Opening Night Seats for Just
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
January 24, 2021 | 6:30Pm Tlaloc Lopez-Waterman Barbara B
´ La BohemeA Vivid Original Design Production! Artistic Director Steffanie Pearce Music Director Greg Ritchey Stage Director Josh Shaw Assistant Conductor & Chorus Master Brian Holman Set Designer Ardean Landhuis Lighting & Projections Designer January 24, 2021 | 6:30pm Tlaloc Lopez-Waterman Barbara B. Mann Performing Arts Center Wardrobe Supervisor Caitlin Durrance The Blagojevic Sponsored -Sazonov Group In Part By: at A Message From The ARTISTIC DIRECTOR For our highly anticipated Barbara B. Mann debut, we present a fresh new look at this most popular Puccini opera. The idea came when I was searching for a poster image. Mindful that Puccini composed the work at the height of the Impressionist movement, I started looking at Paris street scenes of that period and came across Van Gogh’s Terrace Cafe at Night. The painting sparked a vision of the characters in the opera living upstairs from that cafe and coming down to hang out there, just like Van Gogh and the Paris Impressionists would have. A vibrant young creative team from across the United States have been collaborating since October to bring this original design production of Puccini’s most loved grand opera to Southwest Florida. Stage director, Josh Shaw, describing this new production explains, “La Bohème is a timeless story with themes as relevant today, as they were in the original setting. In the late 1880s Paris was filled with a concentration of larger than life artistic characters -- Van Gogh, Gauguin, Toulouse-Lautrec, and others. In our production, we are imagining our bohemian lovers as moving in the same circles as the great Impressionist artists who rebelled against classical subject matter and embraced modernity, creating works that reflected the world in which they lived. -
Lyric Opera of Kansas City Announces 2014-2015 'Season to Cherish' At
FOR IMMEDIATE RELEASE Contact: Ellen McDonald (816) 444-0052 Or (816) 213-4355 (c) [email protected] For Tickets: kcopera.org or 816.471.7344 Lyric Opera of Kansas City Announces 2014-2015 ‘Season to Cherish’ at the Kauffman Center for the Performing Arts Highlights include Kansas City Premiere of Silent Night and Significant Lyric Opera Debuts of Major International Artists in Key Roles Including Melody Moore, Joyce El-Khoury, Anthony Michaels-Moore, Irene Roberts, Patrick Carfizzi and James Valenti Kansas City, MO (March 10, 2014) – Lyric Opera of Kansas City General Director and CEO Deborah Sandler today announced the 2014-2015 season in the Kauffman Center for the Performing Arts. Two grand operas in the best tradition of the repertoire, La Traviata and Tosca, a Kansas City premiere of a new, award-winning production, Silent Night, and a light-hearted, charming story, The Italian Girl in Algiers, complete the ‘Season to Cherish.’ Lyric Opera of Kansas City is producing a ‘Season to Cherish’ in its 57th season by creating rich and large scale productions that will fill the Kauffman stage, engaging some of the world’s most talented opera stars making their Lyric Opera debuts, and the most sought- after directors. “I am thrilled to announce our upcoming season which brings rich talent and numerous debuts to our Kansas City audiences,” stated Deborah Sandler. “It is my fervent hope to produce works which will appeal to the first time opera goer, those who may not have been for a while, and those loyal audience members who are passionate about opera. -
North Hunterdon Music Association Newsletter – Fall 2016
