Sergeant Audie Murphy Club Study Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Soldier's Bible'
www.flw-guidon.com INSIDE Volume 7, Number 34 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, August 25, 2005 IMA Northwest Region director visits installation Soldier’s Bible Use of DA symbol on military editions of Christian scriptures pos es possible First Amendment violation. See Page 7A Photo by Shatara Seymour Simulator test Left, Mike Keeling, DPW chief of operations, discusses the construction work taking place at Building 319 with Gen. Peter Schoomaker, Army chief of While here, Schoomaker spoke with Randall Robinson, IMA NW Region director, and Col. J.C. staff, operates the Six Degree of Fort Leonard Wood key leaders and pre Abney, Garrison Commander. Background, Sue Halter, Freedom Simulator at the Joint Tactical sented the Meritorious Service Medal deputy Garrison commander, joins the group. Vehicle Simulation Facility during his to Sgt. 1st Class Christopher Beat the Heat visit to Fort Leonard Wood, Friday. Trouszkowski, 701st Military Police Story and photo by Pat Shields The ASMC is a not-for-profit Schoomaker came to Fort Leonard Battalion, Protective Services Unit, for GUIDON staff organization for all personnel in Bruce C. Clarke Wood for a Maneuver Support distinguishing himself by outstanding volved in professions of financial Library’s summer read Center overview and to observe training non-combative service as a part Randall Robinson, Northwest management in the Department of ing program ends. at the Mounted Operations on Urban Schoomaker’s protective services team. Region Installation Management Defense. Terrain Site, JTVSF and to view a mine See next week’s GUIDON for the full Agency director, visited Fort Comptrollership includes ac See Page 1B dog search demonstration. -
Third Division World War II Vol One.Pdf
THIRD INFANTRY DIVISION THE VICTORY PATH THROUGH FRANCE AND GERMANY VOLUME ONE 'IVG. WILLIAM MOHR THE VICTORY PATH THROUGH FRANCE AND GERMANY THIRD INFANTRY DIVISION - WORLD WAR II VOLUME ONE A PICTORIAL ACCOUNT BY G. WILLIAM MOHR ABOUT THE COVER There is nothing in front of the Infantry in battle except the enemy. The Infantry leads the way to attack and bears the brunt of the enemy's attack. The primary purpose of the Infan try is to close with the enemy in hand-to-hand fighting. On the side of a house, tommy gunners of this Infantry patrol, 1st Special Service Froce Patrol, one of the many patrols that made possible the present offensive in Italy by feeling out the enemy and discovering his defensive strength, fire from the window of an adjoining building to blast Nazis out. The scene is 400 yards from the enemy lines in the Anzio area, Italy. Fifth Army, 14 April, 1944. The 3rd Infantry Division suffered 27,450 casualties and 4,922 were killed in action. 2 - Yellow Beach, Southern France, August, 1944 3 - Marseilles, France, August, 1944 4 - Montelimar, France, August, 1944 5 - Cavailair, France, August, 1944 6 - Avignon, France, August, 1944 7 - Lacroix, France, August, 1944 8 - Brignolles, France, August, 1944 9 -Aix-En-Provence, France, August, 1944 12 - St. Loup, France, August, 1944 13 - La Coucounde, France, August, 1944 14 - Les Loges Neut, France, August, 1944 15 - Besancon, France, September, 1944 18 - Loue River, Ornans, France, September, 1944 19 - Avonne, France, Septem&er, 1944 20 - Lons Le Sounier, France, September, 1944 21 - Les Belles-Baroques, France, September, 1944 22 - St. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Audie Murphy: the Last American War Hero Gene Klann
AUDIE MURPHY: THE LAST AMERICAN WAR HERO GENE KLANN San Antonio, Texas, is the proud home of several unique sites of interest for the military historian and collector. These include the legendary Alamo, idyllic Fort Sam Houston, the historic air- craft display at Lackland Air Force Base, and, of course, the Audie Murphy Memorial Room and Statue. The Memorial Room and Statue are located on the grounds of the Audie Murphy Veterans Administration Hospital. This hospital is one of the V.A.’s largest and at the time of its 1973 dedication was the only one to bear the name of a veteran. The Memorial Room has several detailed and attractive displays depicting Audie Murphy’s civilian and military careers. Of spe- cial interest are those which include Audie’s military uniforms, weapons, German war trophies, award documents, and his medals (several of which are named). AUDIE MURPHY’S BLOUSE WITH ACCOUTERMENTS, INCLUDING HIS MEDAL OF HONOR (Photo taken in the Audie Murphy Memorial Room by the author) I0 According to letters and inscriptions in this small but extremely fascinating museum, Audie Leon Murphy was "the best soldier there ever was’’I and "the most decorated serviceman in the history of the United States of America."2 These complimentary descriptions adequately summarize the high regard in which Audie was held by his comrades and the American public after World War II. The Audie Murphy story is yet another of the American dream come true. From an impoverished rural Texas background, Audie became the most decorated American combat soldier of World War II. -
