Roddy Doyle Papers
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Fragmentation and Vulnerability in Anne Enright´S the Green Road (2015): Collateral Casualties of the Celtic Tiger in Ireland
International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes Fragmentation and vulnerability in Anne Enright´s The Green Road (2015): Collateral casualties of the Celtic Tiger in Ireland MARIA AMOR BARROS-DEL RÍO* Universidad de Burgos (Spain) Received: 14/12/2016. Accepted: 26/05/2017. ABSTRACT This article explores the representation of family and individuals in Anne Enright's novel The Green Road (2015) by engaging with Bauman's sociological category of “liquid modernity” (2000). In The Green Road, Enright uses a recurrent topic, a family gathering, to observe the multiple forms in which particular experiences seem to have suffered a process of fragmentation during the Celtic Tiger period. A comprehensive analysis of the form and plot of the novel exposes the ideological contradictions inherent in the once hegemonic notion of Irish family and brings attention to the different forms of individual vulnerability, aging in particular, for which Celtic Tiger Ireland has no answer. KEYWORDS: Anne Enright, The Green Road, Ireland, contemporary fiction, Celtic Tiger, mobility, fragmentation, vulnerability, aging. 1. INTRODUCTION Ireland's central decades of the 20th century featured a nationalism characterized by self- sufficiency and a marked protectionist policy. This situation changed in the 1960s and 1970s when external cultural influences through the media, growing flows of migration and economic transformations initiated by the government, together with the weakening of the Welfare State, progressively transformed a rural new-born country into an international _____________________ *Address for correspondence: María Amor Barros-del Río. Departamento de Filología. Facultad de Humanidades y Comunicación. Paseo de los Comendadores s/n. -
New Writing from Ireland
New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Irish Film Institute What Happened After? 15
Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema. -
Insidious Vulnerability: Women's Grief and Trauma in Modern and Contemporary Irish Fiction
Insidious Vulnerability: Women's Grief and Trauma in Modern and Contemporary Irish Fiction Author: Trista Dawn Doyle Persistent link: http://hdl.handle.net/2345/bc-ir:107960 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2018 Copyright is held by the author, with all rights reserved, unless otherwise noted. INSIDIOUS VULNERABILITY: WOMEN’S GRIEF AND TRAUMA IN MODERN AND CONTEMPORARY IRISH FICTION Trista Dawn Doyle A dissertation submitted to the Faculty of the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Boston College Morrissey College of Arts and Sciences Graduate School April 2018 © Copyright 2018 Trista Dawn Doyle INSIDIOUS VULNERABILITY: WOMEN’S GRIEF AND TRAUMA IN MODERN AND CONTEMPORARY IRISH FICTION Trista Dawn Doyle Advisor: James M. Smith, Ph.D. Abstract This dissertation examines individual experiences of grief and trauma in Irish writing from 1935 to 2013, focusing specifically on novels by Elizabeth Bowen, Samuel Beckett, Sebastian Barry, and Eimear McBride. It offers a feminist reclamation of personal forms of loss that fall outside the purview of documented history and that typically go overlooked in literary criticism. Examples in this study include the suffering caused by the natural death of a family member, infertility, domestic and sexual abuse, social ostracism, institutionalization, and forced adoption. Through careful close readings of Bowen’s The House in Paris (1935) and The Death of the Heart (1938), Beckett’s Molloy (1955), Barry’s The Secret Scripture (2008), and McBride’s A Girl Is a Half- Formed Thing (2013), I unpack how women’s insidious vulnerability to grief and trauma manifests in modern and contemporary Irish fiction. -
