Conceptual Patterns of Repetition in the Doctrine and Covenants and Their Implications
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Premortal Spirits: Implications for Cloning, Abortion, Evolution, and Extinction
Premortal Spirits: Implications for Cloning, Abortion, Evolution, and Extinction Kent C. Condie /~\ny organism (animal or plant) living on Earth today or any organism that lived on Earth in the geologic past is largely the product of its genes, which in turn are inherited from two parents—or, in the case of asexual re- production, one parent. No other parents can produce this organism. Hence, if each organism is patterned precisely after a spiritual precursor, as we are commonly led to believe by some interpretations of Moses 3:5, only one set of parents can produce this organism in the temporal world. Car- ried further, this scenario means that all of our spouses and children are predestined from the spirit world and that we really have not exercised free agency in selecting a mate or in having children in this life. It also means that each plant and animal that has ever lived on Earth was predestined to come from one or two specific parents. This would also seem to require that events in Earth history are predestined, because specific events are necessary to bring predestined individuals into contact with each other in the right time frame. But how can a predestined or deterministic temporal world be consis- tent with traditional LDS belief in free agency? From the very onset of the restoration of the LDS Church, Joseph Smith taught that God "did not elect or predestinate." As Bruce R. McConkie states, "Predestination is the false doctrine that from all eternity God has ordered whatever comes to pass." Determinism advocates that all earthly events are controlled by prior events (usually in the premortal existence), but not necessarily by God. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Old Testament: Gospel Doctrine Teacher\222S Manual
“Thou Wast Chosen Lesson Before Thou Wast Born ” 2 Abraham 3; Moses 4:1–4 Purpose To help class members understand the doctrine of foreordination and their own responsibility to help build up the kingdom of God and bring souls to Christ. Preparation 1. Prayerfully study the following scriptures from the Pearl of Great Price and the Doctrine and Covenants: a. Abraham 3:11 –12, 22 –23; Doctrine and Covenants 138:53 –57. Abraham talks with the Lord face to face and learns that in the premortal life many “noble and great ” spirits were foreordained to their mortal missions (Abraham 3:11 –12, 22 –23). President Joseph F. Smith learns more about the “noble and great ones ” in a vision of the Savior ’s visit to the spirit world before His Resurrection (D&C 138:53 –57). b. Abraham 3:24 –28; Moses 4:1 –4. Abraham and Moses are shown in vision that Jesus Christ was chosen in the Council in Heaven to be our Savior and that we chose to follow him. They are also shown that Lucifer (Satan) and the spirits who followed him were cast out of heaven. 2. Additional reading: Isaiah 14:12 –15; Revelation 12:7 –9; Alma 13:3 –5; Doc- trine and Covenants 29:36 –39; and the rest of Abraham 3 and Doctrine and Covenants 138. Suggested Lesson Development Attention Activity You may want to use one of the following activities (or one of your own) to begin the lesson. Select the activity that would be most appropriate for the class. -
5282-2-Yonetmenler-Filmler-Olkeler-2-Atilla Dorsay-1989-344S.Pdf
ATILLA DORSA Y * YÖNETMENLER, FILMLER, OLKELER- 2 Bilgi Dizisi : 20 Varlık Yayınları, Sayı : 27 İlk basım : 1988 ISBN 975 - 434- 009 - 9 VARLIK YAYlNLARI A.Ş. Cağaloğlu Yokuşu 40/2, İstanbul ATILLA OORSAY YÖNETMENLER, FİLMLER, ÜLKELER- 2 •v.