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2020 WELCOME Photo: Alana Dimou THEJOAN.COM.AU 2 HOW TO SUBSCRIBE 6 PENRITH ARTS LOVER 8 SEASON AT A GLANCE 10 80S FILM FESTIVAL 12 SEASON 2020 14 – 60 KIDS & FAMILIES 20, 30, 44, 54, 58, 60 YOUNG ADULTS 26, 42 SPIEGELESQUE 14 GRACE UNDER PRESSURE 16 EASTER ORATORIO – BACH AKADEMIE AUSTRALIA 18 ANN-DROID THE WONDERFUL ADVENTURES OF A ROBOT GIRL 20 JEKYLL & HYDE 22 PLAYLIST 24 30 SOMETHING 26 MY ROBOT 28 THE SENTIMENTAL BLOKE 30 MICF ROADSHOW 32 THE SPOOKY MEN’S CHORALE 34 THE GOSPEL ACCORDING TO PAUL 36 THE MELL-O-TONES 38 THE WHARF REVUE 2020 40 LIGHTS IN THE PARK 42 BEEP 44 CARMEN 46 CONTENTS KANGAROO 48 DADS 50 30TH ANNIVERSARY CONCERT 52 LOOSE ENDS 54 LAMB 56 JUST LIVE ON STAGE! 58 EDWARD THE EMU 60 Q THEATRE 62 – 64 MORNING MELODIES 65 – 66 FOR SENIORS 67 – 68 ALSO AT THE JOAN 69 WHO WE ARE 70 IN RESIDENCE: 71 – 72 PENRITH SYMPHONY ORCHESTRA PENRITH MUSICAL COMEDY COMPANY SUPPORT US 73 ACKNOWLEDGEMENTS 74 – 76 ATTENDING THE JOAN 77 SEATING MAPS 78 SUBSCRIPTION STEPS 79 ORDER FORM 80 EASY WAYS TO BOOK 82 Penrith Performing & Visual Arts acknowledges the unique status of Aboriginal and Torres Strait Islander people as the original custodians of lands and waters, including the land and waters of Western Sydney. THEJOAN.COM.AU 4 ave your calendar handy and read through this guide. This year we’ve ordered it chronologically, so you can make it work for you: Hholidays first, shows next, everything else later. Some people like to bring friends and family together and make plans as a group, others prefer to make plans for themselves; and gifts and surprises are always good. -
Brothers Wreck by Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien
Media Release April 2014 Belvoir presents Brothers Wreck By Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien With Cramer Cain Lisa Flanagan Rarriwuy Hick Hunter Page-Lochard Bjorn Stewart Belvoir St Theatre | Upstairs 24 May – 22 June 2014 ‘it shouldn’t be this hard... but look around ay? You're not the only one who's lost a brother this way.’ Brothers Wreck begins with a death: on a hot morning under a house in Darwin, Ruben wakes to find his cousin Joe hanging from the rafters. The play that follows tells the story of how Ruben’s family, little by little, brings Ruben back from the edge. It is a confronting and honest exploration of grief and loss but ultimately redemption. Jada Alberts, winner of the 2013 Balnaves Foundation Indigenous Playwright’s Award, is an actor and theatre-maker with a powerful voice and a clear vision to tell the stories of her community. She is one of a growing group of young Indigenous artists who have looked to each other as much as they have to their elders for inspiration. Her play emerges from the gathering voices of this new generation and tells a deeply relevant and current story of the reality of life for many Indigenous families. An outstanding cast of Indigenous artists has been assembled. Rarriwuy Hick is gaining attention for her television performances in Redfern Now and The Gods of Wheat Street (ABC1). She is also a compelling stage actor, as well as a dancer and choreographer with Bangarra Dance Theatre. -
2-12 APRIL 2007 Ifi Aus Film Fest 07 23/03/2007 17:13 Page 2
ifi_aus_film_fest_07 23/03/2007 17:13 Page 1 2-12 APRIL 2007 ifi_aus_film_fest_07 23/03/2007 17:13 Page 2 WELCOME FESTIVAL SPONSOR It is my great pleasure to welcome you to the 2007 Rosemount Dublin Australian Film Festival. The Australian Embassy in Dublin is proud to be involved with an event that showcases the diversity of contemporary Australian cinema. The film industry in Australia is continuing to produce many high quality feature and documentary films. These films reflect, question and FESTIVAL PARTNER challenge how we see ourselves, while simultaneously offering the world a glimpse of contemporary Australia. Their quality showcases Australia as a vibrant, diverse, creative, talented and highly competitive player in every aspect of film production. FESTIVAL SUPPORTERS Australian actors such as Nicole Kidman, Geoffrey Rush, Cate Blanchett, Russell Crowe, Naomi Watts, Heath Ledger, Toni Collette and Eric Bana have amassed a body of work that has won critical acclaim and commercial success around the world. Australia’s directors, producers, costume designers, writers, cinematographers and animators are attracting growing international attention and many overseas film producers come to Australia to take advantage of the world-class studio facilities, highly-skilled local FESTIVAL PATRON technical crews and the stunning diversity of the landscape. Jane Scott, film producer The selection of films featured in this year’s Festival provides audiences with the opportunity to sample an interesting and broad cross section of ACKNOWLEDGEMENTS recent Australian cinema. Our thanks to those involved in assisting the IFI in producing this festival each year, I would like to thank all those who contributed their time and effort in most notably the good work of Trish bringing the collection to Dublin as well as the sponsors for supporting Crerar, who each year gives tremendous such a wonderful event. -
