This is a repository copy of Sounds from the Bunker: Aural Culture and the Remainder of the Cold War. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/155371/ Version: Accepted Version Article: Wilson, LK (2020) Sounds from the Bunker: Aural Culture and the Remainder of the Cold War. Journal of War and Culture Studies, 13 (1). pp. 33-53. ISSN 1752-6272 https://doi.org/10.1080/17526272.2019.1705597 © 2019, Informa UK Limited, trading as Taylor & Francis Group. This is an author produced version of a journal article published in the Journal of War & Culture Studies. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
[email protected] including the URL of the record and the reason for the withdrawal request.
[email protected] https://eprints.whiterose.ac.uk/ Sounds from the Bunker: aural culture and the remainder of the Cold War Louise K Wilson School of Design, University of Leeds, Leeds, UK School of Design University of Leeds Leeds LS2 9JT
[email protected] Sounds from the Bunker: aural culture and the remainder of the Cold War This article explores the aural culture of the Cold War bunker.