��ınlan SUNUŞ cYönetmenler, Filmler, Ülkeler» adlı kitabım oldukça ilgi görmüş ve kısa zamandır tükenmişti. (Yeni basımı önümüzdeki yayım yılında çıkacak). O kitabın önsözünde de bir tür cvaad» olarak ikinci ciltten söz etmiş ve ilk cildin içerdiği ülkelerin dışında kalan sinemalara ·ve yönetmeni ere, bir ikinci cil tt e yer verileceğini duyurmuştum. İşte başka çalışmaların ön plana geç mesi yüzünden geciken bu ikinci cilt, şimdi elinizde... İlk cildin önsözünde değinmiş olduğum gibi, sinemada önem li, yaratıcı yönetmen, cauteur» kavramı bir olgu... Ancak ne denli kişisellik taşıyan bir sanatçı olsa da, yönetmenin de belli bir toplumdan, o toplumun kendine özgü koşullarından süzülüp geldiği de bir diğer gerçek ... Bu iki olgunun ışığında, bu kitap da, ilki gibi, öncelikle ülkelere ve ulusal sinemalara göre, ama onların içinde yer alan önemli yönetmeniere inerek düzenlendi. Bu ikinci ciltte önce Fransız sineması yer alıyor ve önemi oranında geniş bir yer k.a.plıyor. Bundan sonra 1960 sonlarından itibaren filizlenen Genç Alman Sineması, iki yönetmeniyle bir likte tanıtılıyor. Üçüncü bölüm, özellikle günümüzde yeniden önem kazanan ve sinema dünyasının ön planına geçen Sovyetler sineması. .. Son bölüm ise, Avrupa Sosyalist Ülkeler Sinemaları üzerine ... Bu bölümde, Çek, Polanya, Macar, Romen ve Yugos lav sinemaları ve ünlü yönetmenleri tanıtılıyor. Her bölümün kendi içindeki bölümlenmesi, bölüm başların da ve nedenleriyle birlikte açıklanıyor. Önemli akımlara (Yeni Dalga, Genç Alman Sineması, Sovyetler sinemasında yeni çıkış lar gibi) ve ulusal sinemalara (Macar, Polanya, Yugoslavya si nemaları vs.) değinen yazılar ya zamanında ya da bu kitap için günümüzde yazılmış.. -
CLASSICAL MUSIC in CINEMA the Purpose of the Course Will Be To
CLASSICAL MUSIC IN CINEMA The purpose of the course will be to explore and understand the use of classical music in art movies starting with The Birth of a Nation in 1915 up until today. Films will be screened partially, and musical extracts will discussed. The 12 week lectures start with a historical introduction into the utilisation of classical music in the early era of cinema. Diegetic and non-diegetic music and their particular use will then be discussed. A discussion on the effect of leitmotivs and classical music as a device supporting the narrative will follow. After this three-week introduction, we will explore classical music used as leitmotiv and supporting narrative, then films on opera and opera in films, and the use of classical music in period movies. We will then examine the way how specific pieces of music have added to some of the greatest dramas and films of the past. Finally, the course will conclude with a discussion of auteur cinema and cover how seven essential directors have used music in their films; Bunuel, Bresson, Bergman, Pasolini, Kubrick, Godard, Tarkovsky and Fassbinder. Extracts from almost 100 films are intended to be shown and discussed. There will be no requirement for pre-lecture reading, screening or preparation. However, attendance will be obligatory, since grades will only be based on attendance, performance in class and homework in the form of essays. Screenings of assignments will be made in class. Week 1 (9 February 2015): General introduction Features D.W. Griffith’s The Birth of a Nation [1915] Sergei Eisenstein’s Battleship Potemkin [1925] Fritz Lang’s Metropolis [1927] David Lean’s Brief Encounter [1945] Giuseppe Tornatore’s Cinema Paradiso [1988] Luc Besson’s Leon [1994] Readings [None. -
Climates a Film by Nuri Bilge Ceylan
WINNER FIPRESCI PRIZE IN COMPETITION 2006 Cannes Film Festival climates a film by Nuri Bilge Ceylan A Zeitgeist Films Release climates a film by Nuri Bilge Ceylan Winner of the prestigious Fipresci Award at the 2006 Cannes Film Festival, CLIMATES is internationally acclaimed writer-director Nuri Bilge Ceylan’s sublime follow-up to his Cannes multi-award winner DISTANT. Beautifully drawn and meticulously observed, the film vividly recalls the cinema of Italian master Michelangelo Antonioni with its poetic use of landscape and the incisive, exquisitely visual rendering of loneliness, loss and the often-elusive nature of happiness. During a sweltering summer vacation on the Aegean coast, the relationship between middle-aged professor Isa (played by Ceylan himself ) and his younger, television producer girlfriend Bahar (the luminous Ebru Ceylan, Ceylan’s real-life wife) brutally implodes. Back in Istanbul that fall, Isa rekindles a torrid affair with a previous lover. But when he learns that Bahar has left the city for a job in the snowy East, he follows