North Hunterdon Music Association Newsletter – Fall 2016 2016-2017 Officers President: President’s Letter Connie Rys Vice President Welcome to the 2016-2017 school year! Claire Rothstein Treasurer Audrey Hackel As fall arrives, we also have some new arrivals in the NHMA community. I am excited to say that I will be taking over as NHMA President for the next two Recording Secretary Terese Acocella years. We have so much to do, but we also have so many hands to help accomplish our mission. To be a part of the music experience here is to be a Corresponding Secretary part of something great. We are fortunate to have our students under the Suzanne Adams direction of such dedicated and talented faculty. Standing Committee Chairs We have gotten glimpses of the marching band’s “Star Wars: The Force Membership Nancy Gaidos Awakens” field show. We had a peek at our freshman talent at the September Freshman Tea. We can’t wait for our choral and instrumental students to “wow” Newsletter/Publicity Lynne Thompson us at the winter concerts. Ad Hoc Committee Chairs A new school year elicits mixed feelings. Our 2016 graduates are absent from our ensembles. Their parents have moved on as well. We will miss you all for 3rd Quarter Snack Terese Acocella sure. You are a talented bunch and we know you will do great things. Now, our choirs and instrumental groups present new faces. Welcome, Class of 2020! Hospitality Linda Garvey And welcome back to our returning music students and parents. We can’t wait to discover what this year has in store. -
Mplyric-Proofr.Pdf
Mill_Park_Lyric_082013_MP 2013 8/21/13 6:14 PM Page IFC1 Mill_Park_Lyric_082013_MP 2013 8/21/13 6:14 PM Page 1 STARS OF LYRIC OPERA AT MILLENNIUM PARK Jay Pritzker Pavilion Saturday, September 7, 2013 7:30 p.m. Lead Sponsor: Liz Stiffel Lead Corporate Sponsor: closerlook, inc. Cosponsors: An Anonymous Donor AT&T Baker Tilly Virchow Krause, LLP Christine and Paul Branstad Family Foundation Rhoda L. and Henry S. Frank Greg and Annie Jones/The Edgewater Funds Music Performance and Film Funds Presented in cooperation with the City of Chicago and Millennium Park ANA MARÍA MARTÍNEZ ALBINA SHAGIMURATOVA JAMES VALENTI EVAN BOYER With current members of The Patrick G. and Shirley W. Ryan Opera Center: Anthony Clark Evans, Laura Wilde THE LYRIC OPERA ORCHESTRA THE LYRIC OPERA CHORUS WARD STARE, conductor MICHAEL BLACK, chorus master Mill_Park_Lyric_082013_MP 2013 8/21/13 6:14 PM Page 2 LYRIC OPERA OF CHICAGO LEAD SPONSOR Liz Stiffel A passionate devotee of opera and loyal subscriber at Lyric, Liz is a prominent member of Lyric’s Women’s Board and a longstanding member of the Guild Board of Directors. Previously, Liz Stiffel was the Lead Sponsor of the Renée Fleming Subscriber Appreciation Concert (2010-11), and she generously cosponsored productions of La bohème (2001-02), The Magic Flute (2005-06), Falstaff (2007-08), and Manon (2008/09), as well as providing major support to Opening Night and Opera Ball, Fantasy of the Opera, Wine Auction, and Cast Parties for many years. Lyric thanks Liz for her generous lead sponsorship of this year’s Stars of Lyric Opera at Millennium Park concert. -
Daniel Brondel, Organist 18 April 2021 at Four O Clock in the Afternoon
Daniel Brondel, organist 18 April 2021 at Four o’clock in the afternoon Kindly remember to silence all electronic devices. Sinfonia (Cantata No. 29) Johann Sebastian Bach (1685-1750) arr. Marcel Dupré (1886-1971) “Erstanden ist der heil‘ge Christ” (The Holy Christ Is Risen), BWV 628 Johann Sebastian Bach “Heut‘ triumphiret Gottes Sohn” (Today the Son of God Triumphs), BWV 630 (Orgel-Büchlein ‘Little Organ Book’) Offertoire sur les grands jeux (Messe pour les convents de religieux et religieuses - 1690) François Couperin (1668-1733) Andante in F for a Small Mechanical Organ (1791) Wolfgang Amadeus Mozart (1756-1791) Hungarian Dance No. 5 in F# Minor (1869) Johannes Brahms (1833-1897) arr. Edwin Lemare (1865-1934) Adagio for Strings, Op. 11 (1936) Samuel Barber (1910-1981) arr. William Strickland (1914-1991) Andante con moto e poco rubato - Blue Lullaby (Preludes - 1926) George Gershwin (1898-1937) arr. Daniel Brondel Apparition de l’Église Éternelle (1932) Olivier Messiaen (1908-1992) Deux Danses à Agni Yavishta, JA 77 & 78 (1932) Jehan Alain (1911-1940) Entr’acte II (Carmen - 1873-4) Georges Bizet (1838-1875) arr. Daniel Brondel Toccata (Symphony for Organ No. 5 in F Minor, Op. 42, No. 1 - 1879) Charles-Marie Widor (1844-1937) WELCOME TO THIS AFTERNOON’S CONCERT. Funding comes, in part, from The Holy Trinity Music Fund. Additional donations received in the offering plates at the exits this afternoon will continue to benefit the Fund. Your generous contribution, freely given, assists the Music at Holy Trinity series in bringing events such as these to our worshippers and the community. -
