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January 24, 2021 | 6:30Pm Tlaloc Lopez-Waterman Barbara B
´ La BohemeA Vivid Original Design Production! Artistic Director Steffanie Pearce Music Director Greg Ritchey Stage Director Josh Shaw Assistant Conductor & Chorus Master Brian Holman Set Designer Ardean Landhuis Lighting & Projections Designer January 24, 2021 | 6:30pm Tlaloc Lopez-Waterman Barbara B. Mann Performing Arts Center Wardrobe Supervisor Caitlin Durrance The Blagojevic Sponsored -Sazonov Group In Part By: at A Message From The ARTISTIC DIRECTOR For our highly anticipated Barbara B. Mann debut, we present a fresh new look at this most popular Puccini opera. The idea came when I was searching for a poster image. Mindful that Puccini composed the work at the height of the Impressionist movement, I started looking at Paris street scenes of that period and came across Van Gogh’s Terrace Cafe at Night. The painting sparked a vision of the characters in the opera living upstairs from that cafe and coming down to hang out there, just like Van Gogh and the Paris Impressionists would have. A vibrant young creative team from across the United States have been collaborating since October to bring this original design production of Puccini’s most loved grand opera to Southwest Florida. Stage director, Josh Shaw, describing this new production explains, “La Bohème is a timeless story with themes as relevant today, as they were in the original setting. In the late 1880s Paris was filled with a concentration of larger than life artistic characters -- Van Gogh, Gauguin, Toulouse-Lautrec, and others. In our production, we are imagining our bohemian lovers as moving in the same circles as the great Impressionist artists who rebelled against classical subject matter and embraced modernity, creating works that reflected the world in which they lived. -
FRIZZA Festival Verdi, Teatro Regio Diparma Octubre 1,5,15,22 Falstaff
Riccardo FRIZZA Festival Verdi, Teatro Regio diParma Regio Teatro Verdi, Festival Octubre 1,5,15,22 Falstaff © Joan TOMÀS BIOGRAFÍA dell’Accademia Nazionale di S. Cecilia, la Orches- tra del Maggio Musicale Fiorentino, la Gewandhaus Más Verdi en la batuta Orchestre de Leipzig, la Sachsische Staatskapelle l maestro italiano Riccardo Frizza es de Dresde, la Sinfonica de Milán G. Verdi, la Sin- de Riccardo Frizza uno de los más importantes directores fonica Toscanini, la Mahler Chamber Orchestra, El director italiano recalará en octubre en el Teatro Regio de Parma para dirigir cuatro funciones de Falstaff, musicales de su generación. Con un la Filarmónica de San Petersburgo, la Sinfónica de “un paso de gigante en la historia de la música” amplio repertorio sinfónico y operís- Galicia, la Orchestre National de Montpellier, la tico, está considerado como una auto- Philarmonia Orchestra de Londres, la Orchestre ridad en la obra de Giuseppe Verdi y en el bel canto National de Belgique, la Bayerische Staatsorchester Eromántico (Rossini, Bellini y Donizetti). Se forma de Múnich, la Filarmónica de Montecarlo, el Ens- en el Conservatorio de Música de Milán y en la Ac- emble Orchestral de París, la Filarmónica de Gran cademia Chigiana di Siena. En 1998 vence el Con- Canaria, la Filarmónica Lutowlasky de Breslavia, I curso de directores de la República Checa y entre Solisti de Praga, la Orquesta de la Radio Romania, 1994 y 2000 es el director estable de la Orchestra la Filarmónica G. Enescu de Bucarest, la New Tok- Sinfonica de Brescia (Italia), con la cual dirige la in- yo City Orchestra, la Tokyo Simphony Orchestra o tegral de las Sinfonías de Beethoven y una multitud la Kyoto Symphony Orchestra. -
Transatlantic Crossings in J989
