DOCSLIB.ORG

Dickens's 'Young Men' This Page Intentionally Left Blank Dickens's 'Young Men'

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dickens's 'Young Men' This Page Intentionally Left Blank Dickens's 'Young Men' Dickens's 'Young Men' This page intentionally left blank Dickens's 'Young Men' George Augustus Sala, Edmund Yates and the World of Victorian Journalism RD. EDWARDS Routledge Taylor & Francis Croup First published 1997 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX 14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © 1997 P.D. Edwards The author has asserted their moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the.author of this work. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data Edwards, Peter D. Dickens's 'Young Men': George Augustus Sala, Edmund Yates and the World of Victorian journalism. (Nineteenth Century series) 1. Sala, George Augustus. 2. Yates, Edmund. 3. Journalism— England—History—19th century. I. Title. 072'.09034 Library of Congress Cataloging-in-Publication Data Edwards, Peter David. Dickens's 'young men': George Augustus Sala, Edmund Yates, and the world of Victorian journalism/P.D. Edwards, p. cm. (Nineteenth century) Includes bibliographical references and index. ISBN 1-85928-043-9 (acid-free paper) 1. Sala, George Augustus, 1828-95. 2. English fiction—19th century—History and criticism. 3. Dickens, Charles, 1812-70— Friends and associates. 4. Journalism—Great Britain— History—19th century. 5. Novelists, English—19th century— Biography. 6. Journalists—Great Britain—Biography. 7. Yates, Edmund Hodgson, 1831-94. I. Title. II. Series: Nineteenth century (Aldershot, England). PR5299.S2Z69 1997 072'.09034—dc21 97-18805 CIP ISBN 9781859280430 (hbk) Transfered to Digital Printing in 2009 Contents List of figures ix Acknowledgements x Introduction 1 1 Bohemians: 1851-56 5 2 Personal Journalists: 1856-63 41 3 Novelists: 1860-74 73 4 'Specials': 1863-74 101 5 Gentlemen of the Press: 1874-84 136 6 Ghosts: 1884- 171 Bibliography 208 Index 217 This page intentionally left blank The Nineteenth Century General Editors' Preface The aim of this series is to reflect, develop and extend the great bur- geoning of interest in the nineteenth century that has been an inevitable feature of recent decades, as that former epoch has come more sharply into focus as a locus for our understanding not only of the past but of the contours of our modernity. Though it is dedicated principally to the publication of original mongraphs and symposia in literature, history, cultural analysis, and associated fields, there will be a salient role for reprints of significant texts from, or about, the period. Our overarching policy is to address the spectrum of nineteenth-century studies without exception, achieving the widest scope in chronology, approach and range of concern. This, we believe, distinguishes our project from com- parable ones, and means, for example, that in the relevant areas of scholarship we both recognize and cut innovatively across such param- eters as those suggested by the designations 'Romantic' and Victorian'. We welcome new ideas, while valuing tradition. It is hoped that the world which predates yet so forcibly predicts and engages our own will emerge in parts, as a whole, and in the lively currents of debate and change that are so manifest an aspect of its intellectual, artistic and social landscape. Vincent Newey Joanne Shattock University of Leicester This page intentionally left blank List of figures 1.1 '"Boz" in his Study'. Engraving on stone by Sala for The Battle of London Life, or Boz and His Secretary by 'Morna' (Thomas O'Keefe). 10 1.2 Sala aged 28. Photograph by John Watkins, reproduced in the Welcome Guest, 8 January 1859: 8. 36 3.1 Yates in 1865. Photograph by Adolphe Beau. 86 3.2 'A Waiting Race'. Once a Week, 27 July 1872: facing p. 78. 94 4.1 'Tame Cats'. Drawing by Sala. 118 4.2 'G.A.S. Dux Est Lux'. One of Sala's visiting cards, in colour; probably his own design. 118 4.3 Sala laid up with gout, 31 March 1874: self-portrait. 119 4.4 Sala invites the Yateses to dinner, 22 April 1874. 119 5.1 'Edmund Yates: The New Archimedes'. Cartoon by Alfred Thompson on the front cover of the Mask, 12 July 1879. 146 5.2 '"G.A.S." in the Historic Fur Coat'. Photograph by Abdullah Freres, Constantinople, reproduced as the frontispiece to Sala's Echoes of the Year Eighteen Hundred and Eighty-Three. 151 5.3 'Punch's Fancy Portraits No. 46: George Augustus Sala' by Linley Sambourne. Punch, 27 August 1881: 94. 155 5.4 'Monday Popular Concerts: Madame Norman Neruda'. The Pictorial World, 14 March 1874: 29. 163 6.1 The Doom of the Editor'. St. Stephen's Review, 3 May 1884. 176 6.2 'The Land of the Golden Fleece' (detail). Melbourne Punch, Almanac for 1886. 