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Race, Riots, and Public Space in Harlem, 1900-1935
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-9-2017 The Breath Seekers: Race, Riots, and Public Space in Harlem, 1900-1935 Allyson Compton CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/166 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Breath Seekers: Race, Riots, and Public Space in Harlem, 1900-1935 by Allyson Compton Submitted in partial fulfillment of the requirements for the degree of Master of Arts in History, Hunter College The City University of New York 2017 Thesis Sponsor: April 10, 2017 Kellie Carter Jackson Date Signature April 10, 2017 Jonathan Rosenberg Date Signature of Second Reader Table of Contents Introduction ..................................................................................................................... 1 Chapter 1: Public Space and the Genesis of Black Harlem ................................................. 7 Defining Public Space ................................................................................................... 7 Defining Race Riot ....................................................................................................... 9 Why Harlem? ............................................................................................................. 10 Chapter 2: Setting -
Where Stars Are Born and Legends Are Made™
Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill. -
Morningside Heights Upper West Side Central Park
Neighborhood Map ¯ Manhattanville Salem United 601 Junior High School 499 431 429 401 305 299 Methodist Church 199 101 99 1 555 W 129 Street W 129 Street W 129 Street W 129 Street Harlem Village Manhattanville National Jazz Museum Green 556 Health Center St. Nicholas in Harlem Edward P. Bowman 2168 3219 Sheltering Arms 30 29 25 Park 368 369 Broadway 601 2401 2406 Amsterdam Bus Depot 2094 3200 Playground Park Rev. Linnette C. Williamson Metropolitan Church of Memorial Park St. Nicholas Baptist Church Jesus Christ of Collyer Brothers 401 Unity Park 12 439 399 301 Playground South 101 Latter-day Saints Park W 126 Street 567 11 St. Nicholas Houses Amsterdam Avenue Amsterdam W 128 Street W 128 Street W 128 Street Convent Avenue St. Nicholas Avenue Old Broadway Blvd Douglass Frederick 559 M2 1361 14 LTD M2 3181 M3 499 M10 LTD 5 6 Maysles 2066 M3 M10 348 M2 Documentary 2160 M2 St. Andrew’s 1 Center 125 St Bx15 Episcopal Church M104 M101 299 201 W 125 StreetBx15 LTD 401 399 363 357 349 301 199 101 99 1 LTD Terrace Nicholas St. M101 W 127 Street W 127 Street W 127 Street M11 LTD Bx15 M100 M104 Bx15 M101 439 LTD M11 04 1 501 M100 M M101 M7 M104 M104 M102 M7 167 166 327 332 2130 2133 2358 2359 Clayton M102 2050 George Bruce 499 3170 William B. Williams 8 Avenue 8 Library Avenue 5 Washington Community Avenue Lenox 401 399 349 Garden Garden 299 201 199 101 99 1 Malcolm X Boulevard W 126 Street W 126 Street W 126 Street Broadway General Grant Houses Adam Clayton Powell, Jr. -
LEGEND Location of Facilities on NOAA/NYSDOT Mapping
(! Case 10-T-0139 Hearing Exhibit 2 Page 45 of 50 St. Paul's Episcopal Church and Rectory Downtown Ossining Historic District Highland Cottage (Squire House) Rockland Lake (!304 Old Croton Aqueduct Stevens, H.R., House inholding All Saints Episcopal Church Complex (Church) Jug Tavern All Saints Episcopal Church (Rectory/Old Parish Hall) (!305 Hook Mountain Rockland Lake Scarborough Historic District (!306 LEGEND Nyack Beach Underwater Route Rockefeller Park Preserve Rockefeller Park Preserve Rockefeller Park Preserve CP Railroad ROW Rockefeller Park Preserve Rockefeller Park Preserve CSX Railroad ROW Rockefeller Park Preserve (!307 Rockefeller Park Preserve Rockefeller Park Preserve NYS Canal System, Underground (! Rockefeller Park Preserve Milepost Rockefeller Park Preserve Rockefeller Park Preserve Rockefeller Park Preserve )" Sherman Creek Substation Rockefeller Park Preserve Rockefeller Park Preserve Methodist Episcopal Church at Nyack *# Yonkers Converter Station Rockefeller Park Preserve Upper Nyack Firehouse ^ Mine Rockefeller Park