Taining to Kansas in the Civil War
5' 4 THE EMPORIA STATE TflE GRADUATE PUBLICATION OF THE KANSAS STATE TEACHERS COLLEGE, EMPORIA . Selected, Annotated Bibliography of Sources gin the Kansas State Historical Society Per- taining to Kansas in the Civil War QuankSs mid on Lawrence, August 21, 1863 (Kansas State Historical Society) J 4' .I.-' -.- a. By Eugene Donald Decker KANSAS STATE TEACHERS COLLEGE EMPORIA, KANSAS A Selected, Annotated Bibliography of Sources ili the Kansas State Historical Society Pertaining to Kansas in the Civil War By Eugene Donald Decker <- VOLUME 9 JUNE 1961 NUMBER 4 THE EMPORIA STATE RESEARCH STUDIES is published in September, Dwember, March and June of each year by the Graduate Division of the Kansas State Teachers College, 1200 Commercial St., Emporia, Kansas. En- tered as second-class matter September 16, 1952, at the post office at Em- poria, Kansas, under the act of August 24, 1912. Postage paid at Emporia, Kansas. KANSAS STATE TEACHERS COLLEGE EMPORIA . KANSAS JOHN E. KING President of the College THE GRADUATE DIVISION LAURENCEC. BOYLAN,Dean EDITORIAL BOARD TEDI?. ANDREWS,Professor of Biology and Head of Department WILLIAMH. SEILER,Professor of Social Scknce and Chairman of Division CHARLESE. WALTON,Professor of English GREEND. WYRICK,Associate Professor of English Editor of this issue: WILLIAMH. SEILER This publication is a continuation of Studies in Educa.tion published by the Graduate Division from 1930 to 1945. Papers published in this periodical are writ'ten by faculty members of the Kansas State Teachers College of Ernporia and by either undergraduate or graduabe students whose studies are conducted in residence under the super- vision of a faculty m,ember of the college. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
January 26, 1996 Dear Audie Supporter, Welcome to the First Newsletter of Our Second Year of Operation. Looking Back to Last
January 26, 1996 Dear Audie Supporter, Welcome to the first newsletter of our second year of operation. Looking back to last year, we are pleased with the progress made in the growth of our club. Our membership has gradually and consistently increased. We hope that more of you will take an active role in supporting the club with written articles, suggestions, comments and general feedback. We urge the membership to take full advantage of our classified format. ************************************************************************** Dr. Buddy Patterson, Director of the Harold B. Simpson Confederate Research Center at Hill College in Hillsboro, Texas has notified me of exciting news. Hill College has received a gift to build a new library. The area currently occupied by the library will be made available for use by the History Complex for expansion. The preliminary plan will move the Audie Murphy Museum Collection into the new space. The Confederate Research Center will expand into the six rooms it currently occupies. The new library will take at least a year to complete after which the former library will need to be remodeled. Also, Hill College has received a grant from the Summerlee Foundation to fund a part time position on the History Complex staff. The grant is for three years and may be extended on a year to year basis. Dr. Odie Faulk of Temple, Texas has been hired to fill this position. Dr. Faulk is a retired professor of history who has published over 40 books. He will manage their archival material to make sure that it is used safely and he will encourage the publication of scholarly work. -
The Museum of Modern Art Department of Film
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art . -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 02-25-2019 Grit 2/25 Mon 2/26 Tue 2/27 Wed 2/28 Thu 3/1 Fri 3/2 Sat 3/3 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: Raw Edge Movie: The Fastest Gun Alive 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1956 TV-PG V; 1956 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- The Life And Legend Of Wyatt Earp: TV- Movie: Tomahawk Movie: The Sheepman 08:00A 08:30A ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of Wyatt Earp: TV- TV-PG L, V; 1951 TV-PG V; 1958 08:30A CC CC 09:00A ThePG V;Life CC And Legend Of Wyatt Earp: TV- ThePG V;Life CC And Legend Of