The Ignorant Schoolmaster
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A Study of the Victorian and Edwardian Conceptions Of
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2012 Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little Women , The Secret Garden , and Peter Pan Leah Marie Kirkpatrick James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the English Language and Literature Commons Recommended Citation Kirkpatrick, Leah Marie, "Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little omeW n, The eS cret Garden, and Peter Pan" (2012). Masters Theses. 253. https://commons.lib.jmu.edu/master201019/253 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hidden Kisses, Walled Gardens, and Angel-kinder: a Study of the Victorian and Edwardian Conceptions of Motherhood and Childhood in Little Women, The Secret Garden, and Peter Pan Leah M. Kirkpatrick A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts English May 2012 Table of Contents List of Figures………………………………………………………………..…….....iii Abstract…………………………………………………………………………….....iv Introduction…………………………………………………………………………....1 I: The Invention of Childhood and the History of Children’s Literature…………..….3 II: An Angel in the House: the Victorian and Edwardian Wife and Mother………...27 III: Metaphysical Mothers: Mothers in The Secret Garden and Little Women………56 IV. -
Spatial Practices of Icarian Communism
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2008-03-25 Spatial Practices of Icarian Communism John Derek McCorquindale Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the French and Francophone Language and Literature Commons, and the Italian Language and Literature Commons BYU ScholarsArchive Citation McCorquindale, John Derek, "Spatial Practices of Icarian Communism" (2008). Theses and Dissertations. 1364. https://scholarsarchive.byu.edu/etd/1364 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A SPATIAL HISTORY OF ICARIAN COMMUNISM by John Derek McCorquindale A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of French & Italian Brigham Young University April 2008 ABSTRACT A SPATIAL HISTORY OF ICARIAN COMMUNISM John Derek McCorquindale Department of French and Italian Master of Arts Prior to the 1848 Revolution in France, a democrat and communist named Étienne Cabet organized one of the largest worker’s movements in Europe. Called “Icarians,” members of this party ascribed to the social philosophy and utopian vision outlined in Cabet’s 1840 novel, Voyage en Icarie , written while in exile. This thesis analyzes the conception of space developed in Cabet’s book, and tracks the group’s actual spatial practice over the next seventeen years. During this period, thousands of Icarians led by Cabet attempted to establish an actual colony in the wilderness of the United States. -
Images of Otherness: the Double First-Year Seminar GERM 197 · Fall 2021 T/Th 1:05-2:25Pm · 688 Sherbrooke St
Images of Otherness: The Double First-Year Seminar GERM 197 · Fall 2021 T/Th 1:05-2:25pm · 688 Sherbrooke St. W. room 495 Two souls, alas, are dwelling in my breast -Goethe, Faust I Ernst Ludwig Kirchner, Double Self Portrait Professor Tove Holmes email: [email protected] office hours (Zoom): M 12-1pm (link on MyCourses) Course Description and Objectives: The double, or Doppelgänger, is a phenomenon that haunts German literature of the nineteenth and twentieth centuries with remarkable persistence. This figure of repetition or revenance both blurs the distinction between reality and fantasy, and indicates a crisis of identity and coherent subjectivity, the specifically modern condition of the divided self. In this course we will take Sigmund Freud's seminal essay “The Uncanny” as one articulation of a theory of the double before turning to the figure's manifestation in literature and the arts. These creative forms will be shown as both confirming and challenging theoretical frameworks of dualism, often formulating theories of their own. We will read texts from Romanticism to 1945 with particular attention to the relationship of the double to the literary or artistic genre in which it appears, whether novella, lyric poetry, painting, music, or early film. We will also examine the double's particular affinity to visuality. Students will become acquainted with the fundamental skills of literary analysis, and will hone their abilities in verbal expression and presentation. All readings and discussions will be in English. Method of Instruction: This course will be taught through a mix of asynchronous, online activities and weekly in-class meetings (dates for in-class meetings bolded in schedule below). -
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
The Place of the Bridge