Preserve Van Houten's Landing Historic District (!308 Park Rockefeller Park Preserve Union Church of Pocantico Hills State Park Hopper, Edward, Birthplace and Boyhood Home Philipse Manor Railroad Station Untouched Wilderness Dutch Reformed Church Rockefeller, John D., Estate Historic Site Tappan Zee Playhouse Philipsburg Manor St. Paul's United Methodist Church US Post Office--Nyack Scenic Area Ross-Hand Mansion McCullers, Carson, House Tarrytown Lighthouse (!309 Harden, Edward, Mansion Patriot's Park Foster Memorial A.M.E. Zion Church Irving, Washington, High School Music Hall North Grove Street Historic District DATA SOURCES: NYS DOT, ESRI, NOAA, TDI, TRC, NEW YORK STATE DEPARTMENT OF Christ Episcopal Church Blauvelt Wayside Chapel (Former) First Baptist Church and Rectory ENVIRONMENTAL CONSERVATION (NYDEC), NEW YORK STATE OFFICE OF PARKS RECREATION AND HISTORICAL PRESERVATION (OPRHP) Old Croton Aqueduct Old Croton Aqueduct NOTES: (!310 1. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
PAPERS of the NAACP Part Segregation and Discrimination, 15 Complaints and Responses, 1940-1955
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier PAPERS OF THE NAACP Part Segregation and Discrimination, 15 Complaints and Responses, 1940-1955 Series B: Administrative Files UNIVERSITY PUBLICATIONS OF AMERICA PAPERS OF THE NAACP Part 15. Segregation and Discrimination, Complaints and Responses, 1940-1955 Series B: Administrative Files A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier PAPERS OF THE NAACP Part 15. Segregation and Discrimination, Complaints and Responses, 1940-1955 Series B: Administrative Files Edited by John H. Bracey, Jr. and August Meier Project Coordinator Randolph Boehm Guide compiled by Martin Schipper A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway * Bethesda, MD 20814-3389 Library of Congress Cataloglng-ln-Publication Data National Association for the Advancement of Colored People. Papers of the NAACP. [microform] Accompanied by printed reel guides. Contents: pt. 1. Meetings of the Board of Directors, records of annual conferences, major speeches, and special reports, 1909-1950 / editorial adviser, August Meier; edited by Mark Fox--pt. 2. Personal correspondence of selected NAACP officials, 1919-1939 / editorial--[etc.]--pt. 15. Segregation and discrimination, complaints and responses, 1940-1955. 1. National Association for the Advancement of Colored People-Archives. 2. Afro-Americans--Civil Rights--History--20th century-Sources. 3. Afro- Americans--History--1877-1964--Sources. 4. United States--Race relations-Sources. I. Meier, August, 1923- . -
Manhattan N.V. Map Guide 18
18 38 Park Row. 113 37 101 Spring St. 56 Washington Square Memorial Arch. 1889·92 MANHATTAN N.V. MAP GUIDE Park Row and B kman St. N. E. corner of Spring and Mercer Sts. Washington Sq. at Fifth A ve. N. Y. Starkweather Stanford White The buildings listed represent ali periods of Nim 38 Little Singer Building. 1907 19 City Hall. 1811 561 Broadway. W side of Broadway at Prince St. First erected in wood, 1876. York architecture. In many casesthe notion of Broadway and Park Row (in City Hall Perk} 57 Washington Mews significant building or "monument" is an Ernest Flagg Mangin and McComb From Fifth Ave. to University PIobetween unfortunate format to adhere to, and a portion of Not a cast iron front. Cur.tain wall is of steel, 20 Criminal Court of the City of New York. Washington Sq. North and E. 8th St. a street or an area of severatblocks is listed. Many glass,and terra cotta. 1872 39 Cable Building. 1894 58 Housesalong Washington Sq. North, Nos. 'buildings which are of historic interest on/y have '52 Chambers St. 1-13. ea. )831. Nos. 21-26.1830 not been listed. Certain new buildings, which have 621 Broadway. Broadway at Houston Sto John Kellum (N.W. corner], Martin Thompson replaced significant works of architecture, have 59 Macdougal Alley been purposefully omitted. Also commissions for 21 Surrogates Court. 1911 McKim, Mead and White 31 Chembers St. at Centre St. Cu/-de-sac from Macdouga/ St. between interiorsonly, such as shops, banks, and 40 Bayard-Condict Building. -
