2020 年 8 1 放送分 ピーター・グリーン特集 1. Soul Dressing
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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | the Legal Intellige
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | The Legal Intellige... Page 1 of 6 (/thelegalintelligencer/) Menu My Acco POWERED BY LAW.COM (/) Search (HTTPS://STORE.LAW.COM/REGISTRA (/thelegalintelligencer/search/) SOURCE=HTTPS%3A%2F% 2FTHELEGALINTELLIGENCER% 2FWHAT-THE-FLEETWOOD-MAC ABOUT-PA- Publications (/publications/) Law Topics (/topics/) Surveys & Rankings (/rankings/) Cases & Verdicts People & Community ROOMS FROM $34 BOOK NOW Commentary (/thelegalintelligencer/commentary/) What the Fleetwood Mac Case Can Tell You About Pa. Partnerships It’s official. The remaining major members of the renowned rock and roll band Fleetwood Mac, Mick Fleetwood, Stev Nicks, Christine McVie and John McVie, have gone their own way from bandmate Lindsey Buckingham. By Andrew J. DeFalco | November 20, 2018 at 04:02 PM Trending Stories +èÓ9Ô (http://www.almreprints.com) It’s official. The remaining major members of the 1 Meet the In-House National renowned rock and roll band Fleetwood Mac, Mick Women in Law Honorees Fleetwood, Stevie Nicks, Christine McVie and John (https://www.law.com/corpco the-in-house-national-women McVie, have gone their own way from bandmate in-law-honorees/) Lindsey Buckingham. According to Buckingham, after CORPORATE COUNSEL planning a world tour for 2018 and 2019, he was (/CORPCOUNSEL/) unceremoniously kicked out of the band, which will 2 Law Prof Who Exposed Big prevent him from earning an anticipated $12 million Law's Mandatory Arbitration Focus of Misconduct Probe cut of the proceeds from the tour. (https://www.law.com/2018/ prof-who-exposed-big-laws- Not surprisingly, Buckingham was peeved and saw mandatory-arbitration-is- focus-of-misconduct-probe/) Andrew J. -
Fleetwood Mac Then Play on Die Brandneue Wiederöffentlichung Des Legendären Dritten Albums Der Band Als Celebration Edition Veröffentlichung Am 18
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] FLEETWOOD MAC THEN PLAY ON DIE BRANDNEUE WIEDERÖFFENTLICHUNG DES LEGENDÄREN DRITTEN ALBUMS DER BAND ALS CELEBRATION EDITION VERÖFFENTLICHUNG AM 18. September 2020 durch BMG Erweiterte Version mit vier Bonus Tracks - Erhältlich als 2LP Vinyl oder CD Beinhaltet neue Linernotes von Anthony Bozza sowie ein persönliches Vorwort von Mick Fleetwood JETZT BESTELLEN Fleetwood Mac’s drittes Studioalbum „Then Play On” wird am 18. September durch BMG auf CD und Vinyl wiederveröffentlicht. Diese hochwertige Wiederveröffentlichung erscheint als Bookpack Edition und beinhaltet alle 12 ursprünglich veröffentlichten Songs, sowie vier Bonus Songs. Jeder Song wurde in halber Geschwindigkeit gemastered um den größtmöglichen Dynamikbereich in der Audioqualität zu ermöglichen. Darüber hinaus erscheint die 2LP Vinyl als hochwertige schwarze 180g Vinyl-Schallplatte für den bestmöglichen Klang. Die CD wird mit einem Mediabook und die 2LP Vinyl mit einem 16-seitigen Bookpack erscheinen. Beide beinhalten brandneue Texte des Fleetwood-Biographen Anthony Bozza, sowie ein persönliches Vorwort von Mick Fleetwood. Die Celebration Edition gilt als Auftakt für die im Laufe diesen Jahres kommende, weltweite Veröffentlichung des Konzertfilms „Mick Fleetwood And Friends Celebrate The Music Of Peter Green“. „Then Play On“ wurde ursprünglich am 19. September 1969 veröffentlicht und war somit das erste Album von Fleetwood Mac zusammen mit Danny Kirwan, sowie das letzte Album in Zusammenarbeit mit Peter Green. Der Albumtitel „Then Play On“ ist an die erste Zeile von Shakespeare’s Komödie „Twelfth Night“ (im Deutschen: „Was ihr wollt“) angelehnt, welche im Original lautet: „If music be the food of love, play on“. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal -
Spanish Verbs and Essential Grammar Review
Spanish Verbs and Essential Grammar Review Prepared by: Professor Carmen L. Torres-Robles Department of Foreign Languages & Literatures Purdue University Calumet Revised: 1 /2003 Layout by: Nancy J. Tilka CONTENTS Spanish Verbs Introduction 4 Indicative Mood 5 ® simple & compound tenses: present, past, future, conditional Subjunctive Mood 12 ® simple & compound tenses: present, past Ser / Estar 16 Essential Grammar Pronouns 20 Possesive Adjectives and Pronouns 23 Prepositional Pronouns 25 Por versus Para 27 Comparisons / Superlatives 31 Preterite / Imperfect 34 Subjunctive Mood 37 Commands 42 Passive Voice 46 2 Spanish Verbs 3 INTRODUCTION VERBS (VERBOS) MOODS (MODOS) There are three moods or ways to express verbs (actions) in Spanish. 1. Indicative Mood (objective) 2. Subjunctive Mood (subjective) 3. Imperative Mood (commands) INFINITIVES (INFINITIVOS) A verb in the purest form (without a noun or subject pronoun to perform the action) is called an infinitive. The infinitives in English are characterized by the prefix “to” + “verb form”, the Spanish infinitives are identified by the “r” ending. Example estudiar, comer, dormir to study, to eat, to sleep CONJUGATIONS (CONJUGACIONES) Spanish verbs are grouped in three categories or conjugations. 1. Infinitives ending in –ar belong to the first conjugation. (estudiar) 2. Infinitives ending in –er belong to the second conjugation. (comer) 3. Infinitives ending in –ir belong to the third conjugation. (dormir) VERB STRUCTURE (ESTRUCTURA VERBAL) Spanish verbs are divided into three parts. (infinitive: estudiar) 1. Stem or Root (estudi-) 2. Theme Vowel (-a-) 3. "R" Ending (-r) CONJUGATED VERBS (VERBOS CONJUGADOS) To conjugate a verb, a verb must have an explicit subject noun (ex: María), a subject pronoun (yo, tú, usted, él, ella, nosotros(as), vosotros(as), ustedes, ellos, ellas), or an implicit subject, to indicate the performer of the action. -
Music and Meaning in Three Zapotec Songs*
Music and Meaning in Three Zapotec Songs* Kathryn Goldberg Bryn Mawr College Senior thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Music at Haverford College April 2018 *I would like to thank my music advisor, Professor Richard Freedman, for his dedication to my project throughout its development. I would also like to thank my linguistics advisor, Professor Brook Danielle Lillehaugen, for her unyielding mentorship and guidance. I would like to thank my consultant, Gario Ángeles for his time and for sharing his music with me, as well as Moisés García Guzmán, Loida Contreras Hernández, and Dr. Felipe H. Lopez for their support and assistance with the transcription and translation of my interview with Gario Ángeles. Contents Abstract 4 List of Figures 5 List of Musical Examples 5 Introduction 6 First Hearings 7 Words, Sounds, and Music: How Sound is Reflected in Music 11 Teotitlán del Valle Zapotec 11 Tone and Music 12 Phonation and Music 14 Rhythmic Stress and Music 15 Words, Sounds, and Music: Meaning in the Songs of Gario Ángeles 17 How I Read and Hear a Song 17 “Rabante Luy” 21 “Luy Naou” 26 “Vainchieya te Lag” 30 Zapotec Music: Ángeles’s Place in the World of Music 34 Connecting Ángeles to Others 35 Music as Language Activism 40 Conclusion 43 Appendix 45 A Music Transcriptions 45 Transcription 1 Gario Ángeles, “Rabante Luy,” transcription by Kathryn Goldberg 46 Transcription 2 Gario Ángeles, “Luy Naou,” transcription by Kathryn Goldberg 49 Transcription 3 Gario Ángeles, “Vainchieya te Lag,” transcription by Kathryn Goldberg 52 B Lyrics and Translation, with timings 54 Lyrics and Translations 1 Gario Ángeles, “Rabante Luy,” translation by Kathryn Goldberg 54 Lyrics and Translations 2 Gario Ángeles, “Luy Naou,” translation by Kathryn Goldberg 56 Lyrics and Translations 3 Gario Ángeles, “Vainchieya te Lag” translation by Kathryn Goldberg 58 2 C Sound Recordings 59 Sound Recording 1 Gario Ángeles, “Rabante Luy,” m4a file. -