186 6.3 'George Augustus Sala 25/10/88'. Photograph by Boussed Valadon, Paris, reproduced as the frontispiece to Sala's Life and Adventures. 191 6.4 'The Late Mr. Edmund Yates'. Photograph by Suscipi, Rome, reproduced in the Illustrated London News, 26 May 1894: 643. 193 Acknowledgements I owe particular thanks to Rosemary Kaplan (Edmund Yates's great- granddaughter) and the late Ralph Kaplan for delivering the Edmund Yates Papers to me at Paddington Station, and to Spencer Routh for subsequently arranging their purchase by the University of Queensland Library; to Judy McKenzie for generously sharing with me her extensive knowledge of Sala and of Victorian journalism generally, reading the book in draft, and making many corrections and helpful suggestions; to the Australian Research Council, and its predecessor the Australian Research Grants Committee, for two grants which greatly facilitated my research; to the Department of English, University of Queensland, and the University of Queensland Library for many years of support, both moral and material; to the Beinecke Rare Book and Manuscript Library for the award of the A. Bartlett Giamatti Fellowship which enabled me to spend a full month working on the Sala Papers in the spring of 1995, and to Vincent Giroud and his colleagues at the Beinecke for their always friendly, thoughtful, and efficient help; to Ruth Blair, Francis Bywater, Andrew Dowling, Susan Gardner, Barbara Garlick, Patricia Morris, Joanne Shattock, Michael Slater, Graham Storey, David Storor, Sue Thomas, Chris Tiffin, Kathleen Tillotson, and Elaine Zinkhan for advice or assistance; and to the staff of the following libraries: Australian National Library; Bath Reference Library; Berg Collection, and Manuscripts and Archives Division, New York Public Library; Birmingham University Library; British Library; British Newspaper Li- brary; Brotherton Collection, Leeds University Library; Carl A. Kroch Library of Rare Books and Manuscripts, Cornell University; Houghton Library, Harvard University; Harry Ransom Humanities Research Center, University of Texas at Austin; Huntington Library; University of Ken- tucky Libraries; University of London Library; John Rylands Library, University of Manchester; National Portrait Gallery; Post Office Records and Archives Centre, London; Punch Library; Princeton University Li- braries; Reading University Library; Rush Rhees Library, University of Rochester; National Library of Scotland. Introduction They came to be called Dickens's 'young men' during the 1850s. As well as George Augustus Sala and Edmund Yates they included Blanchard Jerrold, Sydney Blanchard, William Moy Thomas, Walter Thornbury, John Hollingshead, James Payn, Percy Fitzgerald, and Andrew Halliday.1 Most of them, but not Yates, were frequent contributors to Dickens's weekly, Household Words. Wilkie Collins, who rapidly acquired an independent reputation, was never one of them. Sala and Yates took longer than Collins to make names for themselves, and some of the others never did. Sala's celebrity, chiefly as a special correspondent, leader-writer, and weekly columnist, dated from the early sixties; Yates's, as an editor and newspaper proprietor, from the seventies, after Dick- ens's death. In their maturity, Sala and Yates were less strongly influ- enced by Dickens than critics, biographers, and literary historians have often assumed. Their novels, which brought both of them some acclaim in the sixties, are much less 'Dickensian' than the reviewers expected and often perceived them to be, and as journalists both achieved their greatest success in styles and modes that Dickens never attempted at all. At the time of Dickens's death in 1870, and for the remainder of their lives, they continued to proclaim their reverence for him as man and writer and to remind the world how intimately they had been associated with him. But their narratives of their literary careers, Yates's Recollec- tions and Experiences and Sala's Things I Have Done and People I Have Known and The Life and Adventures of George Augustus Sala, make it clear that other mentors and models influenced them at least as strongly in their early years. Both of them knew Thackeray and ben- efited from his advice and encouragement, and as struggling young writers they identified more with Pendennis than with David Copperfield. They both owed much to the friendship and professional guidance of the then-celebrated novelist and entertainer, Albert Smith, before and after they came to Dickens's notice; and Yates as a novice was be- friended by and collaborated with another of the most popular novelists of the forties and fifties, Frank Smedley. When they started to write novels themselves, they believed their inspiration came as much from Balzac as from Dickens.
