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Taining to Kansas in the Civil War
5' 4 THE EMPORIA STATE TflE GRADUATE PUBLICATION OF THE KANSAS STATE TEACHERS COLLEGE, EMPORIA . Selected, Annotated Bibliography of Sources gin the Kansas State Historical Society Per- taining to Kansas in the Civil War QuankSs mid on Lawrence, August 21, 1863 (Kansas State Historical Society) J 4' .I.-' -.- a. By Eugene Donald Decker KANSAS STATE TEACHERS COLLEGE EMPORIA, KANSAS A Selected, Annotated Bibliography of Sources ili the Kansas State Historical Society Pertaining to Kansas in the Civil War By Eugene Donald Decker <- VOLUME 9 JUNE 1961 NUMBER 4 THE EMPORIA STATE RESEARCH STUDIES is published in September, Dwember, March and June of each year by the Graduate Division of the Kansas State Teachers College, 1200 Commercial St., Emporia, Kansas. En- tered as second-class matter September 16, 1952, at the post office at Em- poria, Kansas, under the act of August 24, 1912. Postage paid at Emporia, Kansas. KANSAS STATE TEACHERS COLLEGE EMPORIA . KANSAS JOHN E. KING President of the College THE GRADUATE DIVISION LAURENCEC. BOYLAN,Dean EDITORIAL BOARD TEDI?. ANDREWS,Professor of Biology and Head of Department WILLIAMH. SEILER,Professor of Social Scknce and Chairman of Division CHARLESE. WALTON,Professor of English GREEND. WYRICK,Associate Professor of English Editor of this issue: WILLIAMH. SEILER This publication is a continuation of Studies in Educa.tion published by the Graduate Division from 1930 to 1945. Papers published in this periodical are writ'ten by faculty members of the Kansas State Teachers College of Ernporia and by either undergraduate or graduabe students whose studies are conducted in residence under the super- vision of a faculty m,ember of the college. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 02-25-2019 Grit 2/25 Mon 2/26 Tue 2/27 Wed 2/28 Thu 3/1 Fri 3/2 Sat 3/3 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: Raw Edge Movie: The Fastest Gun Alive 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1956 TV-PG V; 1956 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- Movie: Tomahawk Movie: The Sheepman 08:00A 08:30A ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- TV-PG L, V; 1951 TV-PG V; 1958 08:30A CC CC 09:00A ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of -
Spirit of Cotton' Color Bar to End Formally in Sept
<;'.N c , ’.tototo- ■-ri. ¡••A-r P ■•.-toy _ - i- ' 'i? ■■ g I . ... i. WILL REIGN AS JUBILEE ROYALTY WEEK-END EDITION ' ¡'to“; •; Speech Of -toï-.X ■■ e ■■ ■ '1 Cong.Dawson h- .. ; ».»■ . «i- -.’r'ij WASHINGTON, D. C. — (NNPA) 1 tofÄto&Ä — In a letter to his constituents. Representative Sidney R. Yates, De 0— g '•n- 5-^3 mocrat. of Illinois, highly praised ii Í A ME B.ICA*S STAN BAR.D R.ACE a ov ' ' ' i'vi the speech of Representative Wil liam -L. Dawson opposing the Win stead organization amendment Í VOLUME 19, NUMBER 89 i MEMPHIS, TENNESSEE, FRIDAY, APRIL 27, 1951 PRICE SIX CENTS si y ... ’ .*• ' : which the House knocked out of ' 'e tototoi the dralt-Universal Military Train i ing bill before approving that mea- iÿ-v 7': »'’V ■ i|, sure last April 13. .W.. 7»' The Winstead amendment, au 5 .-’-Z li thored by Representative Arthur VS . Winstead, Democrat, of Mississippi, ;<< I would have given inductees into the 77; armed services the right to choose K to serve only in segregated units. ;X '«r-X 1 “For sheer drama and deep emo ■ ■■ tional Impact, there have been few moments in the House of Represen tatives to compare with that created & by the speech made last Thursday (April 13)’’ by Mr. Dawson, a fel low Chicagoan, Mr. Yates said. Children's Bureau Seeking Homes For He told his constituents that the Kyle, Bearden Switched; House had been debating the draft- Fisk Receives ÿ >•3 TJMT bill for over a week and had Cute Little "Tykes" Like This One under consideration the amendment Fountain Commissioned 7 offered by Representative Melvin Price, Democrat, also of Illinois, to ATLANTA, GEORGIA. -