George London Foundation for Singers 2019‐20 Season
Contact: Jennifer Wada Communications 718‐855‐7101 [email protected] www.wadacommunications.com GEORGE LONDON FOUNDATION FOR SINGERS 2019‐20 SEASON: THE RECITAL SERIES: LATONIA MOORE, Soprano, and RYAN SPEEDO GREEN, Bass‐ baritone RIHAB CHAIEB, Mezzo‐soprano, and LAWSON ANDERSON, Bass‐ baritone THE 49TH ANNUAL GEORGE LONDON FOUNDATION COMPETITION GALA BENEFIT RECEPTION CELEBRATING GEORGE LONDON’S 100TH BIRTHDAY Latonia Moore, Ryan Speedo Green, Rihab Chaieb, Lawson Anderson (click for hi‐res photos) The legendary Canadian‐American bass‐baritone George London, one of the greatest opera singers of 20th century, was born on May 30, 1920. After his singing career ended in 1968, he became the artistic administrator of the John F. Kennedy Center, and later, the director of the Washington Opera, but he also devoted much of his time and effort to the support and nurturing of young opera singers. While London passed away in 1985, The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada with activities including an annual competition and recital series, that Opera News has called “a living testament to the peerless bass‐baritone's talent and generosity.” The George London Foundation for Singers 2019‐20 Season of Events ‐ Page 2 of 6 The 2019‐20 season of events presented by the George London Foundation for Singers continues this legacy with two duo recitals featuring four George London Award winners, and the esteemed George London Foundation Competition which, as The New York Times said, “can rightfully claim to act as a springboard for major careers in opera.” And the foundation will also host a gala benefit reception to mark the centennial of its namesake. -
Leap of Faith an Ambitious Organization Tries to Reboot “The People’S Opera.”
Goings on About Town Explore ADVERTISEMENT CLASSICAL MUSIC JANUARY 25, 2016 Leap of Faith An ambitious organization tries to reboot “the people’s opera.” By Russell Platt New York City Opera returns, with “Tosca,” at the Rose Theatre. Illustration by Sachin Teng ew York City Opera was once a radiant and seemingly indispensable part of New N York’s cultural life. But ever since its closure, two and a half years ago, the prospect of reviving the company has somehow seemed more questionable with each passing month. Years before City Opera led for bankruptcy, in 2013, a big chunk of its audience had already ed—and they certainly aren’t showing up at the Met, which is having its own problems lling seats. Just because New York ought to support two established opera companies, as so many in the business contend, doesn’t necessarily mean that it has to. NYCO Renaissance, however, would beg to differ. The organization, which is headed by the investment manager Roy G. Niederhoffer, a member of the old City Opera board, and Michael Capasso, the former director of the long-admired but now defunct Dicapo Opera, has just won a legal battle for the right to bring City Opera out of bankruptcy, inherit its assets, and pay off its creditors. Based on the testimonials on the group’s Web site—by such eminent gures as the director Harold Prince, the baritone Sherrill Milnes, and the soprano Carol Vaness—a revived City Opera could take on not only the old company’s name but also much of its former agenda: developing young American singers, nurturing homegrown composers, and mounting theatrically innovative productions. -
Rigoletto Opera Box Lesson Plan Title Page with Related Academic Standards