Load more

Recommended publications
  • George Augustus Sala: the Daily Telegraph's Greatest Special
    Gale Primary Sources Start at the source. George Augustus Sala: The Daily Telegraph’s Greatest Special Correspondent Peter Blake University of Brighton Various source media, The Telegraph Historical Archive 1855-2000 EMPOWER™ RESEARCH Early Years locked himself out of his flat and was forced to wander the streets of London all night with nine pence in his The young George Augustus Sala was a precocious pocket. He only found shelter at seven o’clock the literary talent. In 1841, at the age of 13, he wrote his following morning. The resulting article he wrote from first novel entitled Jemmy Jenkins; or the Adventures of a this experience is constructed around his inability to Sweep. The following year he produced his second find a place to sleep, the hardship of life on the streets extended piece of fiction, Gerald Moreland; Or, the of the capital and the subsequent social commentary Forged Will (1842). Although these works were this entailed. While deliberating which journal might unpublished, Sala clearly possessed a considerable accept the article, Sala remembered a connection he literary ability and his vocabulary was enhanced by his and his mother had shared with Charles Dickens. In devouring of the Penny Dreadfuls of the period, along 1837 his mother had been understudy at the St James’s with the ‘Newgate novels’ then in vogue, and Theatre in The Village Coquettes, an operetta written by newspapers like The Times and illustrated newspapers Dickens and composed by John Hullah. Madame Sala and journals like the Illustrated London News and and Dickens went on to become good friends on the Punch.
    [Show full text]
  • My Autobiography and Reminiscences
    s^ FURTHER REMINISCENCES \V. p. FRITH. Painted by Douglas Cowper in 1838. MY AUTOBIOGRAPHY AND REMINISCENCES BY W. p. FKITH, E.A. CHEVALIER OP THE LEGION OP HONOR AND OP THE ORDER OP LEOPOLD ; MEMBER OP THE ROYAL ACADEMY OP BELGIUM, AND OP THE ACADEMIES OP STOCKHOLM, ^^ENNA, AND ANTWERP " ' The pencil speaks the tongue of every land Dryden Vol. II. NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE 1888 Art Libraxj f 3IAg. TO MY SISTER WITHOUT WHOSE LOVING CARE OF MY EARLY LETTERS THIS VOLUME WOULD HAVE SUFFERED 3 {Dcbicfltc THESE FURTHER RE^IINISCENCES WITH TRUE AFFECTION CONTENTS. CHAPTER PAGE INTRODUCTION 1 I. GREAT NAMES, AND THE VALUE OF THEM ... 9 II. PRELUDE TO CORRESPONDENCE 21 III. EARLY CORRESPONDENCE 25 IV. ASYLUM EXPERIENCES 58 V. ANECDOTES VARIOUS 71 VI. AN OVER-TRUE TALE 102 VII. SCRAPS 114 VIII. A YORKSHIRE BLUNDER, AND SCRAPS CONTINUED. 122 IX. RICHARD DADD 131 X. AN OLD-FASHIONED PATRON 143 XI. ANOTHER DINNER AT IVY COTTAGE 154 XII. CHARLES DICKENS 165 XIII. SIR EDWIN LANDSEER 171 XIV. GEORGE AUGUSTUS SALA 179 XV. JOHN LEECH 187 XVI. SHIRLEY BROOKS 194 XVII. ADMIRATION 209 XVIII. ON SELF-DELUSION AND OTHER MATTERS . .217 XIX. FASHION IN ART .... - 225 XX. A STORY OF A SNOWY NIGHT 232 XXI. ENGLISH ART AND FRENCH INFLUENCE .... 237 XXII. IGNORANCE OF ART 244 Vlll CONTENTS. CHAPTER PAGE XXIII. ORATORY 253 XXIV. SUPPOSITITIOUS PICTURES 260 XXV. A VARIETY OF LETTERS FROM VARIOUS PEOPLE . 265 XXVI. MRS. MAXWELL 289 XXVII. BOOK ILLUSTRATORS 294 XXVIII. MORE PEOPLE WHOM I HAVE KNOWN .... 301 INDEX 3I5 MY AUTOBIOGEAPHY AND KEMINISCEKCES.
