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1. Gina Rinehart 2. Anthony Pratt & Family • 3. Harry Triguboff
1. Gina Rinehart $14.02billion from Resources Chairman – Hancock Prospecting Residence: Perth Wealth last year: $20.01b Rank last year: 1 A plunging iron ore price has made a big dent in Gina Rinehart’s wealth. But so vast are her mining assets that Rinehart, chairman of Hancock Prospecting, maintains her position as Australia’s richest person in 2015. Work is continuing on her $10billion Roy Hill project in Western Australia, although it has been hit by doubts over its short-term viability given falling commodity prices and safety issues. Rinehart is pressing ahead and expects the first shipment late in 2015. Most of her wealth comes from huge royalty cheques from Rio Tinto, which mines vast swaths of tenements pegged by Rinehart’s late father, Lang Hancock, in the 1950s and 1960s. Rinehart's wealth has been subject to a long running family dispute with a court ruling in May that eldest daughter Bianca should become head of the $5b family trust. 2. Anthony Pratt & Family $10.76billion from manufacturing and investment Executive Chairman – Visy Residence: Melbourne Wealth last year: $7.6billion Rank last year: 2 Anthony Pratt’s bet on a recovering United States economy is paying off. The value of his US-based Pratt Industries has surged this year thanks to an improving manufacturing sector and a lower Australian dollar. Pratt is also executive chairman of box maker and recycling business Visy, based in Melbourne. Visy is Australia’s largest private company by revenue and the biggest Australian-owned employer in the US. Pratt inherited the Visy leadership from his late father Richard in 2009, though the firm’s ownership is shared with sisters Heloise Waislitz and Fiona Geminder. -
Bushells Factory
HERITAGE LISTING NOMINATION REPORT BUSHELLS FACTORY 160 Burwood Road CONCORD Job No. 8364 February 2019 RAPPOPORT PTY LTD © CONSERVATION ARCHITECTS AND HERITAGE CONSULTANTS Suite 48, 20-28 Maddox Street, Alexandria, NSW 2015 (02) 9519 2521 reception@Heritage 21.com.au Heritage Impact Statements Conservation Management Plans On-site Conservation Architects Photographic Archival Recordings Interpretation Strategies Expert Heritage Advice Fabric Analyses Heritage Approvals & Reports Schedules of Conservation Work HERITAGE LISTING NOMINATION REPORT Bushells Factory 160 Burwood Road, CONCORD TABLE OF CONTENTS 1.0 INTRODUCTION 5 1.1 BACKGROUND AND PURPOSE 5 1.2 SITE IDENTIFICATION 5 1.3 HERITAGE CONTEXT 8 1.4 METHODOLOGY 9 1.5 AUTHORS 10 1.6 LIMITATIONS 10 1.7 COPYRIGHT 10 2.0 HISTORICAL RESEARCH 11 2.1 LOCAL HISTORY 11 2.2 SITE HISTORY 13 3.0 PHYSICAL DESCRIPTION 25 3.1 LOCALITY AND SETTING 25 3.2 SITE LAYOUT AND STRUCTURES 25 3.3 EXTERIOR 26 3.4 SETTING 26 3.5 VIEWS 26 3.6 INTERIORS 27 3.7 PHOTOGRAPHIC SURVEY 29 4.0 COMPARATIVE ANALYSIS 33 4.1 COMPARISON WITH OTHER INDUSTRIAL SITES 33 4.2 HISTORICAL THEMES 38 5.0 ASSESSMENT OF SIGNIFICANCE 40 5.1 NSW HERITAGE ASSESSMENT GUIDING PRINCIPLES 40 5.2 ASSESSMENT OF SIGNIFICANCE 41 5.3 STATEMENT OF CULTURAL SIGNIFICANCE 43 6.0 CONSTRAINTS AND OPPORTUNITIES 45 6.1 IMPLICATIONS ARISING FROM HERITAGE SIGNIFICANCE 45 6.2 POTENTIAL ADAPTIVE RE-USE OF THE FORMER FACTORY BUILDING 47 6.3 PHYSICAL CONDITION AND INTEGRITY 49 Heritage21 TEL: 9519-2521 Suite 48, 20-28 Maddox Street [email protected] Alexandria P a g e | 2 o f 55 Job No. -
Sullivans Cove and Precinct Other Names: Place ID: 105886 File No: 6/01/004/0311 Nomination Date: 09/07/2007 Principal Group: Urban Area