Opera Box Table of Contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .12 Synopsis and Musical Excerpts . .33 Flow Charts . .39 Giuseppe Verdi – a biography ...............................50 Catalogue of Verdi’s Operas . .52 Background Notes . .54 Victor Hugo, Francis I and Triboulet . .59 World Events in 1851 ....................................65 History of Opera ........................................66 2003 – 2004 SEASON History of Minnesota Opera, Repertoire . .77 The Standard Repertory ...................................81 Elements of Opera .......................................82 GIUSEPPE VERDI Glossary of Opera Terms ..................................86 NOVEMBER 15 – 23, 2003 Glossary of Musical Terms .................................92 Bibliography, Discography, Videography . .95 GAETANO DONIZETTI Word Search, Crossword Puzzle . .98 JANUARY 24 – FEBRUARY 1, 2004 Evaluation . .101 Acknowledgements . .102 STEPHEN SONDHEIM FEBRUARY 28 – MARCH 6, 2004 mnopera.org WOLFGANG AMADEUS MOZART MAY 15 – 23, 2004 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. See the Unit Overview for a detailed explanation. Before returning the box, please fill out the Evaluation Form at the end of the Teacher’s Guide. -
Werther Artist Biographies
Werther Artist Biographies Joseph Beutel (Le Bailli) Joseph Beutel, bass, joins Minnesota Opera’s Resident Artist program after spending the summer as a Santa Fe Opera Apprentice Artist, where he covered Méphistophélès in Faust and the Catholic Priest in The Last Savage. Previous roles have included the Impresario/Direttore in the young artist production ofViva La Mamma! at Seattle Opera, Benoit and Alcindoro in La bohème for South Texas Lyric Opera; Sarastro in Die Zauberflöte, Mustafà in L’italiana in Algeri, Simone in Gianni Schicchi, Le Roi in Cendrillon and Herr Reich in Die lustigen Weiber von Windsor for IU Opera Theatre; and the Sergeant in Pirates of PenzanceWestern Michigan University. Mr. Beutel is a district finalist of the Metropolitan Opera National Council Auditions in 2011 and a Palm Beach Opera Competition Encouragement Award recipient in 2010 and 2011. For Minnesota Opera this season, he will appear as the British Major in Silent Night, Le Bailli in Werther, Raimondo in Lucia di Lammermoor and the Bonze in Madame Butterfly. Christoph Campestrini (conductor) Conductor Christoph Campestrini resides in Vienna and received his musical education in the United States. He studied in New York City at the Juilliard School while simultaneously majoring in philosophy and languages at Columbia University. In addition to German and English, he speaks Italian, French, Russian and Spanish. Following his studies at Juilliard and Columbia, he was the only European chosen to be admitted to the founding class of the prestigious Yale University Affiliate Artists Conducting Program. While at Yale, he worked with prominent conductors such as Lorin Maazel, Wolfgang Sawallisch and Kurt Sanderling. -
The George London Foundation for Singers Announces Its 2017-18 Season of Events
Contact: Jennifer Wada Communications 718-855-7101 [email protected] www.wadacommunications.com THE GEORGE LONDON FOUNDATION FOR SINGERS ANNOUNCES ITS 2017-18 SEASON OF EVENTS: • THE RECITAL SERIES: LEAH CROCETTO & ZACHARY NELSON MARJORIE OWENS & QUINN KELSEY HEIDI MELTON & ERRIN DUANE BROOKS • THE 47TH ANNUAL GEORGE LONDON FOUNDATION AWARDS COMPETITION “Every year the George London Foundation for Singers holds a competition for vocalists from all over the United States and Canada. This year, the talent on display at the finals … was eye-opening.” -Seen and Heard International, March 3, 2017 Watch full selections from the 2015, 2016, and 2017 competitions: http://www.georgelondon.org/videos.html Leah Crocetto, Zachary Nelson, Marjorie Owens, Quinn Kelsey, Heidi Melton, Errin Duane Brooks (download photos) The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971. The foundation and the George London Awards are named for the legendary Canadian-American bass-baritone, one of the greatest opera singers of 20th century, who devoted much of his time and energy in his later years to the support and nurturing of young opera singers. George London Foundation for Singers 2017-18 Season - Page 2 of 6 The foundation’s 2017-18 season of events features three recitals with six of opera’s young stars – four of whom have won George London Awards within the past eight years – and the famed George London Awards competition which, as the New York Times said, “can rightfully claim to act as a springboard for major careers in opera.” All events take place at Gilder Lehrman Hall at The Morgan Library & Museum in Manhattan – and tickets include admission to the Morgan. -
