NEWSLETTER of the SOCIETY of ARCHITECTURAL HISTORIANS
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THE BURNHAM BLOG Urban Planning Touches Every Part of Your Day to Day Life. Join the Conversation That Is Shaping the Region
THE BURNHAM BLOG Back in that time – Chicago 1948 Vision & Theme THE BURNHAM BLOG By Patrick T. Reardon on Wed., 10/28/2009 –9:66 am. Urban planning touches About the Logo If you’re at all a fan of Chicago history, I’m sure you every part of your day to know the frustration. day life. Join the Centennial Committee and Staff You read about Louis Jolliet and Father Jacques conversation that is shaping the region for Marquette arriving in this area in 1674, and you wonder Sponsors the next 100 years. how it looked, how the landscape rolled, where there were trees and where prairies --- the feel of the scene. Register or Login to comment Newsroom Or you look at the Plan of Chicago and ruminate about SUBSCRIBE VIA RSS News Coverage walking down the city’s sidewalks back in 1909 before Use our RSS any of that document’s proposals became reality. feed to track Press Releases new blog posts. Sure, there are photos, but they’re isolated shots --- a corner, a bridge, a building. But what would it have E-News & Social Media ABOUT THIS BLOG been like, for instance, to stroll with Daniel Burnham, the principal author of the Plan, from Michigan Avenue This blog is about The Burnham Blog to Wells Street along Randolph Street? history, planning and the future. It’s rooted in That’s why a quaint 10-minute video that popped up the recognition that we Get Involved recently on YouTube is so delightful. live in a world that is created by plans – and Contact Us by the failure to make plans. -
Pittsfield Building 55 E
LANDMARK DESIGNATION REPORT Pittsfield Building 55 E. Washington Preliminary Landmarkrecommendation approved by the Commission on Chicago Landmarks, December 12, 2001 CITY OFCHICAGO Richard M. Daley, Mayor Departmentof Planning and Developement Alicia Mazur Berg, Commissioner Cover: On the right, the Pittsfield Building, as seen from Michigan Avenue, looking west. The Pittsfield Building's trademark is its interior lobbies and atrium, seen in the upper and lower left. In the center, an advertisement announcing the building's construction and leasing, c. 1927. Above: The Pittsfield Building, located at 55 E. Washington Street, is a 38-story steel-frame skyscraper with a rectangular 21-story base that covers the entire building lot-approximately 162 feet on Washington Street and 120 feet on Wabash Avenue. The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor, was established in 1968 by city ordinance. It is responsible for recommending to the City Council that individual buildings, sites, objects, or entire districts be designated as Chicago Landmarks, which protects them by law. The Comm ission is staffed by the Chicago Department of Planning and Development, 33 N. LaSalle St., Room 1600, Chicago, IL 60602; (312-744-3200) phone; (312 744-2958) TTY; (312-744-9 140) fax; web site, http ://www.cityofchicago.org/ landmarks. This Preliminary Summary ofInformation is subject to possible revision and amendment during the designation proceedings. Only language contained within the designation ordinance adopted by the City Council should be regarded as final. PRELIMINARY SUMMARY OF INFORMATION SUBMITIED TO THE COMMISSION ON CHICAGO LANDMARKS IN DECEMBER 2001 PITTSFIELD BUILDING 55 E. -
Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2018 Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard H. Chused New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Entertainment, Arts, and Sports Law Commons, Land Use Law Commons, and the Property Law and Real Estate Commons Recommended Citation Chused, Richard H., "Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz" (2018). Articles & Chapters. 1172. https://digitalcommons.nyls.edu/fac_articles_chapters/1172 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey, Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper. -
Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Winter 12-16-2016 Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Architectural History and Criticism Commons, Contemporary Art Commons, Interior Architecture Commons, Modern Art and Architecture Commons, and the Museum Studies Commons Recommended Citation Tassara, Isabel, "Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art" (2016). Master's Projects and Capstones. 436. https://repository.usfca.edu/capstone/436 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Keywords: contemporary art, museum studies, architecture, interactive installation, international artist, art exhibition, Buenos Aires Argentina, Contemporary Jewish Museum by Isabel Tassara Capstone project submitted in partial FulFillment oF the requirements For -
The Paradox of Public Discourse: Designing Vancouver Library Square
Linda Lewin Graif The Paradox of Public Discourse: Designing Vancouver Library Square rchitecture is a discipline that operates in a complex public A arena. While architecture may be defined as the art and sci ence of conceptualizing the built environment, the journey from the drawing board to the constructed artifact is a perilous one. The architect's initial concept, itself subject to constraints of many kinds, must be negotiated with clients, engineers, contractors, financial partners, special interest groups, and the general pub lic. Architecture, particularly public architecture, is inherently non-hermetic and, as such, is open to challenge and debate. Of all Moshe Safdie' s Can a dian "Libraries have always projects, Vancouver represented the cultural Library Sguare pro heritage of a society. duced one of the most As such, they must exhau,stive and com transcend the commercial preh ensive discu s architecture of our time." sions about the role of Moshe Safdie architecture in public 'life. Of particular in terest are the nature "Probably you'll love it. and scope of the pub You did vote for it after all. lic discourse arising Highbrow critics may from the singular set attack it as Caesar's Palace of circumstances sur but for you faux is fine. rounding it. A wide You don't know the difference range of issues re between modern and lated to preservation, post-modern, anyway." politics, economics, Doug Ward, culture, and aesthet- The Vancouver Sun, 24 May 1995 ics converged in an atmosphere of vigorous and often heated debate. This essay ex amines the public and professional exchanges engendered by the Vancouver Library Sguare project and illustrates the potential conflicts inherent in the public nature of architecture. -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Curriculum Vitae
3/2021 Curriculum Vitae PAMELA H. SMITH https://www.history.columbia.edu/faculty/pamela-h-smith/ Office Address Department of History Columbia University 605 Fayerweather Hall, MC 2516 1180 Amsterdam Avenue New York, N.Y. 10027 (212) 854-7662-Phone email: [email protected] EDUCATION THE JOHNS HOPKINS UNIVERSITY, Baltimore, Maryland (1983-1990) Ph.D., May 1991. Department of the History of Science. Dissertation: "Alchemy, Credit, and the Commerce of Words and Things: Johann Joachim Becher at the Courts of the Holy Roman Empire, 1635-82" (Advisers: Owen Hannaway, Mack Walker). UNIVERSITY OF WOLLONGONG, Wollongong, New South Wales, Australia (1976-79) B.A. First Class Honors, November 1979. Major: History and Philosophy of Science. EMPLOYMENT 2005-present: Seth Low Professor of History, Columbia University, New York. Courses in early modern European history and history of science. 2014-present: Founding Director, Making and Knowing Project, Columbia University A pedagogical and research initiative that explores the intersections of craft making and scientific knowing. www.makingandknowing.org 2014-present: Founding Chair, Presidential Scholars in Society and Neuroscience, Columbia University, https://presidentialscholars.columbia.edu/ The aim of this crosscutting initiative is to bring together scholars from all fields around questions of brain and mind. A community of postdoctoral scholars form the heart of a rich program of interdisciplinary events and research 2013-present: Founding Director, Center for Science and Society, Columbia University, https://scienceandsociety.columbia.edu/. 2000-2005: Margaret and Edwin F. Hahn Professor in the Social Sciences, and Professor of History, Pomona College (1990-2005: Assistant and Associate Professor of History) 1996-2003: Director of European Studies, Claremont Graduate University Pamela H. -
