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Espongo Quadri Per Cambiarvi La Vita
COPERTINA COLORI E NOTE James Bradburne guida la Pinacoteca di Brera dal 2015 (nella foto, durante la presentazione del Ritratto del Conte Antonio di Porcia di Tiziano “ospite illustre” del Grattacielo Intesa Sanpaolo) me valorizzare le competenze di ognuno. Mediatore quando comunico al mondo il Espongo quadri museo, quando reintroduco i quadri e i libri del passato in un discorso contempo- raneo di civiltà». Nato nel 1955, cittadino britannico, per cambiarvi la vita Bradburne si appassiona fin da bambi- no ai paesaggi del canadese Lawren Har- ris (1885-1970), studia architettura a Lon- za utopia non si fa la realtà. Scritti sul dra, poi museologia ad Amsterdam e Ber- Il direttore della Pinacoteca vuole portare a termine Museo (1952-1975), edito da Skira, cura- keley. Nel 1986, nel progettare i padiglio- la “Grande Brera” e ha un piano per farlo. Che non si to da Erica Bernardi e ripubblicato gra- ni dell’Esposizione internazionale di Van- zie alla sua tenacia (l’unica edizione Fel- couver, impara a “leggere” il primo bilan- ferma al museo. E punta al cuore dei suoi visitatori trinelli, dopo 40 anni, era ormai intro- cio economico. Colleziona libri antichi, vabile). «Per Russoli – racconta Bradbur- scrive libri per ragazzi e ha una predi- | DI MARINA MOJANA ne – la Grande Brera era un percorso che lezione speciale per un grande telero di incominciava con la chiesa qui a fianco, Gentile e Giovanni Bellini conservato a irettore generale della Pinacoteca to da una squadra efficiente di segre- passava all’Orto, all’Osservatorio e finiva gno, ad esempio, organizzerà il “Ballo di alla musica e alle famiglie, svelando labo- Brera; è La predica di San Marco in una di Brera e della Biblioteca Braiden- tarie, giovani blogger e addette stam- al Teatro alla Scala. -
• Discover the World of Renaissance Patronage & the Ruling Visconti and Sforza Dynasties • We Explore the Great Collec
Discover the world of Renaissance patronage & the ruling Visconti and Sforza dynasties We explore the great collections of important Milanese families from the sixteenth to the twentieth centuries Superbly located hotels in both Milan and Cremona Visit the splendid, undiscovered city of Cremona, with its age-old craft of instrument-making explored, with private recitals Leonardo da Vinci, The Last Supper Milan and Cremona could not be more different in scale and ambience – Milan is the centre of Italy’s mercantile and banking traditions; Cremona is an oasis of musical endeavour, devoted to the finest traditions of craftsmanship. They offer a remarkable juxtaposition in terms of their physical scale and cultural history and are the two most interesting cities in Lombardy. Under the Romans Milan became a major settlement at the centre of a vital road network, eventually capital of the Western Roman Empire and an important Christian centre under St Ambrose. Thereafter, Lombardy, as it came to be known, was occupied by many of the German and other tribes who crossed over the Alps. As the outline of Medieval Italy emerged, Milan became an independent Duchy under the feudal control of the new, Holy Roman Empire, an entity dominated by mostly German dynasties. Cremona’s early history was chequered. Destroyed both by the Romans and Lombards it was later revived as a free commune. Though it fought against its Milanese neighbours, it eventually became a part of the Duchy of Milan, after which it enjoyed several centuries of prosperity. Meanwhile the Visconti Dukes of Milan dominated local affairs and became major patrons of the arts, creating a court of unrivalled wealth and beauty. -