her there to win her back. Boasting subtly powerful performances, heart-stoppingly stunning cinematography (Ceylan’s first work in high definition) and densely textured sound design, CLIMATES is the Turkish filmmaker’s most gorgeous rumination yet on the fragility and complexity of human relationships. BIOGRAPHIES Nuri Bilge Ceylan (Isa / Director-Screenwriter) Since winning the Grand Prize at Cannes in 2003 for DISTANT (Uzak), Nuri Bilge Ceylan, the ‘Lone Wolf ’ of Turkish cinema, has been critically acclaimed for his spare and unaffected style of filmmaking, inviting comparisons to Tarkovsky, Bresson and Kiarostami. Humorous and masterful, his is a cinema that spans the modern experi- ence: examining rural life, relationships, masculinity, and urban alienation. -
The Brigham Young University Folklore of Hugh Winder Nibley: Gifted Scholar, Eccentric Professor and Latter-Day Saint Spiritual Guide
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1996 The Brigham Young University Folklore of Hugh Winder Nibley: Gifted Scholar, Eccentric Professor and Latter-Day Saint Spiritual Guide Jane D. Brady Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Folklore Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Brady, Jane D., "The Brigham Young University Folklore of Hugh Winder Nibley: Gifted Scholar, Eccentric Professor and Latter-Day Saint Spiritual Guide" (1996). Theses and Dissertations. 4548. https://scholarsarchive.byu.edu/etd/4548 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. the brigham young university folklore of hugh winder nibley gifted scholar eccentric professor and latterlatterdayday saint spiritual guide A thesis presented to the department of english brigham young university in partial fulfillment ofthe requirements for the degree master ofarts by jane D brady august 1996 this thesis by jane D brady is accepted in its present form by the department of english brighamofofbrigham young university as satisfying the thesis requirement for the degree of master of arts eq A 71i feicr f william A wilson committee chair n camCAycayalkeralker chmmioe member richad H cracroftcracrofCracrof -
80Ndatest on Space” (1995) Arendati Aga Välja Seriaal „Courage the Chirac, Ameerika Pensionärid Jne
animafilmide festival 10. Animation Film Festival 19.-23.11.2008 Kataloog Catalogue 2 Animafestivali ja PÖFFi toetavad / Animated Dreams and PÖFF are supported by: 4 Kava / kino Sõprus − Programme / cinema Sõprus KOLMAPÄEV 19.11 WEDNESDAY 19.00 Festivali avamine – animeeritud dokumentaalfi lm „Putukatreener” Opening of the festival – animated documentary „The Bug Trainer” 21.00 Rahvusvahelise tudengianima paremik I / Best of International Student Animation I NELJAPÄEV 20.11 THURSDAY 16.00 Võistlusprogramm I / Competition programme I 18.00 Võistlusprogramm II / Competition programme II 20.00 Täispikk animafi lm „Reis Saturnile” / Animated feature „Journey to Saturn” 22.00 Uus Eesti tudengianima ja muusikavideod / New Estonian Student Animation and Music Videos REEDE 21.11 FRIDAY 14.00 Animeeritud dokumentaalfi lm „Aja meistrid” / Animated documentary „The Kings of Time” 16.00 Kaasaegne Türgi animatsioon fookuses / Focus on Contemporary Turkish Animation 18.00 Võistlusprogramm III / Competition programme III 20.00 Võistlusprogramm IV / Competition programme IV 22.00 Kafka animatsioonis / Kafka in Animation LAUPÄEV 22.11 SATURDAY 14.00 Uus ja uhke Eesti anima! / New and Fancy Estonian Animation! 16.00 Gianluigi Toccafondo retrospektiiv / Gianluigi Toccafondo’s retrospective 18.00 Rahvusvahelise tudengianima paremik II / Best of International Student Animation II 20.00 Animafestivali lõputseremoonia / Closing ceremony of Animated Dreams 22.00 Täispikk animafi lm „Idioodid ja inglid” / Animated feature „Idiots and Angels” PÜHAPÄEV 23.11 SUNDAY -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Once Upon a Time in Anatolia