Cream Cream Mp3, Flac, Wma
Cream Cream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cream Country: Europe Released: 2014 Style: Blues Rock, Psychedelic Rock, Hard Rock MP3 version RAR size: 1263 mb FLAC version RAR size: 1766 mb WMA version RAR size: 1937 mb Rating: 4.5 Votes: 189 Other Formats: TTA AHX MOD APE VOC MP3 MIDI Tracklist Hide Credits Fresh Cream N.S.U. A1 Written-By – Bruce* Sleepy Time Time A2 Written-By – Bruce*, Godfrey* Dreaming A3 Written-By – Bruce* Sweet Wine A4 Written-By – Baker*, Godfrey* Spoonful A5 Written-By – Willie Dixon Cat's Squirrel B1 Arranged By – S. SplurgeWritten-By – Trad.* Four Until Late B2 Written-By – Robert Johnson Rollin' And Tumblin' B3 Written-By – Muddy Waters I'm So Glad B4 Written-By – Skip James Toad B5 Written-By – Baker* Disraeli Gears Strange Brew C1 Written-By – Clapton*, Pappalardi*, Collins* Sunshine Of Your Love C2 Written-By – Clapton*, Bruce*, Brown* World Of Pain C3 Written-By – Pappalardi*, Collins* Dance The Night Away C4 Written-By – Bruce*, Brown* Blue Condition C5 Written-By – Baker* Tales Of Brave Ulysses D1 Written-By – Clapton*, Sharp* Swlabr D2 Written-By – Bruce*, Brown* We're Going Wrong D3 Written-By – Bruce* Outside Woman Blues D4 Written-By – Clapton* Take It Back D5 Written-By – Bruce*, Brown* Mother's Lament D6 Arranged By – Clapton*, Baker*, Bruce*Written-By – Trad.* Wheels Of Fire Disc 1 In The Studio White Room E1 Timpani [Tympani] – Ginger BakerViola – Felix PappalardiWritten-By – Jack 4:56 Bruce, Pete Brown Sitting On Top Of The World E2 4:56 Written-By – Chester Burnett -
HR: in His Recent Interview with Blackmoon Magazine, Jack Bruce Told Us That One of His Favourite Performances Had Been at Rockpalast with Rory Gallagher
HR: In his recent interview with Blackmoon Magazine, Jack Bruce told us that one of his favourite performances had been at RockPalast with Rory Gallagher. What are your own memories of sharing the stage with Rory? Gerry McAvoy : I remember the night Jack Bruce got up and jammed with Rory at Rockpalast. Jack had done his own show before us (solo on piano). It was fantastic, just to listen to that voice was amazing. I don't know if it was pre-planned, but when we finished our performance and as we were about to go back on stage for an encore, Rory asked Jack (who was standing side stage) would he like to get up for a jam. Jack said yes, and asked me if I would mind if he used my bass rig. Here's Jack Bruce, my idol since I was a teenager asking to use my amp. I mean, what do you say? So they jammed "Politician" a Cream number, It was fantastic! As for my own memories of sharing the stage with Rory. It was fantastic 90% of the time. Like any band you do have off nights. But they were few and far between. It was a pleasure to work with a man with so much talent. Ted McKenna : Always on the edge. Never sure of what might happen next. Always pushing to give 150% for the whole 2hr - 2.30min show. That's the way Rory played. It was real and raw with all the rough edges. I'd call it Rock'n'Roll! Hearing from Gerry there about Jack Bruce, it reminded me that I'd had the great pleasure of working with Jack some years ago myself.