Milan, Italy Faculty Led Learning Abroad Program Fashion and Design Retailing: the Italian Way Led By: Dr
Milan, Italy Faculty Led Learning Abroad Program Fashion and Design Retailing: The Italian Way Led by: Dr. Chiara Colombi & Dr. Marcella Norwood What: 10-Day Study Tour: Milan, Italy (including Florence, Italy) When: Dates: May 22 – 31, 2016 (Between spring and summer terms 2016) Academic Plan: 1. Participate in preparation series during spring 2016 2. Travel & tour 3. Complete written assignments Enrollment: Enroll in HDCS 4398 or GRET 6398 (summer mini session) GPA Requirement: 2.5 (undergraduates); 3.0 (graduates) Scholarships: UH International Education Fee Scholarships 1. $750 (see http://www.uh.edu/learningabroad/scholarships/uh- scholarships/ for eligibility and application details. (graduate students already receiving GTF not eligible for scholarship) Deadline: IEF scholarship applications open January 4, close March 4. http://www.uh.edu/learningabroad/scholarships/uh-scholarships/) 2. $250 tuition rebate for HDCS 4398 (see http://www.uh.edu/learningabroad/scholarships/uh-scholarships/) (not available for GRET 6398 enrollment) To Apply: For Study Tour: To go into the registration, please click on this link (www.worldstridescapstone.org/register ) and you will be taken to the main registration web page. You will then be prompted to enter the University of Houston’s Trip ID: 129687 . Once you enter the Trip ID and requested security characters, click on the ‘Register Now’ box below and you will be taken directly to the site . Review the summary page and click ‘Register’ in the top right corner to enter your information 1 . Note: You are required to accept WorldStrides Capstone programs terms and conditions and click “check-out” before your registration is complete. -
36. Allestimento Della Pietà Rondanini Nel Museo Del Castello Sforzesco a Milano
Gruppo BBPR (Gian Luigi Banfi, Ludovico Barbiano di Belgiojoso, Enrico Peressutti, Ernesto Nathan Rogers) 36. Allestimento della Pietà Rondanini nel Museo del Castello Sforzesco a Milano a. Paolo Monti (Novara, 1908 - Milano, 1982) L’allestimento della Pietà Rondanini dello Studio BBPR nella sala degli Scarioni del Museo del Castello Sforzesco a Milano - sala XV 1956 fotografia, 240 × 180 mm Milano, collezione Alberico di Belgiojoso, foto n. 188 b. Paolo Monti L’allestimento della Pietà Rondanini dello Studio BBPR nella sala degli Scarioni del Museo del Castello Sforzesco a Milano – sala XV 1956 fotografia, 300 × 210 mm Milano, collezione Alberico di Belgiojoso, foto n. 243 c. Studio BBPR Progetto di allestimento. Vista assonometrica ante 1956 riproduzione fotografica del disegno, 220 × 165 mm Milano, collezione Alberico di Belgiojoso d. Studio BBPR Progetto di allestimento. Pianta e sezione ante 1956 riproduzione fotografica del disegno, 250 × 345 mm Milano, collezione Alberico di Belgiojoso Fu Riccardo Bacchelli a scrivere nel 1952 il testo ufficiale di benvenuto per It was Riccardo Bacchelli who wrote in 1952 the official welcome address for la Pietà Rondanini che, dalla collezione romana della famiglia dei conti Sanse- the Pietà Rondanini that arrived in Milan from the Roman collection of the verino Vimercati, giungeva a Milano per trovare poi sistemazione nel Museo family of the counts Sanseverino Vimercati to then find a home at the Museo del Castello Sforzesco. Il testo era incentrato sul valore della scultura ma anche del Castello Sforzesco. The address focused on the sculpture’s value but also sull’importanza di accogliere una così importante opera per una città come Mi- on the importance for a city like Milan – which had emerged from the ruins lano, uscita dalle rovine della guerra e avviata a un’opera di ricostruzione non of war and set out on a project of reconstruction regarding not only the city’s solo edilizia ma anche economica e culturale. -