SNEAK PREVIEW'S AND TRANSATLANTIC CROSSINGS IN J989 BY ELLEN LAMPERT he Welsh National Opera rang in the Richard Peduzzi, whose design collaboration New York with its American debut at with Patrice Chereau stretches over the past twenty the Brooklyn Academy of Music in years, is already at work on the decor for Cher • February with Peter Stein's production eau 's production of Mozart's Don Giovanni, Designer Reinhard Heinrich, Tof Falstaff. With sets designed by Lucio Fanti, who scheduled to open the new French Opera House at who recently made his direc also designed Stein's WNO production of Othello, the Bastille in January 1990. The building, cur torial debut with the Nether and costumes by Moidele Bickel, the production rently under construction, will host a concert on lands Opera production of was filmed in Cardiff by the BBC for an airdate la July 14, as a sentimental offering to this year's bi The Damnation ofFaust, will centennial celebration of the French Revolution, direct and design Lulu ter in 1989. (model, I) for the Heidelburg New productions on the Welsh National Opera's but full-staged productions are not scheduled until Theatre. Opening is set for 1989 home schedule include Mozart's Seraglio, di 1990. May89. rected by Giles Havergal, with sets and costumes by Back in Germany, Reinhold Daberto, from Russell Craig, who also designed the WNO/Mozart Acoustic Biihnentechnik, is overseeing extens ive The Marriage of Figaro. This production debuts renovations of the stage machinery at the Munich • on March 11 , to be followed in May with La Son Opera. -
Videografía Y Fonografía
VIDEOGRAFÍA Y FONOGRAFÍA En el listado siguiente ofrecemos una selección de las grabaciones comerciales disponibles, con los papeles principales presentados en este orden: Salome (soprano); Jochanaan (barítono- bajo); Herodes (tenor); Herodías (mezzosoprano); Narraboth (tenor);. Coro y orquesta / Director / Sello discográfico. SALOME EN AUDIO 1947 1960 Maria Cebotari, Marko Rothmüller, Julius Patzak, Maria Kouba, Hans Hotter, Julius Patzak, Kitsa Elisabeth Höngen, Karl Friedrich. Filarmónica de Damassioti, Erich Kienbacher. Orquesta Filarmónica Viena / Clemens Krauss, / CD: Gebhardt. de Viena / Hans Swarowsky / Hermann Lanske. 1974 1949 Teresa Stratas, Hans Beirer, Bernd Weikl, Astrid Ljuba Welitsch, Herbert Janssen, Frederick Jagel, Varnay, Wieslaw Ochman. Orquesta Filarmónica de Kirsten Thorborg, Brian Sullivan. Orquesta de la Viena / Karl Böhm / Götz Friedrich. Sello Unitel Metropolitan Opera House / Fritz Reiner / CD: Gebhardt. 1990 Catherine Malfitano, Simon Estes, Horst 1954 Hiestermann, Leonie Rysanek, Clemens Bieber. Christel Goltz, Julius Patzak, Hans Braun, Margherita Deutsche-Oper de Berlín / Giuseppe Sinopoli / Petr Kenney, Anton Dermota. Orquesta Filarmónica de Weigl Viena / Clemens Krauss. Sello DECCA y Naxos 1997 1961 Catherine Malfitano, Kenneth Riegel, Bryn Terfel, Anja Birgit Nilsson, Gerhard Stolze, Eberhardt Wächter, Silja, Robert Gambill. Royal Opera Covent Garden / Grace Hoffmann, Waldemar Kmentt. Orquesta Christoph von Dohnanyi/ Luc Bondy. Sello Decca Filarmónica de Viena / Sir Georg Solti. Sello DECCA 2007 1968 Nadja Michael, Iris Vermillion, Peter Bronder, Montserrat Caballé, Richard Lewis, Sherrill Milnes, Matthias Klink, Falk Struckmann / Scala de Milán / Regina Resnik, James King. Orquesta Sinfónica de Daniel Harding / Luc Bondy Londres / Erich Leinsdorf. Sello RCA. 2008 1977 Nadja Michael, Michaela Schuster, Thomas Moser, Hildegard Béhrens, Karl Walter Böhm, Jose van Joseph Kaiser, Michael Volle / Royal Opera House, Dam, Agnés Baltsa, Wieslaw Ochman. -
Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A. -
L'italiana in ALGERI Di Gioacchino Rossini a TEATRO CON LA LUTE