    [Show full text]
  • The Printseller's Window: Solving a Painter's Puzzle, on View at the Memorial Art Gallery of the University of Rochester from August 14–November 8, 2009
    WALTER GOODMAN’S WALTER GOODMAN’S The Printseller’s Window The Printseller’s Window PETER OGDEN BROWN PETER OGDEN BROWN WALTER GOODMAN’S The Printseller’s Window PETER OGDEN BROWN 500 University Avenue, Rochester NY 14607, mag.rochester.edu Author: Peter O. Brown Editor: John Blanpied Project Coordinator: Marjorie B. Searl Designer: Kathy D’Amanda/MillRace Design Associates Printer: St. Vincent Press First published 2009 in conjunction with the exhibition Walter Goodman’s The Printseller’s Window: Solving a Painter’s Puzzle, on view at the Memorial Art Gallery of the University of Rochester from August 14–November 8, 2009. The exhibition was sponsored by the Thomas and Marion Hawks Memorial Fund, with additional support from Alesco Advisors and an anonymous donor. ISBN 978-0-918098-12-2 (alk. paper) ©2009 Memorial Art Gallery of the University of Rochester. All rights reserved. Except as permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded, or reproduced in any form or by any means, without the prior permission of the copyright owner. Every attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Cover illustration: Walter Goodman (British, 1838–1912) The Printseller’s Window, 1883 Oil on canvas 52 ¼” x 44 ¾” Marion Stratton Gould Fund, 98.75 ACKNOWLEDGMENTS My pursuit of the relatively unknown Victorian painter Walter Goodman and his lost body of work began shortly after the Memorial Art Gallery’s acquisition of The Printseller’s Window1 in 1998.
    [Show full text]
  • Guide to the Mortlake Collection of English Life and Letters, 1591-1963
    Guide to the Mortlake Collection of English Life and Letters, 1591-1963 Accession number: 1969-0024R University Libraries The Pennsylvania State University Special Collections Library Rare Books and Manuscripts Contact Information: Pennsylvania State University University Libraries Special Collections Library 104 Paterno Library University Park, PA 16802 814/865-1793 FAX 814/863-5318 E-mail: [email protected] Processed by: Susan Hamburger Date Completed: 2004 Encoded by: Susan Hamburger ©2006 Pennsylvania State University. All rights reserved. Table of Contents 1 Descriptive Summary ............................................................................ 1 2 Administrative Information ................................................................... 1 2.1 Access ................................................................................................................. 1 2.2 Preferred Citation ................................................................................................1 3 Arrangement ...........................................................................................1 4 Scope and Content ................................................................................ 1 5 Index Terms ............................................................................................ 2 5.1 Topical Subjects ................................................................................................. 2 5.2 Geographic Subjects .........................................................................................
    [Show full text]
  • Coversheet for Thesis in Sussex Research Online
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details GEORGE AUGUSTUS SALA: THE PERSONAL STYLE OF A PUBLIC WRITER Peter Blake D.Phil University of Sussex September 2010 Declaration I hereby declare that this thesis has not been and will not be, submitted in whole or part to another University for the award of any other degree. Acknowledgements This thesis has been made possible by the AHRC for granting me a doctoral award and for enabling me to spend four weeks researching the Sala Papers at the Beinecke Library, Yale University. My thanks to all the staff at the Beinecke for their generous help. The School of Humanities Graduate Centre at the University of Sussex have also helped with the costs associated with graduate research. Especial thanks to Prof. Jenny Bourne Taylor at Sussex University for supervising this thesis and for all her support and guidance. I also owe a debt of gratitude to Prof. Norman Vance, Prof. Lindsay Smith and members of the C19th study group at Sussex University.