Paper7 Frommel, Gaiani, Apollonio & Bertacchi Some Reconstruction
SCIentific RESearch and Information Technology Ricerca Scientifica e Tecnologie dell'Informazione Vol 10, Issue 1 (2020), 53-66 e-ISSN 2239-4303, DOI 10.2423/i22394303v10n1p53 Open access article licensed under CC-BY-NC-ND CASPUR-CIBER Publishing, http://www.sciresit.it SOME RECONSTRUCTION HYPOTHESES OF LEONARDO’S PROJECT FOR THE TIBURIO OF THE MILAN CATHEDRAL BY USING 3D DIGITAL MODELS Sabine Frommel*, Fabrizio Ivan Apollonio**, Marco Gaiani**, Gianna Bertacchi** *École Pratique des Hautes Études, Sorbonne - Paris, France **Department of Architecture, Alma Mater Studiorum University of Bologna - Bologna, Italy. Abstract This paper analyses possible interpretations of the unbuilt Leonardo's project for the tiburio of the Milan cathedral, depicted in two sheets of the Codex Atlanticus, using digital tools, mainly 3D modelling techniques. Starting from existing studies and hypothetical reconstructions of Leonardo’s project, exploiting only analogue methods (i.e. 2D drawing techniques), new in- depth analyses are presented. In detail the use of 3D modelling allows a systematic analysis of the possible solutions for the ability to easily reconstruct the plan of each solution investigated starting from the section represented by Leonardo in the Codex Atlanticus. Results lead to multiple interpretative solutions of this complex architecture. Keywords Leonardo da Vinci, Tiburio, Cathedral, Milan, Unbuilt architecture, Virtual reconstruction, 3D modeling. 1. Introduction these two sheets. The information that several other sketches provide regarding this project is The present contribution analyses some also limited. possible reconstructions of Leonardo’s project for Even if these sketches tell us that Leonardo, the tiburio of the Milan cathedral using digital during his entire life, carried out in-depth studies tools, mainly 3D modelling techniques. -
April 22 – May 5, 2022 *Optional Group Air Available 10 Months Prior to Departure
FR. GARY LAZZERONI INVITES YOU ON PILGRIMAGE TO EXPERIENCE Northern Italy MILAN | VENICE | FLORENCE | SIENA | ASSISI | ROME APRIL 22 – MAY 5, 2022 *OPTIONAL GROUP AIR AVAILABLE 10 MONTHS PRIOR TO DEPARTURE 41780 W SIX MILE ROAD, SUITE 1OO, NORTHVILLE, MI 48168 P: 866.468.1420 | F: 313.565.3621 | CTSCENTRAL.NET READY TO SEE THE WORLD? PRICE STARTING AT $5,359 PER PERSON, DOUBLE OCCUPANCY (LAND ONLY) PRICE REFLECTS A $100 PER PERSON EARLY BOOKING SAVINGS FOR DEPOSITS RECEIVED BEFORE JUNE 1, 2021 & A $220 PER PERSON DISCOUNT FOR TOURS PAID ENTIRELY BY CHECK/E-CHECK LEARN MORE & BOOK ONLINE: WWW.CTSCENTRAL.NET/STJOE-LAZZERONI-ITALY-202204 QUESTIONS? VISIT CTSCENTRAL.NET TO BROWSE OUR FAQ’S OR CALL 866.466.2202 TO SPEAK TO A RESERVATIONS SPECIALIST. Day 1: friday, Appril 22 • Depart USA Itinerary Day 9: saturday, april 30 • Assisi Depart USA for Milan, Italy via overnight flights. Celebrate a morning Mass at the Tomb of St. Francis (pending confirmation) Day 2: Saturday, April 23 • Arrive in Milan followed by at our of St. Francis Basilica. Then, enjoy a walking city tour of Assisi Upon arrival in Milan, meet your Italian Tour Director and transfer via deluxe to see the art, architecture and serenity of this Umbrian town. Visit the Church motorcoach to the city center of Milan. Celebrate Mass at the Basilica of St. of St. Clare to see her tomb and the San Damiano Cross. Tour San Rufino Ambrose where the relics of St. Ambrose remain exposed for veneration. Church where St. Francis and St. Clare were both baptized. -
