THE LORD of the RINGS by J.R.R. Tolkien
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LOTR and Beowulf: I Need a Hero
Jestice/English 4 Lord of the Rings and Beowulf: I need a hero! (100 points) Directions: 1. On your own paper, and as you watch the selected scenes, answer the following questions by comparing and contrasting the heroism of Frodo Baggins to that of Beowulf. (The scene numbers are from the extended version; however, the scene titles are consistent with the regular edition.) 2. Use short answer but complete sentences. Fellowship of the Ring Scene 10: The Shadow of the Past Gandalf already has shown Frodo the One Ring and has told Frodo he must keep it hidden and safe. Frodo obliges. But when Gandalf tells him the story of the ring and that Frodo must take it out of the Shire, Frodo’s reaction is different. 1. Explain why Frodo reacts the way he does. Is this behavior fitting for a hero? Why or why not? Is Frodo a hero at this point of the story? 2. How does this differ from Beowulf’s call to adventure? Scene 27: The Council of Elrond Leaders from across Middle Earth have gathered in the Elvish capital of Rivendell to discuss the fate of the One Ring. Frodo has taken the ring to Rivendell for safekeeping. Having already tried unsuccessfully to destroy the ring, the leaders argue about who should take it to be consumed in the fires of Mordor. Frodo steps forward and accepts the challenge. 1. Frodo’s physical stature makes this journey seem impossible. What kinds of traits apparent so far in the story will help him overcome this deficiency? 2. -
Etherotopia, an Ideal State and a State of Mind : Utopian Philosophy As Literature and Practice
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Etherotopia, an ideal state and a state of mind : utopian philosophy as literature and practice https://eprints.bbk.ac.uk/id/eprint/40118/ Version: Full Version Citation: Callow, Christos (2015) Etherotopia, an ideal state and a state of mind : utopian philosophy as literature and practice. [Thesis] (Un- published) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Etherotopia, an Ideal State and a State of Mind: Utopian Philosophy as Literature and Practice Christos Callow Birkbeck, University of London PhD 2014 2 I, Christos Callow, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm this has been indicated in my thesis. ------------------------------------------------ 3 Abstract This thesis examines the concept of Etherotopia (which literally translates to ‗ethereal place‘), by which I define the combination of utopian philosophy with certain ideas of individual perfection such as nirvana. The argument is made that the separation of utopian visions into social utopias and individual ones (states and states of mind) is a false dilemma, since a complete utopian theory should include both. In relation to my own utopian writing and as a transition from the critical to the creative part of this thesis, I examine the question of genre in utopian literature and, following from the view that literary genres are subjective and conventional, I argue that utopian literature doesn‘t need to be labelled as a literary genre but rather that it is utopian philosophy in literary form, and therefore philosophical writing. -
<I>Simbelmynë</I>: Mortality and Memory in Middle-Earth
Volume 29 Number 1 Article 10 10-15-2010 Simbelmynë: Mortality and Memory in Middle-earth William H. Stoddard Independent Scholar Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Stoddard, William H. (2010) "Simbelmynë: Mortality and Memory in Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 29 : No. 1 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol29/iss1/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Elegiac contemplation of the function of memory in Tolkien’s Middle-earth, and the complex intersections of memory, loss, immortality, consolation, and creativity made flesh in olkienT ’s depictions of the races of Elves and Men and their interactions. Additional Keywords Creativity in J.R.R. -
Masterproef Evelien De Pauw
