The Pont Neuf, Or New Bridge
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Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
1^/ Cosette, Sif DENIS, WEST& Johwstohi
K , 1 A ^^jVi,{i|k»!u,r}<jii|,i''LMi,ui^if.^fl)''.ii.''., ,' I'' ,^ Li#i'"*r JE4N f AtJEAN. I »v 7 To ba published to |ia<r* Payttj^l^&cli ?a*t » OoMyloto Hov«l, »• '' as ifidlows: 1^/ COSETtE, Sif DENIS, WEST& JOHWSTOHi. -'f 4-41 ••''^^•&: 1= fkS^ .mm}^^> "if^v. alii' i.-r, LES MISERABLES. (THE WRETCHED ) % lokl. BY VICTOR Huao. A NEW TRANSLATION, REVISED. IN FIVE PARTS: I. FANTINE. iri.-,KARIU8. II. COSETTJE. IV. ST. DENIS. V- JEAN YALJEAN. PART V RICHMOND: WEST & JOHNSTON 1864. CONTENTS BOOK FIRST. WAR BETWEEN FOUR. WALLS : PAQB. I.—What can be done in the abyss but to talk... 9 II.—Five less, one more 12 III.-—Marius haggard, Javert laconic... 15 IV.—The situation grows serious .Y 16 V.—The Gunners produce a serious impression.. 19 VI.—Use of that old Poacher Skill, and that Infallible Shot, which in fluenced the Conviction of 1796 21 VII.—Dawn 22 VIII.—The Shot which misses nothing and kills Nobody ^4 IX.—Disorder a Partisan of Order 24 X.—Gleams which pass , ! 27 Xl.^-In which will be found the name«of Enjolras's Mistress 28 XII.—Gavroche outside , 29 XIII.—Mortuus Pater Filium Moriturum Expectat 3J XIV.—The Vulture becomes Prey 38 XV.—Jean Valjean takes his. Revenge 35 XVI.—The Dead are right and the Living are not wrong 37 XVIL—Foot to Foot 41 XVIII,—Orestes fasting and Pylades drunk 43 XIX.—Prisoner 45 BOOK SECOND. TES INTESTINE OF LEVIATHAN : I,—The Earth impoverished by the Sea 47 II.—Future Progress , 50, BOOK THIRD. -
French Department Faculty 33 - 35 French Department Awards 36 - 38 French House Fellows Program 39
Couverture: La Conciergerie et le Pont au Change, Paris TABLE OF CONTENTS Page Course Descriptions 2 - 26 French 350 27 French 360/370 28 - 29 Linguistics and Related Course Descriptions 30 French Advanced Placement Policies & Language Requirements 31 Requirements for the Major 31 The French Cultural Studies Major 31 Maison Française/French House 32 Wellesley-in-Aix 32 French Department Faculty 33 - 35 French Department Awards 36 - 38 French House Fellows Program 39 French Department extensions: Sarah Allahverdi (781) 283-2403 Hélène Bilis x2413 Venita Datta x2414 Sylvaine Egron-Sparrow x2415 Marie-Cecile Ganne-Schiermeier x2412 Scott Gunther x2444 Andrea Levitt x2410 Barry Lydgate, Chair x2404/x2439 Catherine Masson x2417 Codruta Morari x2479 Vicki Mistacco x2406 James Petterson x2423 Anjali Prabhu x2495 Marie-Paule Tranvouez x2975 French House assistantes x2413 Faculty on leave during 2012-2013: Scott Gunther (Spring) Andrea Levitt (Spring) Catherine Masson Vicki Mistacco (Fall) James Petterson (Spring) Please visit us at: http://web.wellesley.edu/web/Acad/French http://www.wellesley.edu/OIS/Aix/index.html http://www.facebook.com/pages/Wellesley-College-French- Department/112088402145775 1 FRENCH 101-102 (Fall & Spring) Beginning French I and II Systematic training in all the language skills, with special emphasis on communication, self- expression and cultural insight. A multimedia course based on the video series French in Action. Classes are supplemented by regular assignments in a variety of video, audio, print and Web-based materials to give students practice using authentic French accurately and expressively. Three class periods a week. Each semester earns 1.0 unit of credit; however, both semesters must be completed satisfactorily to receive credit for either course. -
Fiche Horaires