Piero Della Francesca a MILANO
Nelle sale del Museo Poldi Nelle sale della Pinacoteca MUSEO Pezzoli è esposto il San Nicola PINACOTECA di Brera è esposta una delle POLDI PEZZOLI da Tolentino di Piero della DI BRERA opere più celebri di Piero Francesca, unico pannello della Francesca, la Pala di Brera, conservato in Italia della pala ambientata all’interno d’altare eseguita dal maestro di un mirabile spazio di Borgo Sansepolcro per architettonico. La tavola l’altare maggiore della chiesa fu eseguita a Urbino, di Sant’Agostino della sua città. probabilmente fra il 1472 L’esecuzione di questa grande e il 1474 (ma secondo alcuni ancona è documentata in un studiosi la sua realizzazione arco cronologico assai ampio, potrebbe risalire alla metà degli dal 1454, data del contratto anni sessanta), su commissione di commissione, al 1469, di Federico di Montefeltro, quando in una quietanza che vi è raffigurato in veste di pagamento si dichiara di donatore. Si tratta della prima che la tavola è ormai conclusa; pala d’altare unificata realizzata si ritiene tuttavia che sia stata da Piero della Francesca, dipinta in massima parte in uno stile che mostra nella seconda metà degli un’ulteriore evoluzione rispetto anni sessanta. Il San Nicola al Polittico agostiniano, da Tolentino del Museo Poldi in direzione di un’ancora Pezzoli rappresenta quindi maggiore attenzione – ispirata l’ultima pala d’altare eseguita alla pittura fiamminga – alla da Piero a Borgo Sansepolcro, rappresentazione lenticolare in tempi contigui a quelli di ogni dettaglio e alla resa in cui dipinse proprio degli effetti di luce. la Madonna della Misericordia esposta a Palazzo Marino. -
The Italian Highlights Tour
PRICE PER PERSON IN fly & drive DOUBLE OCCUPANCY from EUR 1150.- THE ITALIAN Price per day EUR 115.- Car rental for 10 days from HIGHLIGHTS TOUR EUR 166.- for 2-4 persons 2021 – 2022 10 days/9 nights DEPARTURES ON REQUEST APRIL THROUGH NOVEMBER Discover the jewels of Classic Italy with these itineraries designed so you can enjoy the beauties of Venice, Florence and Rome without leaving behind other Upon request, you can choose any other day of the week to start the program. Please send us an pearls such as Padua, Ferrara, Assisi, Perugia, Naples and Pompeii. E-mail or call us to check your dates for availability. Thus, the order of the excursions DAY 1 (Friday) MILAN /tours can vary depending on it. And if you have a Welcome to Italia!! Our local partner will welcome you at the airport and help you with the group, we will be very happy to send you a special paperwork to get your rented vehicle. Then, start your journey driving to the hotel. You will offer with bus or rental cars. have free time to make the first contact with the “la bella Italia”. Accommodation. INCLUDED SERVICES DAY 2 (Saturday) MILAN • 9 nights in hotels of your choice category 3 ***, 4 **** and/or 5***** After breakfast at the hotel, we will invite you to a 3-hours walking city tour. This tour will bring • 9 breakfasts you into the heart of the city, to discover some extraordinary masterpieces of Italian art and • Local guides in Venice, Florence and Rome. history. You will start with the visit of the symbol of Milan, the Duomo cathedral. -
The National Gallery Immunity from Seizure