A Cinema Guild Release Once Upon a Time in Anatolia A film by Nuri Bilge Ceylan 157 minutes / 35mm / 2.35 / Dolby Digital / Turkey / Not Rated In Turkish with English Subtitles / Stills available at: www.cinemaguild.com/downloads The Cinema Guild, Inc. 115 West 30th Street, Suite 800 New York, NY 10001‐4061 Tel: (212) 685‐6242, Fax: (212) 685‐4717 www.cinemaguild.com Once Upon a Time in Anatolia Synopsis Late one night, an array of men- a police commissioner, a prosecutor, a doctor, a murder suspect and others- pack themselves into three cars and drive through the endless Anatolian country side, searching for a body across serpentine roads and rolling hills. The suspect claims he was drunk and can’t quite remember where the body was buried; field after field, they dig but discover only dirt. As the night draws on, tensions escalate, and individual stories slowly emerge from the weary small talk of the men. Nothing here is simple, and when the body is found, the real questions begin. At once epic and intimate, Ceylan’s latest explores the twisted web of truth, and the occasional kindness of lies. About the Film Once Upon a Time in Anatolia was the recipient of the Grand Prix at the Cannes film festival in 2011. It was an official selection of New York Film Festival and the Toronto International Film Festival. Once Upon a Time in Anatolia Biography: Born in Bakırköy, Istanbul on 26 January 1959, Nuri Bilge Ceylan spent his childhood in Yenice, his father's hometown in the North Aegean province of Çanakkale. -
A Study of the Book of Abraham
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1946 A Study of the Book of Abraham Charles Edward Haggerty Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Biblical Studies Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Haggerty, Charles Edward, "A Study of the Book of Abraham" (1946). Theses and Dissertations. 4736. https://scholarsarchive.byu.edu/etd/4736 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A STUDY OF THE BOOK OF ABRAHAM A thesis presented to the faculty of the division of religion brigham young university 14288 in partial fulfillment of the requirements for the degree master of arts by charles edward haggerty 1941946 ACKNOWLEDGEacknowledgemotacknowledgementKNOWLEDGEMENTAC MOT iiiili111 the author wishes to express his gratitude especially to elder joseph fielding smith church Mistorianhistorian for the use of the church library and to the staff of the library for their efficient service likewise he is grateful to president howard S cdonaldmcdonald of the brigham young university and to anna lortonollertonollortonOlollortonlibrarianforlibrarian for the use of the facil- ities of the university library to the many who have in any way contributed materials for this thesisthethesis -
Mormon Identities PRE-MORTAL LIFE, PART 1
Episode 30 Mormon Identities PRE-MORTAL LIFE, PART 1 [START MUSIC] INTRODUCTION: Welcome to Mormon Identity, a thirty-minute talk radio program that addresses Church topics important to members of The Church of Jesus Christ of Latter-day Saints. Our host is Robert L. Millet, professor of Religious Education at Brigham Young University. [END MUSIC] ROBERT MILLET (HOST): We welcome you once again to this edition of Mormon Identity. I‟m Bob Millet from Brigham Young University. I‟m joined today by my friend and colleague Brent Top, who is the chair of the Department of Church History and Doctrine at Brigham Young University. Welcome, Brent. BRENT TOP: Thank you, Bob. ROBERT MILLET: We want to talk today really in two segments. First and the second segments, both dealing with the subject of our first estate, the pre-mortal existence, our pre-mortal life. Brent, when we think about some things that appeal to people about Mormonism, it seems to me that, that this portion of our doctrine, namely the doctrine that talks about the eternal nature of man, is particularly appealing. Have, have, have you found that to be the case? BRENT TOP: Well, I‟ve had lots of experiences with that. I remember many years ago taking some of our neighbors and friends when we lived in the Washington D.C. area, northern Virginia. Took them at Christmas time to the Washington D.C. Temple Visitors‟ Center and to see the Christmas lights around the temple. And while we were there, we were, we took them in to see Man‟s Search for Happiness, that was very prominent at that time, and was being shown in all of the visitors‟ centers.