AUIP Itinerary
Itinerary for PSU SOVA 2021 Social and Cultural Explorations in the Visual Arts: in Sydney, Australia 13 July 2021 - 24 July 2021 Tuesday 13 July Day 1: Sydney 8:50 AM Group flight arrives 9:30 AM Welcome to Sydney Your guide for today’s walking tour will greet you upon arrival at the airport with a sign that reads "PENN STATE UNIVERSITY." Please meet at Exit A at the northern end of the terminal. If you miss your flight and will be arriving late, please contact your faculty leader, Dr. Angela Rothrock (Phone: 011 61 420 675 797 or Email: [email protected]), to let her know when you will be arriving. You will then be responsible for making your own way from the airport to the accommodation. Please notify your family of your safe arrival. 10:15 AM Depart by coach to Travelodge Sydney (travel time approximately 30 minutes) Please store your luggage at Travelodge Sydney. You will be able to check in after 3:30 PM. Please notify hotel staff of any valuables (laptop computers, jewellery, electronics, etc.) and they can lock them in a secure room for you. 11:10 AM Depart by coach to The Rocks historic neighborhood (travel time approximately 20 minutes) 11:30 AM Guided walking tour of The Rocks Your guide will provide you with a detailed history of The Rocks as you visit sites of interest in the area. Topics include Aboriginal history and culture, Australia’s history as a convict penal colony, the start of European migration to Australia and Sydney landmarks. -
Full Transcript of 2019 Crown Resorts AGM This Is a Full
Full transcript of 2019 Crown Resorts AGM This is a full transcript of the 2019 Crown Resorts AGM, taken from this audio webcast of the meeting on October 24. The company declined to supply a transcript to shareholders, so we commissioned one. John Alexander Good morning ladies and gentlemen. My name is John Alexander and I'm the Executive Chairman of Crown Resorts Limited. On Behalf of your Board of directors, I welcome you to the 2019 Crown annual general meeting and thank you for your attendance. I would like to start by introducing your directors. Starting on the far end on my right, John Poynton, Andrew Demetriou, Toni Korsanos and Mike Johnston. On my left is Geoff Dixon, Guy Jalland and John Horvath, Helen Coonan, Jane Halton and Harold Mitchell. Also with me on the stage today is Mary Manos, our company secretary and Ken Barton, our chief financial officer. Also in attendance is Crown's auditor for the 2019 financial year, Michael Collins from Ernst and Young. To commence our formal proceedings I would like to introduce Jacinta CuBillo who will provide the Acknowledgement of Country. Jacinta Cubillo Good morning. I'd like to commence By acknowledging the traditional owners on the land of which we meet here today, the Wurundjeri and Boon Wurrung people of the Kulin Nation and pay my respects to their elders past, present and emerging. Thank you. John Alexander Thank you, Jacinta. As a quorum is present, I will now declare the meeting open. The notice of meeting was sent to all shareholders and copies are available at the registration desk. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Compliance by Former Ministers of State With
September 2018 Who’s in the room? Access and influence in Australian politics Danielle Wood and Kate Griffiths Who’s in the room? Access and influence in Australian politics Grattan Institute Support Grattan Institute Report No. 2018-12, September 2018 Founding members Endowment Supporters This report was written by Danielle Wood, Kate Griffiths and Carmela The Myer Foundation Chivers. Grattan interns Tim Asimakis, Matthew Bowes, Isabelle National Australia Bank Hughes and Anne Yang provided research assistance and made Susan McKinnon Foundation substantial contributions to the report. We would like to thank the members of Grattan Institute’s Public Policy Affiliate Partners Committee for their helpful