THE NATIONAL GALLERY IMMUNITY FROM SEIZURE Lorenzo Lotto Portraits 05 Nov 2018 - 10 Feb 2019 The National Gallery, London, Trafalgar Square, London, WC2N 5DN Immunity from Seizure IMMUNITY FROM SEIZURE Lorenzo Lotto Portraits 05 Nov 2018 - 10 Feb 2019 The National Gallery, London, Trafalgar Square, London, WC2N 5DN The National Gallery is able to provide immunity from seizure under part 6 of the Tribunals, Courts and Enforcement Act 2007. This Act provides protection from seizure for cultural objects from abroad on loan to temporary exhibitions in approved museums and galleries in the UK. The conditions are: The object is usually kept outside the UK It is not owned by a person resident in the UK Its import does not contravene any import regulations It is brought to the UK for public display in a temporary exhibition at a museum or gallery The borrowing museum or gallery is approved under the Act The borrowing museum has published information about the object For further enquiries, please contact [email protected] Protection under the Act is sought for the objects listed in this document, which are intended to form part of the forthcoming exhibition, Lorenzo Lotto Portraits. Copyright Notice: no images from these pages should be reproduced without permission. Immunity from Seizure Lorenzo Lotto Portraits 05 Nov 2018 - 10 Feb 2019 Protection under the Act is sought for the objects listed below: Lorenzo Lotto (about 1480 - 1556/7) © Gemäldegalerie, Staatliche Museen zu Berlin, Preußischer Kulturbesitz / Photo: Jörg P. Anders X9438 Portrait of an Architect c. 1536 Place of manufacture: Venice Oil on canvas Object dimensions: 105 × 82 cm Gemäldegalerie, Staatliche Museen zu Berlin Lender's name and address Gemäldegalerie Gemäldegalerie Matthäikirchplatz 10785 Berlin Germany Provenance: Part of the Giustiniani Collection acquired by Prussian King Friedrich Wilhelm III, 1815. -
Musei Dimilano
iMusei di Milano Museums of Milan Musées de Milan Museos de Milán Milano è una città che sorprende per la ricchezza Musei Musei civici dell’offerta culturale. Museums Civic Museums Musées Musées municipaux Una ricchezza capace di incontrare e soddisfare Museos Museos cívicos le esigenze di chiunque ami la cultura, l’arte e la bellezza. 美術館 市民美術館 La guida che avete tra le mani, realizzata in più lingue, vuole essere una bussola per orientare tutti quelli che vorranno “perdersi” nelle sale dei tanti musei cittadini che Case Museo Case Museo civiche permettono di spaziare attraverso l’archeologia, l’arte, House Museums Public House Museums la multiculturalità, la fotografia, il cinema, la storia, Bâtiments Musée Bâtiments Musée Civiques la scienza, la tecnica, la moda e il design. Casas Museo Casas Cívicas Museo Un sistema, quello dei musei milanesi, costituito da un ハウスミュージアム 市立 ハウスミュージアム insieme estremamente diversificato di luoghi e siti di grande valore artistico e storico. Si tratta di musei civici e spazi gestiti dall'Amministrazione Spazi espositivi Spazi espositivi civici Exhibition venues Civic exhibition venues comunale, oppure da Enti publici, Fondazioni e soggetti Espaces d’exposition Espaces d’exposition municipaux privati che insieme costituiscono un’offerta culturale Espacios expositivos Espacios expositivos cívicos ampia e articolata. 展示 スペース 市民展示 スペース Un patrimonio comune che vuole essere sempre più diffuso ed accessibile. 1 Ubicazione in piantina / Position on plan / Emplacement sur le plan / Ubicación en el plano / Parziale ingresso disabili / Partial entrance for physically disabled / Milan is a city that surprises for the wealth of its cultural Entrée partielle pour handicapés / Ingreso parcial para minusválidos / offer. -
LA SCALA ACADEMY of LYRIC OPERA Academic Years 2021-2023