Ten Films That Audie Murphy Never Made by Club Member Bill Russo of Stoughton, Massachusetts
April, 1996 Dear Audie fans, Welcome to our second newsletter of 1996. Because of the abundance of articles for this issue, I shall skip the normal formalities and go directly to the materials at hand. *********************************************************************** Ten Films That Audie Murphy Never Made By club member Bill Russo of Stoughton, Massachusetts Actors often pass on movies, or find scheduling conflicts that prevent them from making important movies that might have changed the direction of their careers. In Audie Murphy’s case the missed opportunities are particularly wrenching because Audie so desperately needed a first-class hit, especially late in his movie career. Here is a list of the films that should be wonderful additions to the Audie Murphy pantheon, but now they must stand just as sad examples of what might have been. * BACK FROM HELL. This was meant to be the sequel to his autobiography. With a focus on his later years in Hollywood and his post-trauma stress, production under Desi Arnaz suffered from decisions about whether Murphy could be presented as a victim. In one script version Murphy would help an alcoholic, stressed veteran to adjust to life after the War. Audie’s friend threatened to sue if they filmed such a false story; Audie had always been unhappy with the unsanitized version of To Hell and Back. No one wanted to film a story about the real Audie Murphy and his difficult personal problems. Unable to settle on a focus, the idea for the movie languished for years, regularly reported by tabloids as a possibility, but it never happened. -
A U D I E M U R P
A U D I E M U R P H Y C H R O N O L O G I C A L B I B L I O G R A P H Y Compiled by Stan Smith, Editor (Retired), Audie Murphy National Fan Club DALLAS MORNING NEWS. May 2, 1945. Section II, Page 5. Fighting Texas Wins Top Army Decoration THE THIRD DIVISION - FRONT LINE Newspaper. May 26, 1945. Munich, Germany. Vol. 1, No. 32. Pp. 1, 4. Murphy Equals Britt's Record of Every Medal HOUSTON CHRONICLE. June 3, 1945. Texas Lieutenant Is One of Two Most Decorated Men in U.S. Army THE NEW YORK TIMES. June 3, 1945. Lt. Murphy of Texas Wins Two New Honors, Tying for Most Decorated in the Army ^^^ THE GREENVILLE MORNING HERALD. June 8, 1945. When Murphy Comes Home Farmersville To Celebrate THE GREENVILLE MORNING HERALD. June 9, 1945. Celeste Awaits Return Lt. Murphy THE GREENVILLE MORNING HERALD. June 9, 1945. Pp. 1, 6. Farmersville Is Planning To Give Hero Big Welcome DALLAS MORNING NEWS. June 13, (16?) 1945 “Little Town Shows Big Stuff For 20-Year-Old Quiet Hero” By Lois Sager. Cover & Page 2 THE DAILY TIMES HERALD (Dallas, TX.) June 14, 1945. Page 1 & 3. “Farmersville Ready to Give Lieut. Murphy Welcome Fit for Hero” By Bishop Clements THE DALLAS MORNING NEWS. June 14, 1945. Pp. 1, 3. “Home -Front Support to Hasten Victory Over Japs, Eaker says” By Barry Bishop THE DALLAS MORNING NEWS. June 14, 1945. Pp. 1, 6. “300,000 Extend Wild Welcome To Heroes Returning From War” By Barry Bishop THE GREENVILLE MORNING HERALD. -
Der US-Amerikanische Western in Den Deutschen Kinos (1933-1960): Eine Filmografie 2011
Repositorium für die Medienwissenschaft Jonas Wegerer Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie 2011 https://doi.org/10.25969/mediarep/12759 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wegerer, Jonas: Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 128). DOI: https://doi.org/10.25969/mediarep/12759. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0128_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 128, 2011: Western. Redaktion und Copyright dieser Ausgabe: Jonas Wegerer. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0128_11.html Letzte Änderung: 13.9.2011. Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie Zusammengestellt von Jonas Wegerer Liste 1: Zwischen 1949 und 1960 in deutschen Kinos 1960 sind mehr als 650 Western erstaufgeführt wor- erstaufgeführte amerikanische Western den, fast ein neuer Western pro Woche. Liste 2: Zwischen 1933 und 1940 in deutschen Kinos erstaufgeführte amerikanische Western In Liste 1 sind alle Western, die zwischen 1945 und 1960 in den deutschen Kinos erstaufgeführt wurden, mit deutschem Verleihtitel, Datum der Erstauffüh- rung und Originaltitel und Produktionsjahr, verzeich- Der Western, das „amerikanische Genre par excel- net. -
