Great Fiction by African-American Writers: a Starter List

Total Page：16

File Type：pdf, Size：1020Kb

GREAT FICTION BY AFRICAN-AMERICAN WRITERS: A STARTER LIST Selected from a bibliography compiled by the Public Library of Cincinnati and Hamilton County Classics Mystery/Suspense Urban Women James Baldwin Eleanor Taylor Bland Toni Cade Bambara Pearl Cleage Paul Laurence Dunbar Barbara Hambly Paul Beatty J. California Cooper Ralph Ellison Hugh Holton Wahida Clark Benilde Little Langston Hughes Norman Kelley Nelson George Sheneska Jackson Chester Himes Jake Lamar Brenda Jackson Bernice L. McFadden Julius Lester Penny Mickelbury Meesha Mink Diane McKinney-Whetstone Toni Morrison Walter Mosley Mary Monroe Terry McMillan Dorothy West Barbara Neely Vickie Stringer Kimberla Lawson Roby Richard Wright Kris Nelscott Omar Tyree Ntozake Shange Valerie Wilson Wesley Carl Weber Alice Walker Romance Modern Life Historical Men Rochelle Alers Parry Brown Barbara Hambly Michael Baisden Anita Richmond Bunkley Bebe Moore Campbell Charles Johnson Eric Jerome Dickey Gwynne Forster Stephen Carter Julius Lester E. Lynn Harris Shirley Harrison Lorene Cary Toni Morrison Brian Keith Jackson Donna O. Hill Edwidge Danticat Kenji Jasper Brenda Jackson Eric Jerome Dickey Marcus Major Terry McMillan Ernest J. Gaines Sci-Fi/Fantasy C. Kelly Robinson Kayla Perrin Jamaica Kincaid Van Whitfield Angela Winters Diane McKinney-Whetstone Steven Barnes Clarence Major Octavia Butler Toni Morrison Tananarive Due The South Gloria Naylor Colson Whitehead Ernest J. Gaines Clarence Major .

