COURSE WORK Charles Dickens' Role in English Literature
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
And Everything Nice: Girls, Aggression, and the Nineteenth- Century British Novel
And Everything Nice: Girls, Aggression, and the Nineteenth- Century British Novel A dissertation submitted by Lauren Byler In partial fulfillment of the requirements for the degree of Doctor of Philosophy in English TUFTS UNIVERSITY August 2011 © 2011, LAUREN BYLER ADVISER: Joseph Litvak ii Abstract This dissertation investigates the aggression variously expressed by and directed at girls in several nineteenth-century British novels. In doing so, it traces the girl‘s doubled role in the novel and nineteenth-century culture as a socio-historical subject position and a trope for failure and contradiction that certain novelists map onto this subject position. The girl‘s highly elastic subjectivity stretches in age and sex, bringing into question the assumption of a clearly-bounded human subject and thus vexing the nineteenth-century novel‘s promissory cover stories of developmental progress and replete personhood. I argue that Jane Austen, Charles Dickens, Anthony Trollope, and George Eliot each use the girl in distinctive but related ways to indicate fissures in dominant literary and cultural narratives and to figure discrepancies in their most cherished novelistic preoccupations. As a means of illustrating this latter point, every chapter considers (through texts including letters, illustrations, and autobiographical documents) the similar behaviors and fascinations of particular girl characters and their authors, drawing out the writers‘ concerns with their own repetition of the girl‘s affective, ethical, and pedagogical failures and successes. These novelists interrogate the sacrosanct Victorian values of maturity, self-abnegation, usefulness, and sympathy through the figure of the girl, whether in her dexterous capacity for deploying covert aggression or in the abject sentimentality of her uselessness and naïveté. -
A Christmas Carol
LOUGHEED HOUSE PRESENTS A CHRISTMAS CAROL Written by Charles Dickens Performed by Steven Méthot INTRODUCTION Hello and Happy Holidays! On behalf of the Lougheed House Conservation Society thank you so much for your donation and for showing your support for the work that we do in our community. For many years during the holiday season we have had the pleasure of presenting the gorgeous and heartfelt performances of Steven Méthot, Natalie Manzer, and Karen and Michael Pollock in our Drawing Room. For many, watching this performance has become a treasured annual family tradition and despite our needing to adapt to our current circumstances, we are so thrilled that we are able to share their performance in a new way this holiday season. For years, Steven, Natalie, Karen, and Michael have shared their version of this classic tale in order to help raise funds and awareness for community organizations that they support and believe in. It’s always been very clear to us at Lougheed House that this show and their collective performances were created in the same spirit and with the same values that inspired Charles Dickens to write A Christmas Carol - values of fellowship, community, giving, resilience and the importance of love. We are beyond grateful that they have worked with us again this year, especially while navigating the new risks, challenges and protocols that have all come to all our own doorsteps during 2020. Our wish for you this holiday season is that this radio play allows you to relax, recharge and connect with those closest to you. -
Here Are Today's Selection of the Greatest Characters from the Works
The great characters Here are today’s selection of the greatest characters from the works of Charles Dickens. We’d love to hear your thoughts. How many have you come across? Are there great characters we have overlooked? Get in touch and let us know who else you think belongs on the list of Dickens’ greatest! Drop us a line via our social media pages and we’ll do our best to publish as many of your comments and suggestions as possible. Guildhall Museum Rochester @Guildhallmuseum Ebenezer Scrooge from the novella A Christmas Carol (published 1843) Oh! But he was a tight-fisted hand at the grind-stone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. From the moment it was published, A Christmas Michael Horden, Albert Finney, not to mention Carol was a hit with audiences, and has been Syd James (Carry On Christmas Specials), Michael ever since. Little wonder: Dickens’ brilliance as a Caine (The Muppet Christmas Carol), Rowan storyteller is nowhere more obvious. A Christmas Atkinson (Blackadder’s Christmas Carol), and Carol is a timeless, resonant tale of a redemption Seth MacFarlane as Peter Griffin in a Family Guy brought about by the combined efforts of the spirit episode: Don’t Be a Dickens at Christmas. There are world. Together the Ghosts of Christmas Past, non-humans too: Scrooge McDuck and The Grinch Christmas Present, and Christmas Yet to Come, who stole Christmas both have more than a passing gang up on the miserly misanthropic Ebenezer resemblance to Dickens’ creation, who even pops Scrooge, and show him the error of his ways. -