The Place of the Bridge Jennifer Kabat Bristol Images Kate Newby The Promise Arnolfini, 2014 Perhaps it’s better though to respect the dead and the gaps, The Place of to ask a question about being a woman where love represents a path to a better life and marriage has value, and to ask this in a city founded by a merchant class, where money has the Bridge always been at the forefront. For her and countless other women at the time marriage is about something more than love. A woman has an exchange value2 and marriage a moral worth. Part I. This is also an age when skirts hobble women, so to be saved by skirts and afterward face people’s scorn as they discuss your affairs in the newspaper…. To be a woman in The Fall 1885 and want better prospects, prospects that only come Look up. A woman tumbles from the sky. The mud on the through marriage, and yet to be saved by your clothes, clothes River Avon glistens silver in the light at low tide. Her skirts designed to make it impossible to run, to jump, to escape…. 1 The Bridge is Isambard Kingdom billow around her like a parachute as she spins over and To be poor or working class (about the same thing then) and Brunel’s Clifton Suspension Bridge, the first major project the engineer over. Time, life, love is suspended as her fall slows, and she want better…. To be the one woman who survives seems a proposed and a wonder of the wonders what she is doing here, as she panics, as she hits profound irony. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Reveries of a Schoolmaster
Reveries of a Schoolmaster Francis B. Pearson Project Gutenberg's Reveries of a Schoolmaster, by Francis B. Pearson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Reveries of a Schoolmaster Author: Francis B. Pearson Release Date: July 29, 2004 [EBook #13049] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK REVERIES OF A SCHOOLMASTER *** Produced by Al Haines REVERIES OF A SCHOOLMASTER BY FRANCIS B. PEARSON STATE SUPERINTENDENT OF PUBLIC INSTRUCTION FOR OHIO AUTHOR OF "THE EVOLUTION OF THE TEACHER," "THE HIGH-SCHOOL PROBLEM," "THE VITALIZED SCHOOL." CHARLES SCRIBNER'S SONS NEW YORK CHICAGO BOSTON COPYRIGHT, 1917, BY CHARLES SCRIBNER'S SONS CONTENTS CHAPTER I. IN MEDIAS RES II. RETROSPECT III. BROWN IV. PSYCHOLOGICAL V. BALKING VI. LANTERNS VII. COMPLETE LIVING VIII. MY SPEECH IX. SCHOOL-TEACHING X. BEEFSTEAK XI. FREEDOM XII. THINGS XIII. TARGETS XIV. SINNERS XV. HOEING POTATOES XVI. CHANGING THE MIND XVII. THE POINT OF VIEW XVIII. PICNICS XIX. MAKE-BELIEVE XX. BEHAVIOR XXI. FOREFINGERS XXII. STORY-TELLING XXIII. GRANDMOTHER XXIV. MY WORLD XXV. THIS OR THAT XXVI. RABBIT PEDAGOGY XXVII. PERSPECTIVE XXVIII. PURELY PEDAGOGICAL XXIX. LONGEVITY XXX. FOUR-LEAF CLOVER XXXI. MOUNTAIN-CLIMBING REVERIES OF A SCHOOLMASTER CHAPTER I IN MEDIAS RES I am rather glad now that I took a little dip (one could scarce call it a baptism) into the Latin, and especially into Horace, for that good soul gave me the expression _in medias res_. -
An Analysis of Feminist Themes in the Work of Louisa May Alcott
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 4-2000 A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Jessica Brook Greene University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Greene, Jessica Brook, "A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott" (2000). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/383 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Appendix D- UNIVERSITY HONORS PROGRAM SENIOR PROJECT - APPROVAL Name: _~l~ 13~~--------------------------------------- College: ~ &_~.u;.;\ __ Department: __~~~ _ 1.l4~~..t If'J:. __ Fa cuI ty Men tor: _D.c..... _ B~a _ ~_____________________________ _ PROJECT TITLE: A _tLUax:ru:n:..$_.L£.e Uf -,-_A_/Jn~~__ 61lCUJ _~rt=.- _~-i.4tJ _ · ~iAJ..a£L.bE__ ~CD_ m~AJ~ _________________ _ I have reviewed this completed senior honors thesis with this student and certify that it is a project commensurate with honors level undergraduate research in this field. Signed: ___~_~_-=- __~ _____________ I Facultv \Ientor 0--l_:-t L Y 2..- 0 0 Q Date: _L~1I~ ______ L ______ - Comments (Optional): 27 A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Senior Honors Thesis by Jessica Greene Director: Dr. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Working with Parents of Children Who Have Been Sexually Assaulted the ADVOCATE’S GUIDE: Working with Parents of Children Who Have Been Sexually Assaulted