Ingram 2010 Squatting in 'Vancouverism'
designs for The Terminal City www.gordonbrentingram.ca/theterminalcity 21 March, 2010 Gordon Brent Ingram Re-casting The Terminal City [part 3] Squatting in 'Vancouverism': Public art & architecture after the Winter Olympics Public art was part of the 2010 Olympics in Vancouver; there was some funding, some media coverage, and a few sites were transformed. What were the new spaces created and modes of cultural production, in deed the use of 21 March, 2010 | Gordon Brent Ingram Squatting in 'Vancouverism': Public art & architecture after the Winter Olympics designs for The Terminal City www.gordonbrentingram.ca/theterminalcity page 2 culture in Vancouver, that have emerged in this winter of the Olympics? What lessons can be offered, if any, to other contemporary arts and design communities in Canada and elsewhere? And there was such celebration of Vancouver, that a fuzzy construct was articulated for 'Vancouverism' that today has an unresolved and sometimes pernicious relationship between cultural production and the dynamics between public and privatizing art. In this essay, I explore when, so far, 'Vancouverism'1 has become a cultural, design, 'planning', or ideological movement and when the term has been more of a foil for marketing over‐priced real estate.2 In particular, I am wondering what, in these supposedly new kinds of Vancouveristic urban designs, are the roles, 'the place' of public and other kinds of site‐based art. The new Woodward's towers and the restored Woodward's W sign from the historic centre of 19th Century Vancouver at Carrall and Water Street, January 2010, photograph by Gordon Brent Ingram 21 March, 2010 | Gordon Brent Ingram Squatting in 'Vancouverism': Public art & architecture after the Winter Olympics designs for The Terminal City www.gordonbrentingram.ca/theterminalcity page 3 January and February 2010 were the months to separate fact from fiction and ideas from hyperbole. -
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286 275 MADISON AVENUE BUILDING, originally 22 East 40th Street Building (aka 273-277 Madison Avenue; 22-26 East 40th Street), Borough of Manhattan. Built 1930-31; Kenneth Franzheim, architect. Landmark Site: Borough of Manhattan Tax Map Block 869, Lot 54. On June 24, 2008, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the 275 Madison Avenue Building and the proposed designation of its related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Three people, including a representative of the building’s owner and representatives of the Historic Districts Council and the Municipal Art Society, spoke in favor of designation. Summary Rising 43 stories in height and completed in 1931, 275 Madison Avenue is an outstanding Art Deco skyscraper dating from the end of New York’s 1920s and early-1930s skyscraper boom. Designed by noted architect Kenneth Franzheim, the building features a striking polished-granite base; three stories high with tall rectangular openings, it was treated by Franzheim as a “stage setting” with a compelling black-and-silver color scheme and rich abstract ornament. Rising above the base is a dramatically massed, slab-form tower that steps back repeatedly before narrowing to a nearly square plan at its upper floors. Like the nearby Daily News Building completed the year before, 275 Madison is best described as a transitional work, bridging the exuberant, “modernistic” Art Deco style and the spare, sculptural qualities of the International Style. -
Cornelia Hahn Oberlander Reflections
The Cultural Landscape Foundation Pioneers of American Landscape Design ___________________________________ CORNELIA HAHN OBERLANDER ORAL HISTORY REFLECTIONS ___________________________________ Nina Antonetti Susan Ng Chung Allegra Churchill Susan Cohen Cheryl Cooper Phyllis Lambert Eva Matsuzaki Gino Pin Sandy Rotman Moshe Safdie Bing Thom Shavaun Towers Hank White Elisabeth Whitelaw © 2011 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. Scholar`s Choice: Cornelia Hahn Oberlander-From Exegesis to Green Roof by Nina Antonetti Assistant Professor, Landscape Studies, Smith College 2009 Canadian Center for Architecture Collection Support Grant Recipient, December 2009 March 2011 What do a biblical garden