    [Show full text]
  • Dickens Interviews and Recollections
    Dickens Interviews and Recollections Volume 2 Also by Philip Collins A Christmas Carol: The Public Reading Version (editor) A Dickens Bibliography Charles Dickens: David Copperfield Charles Dickens: The Public Readings (editor) Dickens and Crime Dickens and Education Dickens's Bleak House Dickens: The Critical Heritage (editor) English Christmas (editor) From Manly Tears to Stiff Upper Lip: The Victorian and Pathos James Boswell Reading Aloud: A Victorian Metier The Impress of the Moving Age Thomas Cooper, the Chartist Other Interviews and Recollections volumes available on BRENDAN BEHAN (two volumes) edited by E. H. Mikhail HENRY JAMES edited by Norman Page KIPLING (two volumes) edited by Harold Orel D. H. LAWRENCE (two volumes) edited by Norman Page KARL MARX edited by David McLellan TENNYSON edited by Norman Page THACKERAY (two volumes) edited by Philip Collins H. G. WELLS edited by}. R. Hammond Further titles in preparation DICKENS Interviews and Recollections Volume 2 Edited by Philip Collins Selection and editorial matter © Philip Collins 1981 Soft cover reprint of the hardcover 1st edition 1981 978-0-333-26255-9 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First edition 1()81 Reprinted 1983 Published by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-04596-9 ISBN 978-1-349-04594-5 (eBook) DOI 10.1007/978-1-349-04594-5 To Jean and Arthur Humphreys with love and gratitude Contents
    [Show full text]
  • S U M M E R M I S C E L L A
    S U M M E R MISCELLANY CATALOGUE 796 PICKERING & CHATTO PICKERING & C H A T T O ANTIQUARIAN BOOKSELLERS ESTABLISHED 1820 1 ST. CLEMENT’S COURT LONDON EC4N 7HB TELEPHONE: +44 (0) 20 7337 2225 E-MAIL: [email protected] WEBSITE: www.pickering-chatto.com 70 [Queen Victoria] Front cover image is taken from item 38 [Gutenberg Puzzle] FOR ANY ENQUIRIES PLEASE CONTACT ED SMITH OR JOLYON HUDSON PRICES ARE IN POUNDS STERLING. VISA, MASTERCARD & AMERICAN EXPRESS ACCEPTED. BANKERS : METRO BANK 227-228 T OTTENHAM COURT ROAD LONDON W1T 7QF ACCOUNT NAME : M ARLBOROUGH & P ICKERING LTD ACCOUNT N°: 11944094 SORT CODE : 23-05-80 TERMS : 30 DAYS IBAN: GB18MYMB23058011944094 SWIFT: MYMBGB2L REGISTERED IN ENGLAND N° 3290231 V AT REGISTRATION N° 896 1174 90 B IS FOR B E L L . S EE THE PASSENGERS RUN … 1.[ABC SCROLLING BOOK]. DEAN’S STEAM-BOAT ALPHABET: A Companion to the Railway Alphabet. [London] Dean & Co., [c. 1850]. £ 2,750 Panorama printed on three strips conjoined, handcoloured wood engraving incorporating the letters of the alphabet ; housed in a wooden cabinet, 210 x 228 x 46 mm; the mechanism that enables the panorama to be wound from one hidden spool onto the other consists of two cranks protruding through the bottom of the cabinet; signs of use and some general wear, but box with good patina and in a good state of preservation. Rare survival of this didactic panorama toy, of a type sometimes referred to as a ‘scrolling book.’ The theme of the images is a steam boat excursion on a boat at one point called ‘The Ruby’, at another point ‘The Zebra’, from London Bridge to Ramsgate, a treat from an uncle for (one presumes) his nephew and niece.
    [Show full text]
  • A Tale of Two Authors: the Shorter Fiction of Gaskell and Collins
    A Tale of Two Authors: The Shorter Fiction of Gaskell and Collins Graham Law Waseda University In the issue for February 1857 of the New York Harper’s New Monthly Magazine, there appeared a short, dramatic narrative of a young woman’s bravery, entitled “The Siege of the Black Cottage”.1 The story was published unsigned, and it has subsequently been claimed for both Elizabeth Gaskell and Wilkie Collins. My objectives here are first to confirm the bibliographical status of this tale, and then to suggest what can be learned from the confusion over authorship concerning the interaction of the publishing format and literary form of shorter fiction around the middle of the nineteenth century.2 * * * * * Founded in 1817, well before there was any American law to protect the copyright of aliens, the New York literary house of Harper had long specialized in reprinting fiction originally published in Britain, with or without authorization. In the early 1840s, at the time of Charles Dickens’s first visit to the United States, Harper & Brothers were still known as “the redoutable champions of literary piracy” (Barnes, p. 80), though not long afterwards they acquired a London agent, Sampson Low, and began to offer payment to English authors whenever there was an economic incentive to do so. In June 1850, only a couple of months after the appearance in London of the first issue of Household Words, the New York house had started its own literary miscellany, Harper’s New Monthly Magazine. With each issue containing nearly 150 double-column pages, including a generous supply of quality illustrations, and selling at only a quarter, this represented even better value than Dickens’s twopenny plain weekly paper.