A TEATRO CON LA LUTE L’ITALIANA IN ALGERI Di Gioacchino Rossini L'italiana in Algeri Dramma giocoso in due atti Musica di Gioachino Rossini Libretto di Angelo Anelli Direttore Gabriele Ferro Regia Maurizio Scaparro Regista collaboratore Orlando Forioso Scene Emanuele Luzzati Costumi Santuzza Calì Luci Bruno Ciulli Assistente ai costumi Paola Tosti Maestro al fortepiano Giuseppe Cinà Orchestra e Coro del Teatro Massimo Allestimento del Teatro Massimo Cast Mustafà Luca Tittoto Elvira Maria Francesca Mazzara Zulma Isabel De Paoli Haly Giovanni Romeo Lindoro Levy Segkpane Isabella Teresa Iervolino Taddeo Francesco Vultaggio Direttore D’Orchestra Gabriele Ferro Ha compiuto gli studi musicali, pianoforte e composizione, diplomandosi presso il Conservatorio Santa Cecilia di Roma. Nel 1970 ha vinto il concorso per giovani direttori d’orchestra della Rai, collaborando da allora con le sue orchestre, quella dell’Accademia di Santa Cecilia e della Scala di Milano per i concerti sinfonici. Ha riscosso un ampio successo internazionale dirigendo i Wiener Symphoniker, i Bamberg Symphoniker, l’Orchestre de la Suisse Ro- mande, l’Orchestre Philharmonique de Radio France, la BBC Symphony Orchestra, l’Orchestra WDR, la Cleveland Orchestra, e la Gewandhaus di Lipsia. Ha inoltre collaborato per molti anni con l’Orchestre National de France. È stato Direttore stabile dell’Orchestra Sinfonica Siciliana (1979-1997), Direttore principale dell’Orchestra della Rai di Roma (1987-1991), Generalmusikdirektor dello Stuttgart Staatstheater (1991-1997), Direttore musicale del Teatro San Carlo di Napoli (1999-2004) e Direttore principale del Teatro Massimo di Palermo (2001-2006). Il suo repertorio spazia dalla musica classica alla contemporanea, nell’ambito della quale ha diretto in prima mondiale opere di Berio, Clementi, Maderna, Stockhausen, Lieti, Nono, Rihm, Battistelli, Betta etc. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Opening Night Seats for Just
15 2014-20 OPENING NIGHT SEATS FOR JUST $30 ABOVE: Brenda Harris in Macbeth, 2014. RIGHT: Soprano Brenda Harris at the After Party with Tempo members. What is Tempo? Tempo is a membership program for both new and seasoned opera-goers ages 21-39. Your $50 Tempo membership includes exciting benefits to help you get acquainted with Minnesota Opera. MEMBER BENEFITS: • Savings of up to 76% off opening night tickets. • Invitations to Tempo Nights Out + After Parties. • Discounts on show previews and special events. • Opportunities to hear from the singers and creative team behind each production at select events. “Opera isn’t just for your parents. Tempo’s 20- to 30-something members are a cool bunch.” – Mpls.St.Paul Magazine—Party Patrol INSET: INSET: Director Kevin Newbury, mezzo soprano ABOVE: James Valenti in The Dream of Valentino, Roxana Constantinescu, and tenor James Valenti with 2014. Production photos by Michal Daniel. Tempo members at “Who is Werther?” preview event. Event photos ©2012 Clare Pix Photography. “The event was a beautifully executed one that made the point clear – that the opera could be not only stylish, but – dare we say sexy.” – Le Petit Connoisseur de La Mode TEMPO NIGHT OUT INCLUDES: • Up to two steeply discounted tickets for Minnesota Opera’s opening night performances. Purchase a 3-, 4-, or 5-opera Tempo subscription and save even more! Lift this panel to find out how you could see all 5 operas for just $24 each. • Opera Insights — free, fun, and informative sessions held one hour before every show. • Admittance to the members-only Tempo Intermission Lounge. -
Lyric Opera of Kansas City Announces 2014-2015 'Season to Cherish' At
FOR IMMEDIATE RELEASE Contact: Ellen McDonald (816) 444-0052 Or (816) 213-4355 (c) [email protected] For Tickets: kcopera.org or 816.471.7344 Lyric Opera of Kansas City Announces 2014-2015 ‘Season to Cherish’ at the Kauffman Center for the Performing Arts Highlights include Kansas City Premiere of Silent Night and Significant Lyric Opera Debuts of Major International Artists in Key Roles Including Melody Moore, Joyce El-Khoury, Anthony Michaels-Moore, Irene Roberts, Patrick Carfizzi and James Valenti Kansas City, MO (March 10, 2014) – Lyric Opera of Kansas City General Director and CEO Deborah Sandler today announced the 2014-2015 season in the Kauffman Center for the Performing Arts. Two grand operas in the best tradition of the repertoire, La Traviata and Tosca, a Kansas City premiere of a new, award-winning production, Silent Night, and a light-hearted, charming story, The Italian Girl in Algiers, complete the ‘Season to Cherish.’ Lyric Opera of Kansas City is producing a ‘Season to Cherish’ in its 57th season by creating rich and large scale productions that will fill the Kauffman stage, engaging some of the world’s most talented opera stars making their Lyric Opera debuts, and the most sought- after directors. “I am thrilled to announce our upcoming season which brings rich talent and numerous debuts to our Kansas City audiences,” stated Deborah Sandler. “It is my fervent hope to produce works which will appeal to the first time opera goer, those who may not have been for a while, and those loyal audience members who are passionate about opera. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
FOCUS on 3 PRODUCTIONS I – Phaedra II– La Fin De L'amour
FOCUS ON 3 PRODUCTIONS I – Phaedra II– La Fin de l’Amour (The End of Love) III– Chto (What) I– PHAEDRA Phaedra by Jean Racine staged by Luc Bondy Théâtre Vidy à Lausanne Théâtre de l'Odéon – Festival d’automne Producers: Théâtre Vidy-Lausanne, ETE Kunstfestspiele Reckling hausen Europƒisches Festival, Wiener Festwochen, Theater der Nationen im Rahmen der Zÿrcher Festspiele, Odéon-Théâtre de l'Europe, Festival d'Automne à Paris PRESS REVIEW 1) Lausanne PHAEDRA, LOVE ON THE RUN. In Lausanne, Luc Bondy stages a simple and luminous show. A matter of skin. Strong, [Valérie Dréville] is also a fragile Phaedra, almost a child in the hands of a disquieting Œnone, performed by Dominique Frot. […] But Dominique Frot is also a perfectly attentive partner, a true sister of the night – nothing in the acting of her partner escapes her. René Solis, Libération, March 3, 1998 An exceptional cast, a brilliant production: Racine triumphs in Lausanne Valérie Dréville is astonishing in the title role but never obscures the remarkable performances of the other actors. Œnone,(Dominique Frot) is quite striking as well. An embodiment of possession. A frightening, demonic, gambolling goblin, able to materialize from the depths of horror. A “politician”… Jean-Louis Perrier, Le Monde, Feb. 28, 1998 LOVE UNTO DEATH It’s one of the most awaited productions of this new season: Luc Bondy stages Racine’s Phaedra in Lausanne Astonishing trio Valérie Dréville (Phaedra) and Dominique Frot (Œnone) are just overwhelming. [Dominique Frot] through Oenone, represents all the monstrosity and all the love that can coexist in the heart of a confidante. -
North Hunterdon Music Association Newsletter – Fall 2016
North Hunterdon Music Association Newsletter – Fall 2016 2016-2017 Officers President: President’s Letter Connie Rys Vice President Welcome to the 2016-2017 school year! Claire Rothstein Treasurer Audrey Hackel As fall arrives, we also have some new arrivals in the NHMA community. I am excited to say that I will be taking over as NHMA President for the next two Recording Secretary Terese Acocella years. We have so much to do, but we also have so many hands to help accomplish our mission. To be a part of the music experience here is to be a Corresponding Secretary part of something great. We are fortunate to have our students under the Suzanne Adams direction of such dedicated and talented faculty. Standing Committee Chairs We have gotten glimpses of the marching band’s “Star Wars: The Force Membership Nancy Gaidos Awakens” field show. We had a peek at our freshman talent at the September Freshman Tea. We can’t wait for our choral and instrumental students to “wow” Newsletter/Publicity Lynne Thompson us at the winter concerts. Ad Hoc Committee Chairs A new school year elicits mixed feelings. Our 2016 graduates are absent from our ensembles. Their parents have moved on as well. We will miss you all for 3rd Quarter Snack Terese Acocella sure. You are a talented bunch and we know you will do great things. Now, our choirs and instrumental groups present new faces. Welcome, Class of 2020! Hospitality Linda Garvey And welcome back to our returning music students and parents. We can’t wait to discover what this year has in store.