CALL FOR APPLICATIONS LA SCALA ACADEMY OF LYRIC OPERA academic years 2021-2023 Photo: Mario Wurzburger AT SCHOOL WITH LA SCALA LA SCALA ACADEMY he La Scala Academy provides thorough, in-depth OF LYRIC OPERA training to professional figures involved in the ounded by Riccardo Muti in 1997 under the artistic performing arts through its four departments: T direction of Leyla Gencer (and later of her successors Music, Dance, Stagecraft, Management. Its broad FMirella Freni and Renato Bruson), the La Scala Academy curriculum ranges from basic and core training courses of Lyric Opera carries forward the legacy of the “Cadetti to specialization courses and professional workshops. della Scala” school instituted in 1950 by Arturo Toscanini to The highest level of instruction is ensured by Teatro conserve and transmit the Italian operatic tradition to the alla Scala professionals, acclaimed performers, and new generations. renowned experts in the performing arts. The Academy provides young opera singers with a solid The teaching method derives from the philosophy of background in voice and music, honing their technical and learning by doing and prepares students for their future interpretive skills in a two-year program to prepare them for career through intense daily exposure to the performing a successful professional career. arts in a real world context. The teaching staff is composed of artists of the highest caliber who are able to transmit their stage experience to the students. They are led by Luciana D’Intino, head instructor, in charge of vocal and interpretive technique. Among her colleagues are the opera coaches Vincenzo Scalera, Umberto FOUNDING PARTNERS Finazzi, James Vaughan, Nelson Guido Calzi, and Michele D’Elia for role studies, and the director Marina Bianchi, who teaches stage arts. -
Orari E Percorsi Della Linea Metro M1
Orari e mappe della linea metro M1 Sesto F.S. - Rho Fiera / Bisceglie Visualizza In Una Pagina Web La linea metro M1 (Sesto F.S. - Rho Fiera / Bisceglie) ha 2 percorsi. Durante la settimana è operativa: (1) Rho Fiera/Bisceglie: 00:03 - 23:54 (2) Sesto F.S.: 00:11 - 23:57 Usa Moovit per trovare le fermate della linea metro M1 più vicine a te e scoprire quando passerà il prossimo mezzo della linea metro M1 Direzione: Rho Fiera/Bisceglie Orari della linea metro M1 31 fermate Orari di partenza verso Rho Fiera/Bisceglie: VISUALIZZA GLI ORARI DELLA LINEA lunedì 00:03 - 23:54 martedì 00:03 - 23:54 Sesto 1° Maggio FS 269 Viale Antonio Gramsci, Cinisello Balsamo mercoledì 00:03 - 23:54 Sesto Rondò giovedì 00:03 - 23:54 Piazza 4 Novembre, Cinisello Balsamo venerdì 00:03 - 23:54 Sesto Marelli sabato 00:03 - 23:54 Viale Tommaso Edison, Milano domenica 00:03 - 23:54 Villa S.G. 315 Viale Monza, Milano Precotto 220 Viale Monza, Milano Informazioni sulla linea metro M1 Direzione: Rho Fiera/Bisceglie Gorla Fermate: 31 158 Viale Monza, Milano Durata del tragitto: 37 min La linea in sintesi: Sesto 1° Maggio FS, Sesto Rondò, Turro Sesto Marelli, Villa S.G., Precotto, Gorla, Turro, 116 Viale Monza, Milano Rovereto, Pasteur, Loreto, Lima, P.ta Venezia, Palestro, San Babila, Duomo, Cordusio, Cairoli, Rovereto Cadorna FN, Conciliazione, Pagano, Buonarroti, 93 Viale Monza, Milano Amendola, Lotto, Qt8, Lampugnano, Uruguay, Bonola, S. Leonardo, Molino Dorino, Pero, Rho Fiera Pasteur Viale Monza, Milano Loreto Corso Buenos Aires, Milano Lima 1 Piazza Lima, Milano P.ta Venezia 1 Corso Buenos Aires, Milano Palestro 53 Corso Venezia, Milano San Babila 4 Piazza San Babila, Milano Duomo Cordusio Piazza Cordusio, Milano Cairoli Largo Cairoli, Milano Cadorna FN Piazzale Luigi Cadorna, Milano Conciliazione Piazza della Conciliazione, Milano Pagano Via Giorgio Pallavicino, Milano Buonarroti Piazza Michelangelo Buonarroti, Milano Amendola 5 Piazza Giovanni Amendola, Milano Lotto Piazzale Lorenzo Lotto, Milano Qt8 Piazza Santa Maria Nascente, Milano Lampugnano Uruguay Bonola S.