Australian Heritage Database Class : Historic Item: 1 Identification List: National Heritage List Name of Place: Sullivans Cove and Precinct Other Names: Place ID: 105886 File No: 6/01/004/0311 Nomination Date: 09/07/2007 Principal Group: Urban Area Assessment Recommendation: Place does not meet any NHL criteria Other Assessments: National Trust of Australia (Tas) Tasmanian Heritage Council : Entered in State Heritage List Location Nearest Town: Hobart Distance from town (km): Direction from town: Area (ha): Address: Davey St, Hobart, TAS, 7000 LGA: Hobart City, TAS Location/Boundaries: The area set for assessment was the area entered in the Tasmanian Heritage Register in Davey Street to Franklin Wharf, Hobart. The area assessed comprised an area enclosed by a line commencing at the intersection of the south eastern road reserve boundary of Davey Street with the south western road reserve boundary of Evans Street (approximate MGA point Zone 55 527346mE 5252404mN), then south easterly via the south western road reserve boundary of Evans Street to its intersection with the south eastern boundary of Land Parcel 1/138719 (approximate MGA point 527551mE 5252292mN), then southerly and south westerly via the south eastern boundary of Land Parcel 1/138719 to the most southerly point of the land parcel (approximate MGA point 527519mE 5252232mN), then south easterly directly to the intersection of the southern road reserve boundary of Hunter Street with MGA easting 527546mE (approximate MGA point 527546mE 5252222mN), then southerly directly to -
Industrial and Warehouse Buildings Study Report
REPORT ON CITY OF SYDNEY INDUSTRIAL & WAREHOUSE BUILDINGS HERITAGE STUDY FOR THE CITY OF SYDNEY OCTOBER 2014 FINAL VOLUME 1 Eveready batteries, 1937 (Source: Source: SLNSW hood_08774h) Joseph Lucas, (Aust.) Pty Ltd Shea's Creek 2013 (Source: City Plan Heritage) (Source: Building: Light Engineering, Dec 24 1955) VOLUME 1 CITY OF SYDNEY INDUSTRIAL & WAREHOUSE BUILDINGS HERITAGE STUDY FINAL REPORT Job No/ Description Prepared By/ Reviewed by Approved by Document of Issue Date Project Director No Manager/Director FS & KD 13-070 Draft 22/01/2014 KD/24/01/2014 13-070 Final Draft KD/17/04/2014 KD/22/04/2014 13-070 Final Draft 2 KD/13/06/2014 KD/16/06/2014 13-070 Final KD/03/09/2014 KD/05/09/2014 13-070 Final 2 KD/13/10/2014 KD/13/10/2014 Name: Kerime Danis Date: 13/10/2014 Note: This document is preliminary unless it is approved by the Director of City Plan Heritage CITY PLAN HERITAGE FINAL 1 OCTOBER 2014 / H-13070 VOLUME 1 CITY OF SYDNEY INDUSTRIAL & WAREHOUSE BUILDINGS HERITAGE STUDY FINAL REPORT TABLE OF CONTENTS VOLUME 1 – REPORT Executive summary ........................................................................................................................ 4 1.0 About this study................................................................................................................... 6 1.1 Background ........................................................................................................................ 6 1.2 Purpose ............................................................................................................................. -
Developing the West Head of Sydney Cove
GUNS, MAPS, RATS AND SHIPS Developing the West Head of Sydney Cove Davina Jackson PhD Travellers Club, Geographical Society of NSW 9 September 2018 Eora coastal culture depicted by First Fleet artists. Top: Paintings by the Port Jackson Painter (perhaps Thomas Watling). Bottom: Paintings by Philip Gidley King c1790. Watercolour map of the First Fleet settlement around Sydney Cove, sketched by convict artist Francis Fowkes, 1788 (SLNSW). William Bradley’s map of Sydney Cove, 1788 (SLNSW). ‘Sydney Cove Port Jackson 1788’, watercolour by William Bradley (SLNSW). Sketch of Sydney Cove drawn by Lt. William Dawes (top) using water depth soundings by Capt. John Hunter, 1788. Left: Sketches of Sydney’s first observatory, from William Dawes’s notebooks at Cambridge University Library. Right: Retrospective sketch of the cottage, drawn by Rod Bashford for Robert J. McAfee’s book, Dawes’s Meteorological Journal, 1981. Sydney Cove looking south from Dawes Point, painted by Thomas Watling, published 1794-96 (SLNSW). Looking west across Sydney Cove, engraving by James Heath, 1798. Charles Alexandre Lesueur’s ‘Plan de la ville de Sydney’, and ‘Plan de Port Jackson’, 1802. ‘View of a part of Sydney’, two sketches by Charles Alexandre Lesueur, 1802. Sydney from the north shore (detail), painting by Joseph Lycett, 1817. ‘A view of the cove and part of Sydney, New South Wales, taken from Dawe’s Battery’, sketch by James Wallis, engraving by Walter Preston 1817-18 (SLM). ‘A view of the cove and part of Sydney’ (from Dawes Battery), attributed to Joseph Lycett, 1819-20. Watercolour sketch looking west from Farm Cove (Woolloomooloo) to Fort Macquarie (Opera House site) and Fort Phillip, early 1820s. -