27 Gare Saint-Lazare Porte d’Ivry e 1 3 Quai Voltaire D. Casanova Comédie Française Quai de Conti Quai des OrfèvresSaint-Germain Gay-Lussac Mairie du Église de la Gare Auriol Quai duQuai Louvre des Orfèvres Vauquelin Darmesteter Quai des Gds Augustins Haussmann 4 Septembre Claude Bernard Tolbiac Havre Auber Opéra Opéra Petits ChampsPyramidesPalais-RoyalMuséeQuai du Louvre FrançoisPont duPont Mitterrand Carrousel desPont Arts desPont Arts NeufPont NeufPt NeufPt St-MichelSaint-MichelSaint-MichelLes ÉcolesLuxembourgSaint-JacquesFeuillantinesBertholletMongeLes GobelinsBanquierPlace d’ItaliePlace d’ItalieLes AlpesNationaleClissonJeannePatay d’Arc OudinéRegnaultMassénaPorte deClaude Vitry Regaud Fiche Horaires R. du Pont R. Bd de Opéra Rue du Louvre Sébastopol Théâtre Notre Rue Scribe Église Notre-Dame Bibli. Bd de Hôpital l’Hôpital Rue de Richelieu de la Ville Dame de la-Gare Nationale Rue Buon Théâtre Q. de Gesvres Rue duBanquier La Pitié-Salpêtrière Gare Saint-Lazare La Seine Jussieu Rue R. du 4 Septembre du Châtelet R.St-Lazare Q. de la Tournelle Bd Saint-Marcel Bd Haussmann#@ Banque Préfecture #@ Comédie Hôtel Rue Jeanne d’Arc Av. de l’Opéra Française de France Neuf de Police Dieu Rue des Petits Champs #@ Rue Jeanne d’Arc Rue Patay Rue Auber R. de la Paix #@ R. Pinel Saint-Germain Rue Paris 3 Clisson #@ Quai de Palais la Mégisserie Q. de Montebello Rue Nationale R. F. Nohain Rue du Fbg Saint - Honoré de Justice Rue Saint - Rue Tronchet Le Monge Bd Masséna Av. Boutroux Rue de Rivoli Arts et Bd des Capucines R. des Pyramides Louvre Henri IV #@ #@ Musée Métiers des Rentiers Rue Q. du Louvre de Cluny Boulevard #@ Honoré D. -
02 Paris Métro Mural 1280X990 1-2016.Indd
ff l s Stations ou gares en correspondance t R H. Barbusse H. HB b R Av.A dud Pdt Symboles utilisés o u l u t R Roosevelt e e u i R Avenue u d a D L u @I s e u t ose a i e n Asnières–Gennevilliers r ie Ligne et station de Métro o y L Saint-Denis s Pontoise a Creil u l La Courneuve R B r n H le u e d e e Hôpital Terminus de ligne n @d v @c© y C e #@ r H a s e A è @O GENNEVILLIERS @O @d m s @H r a @ O A B H D G C Université F n A A 8 Mai 1945 Avicenne COLOMBES ’ Les Courtilles e e o l Ligne et gare de RER d Les Agnettes t v Rue Gabriel Péri b L. P. a Bd A. France Pôle d’échange multimodal, métro, RER, tramway e u RueR A. Briand e d u ns 254 274 Rue Élisée Reclus e os d Rue Félix Faure Mairie 235 238 276 r St-Denis St-Denis 11 253 255 Square r 178 238 366 t 152 173 607 DRANCY G R Parc #@ R. du Landy G Ru de Bois Colombes Le Bus #@ @A @I Rue du Pont Blanc #@ @A es Liaisons urbaines e 304 378 du port Mini-Faculté Abel Mézières 256 268 356 L. Brun Ligned et gare SNCF Pont @o #@ @A@h Pte de Paris* 609 610 Stal R AvenueA de la e J. -
Théâtre Du Châtelet Maintient Depuis 150 Ans Une Tradition D’Excellence Dans Toutes Les Disciplines : Féeries, Opéras, Drames, Ballets, …
Photomontage non contractuel L E THÉÂTRE DU C HÂTELET – 1 3 8 2 M ² P RÉEMPTEZ LA PLUS GRANDE TOILE « MONUMENT HISTORIQUE » DE P ARIS L E THÉÂTRE DU C HÂTELET • Monument emblématique parisien, le théâtre du Châtelet maintient depuis 150 ans une tradition d’excellence dans toutes les disciplines : féeries, opéras, drames, ballets, … • Rendez-vous incontournable du 1er arrondissement de Paris, la place du Châtelet et son théâtre feront rayonner votre marque auprès des jeunes technophiles et hyper- consommateurs. • Situé au cœur du Paris culturel et touristique, ce nouveau dispositif propose trois surfaces d’expression offrant de multiples possibilités créatives. Photomontage non contractuel FORUM DES HALLES MUSÉE DU LOUVRE 37 000 000 VISITEURS PAR AN 7 300 000 VISITEURS PAR AN PONT NEUF A UDIENCE THÉÂTRE DU CHÂTELET LA TOUR SAINT JACQUES M ASSIVE PONT NEUF déplacements mensuels des parisiens(1) sur les axes adjacents. LA CONCIERGERIE THÉÂTRE 5 140 000 dont 2,2 millions de piétons et vélos. 355 000 VISITEURS PAR AN DE LA VILLE CHÂTELET Visibilité multiaxiale permettant une exposition longue et répétée et favorisant SAINTE CHAPELLE la mémorisation du message. 910 000 VISITEURS PAR AN PONT AU CHANGE Emplacement « barre route » pour les automobilistes circulant sur : • le quai de la Mégisserie • l’avenue Victoria • le Pont au Change • le boulevard du Palais PONT NOTRE DAME MARCHÉ AUX FLEURS passagers/mois sur les 625 000 bateaux-mouches(2) CITÉ passagers entrants mensuels à la station de métro Châtelet, l’une des plus fréquentées de 1 100 000 -
Paris Metro Line 7 Map with Stops, Connections And
