Professional Positions 1990
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Public Art and Public Transportation
Public Art and Public Transportation Craig Amundsen, BKW, Inc. Building communities that rely on transit and walking will stewardship assumed by the community. Artistic expres• require greater attention to humanizing transit stations and sion, though, at times has been at odds with public opin• integrating them into their surrounding context. Public art ion. There can be an underlying fear of public art and the has a role in this process: it can help make transit stations inclusion of artists in the design of transit-related spaces. more than just places to wait. To build the image of transit Public art can be too provocative and seen as appealing to as an amenity in the community requires recognition of an elite audience rather than to regular people. Where has and sensitivity to the fact that the quality of the transpor• the inclusion of public art in transit projects been success• tation experience direcdy affects the quality of the lives of ful? What methods have been used to achieve positive re• transit users. The experience of travel by transit should be sults? How do constructive collaborations between artists, an attraction in itself. To build transit systems that are designers, and engineers happen? In what ways has the competitive with, if not better than, the experience of mov• inclusion of public art served to encourage pedestrian ac• ing by automobile requires attention to those things that cess to transit stations? These questions are addressed. make the public spaces serving transit successful. Spaces that serve to accommodate waiting, as well as sidewalks and paths to stations that connect surrounding activity ' I 1 he purpose of this paper is to examine success centers and land uses to transit, can be more interesting I factors in transit-related public art and architec- and made more secure by including public art in their de• A. -
Cambridge Public
Cambridge Arts Council C A M B R I D G E P U B L I C A R T www.cambridgeartscouncil.org 03 01 02 04 Map 04 :: Porter Square (01) North Cambridge Senior Center: Linda Lichtman (02) North Cambridge Senior Center: David Fichter (03) Porter Square Shopping Center (back wall): Jeff Oberdorfer, Mass Art Students, Joshua Winer (04) Maria Baldwin School: Nancy O'Neil (T) MBTA Station: Susumu Shingu, Carlos Dorrien, Mags Harries, William Reimann, David Phillips Linda Lichtman North Cambridge Senior Center Title: Landscape Frieze in Glass Date: 1990 Materials: Etched stained glass, painted, and leaded Dimensions: 18" x 20' Location: 2050 Massachusetts Avenue These five panels of etched, stained and leaded glass run along the 20'-long glass window in the lobby of the Cambridge Senior Center. "I work with glass so that it will reflect nature and be alive to light, constantly changing like all things in nature," Lichtman says. "I tear away the surface of the glass with hydrofluoric acid or build up layers of paints, transparent enamels, and silver stain to increase richness and density." From this hazardous process emerges the most delicate of designs. Lichtman explains that each specific piece of glass etches differently. The result is the abstract imagery in "Landscape Frieze in Glass," which illumines the large window in the Cambridge Senior Center, as though the glass itself contained the light. Lichtman earned her BFA in painting from Massachusetts College of Art in 1974. She studied with a master glass artist Patrick Reyntiens at Burleighfiled House in England and apprenticed to other glass artists in the U.K., Canada and Germany before continuing studies at the Museum School in Boston. -
Mags Harries' Resume
Mags Harries PROFESSIONAL POSITIONS 1990 - Harries/Héder Collaborative, Cambridge, MA - Principal 1978 - School of the Museum of Fine Arts, Boston, MA - Sculpture Faculty EXHIBITIONS * in collaboration with Lajos Héder 2016 Gallery Kayafas, Boston, MA/ TBD - Solo 2015 deCordova Sculpture Park and Museum, Lincoln, MA/ The Sculptor's Eye: Prints, Drawings, and Photographs from the Collection 2015 Boston Sculptors Gallery, Boston, MA/ 34 2015 Chesterwood, Stockbridge, MA/ Columnar Reflection 2015 Boston Sculptors Gallery, Boston, MA/ Rising Waters -- Solo 2014 Blithewold Mansion, Bristol, RI/ Sculpture Embraces Horticulture 2013 Boston Sculptors Gallery, Boston, MA/ Levels -- Solo 2011 Peabody Essex Museum, Salem, MA/ Ripple Effect: The Art of H2O* 2011 Boston Sculptors Gallery, Boston, MA/ In Dialogue - Solo 2010 Grossman Gallery, School of the Museum of Fine Arts, Boston, MA/ Recent Works Federal Reserve Bank of Boston, Boston, MA /Clean Volts* Wave Hill, Bronx, NY/ Remediate/ Re-Vision: Public Artists Engaging the Environment* - Traveling Exhibition 2008 Baer Art Center, Hofsos, Iceland/ Residency & Exhibition* The Art Complex Museum, Duxbury, MA / “Artists & Books” University Gallery, University of Massachusetts, Amherst, MA/ “Art in the Public Sphere”* 2007 Foster Gallery, Nobles & Greenough, Needham MA/ “Waterways”-Solo* Mill Creek Canyon Earthworks Park, Kent, WA/ “Channeling Herbert: Earthworks, Artworks, Public Works”* 2006 Open Square Gallery, MA / “Intersections”- Massachusetts Cultural Council Grant Fellows 2005 Center for Architecture, -
Affordable Housing
VOL. 2 NO. 9 SOMERVILLE, MASS. WEDNESDAY, FEBRUARY 26, 2014 TWENTY-FIVE CENTS Inside: Scaled-down Union Square housing proposal nears approval By David R. Smith The Planning Board is poised to approve a scaled-down project in Union Square after abutters appealed the original proposal’s ap- proval this past July. The two properties being developed jointly be- tween the Somerville Community Corporation (SSC) and a private developer are at 181 and 197 Washington St. Both buildings currently at Stories for each site will be demolished to make room for a the telling mix of commercial/retail space along with mar- page 3 ket-rate and affordable residential units. Representing the applicant (CPI-SSC, LLC), attorney Adam Dash presented the revised plans at the board’s Feb. 20 meeting. “We’ve made a lot of progress with the neigh- bors,” he said, noting they had a neighborhood meeting with abutters and Ward 3 Aldermen Bob McWatters prior to coming back before the board last week. The revised plans are part of the land court Photo by XXX settlement agreement that, according to both sides, is all but finalized. The original proposal was for a combined 84 The original 74 residential unit development proposed for 181 and 197 Washington St. (pictured above) has housing units and retail/commercial space in been scaled down to 65 units (pictured below) and awaits final approval by the Planning Board. two five-story buildings. Continued on page 5 Extending art station to station page 7 A journey with masks By Dian Zhang Magic takes place in Eric Bornstein’s studio. -
April 2017 Introduction
April 2017 Introduction The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice. Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes. Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196 Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C. -
April 2017 Introduction
April 2017 Introduction The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice. Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes. Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196 Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C.