and a green roof have in common? The beginning of an answer is scrawled across the back of five bank deposit slips in the archives of Cornelia Hahn Oberlander at the CCA. These modest slips of paper, which contain intriguing exegesis and landscape iconography, are the raw material for a nineteen-page document Oberlander faxed to her collaborator Moshe Safdie when answering the broad programming requirements of Library Square, the Vancouver Public Library and its landscape. For the commercial space of the library, Oberlander considered the Hanging Gardens of Babylon and the hanging gardens at Isola Bella, Lago Maggiore; for the plaza, the civic spaces of ancient Egypt and Greece; and for the roof, the walled, geometric gardens of the Middle Ages and Early Renaissance. Linking book to landscape, she illustrated the discovery of the tree of myrrh during the expedition of Hatshepsut, referenced the role of plants in Genesis and Shakespeare, and quoted a poem by environmental orator Chief Seattle. -
2019 – 2020 Frank Lloyd Wright National Reciprocal Sites Membership Program
2019 – 2020 FRANK LLOYD WRIGHT NATIONAL RECIPROCAL SITES MEMBERSHIP PROGRAM THE FRANK LLOYD WRIGHT NATIONAL RECIPROCAL SITES PROGRAM IS AN ALLIANCE OF FRANK LLOYD WRIGHT ORGANIZATIONS THAT OFFER RECIPROCAL BENEFITS TO PARTICIPATING MEMBERS. Frank Lloyd Wright sites and organizations listed here are independently For questions about the Frank Lloyd Wright National Reciprocal Sites owned, managed and operated. Reciprocal Members are advised to contact Membership Program please contact your institution’s membership sites prior to their visit for tour and site information. Phone numbers and department. Each site / organization may handle processing differently. websites are provided for your convenience. This icon indicates a 10% shop discount. You must present a membership card bearing the “FLWR” identifier to claim these benefits at reciprocal sites. 2019 – 2020 MEMBER BENEFITS ARIZONA THE ROOKERY 209 S LaSalle St Chicago, IL 60604 TALIESIN WEST lwright.org 312.994.4000 12345 N Taliesin Dr Scottsdale, AZ 85259 Beneits: Two complimentary tours franklloydwright.org 888.516.0811 Beneits: Two complimentary admissions to the 90-minute Insights tours. INDIANA Reservations recommended. THE JOHN AND CATHERINE CHRISTIAN HOUSE-SAMARA CALIFORNIA 1301 Woodland Ave West Lafayette, IN 47906 samara-house.org 765.409.5522 HOLLYHOCK HOUSE Beneits: One complimentary tour 4800 Hollywood Blvd Los Angeles, CA 90026 barnsdall.org IOWA Beneits: Two complimentary self-guided tours MARIN COUNTY CIVIC CENTER THE HISTORIC PARK INN HOTEL (CITY NATIONAL BANK AND 3501 -
Archived Content
Archived Content Information identified as archived is provided for reference, research or recordkeeping purposes. It is not subject to the Government of Canada Web Standards and has not been altered or updated since it was archived. Some of this archived content is available only in one official language. Translation by CMHC can be requested and will be provided if demand is sufficient. Contenu archive Le contenu identifie comme archive est fourni a des fins de reference, de recherche ou de tenue des dossiers; il n'est pas assujetti aux normes Web du gouvernement du Canada. Aucune modification ou mise a jour n'y a ete apportee depuis son archivage. Une partie du contenu archive n'existe que dans une seule des langues officielles. La SCHL en fera la traduction dans l'autre langue officielle si la demande est suffisante. Canada mortgage and housing corporation societe canadienne dhypoth Eques et de logement CanadaJl*l RESEARCH REPORT External Research Program Montreal: A Rich Tradition in Medium Density Housing CMHC# SCHL Canada HOME TO CANADIANS CMHC—HOME TO CANADIANS Canada Mortgage and Housing Corporation (CMHC) has been Canada ’s national housing agency for more than 60 years. Together with other housing stakeholders, we help ensure that Canada maintains one of the best housing systems in the world. We are committed to helping Canadians access a wide choice of quality, affordable homes, while making vibrant, healthy communities and cities a reality across the country. For more information, visit our website at www.cmhc.ca You can also reach us by phone at 1-800-668-2642 or by fax at 1-800-245-9274.