Media Kit 2020
SYDNEY MEDIA KIT 2020 www.wheretraveller.com Photo: © Hugh Stewart/Destination NSW. The tourism market in VISITORS* SPEND In2019 $34billion 41.5 million visited PER YEAR Sydney the greater Sydney region IN SYDNEY *International and domestic INTERNATIONAL The Gateway to Australia % VISITOR OVERNIGHT VISITORS NUMBERS TO AUSTRALIA SPEND Most international visitors 40 INCREASED TRIPS REPRESENT arrive in Sydney first when LEISURE TRAVEL % % they come to Australia. 11 BETWEEN 39 2018-19 OF THEIR DOLLARS IN SYDNEY 3.1 NIGHTS 37.9the million average visitors to 1 = China 2 = USA the greaterduration Sydney of stay region TOURIST 3 = New Zealand SPENDING: 4 = United Kingdom Record growth of domestic and TOP 5 5 = South Korea international visitors year on year NATIONALITIES Photo: Destination NSW. Sources: Destination NSW and Tourism Research Australia wheretraveller.com Print: a trusted and versatile media solution We can create diverse media READERS ARE products to make your campaign % effective such as advertorials, inserts, magazine covers, editorial 70 listings and much more. MORE LIKELY TO RECALL YOUR • In-r oom placement in BRAND IN PRINT (source: Forbes) 5, 4.5 and 4 star hotels for guaranteed visibility to the lucrative visitor market WHERETRAVELLER MAGAZINE • We can create custom content READERSHIP: • Diverse and current coverage across bars, restaurants, 226,000 entertainment, shopping, PER MONTH sightseeing and more WhereTraveller products are supported by Les Clefs d’Or Australia, the International Concierge Society wheretraveller.com WhereTraveller Magazine: the complete guide WhereTraveller Magazine is a monthly guidebook-style magazine that readers can easily take with them when they explore each city’s top restaurants, shops, shows, attractions, exhibits and tours. -
From Its First Occupation by Europeans After 1788, the Steep Slopes on The
The Rocks The Rocks is the historic neighbourhood situated on the western side of Sydney Cove. The precinct rises steeply behind George Street and the shores of West Circular Quay to the heights of Observatory Hill. It was named the Rocks by convicts who made homes there from 1788, but has a much older name, Tallawoladah, given by the first owners of this country, the Cadigal. Tallawoladah, the rocky headland of Warrane (Sydney Cove), had massive outcrops of rugged sandstone, and was covered with dry schlerophyll forest of pink-trunked angophora, blackbutt, red bloodwood and Sydney peppermint. The Cadigal probably burnt the bushland here to keep the country open. Archaeological evidence shows that they lit cooking fires high on the slopes, and shared meals of barbequed fish and shellfish. Perhaps they used the highest places for ceremonies and rituals; down below, Cadigal women fished the waters of Warrane in bark canoes.1 After the arrival of the First Fleet in 1788, Tallawoladah became the convicts’ side of the town. While the governor and civil personnel lived on the more orderly easterm slopes of the Tank Stream, convict women and men appropriated land on the west. Some had leases, but most did not. They built traditional vernacular houses, first of wattle and daub, with thatched roofs, later of weatherboards or rubble stone, roofed with timber shingles. They fenced off gardens and yards, established trades and businesses, built bread ovens and forges, opened shops and pubs, and raised families. They took in lodgers – the newly arrived convicts - who slept in kitchens and skillions. -
Stakeholder Consultation the SOHT Has Undertaken Extensive