Plague Diary by Margaret Porter Troupe
Plague Diary Margaret Porter Troupe, Graham Court Apartments, Harlem, New York City April 4, 2020 By the time I start this diary, I’ve been sheltering in since March 20th. The last person who’s visited us inside the apartment was Monique Clesca. She came to lunch here. We sat apart and neither of us wore facemasks. We elbow bumped and didn’t shake hands or kiss. I waited 14 days to see if I had symptoms of Covid-19. The police arrived yesterday and made the people who hang out in A. Phillip Randolph Square Park, (formerly Dewey Square), drinking, loitering, littering, and just being an eyesore and nuisance, leave the park. This little triangular park is directly across the street from Graham Court and where Miles Davis and other beboppers playing at Minton’s during the 1940s used to come to shoot up or do whatever they did there in-between sets. Minton’s is around the corner on 118th Street between 7th Avenue and St. Nicholas. The police or parks people removed the benches too and put up a chicken-wire fence at the entrances to keep people out. Now those people come across the street and congregate under the scaffolding in front of Graham Court. There’s a lot of drug dealing going on too. It feels quite a bit more unsafe around here lately. Must keep antenna raised for trouble. Woke up today thinking about my friend Cynthia, who was sounding scary to me yesterday as we discussed how we’re both feeling. I’ve been having congestion the last eight days and she has been having symptoms too but don’t know whether to attribute them to her blood pressure medication, pollen (it’s Spring now and everything’s bursting in bloom) or the novel coronavirus, Covid-19. -
125Th Street, Harlem, NY
APOLLO ANNUAL REPORT 2016-17th 125 Street, Harlem, NY 1 TABLE OF CONTENTS APOLLO MUSIC APOLLO COMMUNITY LEADERSHIP Page 10 Page 16 Page 4 APOLLO DANCE APOLLO EDUCATION ELLA FITZGERALD Page 12 Page 18 CENTENNIAL CELEBRATION Page 6 APOLLO THEATER APOLLO IN THE MEDIA Page 13 Page 20 WOMEN OF THE WORLD Page 8 APOLLO SIGNATURE APOLLO CELEBRATIONS Page 14 Page 22 APOLLO PEOPLE STATEMENT OF Page 27 OPERATING ACTIVITY Page 24 APOLLO SUPPORTERS Page 28 STATEMENT OF FINANCIAL POSITION Page 26 JOIN THE APOLLO Page 30 “Since its inception, the Apollo Theater has been home to legendary and FROM OUR up-and-coming artists alike, serving as an ever-changing, driving force in popular music and culture, not only in Harlem but across the world.” LEADERSHIP Jonelle Procope, President and CEO of the Apollo Theater We are delighted to share this Annual Report highlighting It is an incredible honor to bring my voice to the Apollo’s the incredible accomplishments of the Apollo’s season. Key storied legacy and exciting future. My first season at the milestones from the 2016-2017 season include welcoming Apollo has been a whirlwind of inspiring and innovative Kamilah Forbes as the new Executive Producer; presenting performances and programs. I especially want to mention The First Noel, the first multi-week run of an Apollo-Presents the four-day Women of the World Festival, which was show on the iconic Mainstage; and welcoming popular anchored by a special tribute concert to the incomparable Brooklyn-based festival, Afropunk, for their first appearance artist/activist Abbey Lincoln. -
The Skeletal Biology, Archaeology and History of the New York African Burial Ground: a Synthesis of Volumes 1, 2, and 3
THE NEW YORK AFRICAN BURIAL GROUND U.S. General Services Administration VOL. 4 The Skeletal Biology, Archaeology and History of the New York African Burial Ground: Burial African York New History and of the Archaeology Biology, Skeletal The THE NEW YORK AFRICAN BURIAL GROUND: Unearthing the African Presence in Colonial New York Volume 4 A Synthesis of Volumes 1, 2, and 3 Volumes of A Synthesis Prepared by Statistical Research, Inc Research, Statistical by Prepared . The Skeletal Biology, Archaeology and History of the New York African Burial Ground: A Synthesis of Volumes 1, 2, and 3 Prepared by Statistical Research, Inc. ISBN: 0-88258-258-5 9 780882 582580 HOWARD UNIVERSITY