Trabajo Fin De Grado — Irene Cubas Régulo
THE COMIC HERO AND HIS ATTITUDE TOWARDS WOMEN IN A STAR CALLED HENRY AND OH, PLAY THAT THING IRENE CUBAS RÉGULO TUTORA: AÍDA DÍAZ BILD FACULTAD DE HUMANIDADES | SECCIÓN DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES LA LAGUNA, JULIO 2015 INDEX 1. ABSTRACT 1 2. INTRODUCTION 2 3. COMEDY AND THE COMIC HERO 4 4. THE NOVELS 10 5. HENRY AS A COMIC HERO 12 6. WOMEN 14 6. 1. ANNIE 16 6. 2. GRANNY NASH 19 6. 3. MISS O’SHEA 22 7. CONCLUSION 28 8. LIST OF WORKS CITED 30 1. ABSTRACT This work pretends to analyse the behaviour of the main character of the novels A Star Called Henry and Oh, Play That Thing, two novels of the same author, in order to show that their protagonist’s attitude as a comic hero can be perceived in his relationship with three fe- male characters. The main character’s name is Henry Smart, who is the same protagonist in the two novels, and the three female characters I focus on are Annie, Granny Nash and Miss O’Shea. Henry’s behaviour towards them is also examined to show his attitude as a comic hero, since it can be perceived in his relationship with them. In order to do so I divide the main body of the work into three parts: in the first one I explain what comedy is, how it has been considered and its most important features. This part also contains who the comic hero is, focusing on the comic virtues that characterise him based on the theory of Hyers about comedy, The Spirituality of Comedy, complementing it with the ones by Morreall, Bakhtin, Bergson and Gutwirth. -
A Star Called Henry
Königs Erläuterungen und Materialien Band 483 Erläuterungen zu Roddy Doyle A Star Called Henry von Hans-Georg Schede übersetzt von Julia Bee Über den Autor der Erläuterung: Hans-Georg Schede, geboren 1968, studierte in Freiburg Germa- nistik sowie Anglistik und promovierte mit einer Werkmono- graphie über den Gegenwartsautor Gert Hofmann (1999). Er hat Unterrichtsmodelle zu Heinrich von Kleist, Gert Hofmann sowie Charlotte Kerner und zahlreiche Erläuterungsbände zu Werken des schulischen Lektürekanons verfasst (u. a. zu Goethe, Schiller, Kleist, Büchner, Fontane, Thomas Mann, William Faulkner, Alfred Uhry und Harper Lee). Weitere Bücher: eine Biographie über Die Brüder Grimm (2004, Neuausgabe 2009) und den Band Heinrich von Kleist in der Reihe „rowohlts monographien“ (2008). Hans-Georg Schede hat als Buchredakteur und Gymnasiallehrer gearbeitet und lebt mit seiner Familie in Freiburg. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung einges- cannt oder gespeichert und in ein Netzwerk eingestellt wer- den. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. 1. Auflage 2010 ISBN: 978-3-8044-1888-2 © 2009 by Bange Verlag, 96142 Hollfeld Alle Rechte vorbehalten! Titelabbildung: Roddy Doyle © Isolde Ohlbaum [Foto verfremdet] Druck und Weiterverarbeitung: Tiskárna Akcent, Vimperk 2 Inhalt Preface -
Modern and Contemporary Irish Literature
Reading List: Modern and Contemporary Irish Literature Students preparing for a doctoral examination in this field are asked to compose a reading list, in conjunction with their exam committee, drawn from the core of writers and scholars whose work appears below. We expect students to add to, subtract from, and modify this list as suits their purposes and interests. Students are not responsible for reading everything on this section list; instead, they should create a personalized list of approximately 40-50 texts, using this list as a guide. However, at least 50% of a student’s examination reading should come from this list. Poetry: W. B. Yeats Patrick Kavanagh Louis MacNeice Thomas Kinsella John Montague Seamus Heaney Rita Ann Higgins Michael Longley Derek Mahon Ciaran Carson Medbh McGuckian Paul Muldoon Eavan Boland Eiléan Ní Chuilleanáin Paula Meehan Nuala Ní Dhomhnaill Dennis O’Driscoll Cathal Ó Searcaigh Chris Agee (ed.)