APPENDIX 2 – Stakeholder Consultation The SOHT has undertaken extensive consultation on the Building Renewal Program, including the proposed Concert Hall, Under the Steps, Creative Learning Centre and Southern Foyers project as summarised in Table 1 below: Stakeholder Consultation Summary Resident Companies: • The Sydney Opera House’s Renewal program governance structure was established in late 2015, which includes: • Monthly senior management meetings with the resident companies, including • Opera Australia • The Australian Ballet • Sydney Symphony Orchestra • Sydney Philharmonic Choirs • Australian Chamber Orchestra • Bangarra Dance Theatre • Bell Shakespeare • Sydney Theatre Company • Quarterly meetings with the CEO of the Opera House and resident company CEOs • The Creative Learning Centre, Under the Steps and Southern Foyers projects have been raised and discussed at the Senior Management Forums throughout 2016. Eminent Architects • The EAP provides advice to the SOHT and management on issues of Panel architecture or design, and in relation to the management and conservation of the building. Four to five formal meetings are held each year. The EAP has been briefed regularly on the Creative Learning Centre, Under the Steps and Southern Foyers, and was involved in the design process. • Current members of the EAP include: • Mr Peter Poulet, Chair (NSW Government Architect) • Mr Jan Utzon • Mr Peter Mould • Mr Ken Maher • Ms Abbie Galvin Conservation Council • The Conservation Council provides advice to the SOHT and management team on conservation and heritage matters. Four to five formal Conservation Council meetings are held each year. It is chaired by an Opera House Trustee, and comprises representatives from key external organisations, heritage and architectural specialists, and a number of management representatives. -
Tree Masterplan - the Rocks and Circular Quay
Tree Masterplan - The Rocks and Circular Quay November 2010 • The Rocks and Circular Quay precinct is divided into 7 sub-precincts based on topography and urban form • The existing situation is presented with specific issues identified and overlay of future vision with explanatory notes • Proposed tree species schedules shown as: - Tree for courtyards, laneways and other small spaces - Trees for the foreshore - Trees for the streets Masterplan Structure 27 Tree Masterplan for The Rocks and Circular Quay Sydney Harbour Foreshore Authority ? ? 6 5 Grosvenor The King George V Memorial Par Place k GLOUCESTER WALK 2 ? GLOUCESTER WALK SUEZ CANAL 4 BAKEHOUSEPL MILL LANE MILL Dawes Cadmans Point Park Cottage Customs Ocers Stairs 1 3 Dawes Point Reserve 7 LEGEND 1 Dawes Point Precinct 2 George Street Precinct 3 West Circular Quay Precinct 4 Core Heritage Precinct 5 Ridge Precinct 6 Southern Precinct 7 East Circular Quay Precinct Precinct Plan 29 Tree Masterplan for The Rocks and Circular Quay Sydney Harbour Foreshore Authority ? Norfolk Island Hibiscus are unobtainable, and are Hills Weeping Fig are badly windswept a health hazard and poor scale to the bridge from exposure EXISTING KEY SPECIES Lp Ar Fh LO W E R Dawes Point Park Lp Ar FORT STREE Lp Lp T Hackberry Hills Weeping Fig Canary Island Date Ar (Celtis australis/ (Ficus hillii) Palm Lp sinensis) (Phoenix canariensis) Pc Fh HICKSON S Ec Pc Pre Ca Ca R LEGEND O Fh A D Ca Tree Species Symbol Colour Fm Celtis australis/sinensis Ca Ficus hillii Fh Pre Phoenix canariensis Pc Other minor species Pc - Eucalyptus cinerea Ec - Ficus macrophylla Fm Er Fh - Ficus rubiginosa Fr Fh Pc - Lagunaria patersonii Lp Fr - Phoenix reclinata Pre - Strelitzia sp. -
Sydney Opera House (SOH) – Attended Construction Noise Measurements – 4Th December 2020
Sydney Opera House (SOH) – Attended Construction Noise Measurements – 4th December 2020 Sydney Opera House Bennelong Point Report Reference: 20164 Sydney Opera House – Attended Construction Noise Measurements – 2020-12-04 - Revision 1 8 December 2020 Project Number: 20164 Version: Revision 1 Sydney Opera House 8 December 2020 Bennelong Point Revision 1 Sydney Opera House (SOH) – Attended Construction Noise Measurements – 4th December 2020 PREPARED BY: Pulse Acoustic Consultancy Pty Ltd ABN 61 614 634 525 Level 5, 73 Walker Street, North Sydney, 2060 Alex Danon Mob: +61 452 578 573 E: [email protected] www.pulseacoustics.com.au