The Advocate’s Guide: Working With Parents Of Children Who Have Been Sexually Assaulted THE ADVOCATE’S GUIDE: Working With Parents Of Children Who Have Been Sexually Assaulted TABLE OF CONTENTS PREFACE: Using this guide Page 2 PART ONE: Connecting - Communicating - Clarifying Page 4 PART TWO: Communicating Key Concepts to Parents Page 24 PART THREE: Creating Bridges: Interfacing with Systems Page 30 PART FOUR: Complicating Issues Page 45 PART FIVE: Helping Parents Cope Page 49 PART SIX: Frequently Asked Questions Page 55 PART SEVEN: Acknowledgements Page 61 PART EIGHT: References Page 63 APPENDIX: Trauma-Informed Parenting (TIP) sheets Page 65 Suggested citation: Yamamoto, D. (2015). The advocate’s guide: Working with parents of children who have been sexually assaulted. Enola, PA: National Sexual Violence Resource Center. The content of this publication may be reprinted with the following acknowledgement: This material was reprinted, with permission, from the National Sexual Violence Resource Center’s publication entitled The advocate’s guide: Working with parents of children who have been sexually assaulted. Also available online at the Lifespan webpage of National Sexual Violence Resource Center website: http://www.nsvrc.org/projects/lifespan/sexual-violence-against-children The Advocate’s Guide: Working With Parents Of Children Who Have Been Sexually Assaulted 1 Using this Guide This guide is designed for sexual assault program advocates working with non-offending parents and/or caregivers of children who have experienced sexual assault. The suggestions and strategies are intended for use with children under the age of 13. Additionally, the following terms and their definitions will apply: The primary client: The child who was this document, the terms “victim” and victimized is the primary client. -
The Complete Stories by Franz Kafka
Franz Kafka: The Complete Stories by Franz Kafka Ebook Franz Kafka: The Complete Stories currently available for review only, if you need complete ebook Franz Kafka: The Complete Stories please fill out registration form to access in our databases Download here >> Paperback: 488 pages Publisher: Schocken Books Inc.; Reprint edition (November 14, 1995) Language: English ISBN-10: 0805210555 ISBN-13: 978-0805210552 Product Dimensions:5.2 x 1 x 8 inches ISBN10 0805210555 ISBN13 978-0805210 Download here >> Description: The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. Hello All,I recently purchased this book in faith, though I was also frustrated by the lack of information in the book description. So, I will provide here for you the table of contents so that whoever purchases this book from now on can know exactly what they are getting:(By the way, the book is beautifully new & well designed, with the edges of the pages torn, not cut.)When it says the complete stories, it means it. The foreword assures that the book contains all of the fiction that Kafka committed to publication during his lifetime. That meas his novels, which he did NOT intend to be published but left note in his will to be destroyed, are NOT included: The Trial, America, The Castle. -
Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball Alyssa Gammello Long Island University, [email protected]
Long Island University Digital Commons @ LIU Undergraduate Honors College Theses 2016- LIU Post 2018 Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball Alyssa Gammello Long Island University, [email protected] Follow this and additional works at: https://digitalcommons.liu.edu/post_honors_theses Recommended Citation Gammello, Alyssa, "Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball" (2018). Undergraduate Honors College Theses 2016-. 47. https://digitalcommons.liu.edu/post_honors_theses/47 This Thesis is brought to you for free and open access by the LIU Post at Digital Commons @ LIU. It has been accepted for inclusion in Undergraduate Honors College Theses 2016- by an authorized administrator of Digital Commons @ LIU. For more information, please contact [email protected]. Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball An Honors Program Thesis by Alyssa Gammello Fall 2018 English Department ____________________________ Faculty Advisor, Dr. Thomas Fahy ____________________________ Faculty Reader Dr. John Lutz December 3rd, 2018 1 Table of Contents Introduction and Overview 3 Chapter 1: Dracula and Stoker’s Bloody Depictions 10 Dracula’s Women: The Dangers of Sexuality in Victorian Culture Dangerous Others: Ethnicity in Dracula Chapter 2: Interview with the Vampire and the New Family 33 Twisted Families and Lovers: Sexuality in Interview with the Vampire The Vampire as Slave: Rice’s Plantation Life and the Other Vampire Chapter 3: The Modern Vampire’s Metaphor in True Blood 49 Alan Ball Shocks America: Sexuality and Race in True Blood 53 Conclusion: All the Kids Are Doing It: Critiques of Patriarchal America in Teenaged Vampires 69 Works Cited 74 2 Introduction Vampires have been an enduring and powerful image throughout history, and each individual probably conjures up a different vampire in his or her head when hearing the word.