Summer 2012 Boston Symphony Orchestra
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BEYOND BOSTON Harborfest May Be the Main Show, but It’S Not the Only 4Th of July Party Around
what to do # where to go # what to see July 2–15, 2007 The Officficialial GuGuideide to BOSBOSTONTON Mr.Fourth of July Keith Lockhart and the Boston Pops Celebrate the U.S.A. PLUS: Boston with a French Accent New England Sand CHECK Sculpting Festival OUT OUR The Boston Lobsters NEW MAPS! Court Tennis Fans AFTER PAGE 80 www.panoramamagazine.com Come to Product availability may vary by store 2000707CELEbearATING 10 YEARS OF HUGS Visit us at Faneuil Hall Marketplace Over 300 stores worldwide! æ www.buildabear.com æ (toll free) 1-877-789-BEAR (2327) Coupon expires August 31, 2007. Coupons may not be combined and cannot be bought, sold or exchanged for cash or coupons. Not valid on prior purchases, a Build-A-Party® celebration, Bear Buck$® card, in Eat With Your Bear Hands Cafe, in Build-A-Bear Workshop® within Rainforest Cafe® or in Build-A-Dino® within T-REX CafeTM. Not valid with any other offer. Local and state taxes, as applicable, are payable by bearer. Must present original coupon at time of purchase or enter 5-digit code on web purchase. Photocopies prohibited. Valid in the U.S. only. Valid for coupon recipient only. Limit one coupon per person, per visit. Nontransferable. Offer good while supplies last. Void where Key #91388 prohibited or restricted. Where required cash value 1/100 of 1 cent. contents COVER STORY FEATURE STORY 22 Go Fourth! 24 Vive la France Panorama spotlights in Boston! Harborfest, the Hub’s How to celebrate Bastille Day official July 4th and French culture around town celebration DEPARTMENTS 8 around the hub 8 NEWS & NOTES 18 STYLE 14 DINING 20 NIGHTLIFE 16 ON STAGE 28 the hub directory 29 CURRENT EVENTS 35 MUSEUMS & GALLERIES 39 CLUBS & BARS 41 SIGHTSEEING 46 MAPS 53 EXCURSIONS 56 FREEDOM TRAIL 58 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Conductor KEITH LOCKHART on the cover: Keith Lockhart relaxes at Symphony Hall before getting ready to lead the Boston Pops in its annual July 4 concert at the Hatch Shell on the Esplanade. -
CD-Liste Dirigenten ABC... Paolo Vaglieri Name
CD-Liste Dirigenten ABC... Name ab: Paolo Vaglieri 19.02.12 - - Vaglieri Giovanni Paisiello - La serva padrona1991 15.05.1991 Anna Victoria Banks, Gian Luca Ricci, 1 CD - - - Cremona , , , , , , - Paolo Vaglieri (1740 - 1816) - - - Die Magd als Herrin - Orchestra da Camera di Milano Oper 11 - O - - Vajnar Friedrich Smetana - Hubitcka 1980 Eva Depoltová, Eduard Haken, Libuse CD - - - Brünn Márová, Leo Marian Vodicka, Václav - (1824 - 1884) - Frantisek Vajnar Zitek, , , , - - Der Kuß - Chor und Orchester der Brünner Staat op. 30 - O - - Valcuha Domenico Alaleona - Mirra2003 21.11.2003 Denia Mazzola-Gavazzeni, Julia VHS-A - - - Paris Gertseva, Hanna Schaer, Mario - (1881 - 1928) - Juraj Valcuha Malagnini, Franck Ferrari, , , , - - - Orchestre National de France Ur 901 - O - - Valcuha Gaetano Donizetti - L'Elisir d'amore2009 01.12.2009 Nino Machaidze, Giuseppe Filianoti, CD - - - München Fabio Maria Capitanucci, Ambrogio - (1797 - 1848) - Juraj Valcuha Maestri, Lana Kos, , , , - - Der Liebestrank - Bayerisches Staatsorchester Oper 41 - O - - Válek Jules Massenet - Marie - Magdaleine2003 29.04.2003 Eva Drízgova-Jirusová, Jana Sýkorová, CD - - - Prag Jaroslav Brezina, Gustáv Belácek, , , , , - Vladimir Válek (1842 - 1912) - - - - Prager Radio-Sinfonieorchester W 902 - O - - Varviso Gaetano Donizetti - Anna Bolena Soliutis, Horne, , , , , , , VHS-A - - - Wien 51,07 - Silvio Varviso (1797 - 1848) - - - - Staatsoper W 35,0101 - OS - - Varviso Gaetano Donizetti - Anna Bolena Alexander, , , Nicolai Ghiaurov, , , , , VHS-A - - - Wien 57,02 - Silvio -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