The Ingham County News
', ~ .~ 3 Sections THE INGHAM COUNTY NEWS 24 Pages --~Ntlin~e;ty;..~fi~ra;t,Y~e~a~~-::~N~o.~2~9~-------~------------------------------~------~MUAVS~O~N~,1M~IC~tiiiiKG~A~N~,:TnHHUURRSSDDAA~Y~,jJUULL~Y~lU9~,}19ms~1~-------------------------------------11 j@h~R~IN~G~P~OiR~T~;;~~ YOUNGSTERS ~~E .CITY SIGHTS SprlngpOI't Blndory Mayor Names Bathing Party '·4- ·- - ~ .. J Boys· and Girls Ride Train, ' AIIen Regains Three mnln n:l trl!ctlonR ltll'cd 4001 Wednesday mOl'nlng. It b1•ought Study Group Inghlfm 4-rf boys . nnd glrla nnrl Its load bncl> ngnln Wednc~clay lcndera · ·lo Detrqlt . Wednesrlny. evening, renehlng Leslie n t 7::10, Ends in Death The.v WCI'c the tl•tlln •·Ide, the De. Mason at 7:45 nnd Lansing at 8:00, Seat on Leslie lrolt 'l,gers llllrl GJ•eenflcld Village, Upqn an·Jvnl in Dcli'Oit tho Ma- On Tax Va.lues The oxcui'Blon tmln m11de slops son yollngstera nnri lcaderR wont. at Lansing, Ma~on and Lcnlle early to Grecnflelrl VIllage. Elarly In the For GI' s Wife Five-Mnn Committee Will afternoon most of the boyfl and n School Board Study Property Vnluntionn, lnt of the girls went to Reo tho OfficerB Continue Probe Tigers play the Phllndelphln Ath- Repm·t Will Go to Council Census Ch ec k Ie tics, Howcvm·, thel'e were others Of Gravel Pit Drowning Dwight Henderson Loses who vlsllerl Dett·olt atoms and look Near Lansing Wednesday Because of Faulty Stickers Mnyor C, H, Hnll nHlncd ,, ell!- In downtown shows. ' Used at School Election zen's committee Monrlny night to r TllO Ingham lOUI'IRlR f!RI'l'led Mrs. -
Jesse James and American History in Motion Pictures Clinton S
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2000 Seeing the Past: Jesse James and American History in Motion Pictures Clinton S. Loftin Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, and the Film and Media Studies Commons Recommended Citation Loftin, Clinton S., "Seeing the Past: Jesse James and American History in Motion Pictures" (2000). Electronic Theses and Dissertations. 206. http://digitalcommons.library.umaine.edu/etd/206 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. SEEING THE PAST: JESSE JAMES AND AMERICAN HISTORY IN MOTION PICTURES By Clinton Scott Loftin Thesis Advisor: Dr. Nathan Godfried An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in History) May, 2000 Historically-based films often reveal more about the time in which they were made than about their historical subjects. Three motion pictures about Jesse James made in three very different eras reveal more about contemporary history than they do about the facts surrounding the legendary outlaw’s life. While each film, in some way, purports to tell the “true” story of Jesse James’ life, each offers a different history of that life. In order to understand the reasons for this it is necessary to examine the events that surrounded the making of each picture. More specifically, there are four major forces that must be examined in order to understand Jesse James’ transformation in the three pictures: the socio-political environment at the time each film was made, the state of the motion picture industry, developments within the genre to which the films belong (the Western), and the unique contributions of individual filmmakers. -
Reel Wars: Cold War, Civil Rights and Hollywood's
REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins M. Phil. 2006 . HESISfc tc o:> COL g REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy March 2006 ACKNOWLEDGEMENTS I would like to thank my supervisors, Andrew Dawson, for his patient encouragement and for gently keeping me focused, and Michael Zell, for his very pertinent comments, also the library staff at Greenwich who have always been most helpful. My thanks, too, to my son Dan and my friends May Clarke and Jim Murray for struggling through a rather large first draft and Alan Rose for his help in obtaining many of the films on video. Also, my sister Tessa, for her proof reading, and Jacob Veale for his computer expertise. Finally, my partner Sarah for her continual encouragement and support and my daughters Hannah and Esther, who accepted that 'Dad was doing his thing.' in ABSTRACT This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted through Hollywood's representation of the American Civil War - a powerful event in American memory which still resonates today. Civil War films have been the subject of study by film studies specialists and historians but they have concentrated on the early years highlighting the iconic films The Birth of a Nation (1915) and Gone with the Wind (1939). -
The Movie Heroism of Audie Murphy
New Mexico Historical Review Volume 61 Number 4 Article 5 10-1-1986 The Kid from Texas: The Movie Heroism of Audie Murphy John H. Lenihan Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Lenihan, John H.. "The Kid from Texas: The Movie Heroism of Audie Murphy." New Mexico Historical Review 61, 4 (1986). https://digitalrepository.unm.edu/nmhr/vol61/iss4/5 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. The Kid from Texas: The Movie Heroism of Audie Murphy JOHN H. LENIHAN The title The Kid from Texas may have had little to do with the subject of Universal-International's 1950 film about New Mexico's Billy the Kid, but it was the perfect introduction for Universal's prospective young star from Texas, Audie Murphy. Born in Hunt County, Texas in 1924, Audie Murphy would be the only Western film star in the 1950s and 1960s whose geographic origins (Texas and the Southwest) matched those of the cinematic West. Yet unlike Tom Mix, Buck Jones, and several other Western greats, Murphy's background was anything but that of the ro mantic cowboy. His youth recalled more the world of John Steinbeck's Grapes of Wrath complete with poverty, sharecropping, and an unstable family life. World War II provided the occasion for his sudden rise from. poverty and obscurity just as the war brought affluence for the nation as a whole. -
Williamburg Film Festival
Vol. 5, No. 4 October, 1999 SMALL WORLD by club member Beatrice Castaneda of Alvin, Texas I had been meaning to ask my uncle if he knew Audie Murphy since July of 1998 when I first heard about Audie on AMC cable. But I put it off thinking there was no way because my uncle served in the Pacific and Audie fought against the Germans. Well, when I got back from the Audie Murphy Days trip to Greenville my sister called. She had asked my uncle, who's name is Able, to sign the stamp petition and he refused. According to my sister he got angry and said “Yes, I knew Audie Murphy. Doggone him, he was always stealing my coats.” He refused to sign the petition. It was hard to believe because my uncle is the kindest man imaginable and would never lie about anything like that. Well, my daughter and I just returned from a trip to my uncle's house and this is the story. He met Audie at a hospital in Topeka KS where he was working as a medic. He was a private. He said it gets very cold in Kansas and, my uncle had several army issue fuzzy coats but the one that he liked most was one that he bought and paid for himself. It was a better quality coat with a band or belt across the chest. He said everybody borrowed that coat from him and Audie was the last one to borrow it and did not return it before he “went off to Washington”.