Copy Link

Recommended publications

Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
[Show full text]
The History of Cultural Production in the United States Tracks the Racial Divide That Inaugurated the Founding of the Republic
INTELLECTUAL PROPERTY AT THE INTERSECTION OF RACE AND GENDER: OR LADY 1 SINGS THE BLUES BY K.J. GREENE The history of cultural production in the United States tracks the racial divide that inaugurated the founding of the Republic. The original U.S. Constitution excluded both black women and men from the blessings of liberty. Congress enacted formal laws mandating racial equality only scant decades ago, although it may seem long ago to today’s generation. Interestingly, the same Constitution that validated slavery and excluded women from voting also granted rights to authors and inventors in what is known as the Patent/Copyright clause of Article I, section 8. Those rights have become the cornerstone of economic value not only in the U.S but globally, and are inextricably tied to cultural production that influences all aspects of society. My scholarship seeks to show how both the structure of copyright law, and the phenomena of racial segregation and discrimination impacted the cultural production of African-Americans and how the racially neutral construct of IP has in fact historically adversely impacted African- American artists.2 It is only in recent years that scholarship exploring intellectual property has examined IP in the context of social and historical inequality. This piece will explore briefly how women artists and particularly black women have been impacted in the IP system, and to compare how both blacks and women have shared commonality of treatment with indigenous peoples and their creative works. The treatment of blacks, women and indigenous peoples in the IP system reflects an unfortunate narrative of exploitation, devaluation and the promotion of derogatory stereotypes that helped fuel oppression in the United States and in the case of indigenous peoples, aboard.
[Show full text]
Aaamc Issue 9 Chrono
of renowned rhythm and blues artists from this same time period lip-synch- ing to their hit recordings. These three aaamc mission: collections provide primary source The AAAMC is devoted to the collection, materials for researchers and students preservation, and dissemination of materi- and, thus, are invaluable additions to als for the purpose of research and study of our growing body of materials on African American music and culture. African American music and popular www.indiana.edu/~aaamc culture. The Archives has begun analyzing data from the project Black Music in Dutch Culture by annotating video No. 9, Fall 2004 recordings made during field research conducted in the Netherlands from 1998–2003. This research documents IN THIS ISSUE: the performance of African American music by Dutch musicians and the Letter ways this music has been integrated into the fabric of Dutch culture. The • From the Desk of the Director ...........................1 “The legacy of Ray In the Vault Charles is a reminder • Donations .............................1 of the importance of documenting and • Featured Collections: preserving the Nelson George .................2 achievements of Phyl Garland ....................2 creative artists and making this Arizona Dranes.................5 information available to students, Events researchers, Tribute.................................3 performers, and the • Ray Charles general public.” 1930-2004 photo by Beverly Parker (Nelson George Collection) photo by Beverly Parker (Nelson George Visiting Scholars reminder of the importance of docu- annotation component of this project is • Scot Brown ......................4 From the Desk menting and preserving the achieve- part of a joint initiative of Indiana of the Director ments of creative artists and making University and the University of this information available to students, Michigan that is funded by the On June 10, 2004, the world lost a researchers, performers, and the gener- Andrew W.
[Show full text]
Gaslit Nation Transcript 27 July 2021 Art Matters: the Nelson George Interview
Gaslit Nation Transcript 27 July 2021 Art Matters: The Nelson George Interview https://www.patreon.com/posts/art-matters-53743958 Andrea Chalupa: Welcome to Gaslit Nation. I am your host, Andrea Chalupa. We talk a lot on this show about making art and the power of art. This special discussion is about artists. It's for people who want to be artists. It's for artists at all stages of their careers. It's for people who love and consume art. It's a discussion about the value of mentorship as well and why that's important to the whole process of creating art. Andrea Chalupa: The way to get to the heart of being an artist, why that's important, what that means, the practical ins and outs of how to do it, we're going to talk to an artist who believed in me very early on, and that alone helped me learn how to take myself seriously as an artist and bring that out to the world. Here's artist mentorship one-on-one with Gaslit Nation and our very special guest, my longtime friend and mentor, Nelson George. Nelson George: Thank you for having me. Andrea Chalupa: Nelson George is the author of several histories of African-American music, including Where Did Our Love Go, The Rise and Fall of the Motown Sound, The Death Of Rhythm and Blues, and the classic, Hip Hop America. He has published two collections of music journalism; Buppies, B-Boys, Baps & Bohos: Notes on Post-Soul Black America, and the recent, the Nelson George Mixtape, which is available through Pacific Books.
[Show full text]
Many Readers Have “Go-To” Authors, Writers They Turn to When No One Else Grabs Their Attention
SUMMER READING GUIDE 2018 Many readers have “go-to” authors, writers they turn to when no one else grabs their attention. This summer we’d like to help you find a “go-to” writer of your own. Below is a list of authors who have many titles to their credit. Some have written a series with recurring characters; some have written books with similar themes; some have written exclusively within one genre (mystery, fantasy, and so on); and some have just produced lots of good, lively writing over the years. In addition, we have included some individual titles, recommended by students, by faculty, and by the library staff. THE HEADMASTER’S CHOICE THIS YEAR IS BEARTOWN BY FREDRIK BACKMAN, WHICH BEGINS LIKE THIS: “It’s a Friday in early March in Beartown and nothing has happened yet. Everyone is waiting. Tomorrow, the Beartown Ice Hockey Club’s junior team is playing in the semi-final of the biggest youth tournament in the country. How important can something like that be? In most places, not so important, of course. But Beartown isn’t most places.” Backman’s novel explores the hopes that a small community pins on a group of teenaged athletes, and it explores the secrets that can tear a small town apart. Backman’s characters—coaches, athletes, parents, and local fans—are often flawed, often heroic, and always fully human. In addition to Beartown, you are to read two other books from the list below. You may choose two books by the same author, or two books by different authors.
[Show full text]
Surrealism-Revolution Against Whiteness
summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ......................
[Show full text]
Contemporary American Crime Fiction