LA TRAVIATA Al Liceu
1 LA TRAVIATA EN EL LICEU Estreno absoluto: 6 marzo 1853 en el teatro de La Fenice de Venecia. Estreno de la segunda versión, definitiva: 6 mayo 1854 en el teatro San Benedetto de Venecia. Estreno en el Gran Teatre del Liceu: 25 octubre 1855. Última representación en el Liceu: 18 julio 2015. Total de representaciones: 251 TEMPORADA 1855-1856 25-X-1855 LA TRAVIATA Número de representaciones: 10 Es estreno en el Liceu. Número en el Liceu: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. Fechas: 25, 26, 28, 31 octubre; 1, 14, 18 noviembre; 21, 26 diciembre 1855; 6 enero 1856. Violetta Valéry: Eugénie Julienne-Dejean Flora Bervoix: Caterina Mas-Porcell Annina: Balbina Alabau Alfredo Germont: Giovanni De Vecchi Giorgio Germont: Gaetano Fiori Gastone: Josep Santés Barone Douphol: Josep Obiols Marchese d'Obigny: Francesc Sánchez Dottore Grenvil: José Aznar Giuseppe: Josep Gómez Director: Marià Obiols TEMPORADA 1859-1860 12-IV-1860 LA TRAVIATA Número de representaciones: 8 Número histórico en el Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Fechas: 12, 15 abril; 1, 2, 6, 15, 17, 30 mayo 1860. Nota: Se suprimela cabaletta del aria del tenor en el segundo acto. Número histórico en el Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Última "Traviata" en el Liceu: 6 enero 1856. Violetta Valéry: Carlotta Carozzi-Zucchi Flora Bervoix: Caterina Mas-Porcell 2 Annina: Isolina Porcell Alfredo Germont: Emilio Pancani Giorgio Germont: Leone Giraldoni Gastone: Gaetano Aducci Barone Douphol: Josep Obiols Marchese d'Obigny: Josep Coll Dottore Grenvil: Leopoldo Jover Giuseppe: Ignasi Costa Domestico di Flora: Francisco Sánchez Director: Marià Obiols TEMPORADA 1860-1861 1-XII-1860 LA TRAVIATA Número de representaciones: 14 Número histórico en el Liceu: 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32. -
Summer 2012 Boston Symphony Orchestra
boston symphony orchestra summer 2012 Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 131st season, 2011–2012 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Vincent M. O’Reilly, Treasurer William F. Achtmeyer • George D. Behrakis • Alan Bressler • Jan Brett • Susan Bredhoff Cohen, ex-officio • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Carmine A. Martignetti • Robert J. Mayer, M.D. • Aaron J. Nurick, ex-officio • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Stemberg • Theresa M. Stone • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • Helene R. Cahners • James F. Cleary† • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Dean W. Freed • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • William J. Poorvu • Irving W. Rabb† • Peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary -
La Traviata Al Liceu
1 LA TRAVIATA AL LICEU Estrena absoluta: 6 març 1853 al teatre de La Fenice de Venècia. Estrena de la segona versió, definitiva: 6 maig 1854 al teatre San Benedetto de Venècia. Estrena al Gran Teatre del Liceu: 25 octubre 1855. Darrera representació al Liceu: 18 juliol 2015. Total de representacions: 251 TEMPORADA 1855-1856 25-X-1855 LA TRAVIATA Nombre de representacions: 10 És estrena al Liceu. Número al Liceu: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. Dates: 25, 26, 28, 31 octubre; 1, 14, 18 novembre; 21, 26 desembre 1855; 6 gener 1856. Violetta Valéry: Eugénie Julienne-Dejean Flora Bervoix: Caterina Mas-Porcell Annina: Balbina Alabau Alfredo Germont: Giovanni De Vecchi Giorgio Germont: Gaetano Fiori Gastone: Josep Santés Barone Douphol: Josep Obiols Marchese d'Obigny: Francesc Sánchez Dottore Grenvil: José Aznar Giuseppe: Josep Gómez Director: Marià Obiols TEMPORADA 1859-1860 12-IV-1860 LA TRAVIATA Nombre de representacions: 8 Número històric al Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Dates: 12, 15 abril; 1, 2, 6, 15, 17, 30 maig 1860. Nota: Se suprimeix la