HISTORY Minnesota Opera's Roots Were Planted in 1963 When The
HISTORY Minnesota Opera’s roots were planted in 1963 when the Walker Art Center commissioned Dominick Argento to compose an opera (The Masque of Angels) for its performing arts program, Center Opera. Center Opera focused on the composition and performance of new works by American composers, and, under the influence of the Walker Art Center, emphasized visual design. The company grew steadily, and in 1969 became an independent entity, changing its name in 1971 to The Minnesota Opera. Throughout the first 12 years of its history, The Minnesota Opera was known as a progressive, "alternative" opera production company, a complement to the traditional orientation of the annual Metropolitan Opera tour and the productions of the St. Paul Opera. In 1975, The Minnesota Opera merged with the St. Paul Opera, adding a focus on traditional repertory to its program of contemporary opera. In January 1985, The Minnesota Opera entered a new era with the opening of the Ordway Center for the Performing Arts in St. Paul, one of the nation’s most respected performance halls. Today, the company presents its entire season at the Ordway. In September 1990, the company moved its scenic and costume shops, rehearsal facilities and administrative offices to the 51,000 square-feet Minnesota Opera Center, which comprises three renovated warehouses on the Mississippi riverfront in Minneapolis. Winner of a 1990 Preservation Alliance of Minnesota Award, the Minnesota Opera Center is one of the finest opera production facilities in the nation and has served to strengthen the company both artistically and institutionally. Throughout the 1990s, the company gained a national reputation for its high-quality, innovative productions of standard repertoire operas like Aida, Carmen and Turandot, which were seen on stages across the nation and firmly established Minnesota Opera’s reputation as a lead co-producer in the industry. -
FY14 Annual Report View Report
Annual Report 2013–14 1 2 Introduction 4 Metropolitan Opera Board of Directors 5 2013–14 Season Repertory & Events 12 2013–14 Artist Roster 14 The Financial Results 47 Patrons 1 Introduction The Metropolitan Opera’s 2013–14 season featured an extraordinary number of artistic highlights, while the company continued to address the significant financial challenges of grand opera. The Met presented six new productions during the 2013–14 season, including the Met premiere of Nico Muhly’s Two Boys, the first new opera developed through the company’s co-commissioning program with Lincoln Center Theater. The season also saw the first Met performances in nearly 100 years of Borodin’s Prince Igor. Along with four revivals, all six new productions were presented in movie theaters around the world as part of the Met’s Live in HD series, which earned $26.2 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117 million. While enjoying great artistic successes, the company faced challenging economic hurdles, ending with a deficit after five years of break-even or close to break-even results. However, contract negotiations with the Met’s unions, still in process at the end of the fiscal year, resulted in cost reductions to help ensure a more sustainable financial model for the future. At the start of the 2013–14 season, Music Director James Levine made a highly anticipated—and enormously successful—return to the Met after two years away due to injury. His return on the second night of the season to conduct Mozart’s Così fan tutte was rapturously received, as were his performances leading Robert Carsen’s new production of Verdi’s Falstaff.