Via - EUtouring.com Paris Metro line 7 La Courneuve 8 Mai 1945 to Mairie d'Ivry and Villejuif Louis Aragon metro map with station stops, transport connections and p oints of interest helping you discover more of Paris Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Villette Park Pont Levant Place de la Bataille de Stalingrad Square Montholon Freemasonry Museum Palais Garnier Opera House Petit Canon Palais Royal Place du Chatelet Square Henri-Galli Galeries d'Anatomie Paleontologie Gobelins Tapestry Museum and WWI Monument to Mothers Cite des Sciences Museum Belushi's Bar Rotonde de la Villette L'Antre Magique Theatre Cafe de la Paix Louvre des Antiquaires Theatre de la Ville Pavillon de l'Arsenal Museum Grand Serres Greenhouses Workshops Parc Kellerman 7 La Geode Cinema Le Bastringue Canauxrama Cruises Museum of Perfume Fragonard The Louvre Saint-Jacques Tower Republican Guard Museum Emmanuel Fremiet monument Square Rene le Gall Argonaute Submarine Opera Library Museum Arc de Triomphe du Carrousel Theatre du Chatelet Square Barye Arenes de Lutece Roman Arena Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Points of interest Paris Metropolitain System Peniche Demoiselle Bassin de la Villette Point Ephemere -
La Conciergerie, Une Enclave Patrimoniale Au Coeur Du Palais De
DOSSIER THÉMATIQUE 1 L’EDIFICATION DU PALAIS ROYAL PAR LES ROIS CAPETIENS Le palais royal est construit par les rois capétiens progressivement, dans un contexte de réorganisation du royaume et de réaffirmation du pouvoir monarchique. Conciergerie et Sainte-Chapelle sont les seules traces visibles de cette période, mais en fait, comme le souligne l’architecte Christophe Bottineau, les structures architecturales médiévales sont toujours là. LE SITE DU PALAIS ROYAL ET LES PREMIERES CONSTRUCTIONS L’historien Yann Potin rappelle que l’idée d’une continuité du palais de la Cité est discutable. Les plus anciens vestiges, découverts au XIXe siècle, datent en effet du XIIe siècle. La localisation d’un oppidum dans la partie occidentale de l’île, sur le site du palais, est aujourd’hui remise en cause par les archéologues, qui posent l’hypothèse d’une fondation gallo-romaine ex nihilo, à quelques kilomètres de la ville proto historique. Les rares chantiers Le palais royal de Paris, 4e lancette, de fouilles, menés principalement lors des travaux des années 1842- baie XV, Histoire des Reliques. 1898, montrent seulement la présence de demeures privées jusqu’aux IIIe et IVe siècles. La construction d’un palatium, abritant le Tribunal du prétoire et un hébergement occupé temporairement par les empereurs en campagne, est contemporaine de celles de deux ponts et des fortifications (dont un tronçon a été identifié sous la cour du Mai), édifiée lors du repli dans l’île au Bas Empire. Dans les siècles qui suivent, le palais paraît abandonné : les Mérovingiens y séjournaient peut-être, mais les sources mentionnent plutôt une résidence à Cluny ; les Carolingiens s’installent outre-Rhin, laissant probablement l’usage des lieux aux comtes. -
The Lowest Prices of Paris
Free guide -20-20 %% CHÂTEAU DE VINCENNES BUS : All 24 - 27 - 72 - 74 - ONE HOUR monuments 75 - 58 - 67 -70 GUIDED CRUISE DEPARTURE EVERY PARKINGS : of 30 MINUTES * Quai des Orfèvres, VEDETTES Pont-Neuf, Louvre NIGHT LA CONCIERGERIE Paris DEPARTURES Louvre Rivoli / Châtelet DU PONT NEUF from the river WITH SPARKLING Pont Neuf EIFFEL TOWER 20 % Cité / Saint Michel SEINE CRUISE discount Châtelet with your * Depending on the Saint Michel Download cruise ticket season, schedule our app to visit 3 on our website. of the major monuments LE PANTHÉON in Paris FREE UNDER 26YO* Notes VEDETTES DU PONT-NEUF *EXCEPT NON EU MEMBERS Square du Vert-Galant - 75001 Paris Tél. : 33 (0)1 46 33 98 38 Fax : 33 (0)1 43 29 86 19 € w off r 3 e i PARTENAIRES t l y h this f all included! Departure from Paris Fast entry ticket € Audio guide 173708 VERSAILLES€ SHUTTLE 3 shuttles / day - 39 zelda 42 © OFFER VALID AT: LOUVRE AGENCY NOTRE-DAME AGENCY OPERA AGENCY 6, rue de l’Amiral de Coligny 1 er 33, quai des Grands Augustins 6 ème 5, avenue de l’Opéra 1 er www.vedettesdupontneuf.com www.vedettesdupontneuf.com THE LOWEST PRICES OF PARIS 16 the guillotine was settle down here, and 23 THE SAINT-MICHEL BRIDGE this island, but if you take a walk there you PLACE DE exactly 1,119 people were beheaded. Such will discover several beautiful mansions LA CONCORDE Facing you now is the Saint-Michel Bridge, as King Louis the 16th, his wife Queen built under the empire of Napoleon the dating from the 17th century. -