cabaletta de l'ària del tenor al segon acte. Número històric al Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Última "Traviata" al Liceu: 6 gener 1856. Violetta Valéry: Carlotta Carozzi-Zucchi Flora Bervoix: Caterina Mas-Porcell 2 Annina: Isolina Porcell Alfredo Germont: Emilio Pancani Giorgio Germont: Leone Giraldoni Gastone: Gaetano Aducci Barone Douphol: Josep Obiols Marchese d'Obigny: Josep Coll Dottore Grenvil: Leopoldo Jover Giuseppe: Ignasi Costa Domestico di Flora: Francisco Sánchez Director: Marià Obiols TEMPORADA 1860-1861 1-XII-1860 LA TRAVIATA Nombre de representacions: 14 Número històric al Liceu: 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32. -
RYAN Mcadams ______Direttore D’Orchestra
LORENZO BALDRIGHI Artists Management SRL Unipersonale Piazza Gnecchi 2 23879 Verderio (LC) Tel.039.9281416 Fax.039.9281424 e-mail: [email protected] RYAN McADAMS ___________________________________________ direttore d’orchestra A suo agio equamente nel mondo dell’opera, nel repertorio sinfonico e nella musica contemporanea, il direttore d’orchestra Ryan McAdams, di origine americane,ha affermato la sua presenza sia in Europa sia in America. Nella stagione 2020/21 Ryan McAdams dirigerà la Filarmonica del Teatro Comunale di Bologna e l’Orchestra Sinfonica Siciliana a Palermo con la Sinfonia n.5 di Mahler; debutterà inoltre ai Pomeriggi Musicali di Milano prima di aggiudicarsi il podio con l’Orchestra Sinfonica Nazionale della RAI, con la quale è stato recentemente in tournée al sud Italia con un programma interamente dedicato a Beethoven. In primavera è previsto anche il suo debutto con la Belgian National Orchestra. Nella primavera 2020 i suoi debutti all’Opera di Zurigo (un revival del Faust con un cast fenomenale) e all’Opera Nazionale di Korea sono purtroppo stati cancellati per via dell’emergenza Covid-19. Grande sostenitore della musica contemporanea, Ryan McAdams è stato scelto come direttore d'orchestra per il 103°anniversario della nascita di Elliott Carter al 92Y- un concerto che è stato menzionato come uno dei migliori eventi di musica classica del 2011 dal New York Times; ha inoltre diretto in Irlanda la première dell’opera Il Secondo Violinista di Donnacha Dennehy, prima di portare la produzione al Barbican di Londra, e sarebbe ritornato alla Park Avenue Armory a New York nell’autunno 2020 se le circostanze lo avessero permesso. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Francisco António D´Almeida and the Serenata Genre in Early and Mid Eigtheenth-Century Portugal
Francisco António d´Almeida and the Serenata Genre in Early and Mid Eigtheenth-Century Portugal. The music manuscript CIC 12 from the National Library of Portugal contains thirteen arias by Francisco António d´Almeida (1702-1755?), one of the most important Portuguese composers of the first half of the 18th century. Five of them have been identified as being part of the serenata Gl´Incanti d´Alcina of 1730. There are also eight arias from another serenata, Il vaticinio di Pallade e di Mercurio, staged a year later, in 1731. To study the libretti which were the sources of the identification of these arias and then the music present in the CIC 12 manuscript is of fundamental importance in understanding the serenata genre during the reign of King D. João V of Portugal. Consequently, this paper intends to enlarge our knowledge of the formal and stylistic structure of d´Almeida´s serenate and also to give an overview of the performing practices and the courtly and aristocratic significance associated with this genre. Particularly in the field of the study of Portuguese dramatic music of this period, the understanding of the serenata is of primary importance, since it was the principal musical event performed on courtly occasions. Its study gives us today a rich picture of the characteristics of musical life in the court of D. João V, and helps us simultaneously to understand the differences, in this period, between the genre of the serenata and major genres such as opera and cantata. The term serenata, as applied to 17th and 18th century Italy, means a cantata-like work performed in courtly or aristocratic surroundings to celebrate dynastic occasions or political events, or, as in Portugal, anniversaries and name-days of the Royal Family. -