Grotesque Characters
Grotesque Characters in Charles Dickens’s A Tale of Two Cities, Great Expectations, and Our Mutual Friend by Bård Ålovsrud A Dissertation Presented to the Department of Literature, Area Studies and European Languages The University of Oslo Spring Term 2007 1 Foreword I will take the opportunity to express my gratitude to Professor Tore Rem for his guidance and great patience during the writing process. I am also much obliged to Magnus Nygaard for his assistance in late night computer-related problems, and my brother Ole Mikkel for always seeing the easy solution to difficult problems. Oslo, April 2007 Bård Ålovsrud 2 Table of Contents Page Chapter One Presenting the Dissertation……………………………………………….. 3 Introduction to Dickens’s Authorship…………………………….…..….. 6 The Grotesque…………………………………………………….…..….. 9 Dickens’s Relation to the Grotesque………………………………...…… 14 Humour and Laughter………………………………………………..…… 18 Chapter Two: A Tale of Two Cities Introduction…………………………………………………………...…. 24 Lucie Manette and Miss Pross ………………………………………….. 27 Madame Defarge……………………………………………………..….. 29 Monsieur de Marquis………………………………………………..…… 32 Sydney Carton……………………………………………………..…….. 36 The Wood-Sawyer, Jacques Three and Jerry Cruncher……………..…… 40 Concluding Remarks…………………………………………………….. 44 Chapter Three: Great Expectations Introduction…………………………………………………...………….. 45 Miss Havisham……………………………………………………….….. 47 Mrs. Joe Gargery …….…………………………………….……….…… 52 Estella……………………………………………..………….….….…… 54 Pip…………………………………………………………………….…. 57 Concluding Remarks…………………………………………………….. 63 -
1 CHAPTER I INTRODUCTION A. Background of the Research A
11 CHAPTER I INTRODUCTION A. Background of the Research A writer or an author is going to express their idea through their writing or text, such as in poem, novel. It is interesting because an author will tell it in beauty of words, phrases, sentences even passages and books. They may express about themselves, their surrounding, environment, society condition, nature, politic, history or criticism of something. According to Engels which rewritten by Laurenson and Swingewood (1972), he stated that literature as reflection of social processes. It means that literature as written language product is related to society that gives colors in the work. Basing on explanation above, it is clear that literary work is product of society. An author is not able to be separated from the society or environment, they relate each others, and it is harmony. In creating literary work, he will be influenced by surrounding, and the result of writing, literary work, is going to influence the readers as society members. According to Wellek and Warren (1948: 3), literature is “creative, an art”. In this term, they stated that literature is a creativity work in art. This term is still wide and common. Then, Cuddon (1999: 472) defines literature as “a vague term which usually denotes works which belong to the major genres: epic, drama, lyric, novel, short story ode.” Cuddon is able to give explanation clearer than Wellek and Warren, he give the types or work of it. 1 2 In several literary works express many features of thought and feeling on subjects as varied as social class, work, love, religion, nature, and art. -
2017 Educational Performances
2017 EDUCATIONAL PERFORMANCES A Production of the Pennsylvania Renaissance Faire Holidays at Mount Hope is a different kind of interactive experience. Through the doors of Mount Hope Mansion, you’ll enter a Christmas party, time to meet and mingle with a host of characters and a variety of Holiday decorations. Sing along, share games and traditions, and rejoice in the spirit of the season with holiday characters. 2017 Stories & Cast— Christmas, 1899: Fredrick Schwartz Jr., Son of the founder of the FAO Schwartz Toy Bazaar is throwing a Christmas party fit for the end of a century. Filling the Grubb Estate in Mount Hope, Pennsylvania to the brim with the best examples of the toys and games that make children look forward to Christmas morning, Schwartz has transformed the mansion into a Santa’s Workshop that can warm even the coldest heart. He’s invited some of his closest friends over, including the game-loving Parker Brothers (and their sister, Dot), and they have put together a Christmas pageant for all of the guests. Fun, games, and heart-warming performances will fill this Christmas with the love, joy, and generosity of the season. A Christmas Carol, by Charles Dickens The story of a bitter old miser named Ebenezer Scrooge, his transformation into a gentler, kindlier man brought on by visitations by the Ghosts of Christmases Past, Present and Yet to Come. Presented with warmth, humor, tradition and a bit of audience support, the enduring tale of A Christmas Carol springs from storybook to the stage. A Visit from St. Nicholas, by Clemet Clarke Moore Written as a Christmas gift for his six children, “A Visit from St. -