Friendship and Masculinity in The Lord of the Rings: The Influence of World War I Evelien De Pauw Studentennummer: 01000777 Promotor: Prof. dr. Marysa Demoor Masterproef voorgelegd voor het behalen van de graad Master in de Taal- en Letterkunde: Engels. Academiejaar: 2017 - 2018 De Pauw 2 1. Acknowledgements I would like to thank my promotor prof. dr. Demoor for allowing me to choose a subject that I thought was very interesting and helping me explore how to do that in the best way possible. I would of course also like to thank my parents for allowing me to study and pursue a university degree, and supporting me in every way possible. My brother and the rest of my family for their support. My dear friends who also support me in everything I endeavour. I would also like to thank my uncle Bart, who now dwells in the Halls of Mandos, and introduced me to Middle-earth as a little girl. De Pauw 3 Content 1. Acknowledgements 2. Introduction 3. Tolkien and the Great War 2.1 Tolkien during the Great War 2.2 The Great War and The Lord of the Rings 2.3 Sam and Frodo in Mordor 2.4 Orcs, Haradrim and Germans 2.5 War Without End 2.6 The Hobbits as Returning Veterans 2.7 The Passing of an Age 4. Masculinities in The Lord of the Rings 4.1. Constructing and Deconstructing Masculinity 4.2. Femininity in Relation to Masculinity 4.3. Masculinity in The Lord of the Rings 4.4. Masculinity as a Hierarchy: Aragorn, Boromir and Faramir 5. -
Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly. -
Using the ZMET Method to Understand Individual Meanings Created by Video Game Players Through the Player-Super Mario Avatar Relationship
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2008-03-28 Using the ZMET Method to Understand Individual Meanings Created by Video Game Players Through the Player-Super Mario Avatar Relationship Bradley R. Clark Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Communication Commons BYU ScholarsArchive Citation Clark, Bradley R., "Using the ZMET Method to Understand Individual Meanings Created by Video Game Players Through the Player-Super Mario Avatar Relationship" (2008). Theses and Dissertations. 1350. https://scholarsarchive.byu.edu/etd/1350 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Using the ZMET Method 1 Running head: USING THE ZMET METHOD TO UNDERSTAND MEANINGS Using the ZMET Method to Understand Individual Meanings Created by Video Game Players Through the Player-Super Mario Avatar Relationship Bradley R Clark A project submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Brigham Young University April 2008 Using the ZMET Method 2 Copyright © 2008 Bradley R Clark All Rights Reserved Using the ZMET Method 3 Using the ZMET Method 4 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a project submitted by Bradley R Clark This project has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. -
News from Bree [email protected]
NNeewwss FFrroomm BBrreeee The Official Middle-earth™ PBM Newsletter Issue 35, May ‘08 “Strange as News from Using Food in Middle-earth: Four Bree…” Useful Tips for Food Preparation The Lord of the Rings Chapter 9 Useful Tips for Food Preparation By Clint Oldridge 1: Being Fed in Middle-earth 3: Information Gathering The Talk at the Keeping moving armies fed is always If you have a spare order at a population Prancing Pony… difficult, but it's even more so when you centre and one food, then I often use a 948 get other friendly armies turning up at PCs order (Transport by Caravans) from that PC Featured Articles you control. (Don't forget that it is your to send a food to a location off map, in order relations to them that is important, so that to check whether the enemy has put up a Using Food in Middle- Page 1 even if they're not friendly you will feed camp there. If it fails then there's no PC, and earth: Four Useful Tips them). it's also slightly confusing to the enemy! for Food Preparation, By Clint Oldridge If you have more than one army at a population centre the free food gets divided 4: Market manipulation Kin-strife Sneak Preview: Page 2 between the armies in proportion to their the Good, the Bad and When the market is gutted with food it can the Ugly hunger (counting cavalry twice). often ‘crash’, reducing food stores available to low quantities. I find that around the The Untold War of the Page 3 So, for example, if the following three 300,000 food on the market is sufficient to Ring: Face to Face Game armies are at a village: cause such a crash, so if you're able to sell additional food you can sometimes push the The Lord of the Rings: So Page 8 Army A 100 Heavy Infantry market to crash and then food sells at two or What’s It All About Army B 50 Heavy Cavalry & Then? more next turn. -