France in Ruins: Paintings by Hubert Robert C.1786-1788
FRANCE IN RUINS: PAINTINGS BY HUBERT ROBERT C.1786 – 1788 by LAUREN LOUISE DUDLEY A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of Art History, Film and Visual Culture School of Languages, Culture, Art History and Music The University of Birmingham November 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major commission for King Louis XVI, the Monuments de France series (1787), which depicts antique ruins in the south of France. The series is compared to Robert’s images of urban demolition projects in eighteenth-century Paris, which are discussed in relation to contemporary discourses relating to architecture, politics, history, hygiene, morality and social changes. The focus paintings of contemporary Paris include L’intérieur de l’Eglise des SS. Innocents, dans le commencement de sa destruction (c.1786-87), La démolition des maisons du Pont Notre-Dame (c.1786) and La démolition des maisons du Pont-au-Change (c.1788). -
France in Ruins: Paintings by Hubert Robert C.1786-1788
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository FRANCE IN RUINS: PAINTINGS BY HUBERT ROBERT C.1786 – 1788 by LAUREN LOUISE DUDLEY A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY Department of Art History, Film and Visual Culture School of Languages, Culture, Art History and Music The University of Birmingham November 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major commission for King Louis XVI, the Monuments de France series (1787), which depicts antique ruins in the south of France. The series is compared to Robert’s images of urban demolition projects in eighteenth-century Paris, which are discussed in relation to contemporary discourses relating to architecture, politics, history, hygiene, morality and social changes. The focus paintings of contemporary Paris include L’intérieur de l’Eglise des SS. -
Paris-In-The-Middle-Ages.Pdf
This walking tour focuses primarily on Middle Ages Paris, but it begins at the beginning, in the place where Paris originated on the Ile de la Cité. The walk ends atop Mount Sainte-Geneviève on the Left Bank. In between, the tour winds through the narrow medieval streets of the Ancient Cloister Quarter on the Ile de la Cité and the Latin Quarter on the Left Bank. It includes Notre- Dame, the Conciergerie and Sainte-Chapelle, three of the the city’s most famous Gothic buildings. The walk also encompasses some less well known but no less interesting places including the church of Saint-Séverin and the Hôtel de Cluny, the former Paris residence of the wealthy abbots of Cluny. It’s now a wonderful Middle Ages museum. Stops at the Sorbonne, at the charmingly eclectic church of Saint-Etienne-du-Mont and at a remnant of Philippe II’s medieval city wall round out the picture of Paris in the Middle Ages. Start: Petit Pont (Métro: Saint-Michel) Finish: Medieval City Wall (Métro: Cardinal Lemoine) Distance: 2 miles Time: 4 - 5 hours Best Days: Wednesday - Monday Copyright © Ann Branston 2011 HISTORY Louis IX, “Saint-Louis” (1226-1270), was known for his religious piety (some Politics and Economics say neuroticism) and charity, as well as for his intolerance and anti-Semitism. He built Sainte-Chapelle for his daily devotions and to house his religious relics. At the beginning of the Middle Ages (around 500 AD) the area known to the Romans as Gaul and known today as France, was a dangerous, ungoverned Philippe IV “The Fair” (1285-1314) rebuilt the French legal structure.