Boston Symphony Orchestra Concert Programs, Summer, 1992
Kattl hlCL^WOOD I ? 7 2 W Toofc ofExcellence In every discipline, outstanding performance springs from the combination of skill, - vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics -> Jazz At Tanglewood WM Friday, Saturday, and Sunday August 28, 29, and 30, 1992 Tanglewood, Lenox, Massachusetts '-•' Friday, August 28, at 7:30 p.m. THE MODERN JAZZ QUARTET RAY CHARLES Koussevitzky Music Shed Saturday, August 29 at 4 :30 p.m. CHRISTOPHER HOLLYDAY QUARTET REBECCA PARRIS and the GEORGE MASTERHAZY QUARTET Theatre-Concert Hall at 7:30 p.m. MAUREEN McGOVERN and MEL TORME with the HERB POMEROY BIG BAND Koussevitzky Music Shed Sunday, August 30 at 4 :30 p.m. GARY BURTON AND EDDIE DANIELS Theatre-Concert Hall at 7:30 p.m. DAVE BRUBECK QUARTET WYNTON MARSALIS Koussevitzky Music Shed ARTISTS The Modern Jazz Quartet Gibbs in the Woody Herman Second Herd. The following year he rejoined the Gillespie band, eventually becoming a founding member of the Modern Jazz Quartet. Among the many compositions Mr. Jackson contributed to the group, "Bags' Groove" has become a classic. During the members' annual vacation from the MJQ, Milt Jack- son assembles various groups of musicians to record albums under his own name and to play occasional engagements. Recently he returned to his bebop roots for an album aptly entitled Be Bop. Bass player Percy Heath was born in Making a return Tanglewood appearance, Wilmington, North Carolina, and grew up the Modern Jazz Quartet has a unique in Philadelphia. -
Coro Do Teatro Nacional De São Carlos
D A Luísa Taveira Patrick Dickie (Companhia Nacional de Bailado) (Teatro Nacional de São Carlos) Companhia Nacional de Bailado — Coro do Teatro Nacional de São Carlos — Escola Superior de Teatro e Cinema Orquestra Gulbenkian — Orquestra Metropolitana de Lisboa — Orquestra Sinfónica Juvenil Orquestra Sinfónica Portuguesa — Orquestra de Sopros e Percussão do Conservatório Regional de Artes do Montijo André Baleiro — Airam Hernández — Christopher Bochmann — Cristiana Oliveira — Cristina Carvalhal Dinis Sousa — Domenico Longo — Joana Carneiro — Laryssa Savchenko — Lorenzo Decaro — Luís Rodrigues Maria Luísa de Freitas — Mário Laginha — Mary Elizabeth Williams — Nuno Silva — Pedro Amaral Pedro Meireles — Pedro Neves — Sara Braga Simões | 2 FESTIVAL AO LARGO MILLENNIUM BCP Fernando Pessoa escreveu que todos vivemos tal como sonhamos – sozinhos. À afirmação imaterial e poética im- põe-se a pergunta terrena e material: e enquanto vivemos e sonhamos, não choramos, não cantamos, não amamos e não acreditamos em comunidade? Uma das mais poderosas formas de bem-estar e de reconciliação é a partilha comunitária da Música, de uma simples melodia, não sozinhos, mas cercados por milhares de vozes. Claro que existe essa barreira, quase indecifrável, que divide as emoções de massa da verdadeira consciência estética, mas a prova está nos resultados, esses bem decifrá- veis: perdemo-nos na multidão ou, no meio dela, nos descobrimos como indivíduos unidos, mesmo comungando das nossas diferenças? Porque acreditamos que a etimologia não engana e que comunhão e comunidade são da mesma família, porque acreditamos que certas formas públicas de abraçarmos as diversas fatias da cultura são vitais para que essa mesma cultura possa sobreviver, o Festival ao Largo regressa na sua já 8ª edição.