comments. We also thank AJ Brown, Ken Medibank Private Coghill, Belinda Edwards, Darren Halpin, Serena Lillywhite, Cameron Susan McKinnon Foundation Murray, Joo-Cheong Tham and Anne Twomey for their suggestions, and staff of the Australian Electoral Commission, NSW Electoral Commission, NSW ICAC and other government and industry bodies for Senior Affiliates their technical input. Google Maddocks The opinions in this report are those of the authors and do not necessarily represent the views of Grattan Institute’s founding PwC members, affiliates, individual board members, committee members or McKinsey & Company reviewers. Any errors or omissions are the responsibility of the authors. The Scanlon Foundation Grattan Institute is an independent think-tank focused on Australian Wesfarmers public policy. Our work is independent, practical and rigorous. We aim Westpac to improve policy outcomes by engaging with both decision-makers and the community. Affiliates For further information on the Institute’s programs, or to join our mailing Ashurst list, please go to: http://www.grattan.edu.au/. -
Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
2018 Brochure Web.Pdf
SEASON 2018 2 A message from Kip Williams 5 The top benefits of a Season Ticket 10 Insight Events 13 Get the most out of your Season Ticket THE PLAYS 16 Top Girls 18 Lethal Indifference 20 Black is the New White 22 The Resistible Rise of Arturo Ui 24 Going Down 26 The Children 28 Still Point Turning: The Catherine McGregor Story 30 Blackie Blackie Brown 32 Saint Joan 34 The Long Forgotten Dream 36 The Harp in the South: Part One and Part Two 40 Accidental Death of an Anarchist 42 A Cheery Soul SPECIAL OFFERS 46 Hamlet: Prince of Skidmark 48 The Wharf Revue 2018 HOW TO BOOK AND USEFUL INFO 52 Let us help you choose 55 How to book your Season Ticket 56 Ticket prices 58 Venues and access 59 Dates for your diary 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of the Wharf 62 The Wharf Renewal Project 63 Support us 64 Thank you 66 Our community 67 Partners 68 Contact details 1 A MESSAGE FROM KIP WILLIAMS STC is a company that means a lot to me. And, finally, I’ve thought about what theatre means to me, and how best I can share with It’s the company where, as a young teen, I was you the great passion and love I have for this inspired by my first experience of professional art form. It’s at the theatre where I’ve had some theatre. It’s the company that gave me my very of the most transformative experiences of my first job out of drama school. -
2018 for Personal Use Only Use Personal for for Personal Use Only Use Personal For
ANNUAL REPORT 2018 For personal use only For personal use only CROWN RESORTS LIMITED ABN 39 125 709 953 Contents Executive Chairman’s Message 2 Financial Performance 4 About Crown Resorts 6 Crown’s Resort Portfolio 8 Australian Projects 10 Australian Resorts 11 International Interests 17 Crown Digital 18 Corporate Social Responsibility 19 Corporate Governance Statement 23 Directors’ Statutory Report 37 Remuneration Report 51 Auditor’s Independence Declaration 73 Independent Auditor’s Report 74 Financial Report 80 Directors’ Declaration 133 Shareholder Information 134 Additional Information 136 Corporate Information Inside back cover Financial Calendar Record date for final dividend 21 September 2018 Payment of final dividend 5 October 2018 Annual General Meeting 1 November 2018 2019 half year results February 2019 For personal use only Annual General Meeting .am (Perth time) Thursday, 1 November 2018 Crown Ballroom Lobby Level, Crown Towers Perth Great Eastern Highway Burswood, Western Australia FRONT COVER IMAGE: PROPOSED CONCEPT RENDER OF CROWN SYDNEY Crown Resorts Limited Annual Report 2018 1 Executive Chairman’s Message Crown is committed to its strategy of focusing on its high quality core Australian operations and development projects as well as maximising shareholder returns. Consistent with our objective to increase cash returns to shareholders, in financial years 2017 and 2018 combined, Crown’s capital management, which included ordinary dividends, a special dividend and two on-market share buy-backs, exceeded $2 billion. Crown has also announced its intention to undertake a new $400 million on-market share buy-back. Looking forward, our focus will be to continue to improve Crown is one of Australia’s largest entertainment groups the underlying performance of our existing businesses as and makes a major contribution to Australian tourism, well as execute on our development project pipeline.