A Description of Plot in Charles Dicken's Novel
A DESCRIPTION OF PLOT IN CHARLES DICKEN’S NOVEL OLIVER TWIST A PAPER WRITTEN BY JULIANATIKA REG.NO : 152202038 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Julianatika, declare that I am sole of the author of this paper. Except where references is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for a awarded degree. No other person‘s work has been used without due acknowledgement in this main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed: ................... Date : November 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : Julianatika Title of Paper : A DESCRIPTION OF PLOT IN CHARLES DICKEN‘S NOVEL OLIVER TWIST Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Study Program Faculty of Cultural Studies, University of North Sumatera the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed: ......................... Date: November 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is A Description of Plot In Charles Dicken’s Novel “Oliver Twist”. Plot is the literary element that contains the event has cause in a story where the event has cause and effect relation. -
Andersen's English Workpack
ANDERSEN’S ENGLISH WORKPACK Produced by Out of Joint 2010 page 1 Introduction Aim of Workpack The resource materials in this pack are intended to enhance students’ enjoyment and understanding of Andersen’s English. The activities are variations of the rehearsal techniques used by Max Stafford-Clark during the production, and present creative and practical strategies for learning in a classroom setting. The workpack also works alongside the workshop that Out of Joint provides for Andersen’s English, led by the Artistic Director, the Associate Director or the Education Manager. The resources are primarily aimed at students aged 16+ who are studying Drama at BTEC or A Level. The workpack is in two main sections – Researching the Play and the Rehearsal Process. Rehearsing the Play Andersen’s English explores the story behind a real meeting between Charles Dickens and Hans Christian Andersen, when the latter outstayed his welcome at Gads Hill Place in 1857. Artistic Director Max Stafford-Clark always encourages vigorous research before and during the rehearsal process, and with 9 out of the 10 characters in the play being real people, there was extensive reading on this period of history and the people themselves. This section includes an introduction into the play’s setting, as well as Dickens himself and the controversy of his personal life in his later years. Rehearsing the Play The Associate Director Jessica Swale gives is an insight into the rehearsal process with extracts from her diary over the five weeks before opening in Bury St Edmunds. Student Activities The workpack includes an introduction into Max Stafford-Clark’s rehearsal techniques such as actioning and status, as well as classroom exercises relating to the production. -
DICKENS FINAL with ILLUS.Ppp
The Dickens Calendar 2012 The Dickens Calendar 2012 Celebrating the bicentenary of Dickens’s birth. £6.00 each or £10.00 for 2 (plus postage) Contact Jarndyce to order your copy: Email: [email protected] Phone: 020 7631 4220 35 _____________________________________________________________ Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 - 7631 4220 (opp. British Museum) Fax: 020 - 7631 1882 Bloomsbury, Email: [email protected] London WC1B 3PA V.A.T. No. GB 524 0890 57 _____________________________________________________________ CATALOGUE CXCV WINTER 2011-12 THE DICKENS CATALOGUE Catalogue: Joshua Clayton Production: Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (current rate 20%) A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: Social Science Parts I & II: Politics & Philosophy and Economics & Social History. Women III: Women Writers J-Q; The Museum: Books for Presents; Books & Pamphlets of the 17th & 18th Centuries; 'Mischievous Literature': Bloods & Penny Dreadfuls; The Social History of London: including Poverty & Public Health; The Jarndyce Gazette: Newspapers, 1660 - 1954; Street Literature: I Broadsides, Slipsongs & Ballads; II Chapbooks & Tracts; George MacDonald. JARNDYCE CATALOGUES IN PREPARATION include: The Museum: Jarndyce Miscellany; The Library of a Dickensian; Women Writers R-Z; Street Literature: III Songsters, Lottery Puffs, Street Literature Works of Reference. -
The Angel Or the Monster: Presenting Patriarchal Ideology And