Lioi, Anthony. "The Great Music: Restoration As Counter-Apocalypse in the Tolkien Legendarium." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "The Great Music: Restoration as Counter-Apocalypse in the Tolkien Legendarium." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 123–144. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781474219730.ch-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 12:12 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 4 The Great Music: Restoration as Counter-Apocalypse in the Tolkien Legendarium In which I assert that J. R. R. Tolkien’s legendarium begins with an enchanted sky, which provides the narrative framework for a restoration ecology based on human alliance with other creatures. This alliance protects local and planetary environments from being treated like garbage. Tolkien’s restorative framework begins in the Silmarillion with “The Music of the Ainur,” a cosmogony that details the creation of the universe by Powers of the One figured as singers and players in a great music that becomes the cosmos. This is neither an organic model of the world as body nor a technical model of the world as machine, but the world as performance and enchantment, coming- into-being as an aesthetic phenomenon. What the hobbits call “magic” in the Lord of the Rings is enchantment, understood as participation in the music of continuous creation. In his essay “On Fairy-Stories,” Tolkien theorized literary enchantment as the creation of a “Secondary World” of art that others could inhabit. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
The Lord of the Rings: the Card Game
™ “His Eye is now straining towards us, blind almost to all else that is moving. So we must keep it. Therein lies all our Component Overview The Lord of the Rings: The Mountain of Fire includes the hope. This, then, is my counsel. We have not the Ring. In following components: wisdom or great folly it has been sent away to be destroyed, lest it destroy us. Without it we cannot by force defeat his • This rules insert force. But we must at all costs keep his Eye from his true • 165 cards, consisting of: peril. We cannot achieve victory by arms, but by arms we - 4 Hero Cards can give the Ring-bearer his only chance, frail though it be.” - 27 Player Cards —Gandalf, The Return of the King - 121 Encounter Cards - 9 Quest Cards Welcome to The Lord of the Rings: The Mountain of Fire - 3 Campaign Cards Saga Expansion for The Lord of the Rings: The Card - 1 Epic Multiplayer Card Game! Unlike other The Lord of the Rings: The Card Game expansions which explore new adventures set in Middle- Expansion Symbol earth, the Saga Expansions give players the opportunity to The cards in The Lord of the Rings: The Mountain of Fire directly participate in, or even recreate, the narrative events Saga Expansion can be identified by this symbol before their described in the classic novels written by J.R.R. Tolkien. collector number: The Lord of the Rings Saga Expansions reach their epic conclusion in The Mountain of Fire. In this follow up to The Flame of the West, you will find three scenarios spanning the second half of The Return of the King. -
Foregrounding Narrative Production in Serial Fiction Publishing
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. https://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields. -
Lord-Of-The-Rings-Juliens-Auctions
Sale price Hammer Lot # Description Estimate + premium Price 1 HIGH ELVEN WARRIOR SHIELD $15,000 - $30,000 Unsold Unsold 2 HIGH ELVEN WARRIOR HELMET $15,000 - $25,000 Unsold Unsold 3 HIGH ELVEN WARRIOR SWORD & SCABBARD $30,000 - $50,000 Unsold Unsold 4 NÚMENÓREAN INFANTRY HELMET $10,000 - $15,000 $11,520 $9,000 5 PETER MCKENZIE "KING ELENDIL" HELMET $10,000 - $15,000 $12,800 $10,000 6 WETA WORKSHOP CREW HAT $50 - $100 $320 $250 7 WETA WORKSHOP T-SHIRT $50 - $100 $192 $150 8 WETA WORKSHOP VEST $100 - $200 $512 $400 9 DAY 133 FLEECE JACKET $500 - $1,000 $896 $700 10 HOBBITON HOBBIT HOLE CONSTRUCTION BLUEPRINTS $1,000 - $3,000 $2,240 $1,750 11 SCALE SET OF DRINKING TANKARDS $2,000 - $4,000 $1,920 $1,500 12 IAN HOLM (YOUNG) "BILBO BAGGINS" PROSTHETIC HOBBIT EARS $1,500 - $5,000 Unsold Unsold 13 IAN HOLM (OLD) "BILBO BAGGINS" PROSTHETIC HOBBIT EARS $1,500 - $5,000 Unsold Unsold 14 BAG END ENTRY FACADE FILMING MINIATURE $5,000 - $10,000 Unsold Unsold 15 VIGGO MORTENSEN "ARAGORN" SWORD $50,000 - $70,000 $62,500 $50,000 16 THE SHARDS OF NARSIL $30,000 - $50,000 $25,600 $20,000 17 RIVENDELL BRIDGE FILMING MINIATURE $3,000 - $6,000 Unsold Unsold 18 LIV TYLER "ARWEN" COSTUME BOOTS $2,500 - $5,000 $1,920 $1,500 19 LORD OF THE RINGS PRODUCTION-USED CALL SHEETS $100 - $300 $768 $600 20 SPECIAL FX LORD OF THE RINGS CREW T-SHIRT $100 - $200 $320 $250 21 ROLL OF WETA WORKSHOP TAPE $50 - $100 $128 $100 22 VISUAL FX LORD OF THE RINGS CREW T-SHIRT $50 - $100 $448 $350 23 ORC HERO METAL ARROWHEAD $600 - $1,500 $1,152 $900 24 MORIA ORC HELMET $12,000 - $20,000