—The New North: Contemporary Poetry from Northern Ireland Short Fiction: Sean O’Faolain—The Short Story Ben Forkner (ed.)—Modern Irish Short Stories W. B. Yeats—Irish Fairy and Folk Tales George Moore—The Untilled Field James Joyce—Dubliners Elizabeth Bowen—Collected Stories Frank O’Connor—Collected Stories Mary Lavin—In a Café: Selected Stories Edna O’Brien—A Fanatic Heart: Selected Stories (especially the stories from Returning) William Trevor—Collected Stories Bernard MacLaverty—Collected Stories Éilís Ní Dhuibhne—Midwife to the Fairies: New and Selected Stories Emma Donoghue—The Woman Who Gave Birth to Rabbits -
Catalogue 42 Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 C OURTWOOD B OOKS 1 A
Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 C OURTWOOD B OOKS 1 A. E. (Russell, George). Ireland and the Empire at the Court of Conscience. €35.00 ood tw r The Talbot Press, Dublin 1921. 1st separate edition. Post 8vo. (1) + 2-16 pp. Integral u o s k o C o s b Phone: 057 8626384 Courtwood Books, wrapper title. A few small chips & last page somewhat soiled, else a good clean [U.K. 00 353 57 8626384] Vicarstown, copy. Scarce. Denson 42. First published in the Manchester Guardian in September 1921. Email: [email protected] Stradbally, 2 A. E. (Russell, George). The Avatars - A Futurist Fantasy. €65.00 Website: courtwoodbooks.ie Co. Laois. Macmillan, New York 1933. 1st US edition. Crown 8vo. viii + 188 + (2 advts) pp. Blue cloth with lettering in gilt. Trace of rubbing at cover extrems, else a very nice bright copy. Denson A52a. Fifteen hundred copies printed. CATALOGUE 42 3 (Agriculture interest). Stephens, Henry. A Manual of Practical Draining. €75.00 William Blackwood, London 1847. 2nd edition, corrected & enlarged. Medium 8vo. The codeword for this catalogue is "KINCH" which means "please send from xvi + 160 + 8 advts pp. Numerous in-text illustrations throughout. Original green catalogue 42 the following item(s) ..." cloth with paper label on front panel. A very nice clean copy with just a little wear on cover extrems. Scarce in this condition. 4 Allen, F. M. (Downey, Edmund). From the Green Bag. €60.00 The books are described, and faults where they exist, are noted as accurately as Ward & Downey, London 1889. -
A Star Called Henry
Königs Erläuterungen und Materialien Band 483 Erläuterungen zu Roddy Doyle A Star Called Henry von Hans-Georg Schede übersetzt von Julia Bee Über den Autor der Erläuterung: Hans-Georg Schede, geboren 1968, studierte in Freiburg Germa- nistik sowie Anglistik und promovierte mit einer Werkmono- graphie über den Gegenwartsautor Gert Hofmann (1999). Er hat Unterrichtsmodelle zu Heinrich von Kleist, Gert Hofmann sowie Charlotte Kerner und zahlreiche Erläuterungsbände zu Werken des schulischen Lektürekanons verfasst (u. a. zu Goethe, Schiller, Kleist, Büchner, Fontane, Thomas Mann, William Faulkner, Alfred Uhry und Harper Lee). Weitere Bücher: eine Biographie über Die Brüder Grimm (2004, Neuausgabe 2009) und den Band Heinrich von Kleist in der Reihe „rowohlts monographien“ (2008). Hans-Georg Schede hat als Buchredakteur und Gymnasiallehrer gearbeitet und lebt mit seiner Familie in Freiburg. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung einges- cannt oder gespeichert und in ein Netzwerk eingestellt wer- den. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. 1. Auflage 2010 ISBN: 978-3-8044-1888-2 © 2009 by Bange Verlag, 96142 Hollfeld Alle Rechte vorbehalten! Titelabbildung: Roddy Doyle © Isolde Ohlbaum [Foto verfremdet] Druck und Weiterverarbeitung: Tiskárna Akcent, Vimperk 2 Inhalt Preface -