    [Show full text]
  • Household Words, and the Birth of a Special Correspondent
    Kent Academic Repository Full text document (pdf) Citation for published version Waters, Catherine (2009) ‘Much of Sala, and but Little of Russia''A Journey Due North,' Household Words, and the Birth of a Special Correspondent. Victorian Periodicals Review, 42 (4). pp. 305-323. ISSN 0709-4698. DOI https://doi.org/10.1353/vpr.0.0090 Link to record in KAR http://kar.kent.ac.uk/40672/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html RSVP 2009 Robert L. Colby Scholarly Book Prize Lecture “Much of Sala, and but Little of Russia”: “A Journey Due North,” Household Words, and the Birth of a Special Correspondent CATHERINE WATERS When Dickens sent George Augustus Sala as a special correspondent to Russia just after the end of the Crimean War, he launched him in what was to become his best-known role as a journalist.
    [Show full text]
  • George Augustus Sala and the Nineteenth-Century Periodical Press
    GEORGE AUGUSTUS SALA AND THE NINETEENTH-CENTURY PERIODICAL PRESS This page has been left blank intentionally George Augustus Sala and the Nineteenth-Century Periodical Press The Personal Style of a Public Writer PETER BLAKE University of Brighton, UK First published 2015 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © Peter Blake 2015 Peter Blake has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library The Library of Congress has cataloged the printed edition as follows: Blake, Peter. George Augustus Sala and the nineteenth-century periodical press : the personal style of a public writer / by Peter Blake. pages cm Includes bibliographical references and index. ISBN 978-1-4724-1607-0 (hardcover : alk. paper) 1. Sala, George Augustus, 1828–1895—Criticism and interpretation. 2. Sala, George Augustus, 1828–1895—Knowledge—Journalism.
    [Show full text]
  • Thackeray and Bohemia
    University of Cambridge Faculty of English Thackeray and Bohemia Antonia Harland-Lang Trinity Hall A dissertation submitted for the degree of Doctor of Philosophy 2010 ii For Moo and Petey iii This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration. This dissertation does not exceed the regulation length, including footnotes, references, and appendices but excluding the bibliography. iv Abstract Whether as a counter-cultural phenomenon or a sociological myth, Bohemia has long eluded concrete definitions. In the last thirty years, however, there has been a noticeable contrast between the ambitious theoretical concerns of cultural historians of nineteenth- century Continental Bohemianism and the more staunchly biographical approaches of critics concerned with Bohemian writers in mid-Victorian England. In the absence of the Latin Quarter, attempts to define the English Bohemianism of Thackeray‘s era have been somewhat reductive, revolving around London establishments such as the Garrick Club and disparate groupings such as the metropolitan novelists, journalists, and playwrights who are sometimes pigeonholed as ‗Dickens‘s Young Men‘. This thesis uses the work of William Makepeace Thackeray (1811–63) to argue that such readings have lost sight of the profound impact which mid-Victorian ideas of Bohemianism had on a far wider section of middle-class Englishmen. Chapter 1 explores the pivotal role which Thackeray played in the translation of Bohemian behavioural ideals from France to England. Beginning and ending with his seminal Bohemian protagonist in Vanity Fair (1847–48), it surveys his engagement with the still-evolving ideas of Bohemianism at home and on the Continent.
    [Show full text]
  • Work/Leisure, Duty/Pleasure Presenter Abstracts and Bios
    Work/Leisure, Duty/Pleasure Presenter Abstracts and Bios A-L Paratexts of the General Feminist Periodical: The design identity of the Women’s Penny Paper (1888 –1890) and Woman’s Herald (1891–1892). Design historical studies often overlook the work of women, especially if it involves non-mainstream nineteenth century periodicals. This paper concentrates on the design identity of the general feminist periodical, especially as it manifested in the pages of Women’s Penny Paper (1888-1890) and Woman’s Herald (1891-1892). It considers the politically reformist editorial message communicated by this weekly newspaper; the manner in which it was translated through paratexts, such as typography, page architecture, and mastheads; and the impact such design decisions had in the overall impact of this periodical. The paper argues that the editor, Henrietta Muller, and the team of women and men working with her for the production of the two titles (the latter being a direct continuation of the former) made a conscious effort to produce a periodical that not only was well-organised, but also well-designed. In fact, they made sure the editorial policy steered not only the content and tone of the periodical, but also its paratexts, as well as the design of these paratexts. This paper offers a fascinating voyage into the wonders of late nineteenth century graphic design that often goes unnoticed, allowing the audience to appreciate the extensive amount of work feminist periodicals of this period required, and the extraordinary capacity of ‘good design’ to be transparent, yet be so effective. Biographical Note Artemis Alexiou has been teaching design history since 2012, having gained qualifications as an architect, graphic designer, design historian, and feminist historian.
    [Show full text]