Pakistan Social Sciences Review P-ISSN 2664-0422 April-June 2021, Vol. 5, No. 2 [68-80] O-ISSN 2664-0430 RESEARCH PAPER The Angel or the Monster: Presenting Patriarchal Ideology and Representation of the First World Women in Charles Dickens’ The Old Curiosity Shop Hassan Bin Zubair 1 Asma Kashif Shahzad* 2 Masroor Sibtain 3 1. Ph. D Scholar, Department of English, National University of Modern Languages, Islamabad, Pakistan 2. Assistant Professor, Department of Humanities, COMSATS University Islamabad, Vehari Campus, Punjab, Pakistan 3. Assistant Professor of English, Govt. College of Science, Multan, Punjab, Pakistan PAPER INFO ABSTRACT Received: This research explores the representation of women in a February 28, 2021 patriarchal society by representing the female characters in Accepted: Charles Dickens' novel The Old Curiosity Shop. Dickens’ attitude May 01, 2021 towards women is always contradictory. Dickens is ambiguous. Online: He is sympathetic as well as biased towards women which are May 15, 2021 depicted in his novel The Old Curiosity Shop. He is an emotional Keywords: social critic who shows his deep sympathy towards helpless Metaphorical, women in distress which makes him a supporter of women but Ideology, at the same time, he shows his deep respect to the patriarchal Society, norms and values and become socially biased towards them Victorian Age, when he metaphorically represents them as angel and monster Women, in the family. Other female characters like Miss Nell and Miss Patriarchy Quilip have surrendered themselves to the patriarchal ideology *Corresponding who is depicted as an angel in a family where the strong and Author revolutionary kind of women like Miss Brass who denies herself to follow the patriarchal ideology is occasionally referred to as a asmashahzad@c female dragon. -
Tamsin Evernden Phd July 2017
Dickens and Character: ‘The Economy of Apprehension’ Tamsin Evernden Royal Holloway, University of London Submitted to the Department of English, for the Degree of Doctor of Philosophy !1 Declaration of Authorship I, Tamsin Evernden, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: !2 Abstract In November 1867 a young Henry James encountered Charles Dickens at the height of his fame. James was only briefly in Dickens’s presence but noted ‘a kind of economy of apprehension’: a look in the older writer’s eye that he equated to power withheld; limiting local interaction, but also representative of the way Dickens now meted out his implicitly finite gifts, holding something in reserve. Two years previous, in 1865, James had submitted a damning review of Dickens’s last completed novel, Our Mutual Friend, in which he revisited arguments that had dogged Dickens from the beginning of his career, as to how he ‘created nothing but figure’ and ‘added nothing to our understanding of human character’. Although critical opinion has developed over the ensuing century and a half, the penumbra of superficiality remains, with a focus on Dickens’s overt stylisation: melodrama, grotesquerie; pattern and repetition forming the locus of scholarship reassessing Dickens’s prose techniques. I use James’s phrase to initiate a two-way premise; one speculative: that even in Dickens’s apparently simple characterisation there was supreme elective skill winnowing out generative components, so what is outwardly manifest belies the complexity of the founding structure. -
Village News No. 95
Theydon Picks Up Two Major Awards In RCCE Competitions: Theydon Bois - Class 1 Winner Essex Village of the Year 2016 Village News Issue 95 September 2016 Page 2 Theydon Picks Up Two Major Awards in RCCE Competition Theydon Bois - Class 1 Winner Essex Village of the Year 2016 Once again our Village achieved success in two Essex County Competitions. Tony Ames and Jim Watts Editors of the Theydon Bois Village News and Website attended the Rural Community Council of Essex Community Magazine Awards in Coggeshall and picked up two awards for our village. They were surprised when it was announced at the magazine ceremony that Theydon Bois had been judged as the Class One Winner Essex Village of the Year 2016 in this county wide competition for all Essex Villages. This award was to have been presented at the RCCE AGM in Chelmsford, but unfortunately no Theydon Parish Councillor was available to attend on that evening when the awards were made. Tony & Jim were requested to accept this award for the village on behalf of the Parish Council, but were unaware it was being made hence their surprise. This is not the first time that the Village has been successful in what was previously known as the Best Kept Village Award, but is now in a slightly revised form with differences in the judging of the competition. Despite having been well placed in recent years we have not achieved the First Place in Class 1 (Larger Villages) since 2007. The judges praised the real sense of community spirit they found in Theydon and were impressed with how this came across in our Village Magazine and Website.