in March. (IANS) Los Angeles inger Katy Perry is officially the most followed person Son Twitter after becoming the first person to reach 100 million followers on the micro-blogging site. Los Angeles Using Perry’s latest eteran Hollywood actor Ben Kingsley has album “Witness” as been roped in by media company MGM reference, the official Twitter Vto play Nazi war criminal Adolf Eichmann in account posted: “Today, the film “Operation Finale” opposite Oscar we #WITNESS history. Isaac. Congratulations Katy Perry, Shooting will begin this fall in Argentina the first to reach 100 million with Chris Weitz to direct the thriller about followers! #LoveKaty.” the capture of Eichmann, who was one of the Twitter also posted major architects of the Holocaust.
    [Show full text]
  • American Pie: the Wedding” Film
    Socio-Cultural Impact of Youth in America Towards “American Pie: The Wedding” Film A Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the Requirements for the Strata I Degree (SI) By Barikatul Hikmah. A. S. 103026027616 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2009 1 APPROVEMENT SOCIO-CULTURAL IMPACT OF YOUTH IN AMERICA TOWARDS "AMERICAN PIE: THE WEDDING" FILM A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for the Strata Degree (S1) By Barikatul Hikmah. A. S. NIM. 103026027616 Approved by: Muhammad Supardi. S. S Supervisor ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2008 2 LEGALIZATION The thesis entitled “Socio-cultural Impact of Youth in America towards American Pie: The Wedding Film” has been defended by the Letters and Humanities Faculty’s Examination Committee on July, 2008. The thesis has already been accepted as a partial fulfillment of the requirement for acquiring the Strata One Degree (S1) in English Letters Department. Jakarta, July, 2008 Examining Committee Chief, Secretary, Dr. H. M. Farkhan, M. Pd Drs. A. Saefuddin, M. Pd NIP. 150 299 480 NIP. 150 261 902 Members; Examiner I, Examiner II, Dr. Frans Sayogie, M.Pd Elve Oktafiyani, M. Hum NIP. 150 299 481 NIP. 150 317 725 3 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text.
    [Show full text]
  • Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
    Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.
    [Show full text]
  • ALEX NEPOMNIASCHY, ASC Director of Photography Alexnepomniaschy.Com
    ALEX NEPOMNIASCHY, ASC Director of Photography alexnepomniaschy.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MARVELOUS MRS. MAISEL Daniel Palladino AMAZON STUDIOS / Nick Thomason Season 4 Amy Sherman-Palladino MIXTAPE Ti West ANNAPURNA PICTURES Series NETFLIX / Chip Vucelich, Josh Safran L.A.’S FINEST Eagle Egilsson SONY PICTURES TELEVISION Series Mark Tonderai Scott White, Jerry Bruckheimer WISDOM OF THE CROWD Adam Davidson CBS Series Jon Amiel Ted Humphrey, Vahan Moosekian Milan Cheylov Adam Davidson GILMORE GIRLS: A YEAR IN THE LIFE Amy Sherman- WARNER BROS. TV / NETFLIX Mini-series Palladino Daniel Palladino Daniel Palladino Amy Sherman-Palladino THE AMERICANS Thomas Schlamme DREAMWORKS / FX Season 4 Chris Long Mary Rae Thewlis, Chris Long Daniel Sackheim Joe Weisberg, Joel Fields THE MENTALIST Chris Long WARNER BROS. / CBS Season 7 Simon Baker Matthew Carlisle, Bruno Heller Nina Lopez-Corrado Chris Long STANDING UP D.J. Caruso ALDAMISA Janet Wattles, Jim Brubaker Ken Aguado, John McAdams BLUE BLOODS David Barrett CBS Seasons 4 & 5 John Behring Jane Raab, Kevin Wade Alex Chapple Eric Laneuville I AM NUMBER FOUR D.J. Caruso DREAMWORKS Add’l Photography Sue McNamara, Michael Bay BIG LOVE Daniel Attias HBO Season 4 David Petrarca Bernie Caulfield THE EDUCATION OF CHARLIE BANKS Fred Durst Marisa Polvino, Declan Baldwin TAKE THE LEAD Liz Friedlander NEW LINE Diane Nabatoff, Michelle Grace CRIMINAL MINDS Pilot Richard Shepherd CBS / Peter McIntosh NARC Joe Carnahan PARAMOUNT PICTURES Nomination, Best Cinematography – Ind. Spirit
    [Show full text]