HUABG-V4-Synthesis-0510.indd 1 5/27/10 11:17 AM THE NEW YORK AFRICAN BURIAL GROUND: Unearthing the African Presence in Colonial New York Volume 4 The Skeletal Biology, Archaeology, and History of the New York African Burial Ground: A Synthesis of Volumes 1, 2, and 3 Prepared by Statistical Research, Inc. HOWARD UNIVERSITY PRESS WASHINGTON, D.C. 2009 Published in association with the United States General Services Administration The content of this report is derived primarily from Volumes 1, 2, and 3 of the series, The New York African Burial Ground: Unearthing the African Presence in Colonial New York. Application has been filed for Library of Congress registration. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the U.S. General Services Administration or Howard University. Published by Howard University Press 2225 Georgia Avenue NW, Suite 720 Washington, D.C. -
The Impact of the Music of the Harlem Renaissance on Society
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1989 Volume I: American Communities, 1880-1980 The Impact of the Music of the Harlem Renaissance on Society Curriculum Unit 89.01.05 by Kenneth B. Hilliard The community of Harlem is one which is rich in history and culture. Throughout its development it has seen everything from poverty to urban growth. In spite of this the people of this community banded together to establish a strong community that became the model for other black urban areas. As a result of this millions have migrated to this community since the 1880’s, bringing with them heritages and traditions of their own. One of these traditions was that of music, and it was through music that many flocked to Harlem, especially in the 1920’s through 1950’s to seek their fortune in the big apple. Somewhere around the year 1918 this melting pot of southern blacks deeply rooted in the traditions of spirituals and blues mixed with the more educated northern blacks to create an atmosphere of artistic and intellectual growth never before seen or heard in America. Here was the birth of the Harlem Renaissance. The purpose of this unit will be to; a. Define the community of Harlem. b. Explain the growth of music in this area. c. Identify important people who spearheaded this movement. d. Identify places where music grew in Harlem. e. Establish a visual as well as an aural account of the musical history of this era. f. Anthologize the music of this era up to and including today’s urban music. -
DUNBAR APARTMENTS, I 49Th Street to I 50Th Street, Beh.Rcon 7Th Avenue and 8Th Avenue, Borough of Manhattan
Landmarks Preservation Commission July 14, 1970, Number 4 LP-0708 DUNBAR APARTMENTS, I 49th Street to I 50th Street, beh.rcon 7th Avenue and 8th Avenue, Borough of Manhattan. Begun 1926, completed 1928.; architect Andrew J. Thomas. Landmark Site: Borough of ~~anhattan Tax t~ap Block 2035, Lot I. On May 26, 1970, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Dunbar Apartments and the proposed designation of the related Landmark Site. (Item No. 28). The hearing had been duly advertised In accordance with the provisions of law. One witness spoke in favor of designation. There were no speakers in opposition to designation. The City's Landmarks Preservation program has been discussed with the owners of the Dunbar Apartments, and they have indicated that they have no objection to the proposed designation. DESCRIPTION AND ANALYSIS The Dunbar Apartments, named after the famous Black poet of the turn of the century, Paul Lawrence Dunbar (1872-1906), occupies the entire block bounded by 149th and !50th Streets and Seventh and Eighth Avenues. It was the first large cooperative built for Blacks and was Manhattan's earliest large garden apartment complex. Financed by John D. Rockefeller, Jr., and designed by the architect Andrew J. Thomas, the building was completed in 1928 and was destined, from the planning and sociological points of view, to occupy a pivotal place in the history of the Harlem community. The complex consists of six independent U-shaped bui !dings, containing 51 I apartments, and is clustered around a large interior garden court.