Contemporary American Crime Fiction Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editorr) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Crime Files Series Standing Order ISBN 978-0-333-71471-3 (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England Contemporary American Crime Fiction Hans Bertens Professor of Comparative Literature Utrecht University and Theo D’haen Professor of English and American Literature Leiden University © Hans Bertens and Theo D’haen 2001 Softcover reprint of the hardcover 1st edition 2001 978-0-333-67455-0 All rights reserved.
[Show full text]
Toni Morrison: the Pieces I Am
TONI MORRISON: THE PIECES I AM A Film by Timothy Greenfield-Sanders LOGLINE This artful and intimate meditation on legendary storyteller Toni Morrison examines her life, her works and the powerful themes she has confronted throughout her literary career. Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, history, America and the human condition. SYNOPSIS Toni Morrison: The Pieces I Am offers an artful and intimate meditation on the life and works of the legendary storyteller and Nobel prize-winner. From her childhood in the steel town of Lorain, Ohio to ‘70s-era book tours with Muhammad Ali, from the front lines with Angela Davis to her own riverfront writing room, Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, America, history and the human condition as seen through the prism of her own literature. Inspired to write because no one took a “little black girl” seriously, Morrison reflects on her lifelong deconstruction of the master narrative. Woven together with a rich collection of art, history, literature and personality, the film includes discussions about her many critically acclaimed works, including novels “The Bluest Eye,” “Sula” and “Song of Solomon,” her role as an editor of iconic African-American literature and her time teaching at Princeton University. In addition to Ms. Morrison, the film features interviews with Hilton Als, Angela Davis, Fran Lebowitz, Walter Mosley, Sonia Sanchez and Oprah Winfrey, who turned Morrison’s novel “Beloved” into a feature film. Using Timothy Greenfield-Sanders’ elegant portrait- style interviews, Toni Morrison: The Pieces I Am includes original music by Kathryn Bostic, a specially created opening sequence by artist Mickalene Thomas, and evocative works by other contemporary African-American artists including Kara Walker, Rashid Johnson and Kerry James Marshall.
[Show full text]
Black Male Writers for Our Time - the New York Times
12/2/2018 Black Male Writers for Our Time - The New York Times Black Male Writers for Our Time These 32 American men, and their peers, are producing literature that is essential to how we understand our country and its place in the world right now. By AYANA MATHIS Creative Direction by BOOTS RILEY Nov. 30, 2018 https://www.nytimes.com/interactive/2018/11/30/t-magazine/black-authors.html 1/11 12/2/2018 Black Male Writers for Our Time - The New York Times LAST APRIL, KENDRICK Lamar won the Pulitzer Prize for music. That’s old news, but it’ll never get old to me: Black male rappers have been so maligned as to render his award almost unimaginable to those of us who have loved the music for decades. At the ceremony, the prize’s administrator, Dana Canedy, greeted Lamar on the steps of Columbia University. “We’re both making history right now,” she said. And so they were: Canedy is the ﬁrst black woman to hold her post, and Lamar — or “Pulitzer Kenny,” as he now delightfully, and delightedly, calls himself — is the ﬁrst hip-hop artist to win the award. On the same day, Branden Jacobs-Jenkins was nominated for the prize for drama (he was also nominated in 2016). Last spring, “Black Panther,” with its nearly all- black cast, surpassed a billion dollars in worldwide ticket sales. In May, Sean “Diddy” Combs outbid a rival to purchase a Kerry James Marshall painting for $21.1 million at Sotheby’s. The sale was a triumph: A black multimillionaire bought a black artist’s painting for the highest sum ever paid for the work of a living African-American artist.
[Show full text]
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
[Show full text]
Being Black There: Racial Subjectivity and Temporality in Walter Mosley's
Being Black There: Racial Subjectivity and Temporality in Walter Mosley’s Detective Novels DAYLAnnE K. ENGLISH African American literature has conventionally, if not universally, been under- stood as following a distinct timeline. That African American literature has its own genealogy and history is readily demonstrated by the existence of a number of current anthologies of African American literature, with the Norton only the most well-known. Even when the various anthologies dispute textual selection within and theorizing of the tradition, they concur that African American litera- ture forms a separate tradition both literarily and temporally and that it ought to be anthologized separately. They all also identify Lucy Terry’s 1746 poem “Bars Fight” as the “earliest known work of literature by an African American” and believe that it thus starts the African American literary tradition (Gates 186). But ascribing a distinct temporality to black people has been far more controversial, and rightly so. To the degree that black people have been perceived to be of another time, they have also quite often been excluded from dominant understandings and constructions of modernity. As Michelle Wright argues, “[A] logical fallacy develops in . the dialectical [racial] discourses” of figures like Georg Wilhelm Friedrich Hegel, Comte Arthur de Gobineau, and Thomas Jefferson, for whom modern subjectivity was contingent on whiteness and maleness (9). I would add that it is contingent on contemporaneity as well—on being in time, or being there: dasein, as Martin Heidegger would term it (148). But the idea that black people inhabit a distinct temporality, albeit an imposed one, has also been advanced by black intellectuals, at least since Frederick Doug- lass’s 1845 Narrative of the Life.
[Show full text]
Make Mine Hard-Boiled
Dennis Lehane James Sallis Moonlight Mile Drive : a novel Make Mine The Drop Willnot : a novel Joe Lansdale Mickey Spillane Hard-boiled Dead on the Bones : Pulp on Fire The Last Stand Dennis Lehane Richard Stark Moonlight Mile Nobody Runs Forever The Drop Peter Swanson Jonathan Lethem Her Every Fear Motherless Brooklyn (LP) The Kind Worth Killing Attica Locke Andrew Vachss Another Life Bluebird, Bluebird : a novel David Morrell Robert James Waller, Before I Wake : a story collection The Long Night of Winchell Dear Walter Mosley Urban Waite Debbie Doesn’t Do It Anymore Sometimes the Wolf (LP) Diablerie : a novel Don Winslow Robert Parker The Winter of Frankie Machine Stranger in Paradise (LP) George Pelecanos The Martini Shot : a novella and stories At the Mount Vernon Thomas Pynchon Inherent Vice City Library 315 Snoqualmie Street Daniel Pyne Mount Vernon, WA 98273 Fifty Mice 360-336-6209 07/19/in Hardboiled stories usually feature a Henry Chang Elizabeth Hand detective hero—This detective hero is Red Jade Hard Light : a Cass Neary crime novel usually every bit as tough as the vil- lains he comes across, and he’s al- Lee Child Kenneth Harmon most always the wittiest guy in the A Wanted Man The Fat Man : a tale of North Pole noir room. Noir fiction usually feature a victim, suspect or perpetrator as the Harlan Coben Jordan Harper protagonist. Find these titles on our Long Lost Love and Other Wounds : stories shelves by author or non-fiction call #. Final Detail Michael Harvey Benjamin Black Reed Coleman The Fifth Floor The Black-Eyed Blonde Empty Ever After Gar Haywood Eoin Colfer Lawrence Block Cemetery Road Plugged : a novel Eight Million Ways to Die Screwed (LP) The Girl with he Deep Blue Eyes Patricia Highsmith Strangers on a Train David Corbett Josh Bazell Done for a Dime Roger Hobbs Beat the Reaper James Ellroy Ghostman Robert Jackson Bennett L.A.
[Show full text]