This report has been prepared by Pulse Acoustic Consultancy Pty Ltd with all reasonable skill, care and diligence, and taking account of the timescale and resources allocated to it by agreement with the Client. Information reported herein is based on the interpretation of data collected, which has been accepted in good faith as being accurate and valid. This report is for the exclusive use of Sydney Opera House No warranties or guarantees are expressed or should be inferred by any third parties. This report may not be relied upon by other parties without written consent from Pulse Acoustic. Pulse Acoustic disclaims any responsibility to the Client and others in respect of any matters outside the agreed scope of the work. DOCUMENT CONTROL Reference Status Date Prepared Checked Authorised 20164 Sydney Opera House – Attended Construction Final 8th December Alex Danon Alex Danon Matthew Harrison Noise Measurements – 2020-12-04 - Revision 1 2020 Pulse Acoustic Consultancy Pty Ltd Page 2 of 24 Sydney Opera House 8 December 2020 Bennelong Point Revision 1 TABLE OF CONTENTS 1 INTRODUCTION ........................................................................................................................... -
Millers Point Area, Sydney
Uneven Development an opportunity or threat to working class neighbourhoods? A case study of The Millers Point Area, Sydney Cameron Byrne 3 0 9 7 5 4 6 c o n t e n t s list of figures . ii list of tables . iii acknowledgements . iv introduction . 5 Chapter One Millers Point -An Historical Background 13 Chapter Two Recent Development . 23 Chapter Three What’s in a neighbourhood? . 39 Chapter Four Location, Location, Location! . 55 Chapter Five Results, discussion and conclusion . 67 bibliography . 79 appendices list of figures Figure 1: Diagram of the Millers Point locality .......................................................................................... 6 Figure 2: View over Millers Point (Argyle Place and Lower Fort Street) from Observatory Hill............... 14 Figure 3: The village green, 1910 .................................................................................................................. 16 Figure 4: The village green, 2007 .................................................................................................................. 16 Figure 5: Aerial view of Sydney, 1937 ........................................................................................................... 18 Figure 6: Local resident, Beverley Sutton ..................................................................................................... 20 Figure 7: Local resident, Colin Tooher .......................................................................................................... 20 Figure 8: High-rise buildings -
Mobile Mapping Mobile Mapping Mediamatters
media Mobile Mapping matters Space, Cartography and the Digital Amsterdam University clancy wilmott Press Mobile Mapping MediaMatters MediaMatters is an international book series published by Amsterdam University Press on current debates about media technology and its extended practices (cultural, social, political, spatial, aesthetic, artistic). The series focuses on critical analysis and theory, exploring the entanglements of materiality and performativity in ‘old’ and ‘new’ media and seeks contributions that engage with today’s (digital) media culture. For more information about the series see: www.aup.nl Mobile Mapping Space, Cartography and the Digital Clancy Wilmott Amsterdam University Press The publication of this book is made possible by a grant from the European Research Council (ERC) under the European Community’s 7th Framework program (FP7/2007-2013)/ ERC Grant Number: 283464 Cover illustration: Clancy Wilmott Cover design: Suzan Beijer Lay-out: Crius Group, Hulshout isbn 978 94 6298 453 0 e-isbn 978 90 4853 521 7 doi 10.5117/9789462984530 nur 670 © C. Wilmott / Amsterdam University Press B.V., Amsterdam 2020 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents Acknowledgements 7 Part 1 – Maps, Mappers, Mapping 1.