Portraying Irish Working-Class Women in Love: The
This is the published version of the bachelor thesis: Diaz Bautista, Diana; Martín Alegre, Sara, dir. Portraying Irish working-class women in love : the consequences of patriarchy in Roddy Doyle’s "The woman who walked into doors". 2013. 14 pag. (801 Grau en Estudis Anglesos) This version is available at https://ddd.uab.cat/record/112438 under the terms of the license * Portraying Irish Working-Class Women in Love: The Consequences of Patriarchy in Roddy Doyle’s The Woman Who Walked into Doors Diana Diaz Bautista Universitat Autònoma de Barcelona June 2013 ABSTRACT Set in the Celtic Tiger period of the 90’s Roddy Doyle presents the story of Paula Spencer, the main character and narrator of The Woman Who Walked into Doors (1996). Paula is presented as a marginalised character. She is the mother of four children, an alcoholic, long-term unemployed and battered by her husband Charlo. Doyle uses Paula as a means to convey the voice of Irish working-class women in a society where capitalism has been largely established and accepted. It is my aim to consider Roddy Doyle’s narrative difficulties as a male author in writing a novel about a battered working-class woman, mostly without education and an alcoholic. In this sense, I will analyze the way in which Doyle turns Paula, a woman without a voice and without means to write her own story, into a plausible character. In this sense, love, shaped by a patriarchal Irish culture and society, is crucial to understand Paula’s relationship with her abusive husband. The paper will examine thus, the contextual factors that allow spousal abuse to exist and emphasize the way society becomes accomplice of these kinds of tragedies. -
Solutions Collection 1 Friendship Worksheet 1.4 Coca-Cola ‘Friendly Twist Marketing Campaign’ (Textbook: P
Solutions Collection 1 Friendship Worksheet 1.4 Coca-Cola ‘Friendly Twist Marketing Campaign’ (textbook: p. 13; TRB: p. 7) First day of college Coca-Cola presents: A day when talks and interactions are reduced to zero. The Friendly Twist So we thought of something special to make freshmen bond. A cap that can’t be opened An exercise to break the ice Until you match it with another one. And make them start talking. Open a Coke. A Coke bottle like any other, Open a new friendship. But with a little twist. Coca-Cola – Open Happiness. Booker Prize (p. 17) Irish authors who have won the Booker Prize for Fiction Iris Murdoch, The Sea, the Sea (1978) Roddy Doyle, Paddy Clarke, Ha Ha Ha (1993) John Banville, The Sea (2005) Anne Enright, The Gathering (2007) Shortlisted authors of the Booker Prize for Fiction Iris Murdoch, The Nice and the Good (1969) Roddy Doyle, The Van (1991) William Trevor, Mrs Eckdorf in O’Neill’s Hotel (1970) Patrick McCabe, The Butcher Boy (1992) Iris Murdoch, Bruno’s Dream (1970) Seamus Deane, Reading in the Dark (1996) Thomas Kilroy, The Big Chapel (1971) Bernard MacLaverty, Grace Notes (1997) Iris Murdoch, The Black Prince (1973) Patrick McCabe, Breakfast on Pluto (1998) William Trevor, The Children of Dynmouth (1976) Colm Tóibín, The Blackwater Lightship (1999) Julia O’Faolain, No Country for Young Men (1980) Michael Collins, The Keepers of Truth (2000) Iris Murdoch, The Good Apprentice (1985) William Trevor, The Story of Lucy Gault (2002) Brian Moore, The Colour of Blood (1987) Colm Tóibín, The Master (2004) Iris Murdoch, The Book and the Brotherhood (1987) Sebastian Barry, A Long Long Way (2005) John Banville, The Book of Evidence (1989) Sebastian Barry, The Secret Scripture (2008) John McGahern, Amongst Women (1990) Emma Donoghue, Room (2010) Brian Moore, Lies of Silence (1990) Colm Tóibín, The Testament of Mary (2013) William Trevor, Reading Turgenev (1991) (This list includes winners and those who made the shortlist.